Avyakt murli for Saturday 25 January 1969

⁰> 25-01-69om shanti avyakt baapdaada madhuban ¹"samarpan ki oonchi stage – shvaanson shvaans smriti"

⁰> > 25-01-69 Om Shanti Avyakt Bapdada Madhuban ¹The highest stage of surrender is to have remembrance in every breath. ²Whilst being stable in the avyakt stage, see the avyakt in the corporeal form.

²avyakt sthiti mein sthit hokar avyakt ko vyakta mein dekho ।

³Today, Baba is asking you a question: Have you completely surrendered? ⁴(We are already surrendered.)

³aaj ek prashn poochh rahe hain ।

⁵Is this everyone's thought, or does someone have another thought?

⁴sarva samarpan bane ho?

⁶What is total surrender?

⁵(sarva samarpan hain hi) yeh sabhi ka vichaar hai ya aur koi ka koi aur vichaar hai?

⁷The consciousness of the body is also included in everything. ⁸If the body is taken away, another one will have to be given.

⁶sarva samarpan kisko kaha jaata hai?

⁹But you have to break the consciousness of the body and become surrendered.

⁷sarva mein yeh deh ka bhaan bhi aata hai ।

¹⁰What do you think? ¹¹Have you totally surrendered even the consciousness of the body?

⁸deh le lenge to deni bhi padegi ।

¹²Have you died, or are you still continuing to die?

⁹lekin deh ka bhaan todkar samarpan banna hai ।

¹³You are bodiless in terms of the relations of the body and the thoughts of the mind.

¹⁰aap kya samajhte ho?

¹⁴Only when the consciousness of the body is totally finished can it be said that your life is totally surrendered. ¹⁵There is praise for the perfect stage of only those who have renounced everything and have a totally surrendered life. ¹⁶When you have become perfect, you go with Baba, but will it be with the body or as the soul? ¹⁷You had thought about this, so why did you not do it practically?

¹¹deh ke abhimaan se bhi sampoorn samarpan bane ho?

¹⁸In the beginning, you had the thought that if Baba goes, you will also go with him. ¹⁹So why did you not do it?

¹²mar gaye ho va marte rehte ho?

²⁰This is also a sign of love; it is a sign of breaking all other relationships and forging all relationships with One.

¹³deh ke sambandh aur man ke sankalpon se bhi tum dehi ho ।

²¹It is a sign of the final time. ²²Since you had said this, why did you not renounce your body? ²³Are you able to renounce it?

¹⁴yeh deh ka abhimaan bilkul hi toot jaae tab kaha jaae sarva samarpanmay jeevan ।

²⁴You cannot renounce it now whilst there are still the karmic accounts with your body. ²⁵You definitely have to settle all karmic accounts either by yoga or suffering.

¹⁵jo sarva tyaagi, sarva samarpan jeevan vaala hoga unki hi sampoorn avastha gaai jaayegi ।

²⁶If there are any severe karmic accounts, this body will remain; it cannot be renounced. ²⁷In the same way, you are surrendered anyway, but now the stage of surrender has become even higher.

¹⁶aur jab sampoorn ban jaayenge to saath jaayenge ।

²⁸Surrender means to have remembrance in every breath; you should not forget Baba even on one breath.

¹⁷aapne shuru mein sankalp kiya tha na ki baba jaayenge to ham bhi saath jaayenge ।

²⁹Each breath should be in remembrance, and so what would be the sign of someone who does this? ³⁰What will be visible on his face?

¹⁸phir aisa kyon nahin kiya?

³¹What will be on his face? ³²Do you know? ³³(Cheerfulness.)

¹⁹yeh bhi ek sneh hai ।

³⁴Will there be anything else apart from cheerfulness? ³⁵Whatever is the extent of someone's tolerance, his power increases accordingly. ³⁶Those who stay in remembrance in their every breath must definitely have the virtue of being tolerant. ³⁷And because of being tolerant, their cheerfulness and power will be visible, there won't be any signs of weakness on their face.

²⁰aur sang tod ek sang jodne ki yeh chain hai jo ant samay ki nishaani hai ।

³⁸Sometimes, the words emerge from your mouth: How can I do this? ³⁹What will happen? ⁴⁰These words of weakness should not emerge.

²¹jab kaha tha to kyon nahin shareer chhoda?

⁴¹Only when they come into the mind do they emerge in words. ⁴²But they should not enter the mind.

²²chhod sakte ho?

⁴³Manmanabhav and madhyajibhav!

²³abhi chhoot bhi nahin sakta ।

⁴⁴The meaning of manmanabhav is very deep.

²⁴kyonki jab tak hisaab-kitaab hai,apne shareer se tab tak chhoot nahin sakta ।

⁴⁵Just as the drama continues to move second by second, in the same way, the stage of the mind should move in a straight line following the rails of the drama. ⁴⁶It should not fluctuate even a little bit.

²⁵yog se ya bhog se hisaab-kitaab chuktu zaroor karna padta hai ।

⁴⁷Whether in thoughts or in words, your stage should be like that. ⁴⁸Sometimes whilst moving on the rails of the drama, you come to a halt.

²⁶koi bhi kada hisaab-kitaab raha hua hai to yeh shareer rahega ।

⁴⁹Sometimes the mouth says something. ⁵⁰Sometimes the stage of the mind fluctuates and then only later do you catch hold of the stage.

²⁷chhoot nahin sakta ।

⁵¹This also becomes like a stain.

²⁸vaise to samarpan ho hi lekin ab samarpan ki stage oonchi ho gai hai ।

⁵²Achcha. ⁵³There is something else that until now has only been spoken of in words, but has not yet happened practically.

²⁹samarpan usko kaha jaata hai jo shvaanson shvaans smriti mein rahe ।

⁵⁴What is it that has only been spoken about but not yet happened practically? ⁵⁵You just heard about the shield of the drama.

³⁰ek bhi shvaans vismriti ka na ho ।

⁵⁶Baba was also telling you something else. ⁵⁷The time is close.

³¹har shvaans mein smriti rahe aur aise jo honge unki nishaani kya hai?

⁵⁸And so according to the time, the stage of being introverted, of going beyond sound, of being avyakt whilst engaged in action, should be visible and that is still lacking.

³²unke chehre par kya najar aayega?

⁵⁹Your business has to continue but developing this stage should also continue.

³³kya unke mukh par hoga, maaloom hai ?

⁶⁰Both these should happen together equally. ⁶¹At the moment, they are not.

³⁴(harshitmukh) harshitmukhta ke sivaae aur bhi kuchh hoga? ³⁵jo jitna sahansheel hoga unmein utni shakti badhegi ।

⁶²Now, sakar Baba is stable in the avyakt form, but you children will only be able to have the alokik experience of an avyakt meeting if you are stable in the avyakt stage.

³⁶jo shvaanson shvaans smriti mein rehta hoga usmein sahanshi- lata ka gun zaroor hoga aur sahansheel hone ke kaaran ek to harshit aur shakti dikhaai degi ।

⁶³There is one other main thing: at present, your attention is being drawn to it, and so there should be this to a greater extent within yourself. ⁶⁴What is that? ⁶⁵Does anyone know? ⁶⁶You were told of it by the corporeal form also to wake up at amrit vela.

³⁷unke chehre par nirbalta nahin ।

⁶⁷The atmosphere of amrit vela will remain the same.

³⁸yeh jo kabhi-kabhi mukh se nikalta hai, kaise karen, kya hoga, yeh jo shabd nirbalta ke hain,woh nahin nikalne chaahiye ।

⁶⁸In the sakar form, at amrit vela, even though the children were far away, they used to experience a meeting with Baba, but now, when Baba went on a tour at amrit vela, he didn't see that atmosphere. ⁶⁹Why? ⁷⁰Have you become tired?

³⁹jab man mein aata hai to mukh par aata hai ।

⁷¹Tiredness is removed by this alokik experience of amrit vela. ⁷²Yet, this weakness is sometimes visible.

⁴⁰parantu man mein nahin aana chaahiye ।

⁷³It is BapDada's pure desire that children quickly experience these avyakt experiences.

⁴¹manamnaabhav madhyaaji bhav । ⁴²manamnaabhav ka arth bahut guhya hai ।

⁷⁴When you used to meet the sakar form in the corporeal form, your stage used to become angelic.

⁴³man,bilkul jaise drama ka second by second jis reeti se, jaisa chalta hai,usi ke saath-saath man ki sthiti aise hi drama ki patri par seedhi chalti rahe ।

⁷⁵Now, you will have alokik experiences to the extent that you remain stable in the avyakt angelic form. ⁷⁶Achcha. ⁷⁷Divine Messages from the subtle region (through Dadi Gulzar) ⁷⁸1.) Today, when I went to give BapDada an invitation to come to Madhuban, there was the feeling from BapDada's signals that Baba does not want to come today.

⁴⁴jara bhi hile nahin ।

⁷⁹And then, Baba suddenly said, "Achcha child, all the children have called Me and so BapDada is the children's Servant." ⁸⁰Hearing this, I had the thought that just a moment ago BapDada was saying no and now He is saying yes. ⁸¹Why? ⁸²Knowing the thoughts in my heart, Baba said, "Baba is deliberately doing this in order to teach the children that they should give regard to one another's advice and ideas.

⁴⁵chaahe sankalp se,chaahe vaani se ।

⁸³Even if someone gives his idea and you don't like it, you should not instantly reject it.

⁴⁶aisi avastha ho,drama ki patri par chal rahe ho ।

⁸⁴First of all, give him regard, saying, "Yes indeed, why not? ⁸⁵It is very good."

⁴⁷parantu kabhi- kabhi ruk jaate ho ।

⁸⁶By doing this, the force of his idea will be reduced.

⁴⁸mukh kabhi hil jaata hai ।

⁸⁷Then he will be able to understand whatever you explain to him.

⁴⁹man ki sthiti hilti hai - phir aap pakadte ho ।

⁸⁸If you instantly cut him off, there will be conflict between the two forces and as a result, there won't be success. ⁸⁹This is why it is necessary to give regard to one another's ideas and advice. ⁹⁰By doing this, love amongst yourselves and the gathering will continue to grow. ⁹¹2) Today, I went to the subtle region and as soon as I reached there, although BapDada was there in front of me anyway, what I saw was that there were many garlands around the neck of Brahma.

⁵⁰yeh bhi jaise ek daag ho jaata hai ।

⁹²Then Baba said, "Take off these garlands and have a look at them."

⁵¹achha- phir bhi ek baat ab tak bhi kuchh vaani tak aai hai,practical mein nahin aai hai ।

⁹³As I looked at them, I saw some were long and others were short. ⁹⁴I asked, "Baba, what is the significance of this?"

⁵²kaun si baat vaani tak aai hai practical nahin?

⁹⁵Baba said, "Child, these are the garlands of everyone's complaints.

⁵³yahi drama ki dhaal jo sunaai ।

⁹⁶Because when each child sits in solitude, he lovingly complains to Baba. ⁹⁷Each child has definitely placed a garland of complaints around Baba's neck." ⁹⁸Baba said, "Although children are aware of the drama, Baba is definitely the most loved, and so, suddenly seeing the wonderful drama, each child is complaining within his heart. ⁹⁹Children have knowledge anyway, but together with knowledge there is also the love, and so the complaints are not wrong.

⁵⁴lekin aur baat bhi bata rahe the ।

¹⁰⁰Then I asked, "Baba, what response did You give?

⁵⁵woh yeh hai jaise ab samay najdeek hai, vaise samay ke anusaar jo antarmukhta ki avastha, vaani se pare,antarmukh hokar, karmana mein avyakt sthiti mein rahkar dhaaran karne ki avastha dikhaai deni chaahiye, woh kuchh abhi bhi kam hai ।

¹⁰¹So Baba said, "As is the child, so is the response." ¹⁰²Baba said, "In response, I also adorn the children with a garland of complaints. ¹⁰³What are they?" ¹⁰⁴Then Baba spoke about them, "The hopes that the father had in the children were not shown practically when Baba was in the sakar form.

⁵⁶kaarobaar bhi chale aur yeh sthiti bhi rahe ।

¹⁰⁵You now have to show them whilst he is in the avyakt form."

⁵⁷yeh donon hi ikttha ek samaan rahe ।

¹⁰⁶Baba said, "These complaints are a sweet heart-to-heart conversation.

⁵⁸abhi ismen kami hai ।

¹⁰⁷This is also a game with the children.

⁵⁹ab saakaar to avyakt sthiti swaroop mein sthit hai । ⁶⁰lekin aap bachche bhi avyakt sthiti mein sthit honge to avyakt mulaakaat ka alaukik anubhav kar sakte ho ।

¹⁰⁸All the decorations that BapDada decorated you with whilst in the sakar form will be seen by BapDada in the avyakt form." ¹⁰⁹This scene then finished. ¹¹⁰I offered bhog to Baba, and then asked: "Baba, what do you do all day in the subtle region?"

⁶¹ek mukhya baat aur bhi hai, vartamaan samay dhyaan par dete hain, jo tumhaare mein honi chaahiye ।

¹¹¹Baba said, "Come and I'll show you the museum of the subtle region. ¹¹²You make plans before you build a museum, but Baba's museum is created within a second."

⁶²woh kaun si?

¹¹³What did I see then?

⁶³koi ko aata hai?

¹¹⁴There was a very big hall.

⁶⁴jo mukhya saakaar roop mein bhi kehte the - amritvele uthna ।

¹¹⁵In this one hall, many of us children were standing there in the form of models.

⁶⁵amritvele ka vaayumandal aisa hi rahega ।

¹¹⁶I said, "But Baba, this is all of us in the museum."

⁶⁶saakaar mein amritvele bachchon se door hote bhi mulaakaat karte the ।

¹¹⁷Baba said: Child, this is Baba's museum. ¹¹⁸Now, go and have a look at what BapDada has decorated them with.

⁶⁷lekin abhi jab amritvele chakra lagaane baba aate hain to woh vaayumandal dekha nahin hai ।

¹¹⁹Just as an artist decorates the idols with decorations, just look at what BapDada has decorated them with." ¹²⁰As I went closer to the models, I didn't see anything special. ¹²¹A fully decorated idol was visible.

⁶⁸kyon thak gaye?

¹²²Baba said, "I have already placed the gross decorations on the children whilst in the corporeal form, but in the avyakt form, what am I decorating them with? ¹²³All the decorations are there, all the jewellery is there, but I am placing the final jewel in the centre of the jewellery." ¹²⁴As soon as Baba said this, it was as if there were a few extra jewels visible on some of them. ¹²⁵Baba said, "The main teaching for the children is that they should come into the corporeal form whilst being stable in the avyakt stage.

⁶⁹is amri- tavele ke alaukik anubhav mein thakaavat door ho jaati hai ।

¹²⁶When you sit in solitude you are able to remain stable in the avyakt stage, but you don't achieve stability in the avyakt form whilst in the corporeal form.

⁷⁰parantu yeh kami dekhne mein aati hai ।

¹²⁷This is why there are very few jewels who have a constant karmateet stage.

⁷¹yeh baapdaada ki shubh ichchha hai ki jaldi se jaldi is avyakt sthiti ka har ek bachcha anubhav kare ।

¹²⁸Whatever weakness I see in whoever's life; I am removing that. ¹²⁹Just as I used to carry out this task in the corporeal form, I am doing the same task in the avyakt form.

⁷²vaise to aap jab saakaar se saakaar reeti se milte the to aap ki aakaari sthiti ban jaati thi ।

¹³⁰So when you go back, ask the children, "Do you children have the feeling throughout the day that Baba is decorating you?" ¹³¹Children who are yog-yukt will have the feeling that Baba is now talking to me and decorating me.

⁷³ab jitna-jitna avyakt aakaari sthiti mein sthit honge utna hi alaukik anubhav karenge ।

¹³²The children who are in the avyakt form have the experience that Baba in the subtle region is meeting them and playing with them. ¹³³Achcha." ¹³⁴* * * O M S H A N T I* * *