गुरुवार 11 फ़रवरी 1971 की अव्यक्त मुरली

ध्यान दें: वाक्यों का संरेखण अक्षरों की संख्या पर आधारित है और पूरी तरह विश्वसनीय नहीं है।

आप पूरी मुरली या उसके किसी भाग का वाक्य संरेखण स्वयं सुधार सकते हैं।

हिंदी को ISO 15919 पर आधारित अनुकूलित लिप्यंतरण के साथ रोमन अक्षरों में भी दिखाया जाता है।

लिप्यंतरण कैसे पढ़ें

यह साइट ISO 15919 पर आधारित लिप्यंतरण का प्रयोग करती है। पढ़ना आसान बनाने के लिए c, ś और ṣ के बाद h तथा स्वर r̥ के बाद i जोड़ा जाता है। इन बदलावों से यह भारत में प्रयुक्त हंटरियन प्रणाली के करीब आता है, जबकि ISO 15919 के विशिष्ट चिह्न बने रहते हैं।

इस साइट पर किए गए बदलाव
ISO 15919इस साइट पर
cch
śśh
ṣṣh
r̥r̥i

पढ़ने के कुछ संकेत:

  • ā, ī, ū: अक्षर के ऊपर की रेखा दीर्घ स्वर दर्शाती है।
  • ṭ, ḍ, ṇ: नीचे का बिंदु मूर्धन्य व्यंजनों को t, d, n से अलग करता है।
  • स्वर के ऊपर टिल्ड चिह्न अनुनासिक उच्चारण दर्शाता है।

0> 111-02-71 ōm śhānti avyakt bāpdādā madhuban

0> > 16/08/09 Madhuban Avyakt BapDada Om Shanti 11/02/71

2Antaḥvāhak śharīr dvārā sēvā

1Service through the vehicle of the inner body.

3Ēk second mē̃ kitnā dūr sē dūr jā saktē hō , hisāb nikāl saktē hō  ?

2Can you calculcate how far you can go in onesecond?

4Jaisē marnē kē bād ātmā ēk second mē̃ kahā̃ pahũch jātī hai  !

3When a person dies, he goes so far away within one second.

5Aisē āp bhī antaḥvāhak śharīr dvārā  ; antaḥvāhak śharīr jō kahtē haĩ uskā bhāvārtha kyā hai  ?

4When you speak of the vehicle of the body within, what do you mean?

6Āp lōgō̃ kā jō gāyan hai ki antaḥvāhak śharīr dvārā bahut sair kartē thē , uskā arth|earth kyā hai  ?

5What is the meaning of the saying, "You used to travel around with the vehicle of the body within"?

7Yah gāyan sirph divya-dr̥iṣhṭi vālō̃ kā nahī̃ hai lēkin tum sabhī kā hai .

6This praise is not just of those who have divine vision, but it is also of all of you.

8Yah lōg tō antaḥvāhak śharīr kā apnā arth|earth batātē haĩ . 9Lēkin yathārth arth|earth yahī hai ki ant K|kē samay key|kī jō āp lōgō̃ key|kī karmātīt avasthā key|kī sthiti hai vah jaisē vāhan hōtā hai nā .

7Those people have their own meaning of the vehicle of the body within, but the accurate meaning is that your final karmateet stage at the end is like a vehicle.

10Kōī na kōī vāhan dvārā sair kiyā jātā hai . 11Kahā̃ kā kahā̃ pahũch jātē haĩ  !

8You travel around in one or another vehicle; you can go from one place to another very far away.

12Vaisē jab karmātīt avasthā ban jātī hai tō yah sthiti hōnē sē ēk second mē̃ kahā̃ kā kahā̃ pahũch saktē haĩ .

9In the same way, when you attain your karmateet stage, then because of this stage, you are able to travel very far away within onesecond.

13Isliē antaḥvāhak śharīr kahtē haĩ .

10This is why it is said, the vehicle of the body within.

14Vāstav mē̃ yah antim sthiti kā gāyan hai .

11In fact, it is the praise of the final stage.

15Us samay āp is sthūl svarūp K|kē bhān sē parē rahtē hō , isliē inkō sūkṣhma śharīr bhī kah diyā hai . 16Jaisē kahāvat hai - - uṛnē vālā ghōṛā .

12At that time, you are beyond the consciousness of the physical form, and this is why they have even called it the subtle body, just as there is the saying about the flying horse.

17Tō is samay K|kē āp sabhī K|kē anubhav key|kī yah bātē̃ haĩ jō kahāniyō̃ K|kē rūp mē̃ banāī huī haĩ .

13So it is the experience of your present time that has been related in the form of stories.

18Ēk second mē̃ order kiyā yahā̃ pahuñchō  ; tō vahā̃ pahũch jāyēgā .

14When you give an order to go somewhere, it would take you there within onesecond.

19Aisā apnā anubhav kartē jātē hō  ?

15Do you have this experience?

20Jaisē ājkal science bhī speed kō quick karnē mē̃ lagī huī hai .

16Nowadays, science is trying tospeed everything up to be quick.

21Jahā̃ tak hō saktā hai ‘ samay cum|kam aur saphaltā jyādā ’ kā purūṣhārth kar rahē haĩ .

17They are making as much effort as possible for greater success through less time.

22Aisē hī āp lōgō̃ kā purūṣhārth bhī her|har bāt mē̃ speed kō baṛhānē kā chal rahā hai .

18In the same way, you are all also trying to increase thespeed in everything.

23Jitnī-jitnī jiskī speed baṛhēgī utnā hī apnē final stage K|kē nazdīk āyēṅgē .

19The more someone's speed increases, the closer he will come to thefinal stage.

24Speed sē stage tak pahũchēṅgē .

20Through your speed, you reach your stage.

25Apnī speed sē stage kō parakh saktē hō .

21You can recognise yourstage from your speed.

26Abhī sabhī mahān parv śhivrātri manānē kā plan banā rahē hō , phir navīntā kyā sōchī hai  ?

22All of you are now makingplans to celebrate the greatest festival of Shiv Ratri. 23So, what newness have you thought of?

27 ( jhaṇḍā laharāyēṅgē ) apnē-apnē sēvākēndrō̃ par jhaṇḍā bhalē laharāō lēkin harēk ātmā K|kē dil par bāp key|kī pratyakṣhatā kā jhaṇḍā laharāō .

24(We will hoist flags.) 25You may hoist a flag at your own centres, but also hoist the flag of the revelation of the Father in the heart of each soul.

28Vah tab hōgā jab śhakti-svarūp key|kī pratyakṣhatā hōgī .

26That will only happen when the embodiment of power is revealed.

29Śhakti-svarūp sē hī sarvśhaktivān kō pratyakṣha kar saktē hō .

27You can only reveal the One with all powers through your being an embodiment of power.

30Śhakti-svarūp arthāt sãhārī aur alaṅkārī .

28An embodiment of power means to be a destroyer and one with all the ornaments.

31Jis samay stage par ātē hō us samay pahlē apnī sthiti key|kī stage achchhī tarah sē ṭhīk banākar phir us stage par āō , jissē lōgō̃ kō āpkī āntarik stage kā sākṣhātkār hō .

29Before you go onto astage, you first of all prepare your internal stage very well and then go onto thestage, and, through this, people have a vision of your internalstage.

32Jaisē aur taiyāriyā̃ kartē hō , vaisē yah bhī apnī taiyārī dēkhō ki alaṅkārī bankar stage par ā rahī hū̃ .

30Just as you make all other preparations, in the same way, check that you are going onto thestage as someone who has adopted all the ornaments.

33Light-house , māiṭ-hāus - - dōnō̃ hī svarūp emerge rūp mē̃ hō̃ .

31Both forms of alighthouse and a ‘might-house’ should be in an emerged form.

34Jab dōnō̃ svarūp hōṅgē tab ṭhīk rīti sē guide ban sakē̃gē .

32Only when you are both these forms will you be able to be a goodguide.

35Āpkē ‘ bāp ’ śhabda mē̃ itnā snēh aur śhakti bharī huī hō jō yah śhabda gyān-añjan kā kām karē , anāth kō sanāth banā dē .

33When you say “Father” that word should be filled with so much love and power that it works like the ointment of knowledge, that it makes orphans into those who belong to the Lord.

36Is ēk śhabda mē̃ itnī śhakti bharō .

34Fill just this one word with so much power.

37Jis samay stage par ātē hō us samay key|kī sthiti ēk tō taras kī hō , dūsrī taraph kalyāṇ key|kī bhāvnā , tīsrī taraph ati snēh K|kē śhabda , chauthī taraph svarūp mē̃ śaktipan key|kī jhalak hō .

35At the time when you go onto astage, firstly let your stage be that of mercy, secondly, have feelings of benefit, thirdly, your words should be filled with love, and fourthly, let there be the sparkle of power in your form.

38Apnī smr̥iti aur sthiti kō aisā powerful banākar aisē samjhō ki apnē kaī samay K|kē pukārtē huē bhaktō̃ kō apnē dvārā bāp kā sākṣhātkār karānē kē liē āī hū̃ .

36Make your awareness and your stage sopowerful that you think you have come to grant a vision of the Father through yourself to your devotees who have been calling out for a long time.

39Is rīti sē apnē rūhānī rūp , rūhānī dr̥iṣhṭi , kalyāṇkārī vr̥itti dvārā bāp kō pratyakṣha kar saktī hō .

37In this way, you can reveal the Father through your spiritual form, your spiritual vision and your attitude of bringing benefit.

40Samjhā , kyā karnā hai  ?

38Do you understand what you have to do?

41Sirph bhāṣhaṇ key|kī taiyārī nahī̃ karnī hai . 42Lēkin bhāṣhaṇ key|kī taiyārī aisī karō jō bhāṣhaṇ dvārā bhāṣhā sē bhī parē sthiti mē̃ lē jānē kā anubhav karāō .

39You must not just make preparations for lectures, but make such preparations for a lecture that through that lecture you give the experience of the stage of going beyond words (sound).

43Bhāṣhaṇ key|kī taiyārī jyādā kartē haĩ lēkin rūhānī ākarṣaṇ-svarūp key|kī smr̥iti mē̃ rahnē key|kī taiyārī par attention cum|kam dētē haĩ .

40You have been paying greaterattention to preparing for the lectures and less attention to staying in the consciousness of the form of spiritual attraction.

44Isliē is bārī jyādā taiyārī is bāt key|kī karnī hai .

41Therefore, this time, you have to make greater preparations for this.

45Harēk K|kē dil par bāp K|kē sambandh K|kē snēh key|kī chhāp lagānī hai .

42You must stamp everyone's heart with the stamp of a relationship with the Father.

46Achchhā .

43Achcha.

47Madhuban vālē kyāsarvisakarēṅgē  ?

44What service will those of Madhuban do?

48Madhuban vālō̃ kō us din khās bāpdādā avyakt vatan mē̃ ānē kā nimantraṇ dē rahē haĩ .

45BapDada is especially giving Madhuban residents an invitation to the subtle region.

49Vahā̃ vatan mē̃ ākar sabhī taraph key|kī service kō dēkh sakē̃gē .

46You will be able to see theservice taking place everywhere when you come to the subtle region.

50Śhām 7 sē 9 bajē tak yah dō ghaṇṭē khās sair karāyēṅgē .

47Baba will especially take you on a tour in the evening from 7.00 pm to 9.00 pm.

51Jaisē sandēśhiyō̃ kō lē jātē haĩ - sabhī sthānō̃ key|kī sair karānē , isī rīti sē madhuban vālō̃ kō yahā̃ baiṭhē huē sarv sthānō̃ key|kī sarvisakī sair karāyēṅgē .

48Just as the trance messengers were taken on a tour of all the places, in the same way, Baba will take the Madhuban residents on a tour of theservice at all the places.

52Agar binā mēhnat K|kē sārā sair kar lō tō aur kyā chāhiē .

49What more do you want when you can go on a tour without any effort?

53Isliē madhuban vālē us din apnē kō is sthūl dēh sē parē avyakt vatan vāsī samajhkar baiṭhē̃gē tō sārē din mē̃ kaī anubhav karē̃gē .

50Therefore, on this day, if the Madhuban residents consider themselves to be residents of the subtle region, and stay beyond the consciousness of the physical body, they will have many experiences.

54Phir sunānā , kyā anubhav kiyā .

51You can then relate the experiences you have to Baba.

55Us din agar apnā thōṛā bhī purūṣhārth karē̃gē tō sahaj hī anōkhē bhinn-bhinn anubhav karnē K|kē vardān kō pā sakē̃gē .

52If, on this day, you make even a little effort, you will easily receive the blessing of having various, unique experiences. 53Do you understand?

56Samjhā  ? 577 sē 9 śhām kō khās yād kā programme rakhnā .

54Have a special yogaprogramme from 7.00 pm to 9.00 pm.

58Yū̃ tō sārē din kā hī nimantraṇ dē rahē haĩ . 59Lēkin viśhēṣh yah sair kā samay hai .

55In fact, you are being given an invitation for the whole day, but this is the special time for going on a tour.

60Aisē samay par harēk yathā śhakti anubhav kar sakē̃gē .

56At this time, each of you will be able to have experiences according to your capacity.

61Madhuban vālē viśhēṣh snēhī haĩ , isliē viśhēṣh nimantraṇ hai .

57Madhuban residents are especially loving, and Baba is therefore giving you a special invitation.

62Sirph buddhi dvārā apnē is dēh K|kē bhān sē alag hōkar baiṭhnā , phir drama mē̃ jō anubhav hōnē haĩ vah hōtē rahē̃gē .

58Simply use your intellect to become detached from the consciousness of the body, and you will then have whatever experiences you are to have according to thedrama.

63Sandēśhiyō̃ kē liē tō sākṣātkārakômanabāt hai lēkin buddhi dvārā bhī aisē anubhav kar saktē hō .

59Visions are common things for trance messengers, but you can have such experiences even with your intellect.

64Itnā spaṣhṭ hōgā jaisē in āṅkhō̃ sē dēkhā huā anubhav hai .

60It will be as clear as though it is an experience seen through your eyes.

65Achchhā .

61Achcha.

66Teachers kē sāth mulākāt

62With the Teachers:

67Is group kō kaunsā group kahē̃  ?

63What should thisgroup be called?

68 ( speakers group ) speakers arthāt speech karnē vālē .

64(Speakers’ Group.) 65Speakers are those who give aspeech.

69Speech kē sāth speed bhī hai  ?

66As well as speech, is there also speed?

70Kyōṅki speech K|kē sāth-sāth agar purūṣhārth key|kī speed bhī hai tō aisē speech karnē vālē K|kē prabhāv sē viśhva kā kalyāṇ hō saktā hai .

67Because, together withspeech, when there is speed in effort, then, through the influence of those who givespeeches, there can be benefit for the world.

71Agar speed K|kē binā speech hai , tō viśhva kā kalyāṇ hōnā muśhkil hō jātā hai .

68If your speech is withoutspeed, it would be difficult for there to be benefit for the world.

72Tō aisē kahē̃ ki yah speech aur speed mē̃ chalnē vālē group haĩ .

69So you can say that this is the group of those who givespeeches and who move with speed.

73Jinhō̃ key|kī speech bhī powerful , speed bhī powerful hai unkō kahtē haĩ viśvakalyāṇakārī , ‘ master duḥkh-harttā sukh-karttā ’ .

70Those whose speech ispowerful and whose speed is also powerful are called world benefactors,master removers of sorrow and bestowers of happiness.

74Tō aisē kārya mē̃ lagē huē hō  ?

71So, are you engaged in such a task?

75Jō ‘ duḥkh-harttā sukh - karttā ’ hōtā hai vah svayã is duniyā key|kī lahar sē bhī parē hōgā aur unhō̃ key|kī speech bhī duḥkh key|kī lahar sē parē lē jānē vālī hōgī . 76Aisī stage par ṭhahar kar speech kartē hō  ?

72Those who are removers of sorrow and bestowers of happiness are themselves beyond the waves of this world, and theirspeech will also be that which takes others beyond the waves of sorrow.

77Speech tō stage par ṭhahar kar kī jātī hai tō āp kis stage par ṭhahar speech kartē hō  ?

73Do you give aspeech while remaining stable in such a stage? 74A speech is always given while standing on astage.

78Jō bāhar key|kī banī huī stage hōtī hai us par  ?

75So, on what stage do you stand when you give a speech?

79Speaker kō jis samay kōī sthūl stage par jānā hōtā hai , tō pahlē apnī sthiti key|kī stage taiyār hai vā nahī̃ - yah check kartā hai .

76On the externalstage? 77When a speaker has to go onto a physical stage he first has tocheck whether his internal stage is ready or not.

80Aisē stage par ṭhahar kar speech karnē vālē kō kahtē haĩ śhrēṣhṭh speaker .

78Those who givespeeches while remaining in such a stage are called elevatedspeakers.

81Jaisē sthūl stage kō taiyār karnē kē liē bhī kitnā samay aur pariśhram kartē haĩ . 82Aisē hī apnī sthiti key|kī stage sadaiv taiyār rahē - uskē liē bhī itnā hī purūṣhārth kartē hō  ?

79Just as you give so much time to preparing a physicalstage, do you make just as much effort in the same way to make sure that your internalstage remains just as ready?

83Aisī powerful stage par ṭhahar speech karnē vālē kā yahā̃ ābū mē̃ yādgār hai .

80What is the memorial in Abu of those who givespeeches while remaining stable in such a powerful stage?

84Kaunsā  ?

81(Dilwala Temple.)

85 ( dilvālā ) , dilvālā tō yād kī yātrā kā yādgār hai .

82The Dilwala temple is a memorial of the pilgrimage of remembrance.

86Gaūmukh nahī̃ dēkhā hai  ? 87Gaūmukh kiskā yādgār hai  ?

83Have you not seen the Gaumukh (mouth of the cow)?

88Yah mukh kā yādgār hai .

84What is the Gaumukh the memorial of?

89Jaisē bāp kā yādgār hai gaūmukh . 90Kyōṅki mukh dvārā hī sārā spaṣhṭ kartē haĩ , isliē mukh kā yādgār hai .

85It is the memorial of the mouth, just as the memorial of the Father is Gaumukh, because He clarifies everything through the mouth.

91Speaker kā bhī kām mukh sē hai , lēkin aisē jō śhrēṣhṭh stage par ṭhahar kar speech kartē haĩ .

86This is why there is the memorial of the mouth. 87Aspeaker has to work through the mouth, but in such a way that you give aspeech while in an elevated stage.

92Sadaiv ever ready stage hō .

88You should constantly have anever-ready stage.

93Aisē nahī̃ ki samay par taiyār karnī paṛē .

89It shouldn't be that you have to prepare it at that time.

94Ever ready stage hōnē sē jō prabhāv hōtā hai , vah bahut achchhā paṛtā hai .

90When you have anever-ready stage, the impression of that is very good.

95Isliē pūchhā ki prabhāvśhālī hō  ?

91This is why Baba asked if you were influential.

96Is group kō prabhāvśhālī group kahē̃  ?

92Should this group be called the influentialgroup?

97Sabhīsarṭiphikēṭadēṅgē  ?

93Will everyone give this certificate?

98 ( achchhā group hai ) agar āp certificate dētī hō tō phir yah sarv kō satisfy karnē vālē bhī hōṅgē .

94(It is a goodgroup.) 95If you give this certificate, they will also be those whosatisfy everyone.

99Santuṣhṭamaṇiyā̃ tō hō nā .

96You are jewels of contentment, are you not?

100Ismē̃ ‘ hā̃ ’ kartē hō  ?

97Do you say “yes” to this?

101Agar khud santuṣhṭamaṇiyā̃ haĩ tō aurō̃ kō bhī santuṣhṭ karē̃gē . 102Teachers kā bhī paper hōtā hai , kaisē  ?

98If you yourselves are jewels of contentment you will be able to make others content.Teachers are also given a paper.

103 ( teacher kā paper sūkṣhmavatan sē ātā hai ) teacher kā paper kadam-kadam par hōtā hai .

99How? 100(Their paper will come from the subtle region.) 101Ateacher takes a paper at every step.

104Jō bhī kadam uṭhātē hō vah aisā hī samajhkar uṭhānā chāhiē ki paper hall|hāl mē̃ baiṭhkar kadam uṭhātī hū̃ .

102Whatever step you take, always think that you are sitting in the examinationhall and taking that step.

105Kyōṅki speaker arthāt stage par baiṭhē haĩ .

103A speaker means one who is sitting on astage.

106Tō jō sāmnē stage par hōtā hai uskē ūpar sabhī key|kī nazarahōtī hai .

104Everyone's vision is on those who are sitting in front of them on thestage.

107Āp lōg bhī ūñchī stage par baiṭhē hō .

105All of you are also sitting on an elevated stage.

108Anēk ātmāō̃ key|kī nigāh āp lōgō̃ K|kē kadam par hai .

106The vision of many souls is on the steps you take.

109Tō āpkō kadam-kadam par aisā attention sē kadam uṭhānā hai .

107So you have to take every step with suchattention.

110Agar ēk kadam bhī ḍhīlā vā kuchh bhī nīchē-ūpar uṭhtā hai tō anēk āp lōgō̃ kō follow karē̃gē .

108If you take even one step out of line, or fluctuate a little, many others willfollow you.

111Isliē teachers kō jō bhī kadam uṭhānā hai vah aisā sōchkar uṭhānā hai . 112Kyōṅki tājdhārī banē hō nā .

109Therefore, whatever steps you teachers take, you have to take them after careful consideration, because you are wearing a crown, are you not?

113Tāj kaunsā milā hai  ?

110What crown have you received?

114Zimmēvārī kā tāj .

111The crown of responsibility.

115Jitnī baṛī jimmēvārī utnā baṛā tāj .

112The greater the responsibility you have, the bigger the crown.

116Tō jō baṛī jimmēvārī milī huī hai , tō apnē kō aisē nimitt banē huē samajhkar K|kē phir kadam uṭhāō .

113So, since you have received such a huge responsibility, you must take every step while considering yourself to be an instrument.

117Abhī albēlāpan nahī̃ .

114You must not be careless now.

118Tāj va takht-dhārī bannē kē bād albēlāpan samāpt hō jātā hai .

115Carelessness finishes when you are wearing a crown and are seated on a throne.

119Albēlāpan arthāt purūṣhārth mē̃ alabē - lāpan .

116Carelessness means carelessness in effort.

120Is group kō sadaiv yah samajhnā chāhiē ki jō bhī kadam vā karma hōtā hai vah her|har karma viśhva kē liē ēk example bankar K|kē rahē . 121Kyōṅki āp lōgō̃ K|kē in karmō̃ kā kahāniyō̃ K|kē rūp mē̃ yādgār banēgā .

117Thisgroup should always think that, whatever step you take or action you perform, it should remain anexample to the world, because your actions will become memorials in the form of stories. 118These activities of yours will become worthy of praise.

122Āp lōgō̃ K|kē yah charitra gāyan yōgya banē̃gē .

119Do you move along while considering yourself to be responsible to this extent?

123Itnī zimmēvārī samajhkar K|kē chaltē hō  ?

120This is the speciality of thegroup that is responsible.

124Yah is zimmēvār group key|kī viśhēṣhatāyē̃ haĩ . 125Jō jitanāzimmēvār utnā hī halkā bhī rahēgā .

121To the extent that you remain responsible, accordingly, you will also remain light. 122Achcha.

126Achchhā .

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