शनिवार 6 दिसंबर 1969 की अव्यक्त मुरली

⁰> ¹06-12-69 ōm śhānti avyakt bāpdādā madhuban

⁰> > 06-12-69 Om Shanti Avyakt Bapdada Madhuban

²“ saral svabhāv sē buddhi kō viśhāl aur dūrāndēśhī banāō ”

¹Make your intellect infinite and far-sighted with an easy nature.

³Āj key|kī sabhā mē̃ kaunsī viśhēṣh khuśhbū bhī hai aur viśhēṣh ākarṣhaṇ bhī hai  ?

²What special fragrance and what special attraction is there in today's gathering?

⁴Snēh tō sabhī kā hai hī .

³Everyone's love is there anyway.

⁵Āp kō kisliē bulāyā hai  ?

⁴Why have you been called?

⁶Aisē samajhē ki yah jō bhī sabhī āyē haĩ vah vāpas jānē kē liē taiyār hōkar āyē haĩ .

⁵Should one think that all those that have come here today, have come prepared to go back home?

⁷Ever ready jō hōtē haĩ vah sadaiv taiyār hī hōtē haĩ .

⁶Those who are ever-ready are always prepared.

⁸Bulāvā huā aur ēk second mē̃ apnā rahā huā sabhī kuchh samēṭ bhī saktē aur jump bhī dē saktē .

⁷As soon as they are called, they are able to pack up everything and take a high jump.

⁹Practical mē̃ dēkhā bhī nā ki drama K|kē bulāvē par kitnā time lagā  ?

⁸You saw in a practical form how much time Baba took to answer the call of the drama, did you not?

¹⁰Ēk taraph samēṭnā dūsrē taraph high jump dēnā . ¹¹Yah dōnō̃ scene dēkhī - yah drama mē̃ kisliē huā  ?

⁹On the one side, you have to pack up everything and on the other side, you have to take a high jump.

¹²Sikhlānē kē liē .

¹⁰You saw both these scenes.

¹³Tō aisē ever ready bannā paṛēgā .

¹¹Why did this happen in the drama? ¹²In order to teach you.

¹⁴Abhī ever ready key|kī line chālū hō gaī hai .

¹³You will have to be ever-ready to this extent.

¹⁵Is line K|kē andar kiskā bhī number ā saktā hai .

¹⁴Now, the line of those who are ever-ready has started.

¹⁶Jō sabhī K|kē saṅkalp mē̃ hai vah kabhī nahī̃ hōnā hai .

¹⁵Anyone can claim a number in this line. ¹⁶Whatever is in everyone's thoughts will never happen.

¹⁷Hōgā phir bhī anāyās hī .

¹⁷What is to happen will happen suddenly.

¹⁸Yah brāhmaṇ kul key|kī rīti-rasma chālū hō chukī hai .

¹⁸This custom and system of the Brahmin clan has already begun.

¹⁹Yah rīti-rasma bhī drama mē̃ kyō̃ banī huī hai , uskā bhī bahut gupta rahasya hai .

¹⁹There is a very deep secret within the drama, as to why this custom and system has been created.

²⁰Tō aisā puruṣhārth pahlē sē hī kar lō jō phauran samēṭ bhī sakō aur jump bhī K|kē sakō .

²⁰So make such effort in advance so that you are instantly able to pack up and take a high jump.

²¹Samēṭnē kī śhakti kismē̃ hō saktī hai  ?

²¹Who are the ones who have the power to pack up?

²²Jō saral svabhāv vālē hōṅgē usmē̃ samēṭnē kī śhakti sahaj ā saktī hai .

²²Those who have an easy nature are easily able to adopt the power to pack up.

²³Jō saral svabhāv vālā hōgā vah sabhī kā sahyōgī bhī hōgā .

²³Those who have an easy nature will also be co-operative with others.

²⁴Jō sabhī kā snēhī hōtā hai unkō sabhī dvārā sahyōg prāpt hōtā hai .

²⁴Those who have love for all will always receive cooperation from all.

²⁵Isliē sabhī bātō̃ kā sāmnā karnā vā samēnnā sahaj hī kar saktā hai .

²⁵This is why they are easily able to confront everything or pack up.

²⁶Aur jitnā saral svabhāv vālē hōṅgē utnā māyā cum|kam sāmnā karēgī .

²⁶To the extent that their nature is easy, Maya will confront them less.

²⁷Vah sabhī kō priya lagtā hai .

²⁷They are loved by all.

²⁸Saral svabhāv vālē kā vyarth saṅkalp kabhī nahī̃ chaltā . ²⁹Samay vyarth nahī̃ jātā .

²⁸Those with an easy nature never have waste thoughts nor is their time wasted.

³⁰Vyarth saṅkalp na chalnē K|kē kāraṇ unkī buddhi viśhāl aur dūrāndēśhī rahtī hai . ³¹Isliē unkē āgē kōī bhī samasyā sāmnā nahī̃ kar saktī .

²⁹Because of not having waste thoughts, their intellect remains broad and far­sighted, and therefore, no obstacle can confront them.

³²Jitnī saraltā hōgī utnī svachchhatā bhī hōgī .

³⁰The more there is easiness, the greater the cleanliness.

³³Svachchhatā sabhī kō apnē taraph ākarṣhit kartī hai .

³¹Cleanliness attracts everyone towards itself.

³⁴Svachchhatā arthāt sachchāī aur saphāī .

³²Cleanliness means honesty as well as being clean.

³⁵Sachchāī aur saphāī tab hōgī jab apnē svabhāv kō saral banāyēṅgē .

³³There will be honesty and cleanliness only when you have an easy nature.

³⁶Saral svabhāv vālā bahurūpī bhī ban saktā hai .

³⁴Those who have an easy nature can adopt many forms.

³⁷Kōmal chīz kō jaisē bhī rūp mē̃ lāō ā saktī hai .

³⁵You can give any form to something that is soft.

³⁸Tō ab gold banē hō lēkin gold kō ab agni mē̃ galāō tō mould bhī hō sakē .

³⁶So, although you have become gold, you must now melt that gold in the fire so that it can be moulded.

³⁹Is kamī K|kē kāraṇ service key|kī saphaltā mē̃ kamī paṛtī hai .

³⁷Due to weakness in this there is a lack of success in service.

⁴⁰Apnē kō kaisē mould karē iskē liē bhaṭṭhī mē̃ āyē hō .

³⁸You have come to the bhatthi to learn to mould yourself.

⁴¹Ēk hai mōṛnē key|kī śhakti aur dūsrī hai brake lagānē key|kī śhakti .

³⁹One is the power to mould and the other is the power to apply a brake.

⁴²Mōṛnā bhī hai tō kitnē samay mē̃  ?

⁴⁰How much time should you take to mould yourself?

⁴³Bhal mōṛnā ātā bhī hai lēkin kahā̃-kahā̃ samay bahut lag jātā hai .

⁴¹Although you know how to mould, you sometimes take a long time.

⁴⁴Samay na lagē vah saṅkalp karnā hai . ⁴⁵Saṅkalp kiyā aur siddha huā .

⁴²You have to have such thoughts that you don't take a long time.

⁴⁶Bhaṭṭhī sē aisā bankar K|kē nikalnā hai jō her|har saṅkalp her|har śhabda siddha hō .

⁴³The moment you have a thought, it should take a practical form.

⁴⁷Vah lōg riddhi-siddhi prāpt kartē haĩ lakin yahā̃ yōg key|kī riddhi-siddhi hai .

⁴⁴You have to emerge from the bhatthi in such a stage that each of your thoughts and words takes a practical form.

⁴⁸Yād kī riddhi-siddhi kyā hōtī hai , vah sīkhnā hai .

⁴⁵Those people attain occult powers, whereas here you attain powers through yoga.

⁴⁹Jō siddhi kō prāpt hōtē hai unkē saṅkalp , śhabda aur her|har karma siddha hōtā hai .

⁴⁶You have to learn what the powers of remembrance are. ⁴⁷The thoughts, words and actions of those who attain success are successful.

⁵⁰Ēk saṅkalp bhī vyarth nahī̃ uṭhēgā .

⁴⁸They will not have a single waste thought.

⁵¹Saṅkalp vah uṭhē̃gē jō siddha hōṅgē .

⁴⁹They will only have thoughts that are successful.

⁵²Sarvis-ēbul uskō kahā jātā hai jiskā ēk bhī saṅkalp binā siddhi K|kē na jāyē . ⁵³Athavā aisā kōī saṅkalp na uṭhnā chāhiē jō siddha hōnē vālā na hō .

⁵⁰Those who are serviceable will not have any thoughts that are not successful, and they should not have any thoughts that are not going to be successful.

⁵⁴Āp K|kē ēk-ēk saṅkalp key|kī value hai .

⁵¹Each thought of yours has value.

⁵⁵Lēkin jab apnī value kō khud rakhē̃gē tab anēk ātmāyē̃ bhī āp ratnō̃ key|kī value kō parakhēgī .

⁵²But only when you give value to yourself will others recognise the value of you jewels.

⁵⁶Is bhaṭṭhī sē harēk kā chēhrā chaitanya museum bankar nikalē .

⁵³The face of each of you when you emerge from this bhatthi should be like a living museum.

⁵⁷Aur museum tō bahut banāyē lēkin ab ēk-ēk kō apnē chēhrē kō chaitanya museum banānā hai .

⁵⁴You have built many museums, but now each of you has to make your face like a living museum.

⁵⁸Is chaitanya chēhrē K|kē museum mē̃ kitnē chitra hai  ?

⁵⁵How many images are there in this living museum of the face?

⁵⁹Is chēhrē K|kē museum mē̃ kaun-kaun sē chitra fit karē̃gē  ?

⁵⁶Which images will you place in the living museum of this face?

⁶⁰Museum mē̃ pahlē chitrō̃ key|kī phiṭiṅg kartē haĩ , bād mē̃ ḍēkōrēśan hōtā hai phir udghāṭan karānā hōtā hai phir opinion lēnā hōtā hai .

⁵⁷First of all, they position the images in the museums, and then they decorate them. ⁵⁸Then they have an inauguration, and then they ask others for their opinions.

⁶¹Tō āp K|kē is chaitanya museum mē̃ tīn mukhya chitra haĩ . ⁶²Bhr̥ikuṭī , nayan aur mukh .

⁵⁹So, there are three main images in your living museum: the forehead, the eyes and the mouth.

⁶³In dvārā hī āpkī smr̥iti , vr̥itti dr̥iṣhṭi aur vāṇī kā mālūm paṛtā hai .

⁶⁰It is only through these that others can know your consciousness, your attitude, your vision and your words.

⁶⁴Jaisē trimūrti , lakṣhmī nārāyaṇ aur sīṛhī yah tīn mukhya chitra haĩ nā .

⁶¹There are the three main pictures of the Trimurti, Lakshmi and Narayan and the ladder.

⁶⁵Ismē̃ sārā gyān ā jātā hai . ⁶⁶Vaisē hī is chēhrē K|kē andar yah chitra anādi fit haĩ .

⁶²Just as the entire knowledge is contained in these, in the same way, these images are eternally fitted in the face.

⁶⁷Inkī aisī ḍēkōrēśan hō jō dūr sē yah chitra apnē taraph ākarṣhaṇ karē . ⁶⁸Ākarṣhaṇ hōnē K|kē binā rah nahī̃ sakē̃gē .

⁶³The image should be decorated in such a way that it attracts others to itself from a distance, in such a way that others cannot stay without being attracted.

⁶⁹Āp lōg museum banātē hō tō kōśhiśh kartē hō nā ki chitra aisē decorate hō jō dūr sē ākarṣhaṇ karē . ⁷⁰Kiskō bulānā bhī na paṛē .

⁶⁴When you people build museums you try to decorate the pictures in such a way that they attract from a distance, so that you do not have to call anyone to come.

⁷¹Vaisē hī āp harēk kō apnā museum aisā taiyār karnā hai .

⁶⁵In the same way, each of you has to prepare your museum in this way.

⁷²Jō kuchh sunā hai uskō gahrāī sē sōchkar K|kē ēk-ēk raṅg mē̃ samā dēnā hai .

⁶⁶You have to think in depth about whatever you have heard and merge it into your every vein.

⁷³Jinhōnnē jitnā gahrāī sē sunā hai utnā apnē chalan mē̃ pratyakṣha rūp mē̃ lāyā hai  ?

⁶⁷To the extent that you think about it in depth, to that extent, you will bring it about in action and into your activity in a practical form.

⁷⁴Un saṅskārō̃ kō pratyakṣha karnē kē liē ēk-ēk bāt key|kī gahrāī mē̃ jāō aur apnē ēk-ēk rag mē̃ vah saṅskār samāō .

⁶⁸In order to reveal those sanskars, go into the depth of each aspect and merge each of those sanskars into your every vein.

⁷⁵Kōī bhī chīz kō kismē̃ samānā hōtā hai tō kyā karnā hōtā hai  ?

⁶⁹What do you have to do in order to incorporate one thing into something else?

⁷⁶Ēk tō gahrāī mē̃ jānā hōtā hai aur andar dabānā hōtā hai .

⁷⁰Firstly, you have to put it in very deep, and secondly, you have to press it down.

⁷⁷Kūṭnā paṛtā hai .

⁷¹You have to grind it in.

⁷⁸Kūṭnā arthāt harēk bāt kō mahīn banānā .

⁷²To grind it means to make every aspect refined.

⁷⁹Is bhaṭṭhī sē saṅskārō̃ kō pratyakṣha rūp mē̃ lānē key|kī pratigyā kar K|kē nikalnā hai .

⁷³You have to emerge from this bhatthi with the promise of bringing about those sanskars in a practical form.

⁸⁰Jitnā bāp kō pratyakṣha karē̃gē utnā khud kō pratyakṣha karē̃gē .

⁷⁴To the extent that you reveal the Father, to that extent, you will reveal yourself.

⁸¹Bāp kō pratyakṣha karnē sē āp key|kī pratyakṣhatā bāp kē sāth hī hai .

⁷⁵Included within your revelation of the Father is your own revelation.

⁸²Aisā bannā aur phir banānā hai . ⁸³Samjhā .

⁷⁶You have to become like this and make others the same.

⁸⁴Is saṅgaṭhan mē̃ aisī śhakti hai jō chāhē vah kar saktē haĩ .

⁷⁷Do you understand? ⁷⁸There is such power in this gathering that you can do whatever you want.

⁸⁵Sirph saṅkalp karē tō sr̥iṣhṭi badal saktī hai .

⁷⁹If you just have the thought, you can even change the world.

⁸⁶Aisī śhaktiśhālī ātmāyē̃ haĩ .

⁸⁰You are such powerful souls.

⁸⁷Lēkin ab saṅkalp kaunsā powerful karnā hai  ?

⁸¹But what powerful thought must you have now?

⁸⁸Uskō phir sē refresh karnā hai .

⁸²You have to refresh yourself with that once again.

⁸⁹Is madhuban kē liē hī gāyan hai ki kōī aisā-vaisā pāṅw nahī̃ rakh saktā .

⁸³It is for Madhuban that it is remembered: Not just anyone can step inside.

⁹⁰Madhuban hai saubhāgya key|kī lakīr .

⁸⁴Madhuban is the line of fortune.

⁹¹Uskē andar aur kōī pāṅw nahī̃ rakh saktā .

⁸⁵No-one else can step inside.

⁹²Āp sabhī kō bāpdādā samjhātē haĩ ki yah snēh key|kī lakīr hai jis snēh K|kē ghērāv K|kē andar bāpdādā nivās kartē haĩ .

⁸⁶BapDada explains to all of you that this is the line of love, and BapDada lives within the boundary of this love.

⁹³Iskē andar kōī ā nahī̃ saktā . ⁹⁴Chāhē bhal apnā śhīśh bhī utār kar rakhē .

⁸⁷No-one else can enter, not even if he were to cut off his head.

⁹⁵Sākār rūp mē̃ snēh milnā kōī chhōṭī bāt nahī̃ hai .

⁸⁸It is not a small thing to receive this love in the corporeal form.

⁹⁶Uskē liē tō āgē chalkar jab rōnā dēkhē̃gē tab āp lōgō̃ kō uskī value kā mālūm hōgā .

⁸⁹As you progress further, when you see others weep for it, then you will have value for it.

⁹⁷Rō-rōkar āp K|kē charaṇō̃ mē̃ girē̃gē .

⁹⁰They will fall at your feet, weeping.

⁹⁸Snēh key|kī ēk bū̃d key|kī pyāsī hō charaṇō̃ mē̃ girē̃gē .

⁹¹They will be thirsty for one drop of love and will fall at your feet.

⁹⁹Āp lōgō̃ nē snēh K|kē sāgar kō apnē mē̃ samāyā hai . ¹⁰⁰Vah ēk bū̃d K|kē bhī pyāsē rahē̃gē .

⁹²All of you have merged the Ocean of Love into yourselves, whereas they will remain thirsty for even one drop.

¹⁰¹Aisā saubhāgya kiskā hō saktā hai  ?

⁹³Who can have such a fortune?

¹⁰²Sarv sambandhō̃ kā sukh , rasnā jō āp ātmāō̃ mē̃ bharī huī hai vah aur kōī mē̃ nahī̃ hō saktī .

⁹⁴No-one else can have the happiness and sweetness of all relationships with which you souls are filled.

¹⁰³Tō drama mē̃ apnē itnē ū̃ch bhāgya kō sadaiv sāmnē rakhnā .

⁹⁵So within this drama always keep your elevated fortune in front of you.

¹⁰⁴Sāmnē rakhnē sē return dēnā āp hī yād āyēgā .

⁹⁶When you keep it in front of you, you will automatically be reminded about giving a return. ⁹⁷Achcha.

¹⁰⁵Achchhā  !

⁹⁸* * * O M S H A N T I* * *