मंगलवार 4 मार्च 1969 की अव्यक्त मुरली

⁰> ¹04-03-69om shanti avyakt baapdaada madhuban

⁰> > 04-03-69 Om Shanti Avyakt Bapdada Madhuban

²“holi ke shubh avsar”

¹On the auspicious festival of Holi

³aaj aapki khaas holi hai kya?

²Is it a special Holi for you today?

⁴holi kaise manaai jaati hai?

³How is Holi celebrated?

⁵holi manaane aati hai?

⁴Do you know how to celebrate Holi?

⁶kaam ki holi kaun si hai?

⁵What is the Holi of the confluence age?

⁷vartamaan part anusaar holi kaise manaayenge?

⁶How will you celebrate Holi according to the present time?

⁸vartamaan samay kaun si holi manaane ki aavashyakta hai?

⁷According to the present time, what aspect of Holi has to be celebrated?

⁹holi mein kai baaten karni hoti hai।

⁸Many things have to be done at Holi.

¹⁰lag bhi jaata hai। ¹¹jalaaya bhi jaata hai aur saath-saath shrringaara bhi jaata hai।

⁹There is the colouring, the burning, the decorating and also the finishing.

¹²aur kuchh mitaana bhi hota hai। ¹³jo bhi baaten holi mein karni hai woh sabhi is samay chal rahi hai।

¹⁰All these things that have to be done at Holi are happening at the present time. ¹¹What do you have to bum?

¹⁴jalaana kya hai,mitaana kya hai, rangana kya hai aur shrringaarna kya hai?

¹²What do you have to finish? ¹³What do you have to colour? ¹⁴And what do you have to decorate?

¹⁵yeh sabhi kar lena isko kaha jaata hai manaana।

¹⁵To do all of this means to celebrate Holi.

¹⁶agar in chaaron baaton mein se kuchh kami hai to manaana nahin kahenge।

¹⁶If anything is lacking in these four aspects, it cannot be called celebrating Holi.

¹⁷holi ke dinon mein bahut sundar sajte hain।

¹⁷People dress and decorate themselves very beautifully at Holi.

¹⁸kaise sajte hain?

¹⁸How are they decorated?

¹⁹dev- taaon ke samaan।

¹⁹Like the deities.

²⁰aap sabhi saje hue hain?

²⁰Are all of you decorated?

²¹sajaavat mein koi kami to nahin hai। ²²sajaavat mein mukhya holi ka shrringaar kaunsa hota hai?

²¹There isn't anything lacking in the decorations, is there? ²²What is the main decoration of Holi?

²³saang jo banaate hain unhon ko pahle-pahle mastak mein bulb lagaate hain।

²³The fancy images; they create them and first put a bulb on the forehead.

²⁴yeh bhi is samay ki copy ki hui hai।

²⁴They have copied this from this time.

²⁵aap ka bhi kaam ka mukhya shrringaar hai mastak par aatma ka deepak jalaana। ²⁶iski nishaani balva jalaate hain।

²⁵Your main decoration at the confluence age is the lighting of the light of the soul on the forehead, and so they light a bulb as a symbol of this.

²⁷lekin yeh sabhi baaten hone liye holi ka arth yaad rakhna hai।

²⁶But in order for all of this to happen, remember the meaning of '"ho li."

²⁸' 'holi'' jo kuchh hua woh ho gaya। ²⁹ho liya।

²⁷"Ho li" means that which has happened is already passed; it is the past.

³⁰jo scene hui holi arthaat beet chuki।

²⁸Whatever scene has taken place is now the past.

³¹vartamaan samay jo pyaainta dhyaan mein rakhni hai woh hai yeh holi ki arthaat drama ke dhaal ki।

²⁹The point you need to pay attention to at present is the point of the shield of the drama, that is, that everything is the past.

³²jab aise majboot honge tab woh rang bhi pakka lag sakega।

³⁰When you become so strong you can be coloured permanently.

³³agar holi ka arth jeevan mein nahin laayenge to rang kachcha ho jaata hai।

³¹If you do not put the meaning of Holi into your practical life, the colour fades away.

³⁴pakka rang khaane ke liye har vakta socho ho li। ³⁵jo beeta ho hi gaya।

³²In order to be coloured permanently, think at every moment that everything has already passed.

³⁶aisi holi mana rahe ho?

³³Whatever happens has already happened.

³⁷va kabhi-kabhi drama ki scene dekhkar kuchh manthan chalta hai। ³⁸gyaan ka manthan doosri baat hai।

³⁴Are you celebrating such a Holi? ³⁵Or, is there sometimes some churning taking place on seeing the scenes of the drama?

³⁹lekin drama ki scene par manthan karna kyon, kya,kaise। ⁴⁰woh kis cheej ka manthan kiya jaata।

³⁶To churn the knowledge is one thing, but what is the churning about the scenes of the drama with the questions of why, what and how?

⁴¹dahi ko jab manthan kiya jaata hai tab makkhan nikalta hai।

³⁷When yoghurt is churned you are able to get butter.

⁴²agar paani ko manthan karenge to kya niklega?

³⁸But what will you get when you churn water? ³⁹Nothing at all.

⁴³kuchh bhi nahin। ⁴⁴result mein yahi hoga ek to thakaavat, doosra time vesta।

⁴⁰The result will just be that firstly, there will be tiredness, and secondly, it will be a waste of time.

⁴⁵isliye yeh hua paani ka manthan।

⁴¹Therefore, the questions are just the churning of water.

⁴⁶aisa manthan karne ke bajaaye gyaan ka manthan karna hai।

⁴²Instead of churning this, churn the knowledge.

⁴⁷saakaar roop mein last dinon mein service ki mukhya yukti kaun si sunaai thi?

⁴³What was the main yukti for service given to you in the final days of the corporeal form?

⁴⁸' 'gheraav daalna' ' double gheraav daalna hai ek to vaani dvaara service ka doosra- avyakt aakarshan ka।

⁴⁴To encircle everyone; you have to encircle everyone in two ways. ⁴⁵Firstly, through words while doing service and secondly, through the subtle, angelic attraction.

⁴⁹yeh aisa gharaav daalna hai jo khud na usse nikal saken, na doosre nikal saken।

⁴⁶Let the encircling be such that no one can get away. ⁴⁷The main method of encircling them is with the subtle, angelic attraction.

⁵⁰gheraav daalne ka dhang abhi tak practical mein dikhaaya nahin hai।

⁴⁸Let there be such encircling that neither you nor anyone else can get away.

⁵¹museum banaana to sahaj hai। ⁵²museum banaana yeh koi gheraav daalna nahin hai।

⁴⁹You have not yet shown the practical method of encircling. ⁵⁰It is easy to build a museum.

⁵³lekin apne avyakt aakarshan se unhon ko ghaayal karna yeh hai gheraav daalna।

⁵¹To build a museum is not encircling, but to be pierced by the subtle, angelic attraction means to be encircled.

⁵⁴woh abhi chal raha hai।

⁵²That is to happen now.

⁵⁵abhi service ka samay bhi jyaada nahin milega।

⁵³You will not have a lot of time for service now.

⁵⁶samasyaayen aisi khadi ho jaaengi jo aapke service mein bhi baadha padne ki sambhaavna hogi।

⁵⁴There will be such circumstances in front of you that will create the possibility of obstacles in your service.

⁵⁷isliye jo samay mil raha hai usmein jisko jitni service karni hai woh adhik se adhik kar len। ⁵⁸nahin to service ka samay bhi holi ho jaayega। ⁵⁹yaani beet jaayega।

⁵⁵This is why, with whatever time someone has available, whatever service someone is able to do should be done to the maximum extent now, otherwise even the time for service will have been and gone, that is, it will have passed away.

⁶⁰isliye ab apne ko aape hi jyaada mein jyaada service ke bandhan mein baandhana chaahiye।

⁵⁶This is why you tie yourself to the maximum extent in the bondage of service.

⁶¹is ek bandhan se hi anek bandhan mit jaate hain।

⁵⁷All the many other bondages will be finished through this one bondage.

⁶²apne ko khud eeshvareey seva mein lagaana chaahiye auron ke kahne se nahin।

⁵⁸Become engaged in Godly service. ⁵⁹Don't wait for someone to tell you to do something.

⁶³auron ke kahne se kya hoga?

⁶⁰What will happen if someone has to tell you?

⁶⁴aadha phal milega। ⁶⁵kyonki jisne kaha athva prerna di unki bhaaeevaari ho jaati hai।

⁶¹You will receive only half the fruit because the one who told you or gave you the inspiration also becomes a partner in that.

⁶⁶dukaan mein agar do bhaaeevaar (saajheedaar) ho to bantavaara ho jaata hai na!

⁶²When there are two partners in a shop, everything is shared out between them.

⁶⁷ek hai to woh maalik ho rehta hai।

⁶³If it belongs to only one, he is the master.

⁶⁸isliye agar kiske kahne se karte hain to us kaarya mein bhaaeevaari ho jaati hai।

⁶⁴This is why when you do something you have been asked to do, the reward of that is then distributed.

⁶⁹aur svayan hi maalik ban karke karte hain to saari milkiyat ke adhikaari ban jaate hain।

⁶⁵If you do it as a master, you claim a right to the entire property.

⁷⁰isliye harek ko maalik bankar karna hai lekin maalikapne ke saath-saath baalakpan bhi poora hona chaahiye।

⁶⁶This is why everyone must do everything as a master. ⁶⁷But together with being a master, you also have to be a child.

⁷¹kahaan-kahaan maalik bankar khade ho jaate hain,kahaan phir baalak hokar chhod dete hain। ⁷²to na chhodna hai na pakadna hai।

⁶⁸Sometimes, when you become a master you are caught up in that, and when you become a child you become irresponsible and leave everything aside.

⁷³pakadna arthaat jid se nahin pakadna hai।

⁶⁹You must not leave anything aside nor must you hold on to anything.

⁷⁴koi cheej ko agar bahut jor se pakda jaata hai to us cheej ka roop badal jaata hai na।

⁷⁰To be trapped by something means to hold it tight with stubbornness. ⁷¹When you hold something very tightly, the form of it changes.

⁷⁵phool ko jor se pakdon to kya haal hoga।

⁷²What will be the state of a flower if you hold it very tightly?

⁷⁶pakadna to hai lekin kahaan tak,kaise pakadna hai, yeh bhi samajhna hai।

⁷³Hold it, but to what extent? ⁷⁴And how? ⁷⁵This also has to be understood.

⁷⁷ya to pakadte atak jaate hain va chhodte hain to chhoot jaate hain।

⁷⁶Either you become trapped when you catch hold of something tightly or you let go of it.

⁷⁸donon hi samaan rahe yeh purushaartha karna hai।

⁷⁷Make the effort of being equal in both.

⁷⁹jo maalik aur baalak donon reeti se chalne vaala hoga unki mukhya parakh yeh hogi - ek to nirmaanta hogi uske saath nirhankaari,nirmaan aur saath-saath prem swaroop।

⁷⁸Those who continue to move along being a child as well as a master will have the main sign of firstly being creative and also egoless at the same time as being humble and the embodiment of love.

⁸⁰yeh chaaron hi baaten unke har chalan se dekhne mein aaengi।

⁷⁹You will be able to see all these four aspects in their every activity.

⁸¹agar chaaron mein se koi bhi kam hai to kuchh stage ki kami hai।

⁸⁰If any one out of the four is lacking, there is something lacking in the stage.

⁸²achha- ⁸³vatan mein aaj holi kaise kheli maaloom hai?

⁸¹Do you know how Holi was celebrated in the subtle region today?

⁸⁴sirf bachchon ke saath hi the।

⁸²It was only with the children.

⁸⁵aap bhi holi mana rahe ho na!

⁸³All of you are also celebrating Holi, are you not?

⁸⁶vahaan sandeshi aai to ek khel kiya।

⁸⁴When the trance messenger came, we played a game.

⁸⁷kaun sa khel kiya hoga?

⁸⁵What game did we play?

⁸⁸(aap le chalo to dekhe) buddhi ka vimaan to hai।

⁸⁶(If you take us there, we will be able to see it.) ⁸⁷You have the vehicle of the intellect.

⁸⁹buddhi ka vimaan to divya drishti se bhi achha hai।

⁸⁸The vehicle of the intellect is even better than divine vision.

⁹⁰yahaan to woh ho hi nahin sakta।

⁸⁹That game is not possible here.

⁹¹woh cheej hi nahin।

⁹⁰Those things do not exist here.

⁹²aaj suhejon ka din tha na!

⁹¹Today, it was the day of festivity.

⁹³to jab sandeshiyo vatan mein aai to saakaar ko chhipa diya।

⁹²So when the trance messenger came to the subtle region, the corporeal form was hidden away.

⁹⁴ek bahut sundar phoolon ki pahaadi banaai thi unke andar saakaar ko chhipaaya hua tha।

⁹³A very beautiful mountain of flowers was created and the corporeal form was hidden within that.

⁹⁵door se dekhne mein to pahaadi hi najar aati thi। ⁹⁶to jab sadeshi aai to saakaar ko dekha nahin।

⁹⁴Seen from a distance, it appeared to be just like a mountain, and so when the trance messenger went there, she did not see the sakar form.

⁹⁷bahut dhoodha dekhne mein hi nahin aaya।

⁹⁵She searched everywhere, but he was not visible.

⁹⁸phir achaanak hi jaise chhipne ka khel karte hain na! ⁹⁹aisa khel dekha।

⁹⁶Just as one plays the game of hide and seek, she saw the form in this way.

¹⁰⁰phoolon ke beech saakaar baitha hua najar aaya।

⁹⁷Sitting amidst the flowers was the corporeal form.

¹⁰¹woh scene badi achhi thi।

⁹⁸That scene was very beautiful. ⁹⁹Achcha.

¹⁰²avyakt baapdaada harek ko amrit kar bhog de rahe the aur ekaek se mulaakaat bhi kar rahe the। ¹⁰³khaas museum vaalon ko direction de rahe the avyakti aakarshan se museum aisa banaao jo koi bhi andar aaye, dekhe to ekdam aakarshit ho jaaye। ¹⁰⁴achha !

¹⁰⁰(Then Avyakt BapDada gave everyone nectar and bhog and had a special meeting with each one and gave special instructions to those who look after the museum to fill the museum with the subtle, angelic attraction so that whoever comes there is totally attracted by it.) ¹⁰¹* * * O M S H A N T I* * *