Avyakt murli for Saturday 6 December 1969

⁰> ¹06-12-69om shanti avyakt baapdaada madhuban

⁰> > 06-12-69 Om Shanti Avyakt Bapdada Madhuban

²“saral svabhaav se buddhi ko vishaal aur dooraandeshi banaao”

¹Make your intellect infinite and far-sighted with an easy nature.

³aaj ki sabha mein kaunsi vishesh khushbu bhi hai aur vishesh aakarshan bhi hai?

²What special fragrance and what special attraction is there in today's gathering?

⁴sneh to sabhi ka hai hi।

³Everyone's love is there anyway.

⁵aap ko kislie bulaaya hai?

⁴Why have you been called?

⁶aise samjhe ki yeh jo bhi sabhi aaye hain woh vaapas jaane ke liye taiyaar hokar aaye hain।

⁵Should one think that all those that have come here today, have come prepared to go back home?

⁷ever ready jo hote hain woh sadaiv taiyaar hi hote hain।

⁶Those who are ever-ready are always prepared.

⁸bulaava hua aur ek second mein apna raha hua sabhi kuchh samet bhi sakte aur jump bhi de sakte।

⁷As soon as they are called, they are able to pack up everything and take a high jump.

⁹practical mein dekha bhi na ki drama ke bulaave par kitna time laga?

⁸You saw in a practical form how much time Baba took to answer the call of the drama, did you not?

¹⁰ek taraph sametna doosre taraph high jump dena। ¹¹yeh donon scene dekhi - yeh drama mein kislie hua?

⁹On the one side, you have to pack up everything and on the other side, you have to take a high jump.

¹²sikhlaane ke liye।

¹⁰You saw both these scenes.

¹³to aise ever ready banna padega।

¹¹Why did this happen in the drama? ¹²In order to teach you.

¹⁴abhi ever ready ki line chaalu ho gai hai।

¹³You will have to be ever-ready to this extent.

¹⁵is line ke andar kiska bhi number aa sakta hai।

¹⁴Now, the line of those who are ever-ready has started.

¹⁶jo sabhi ke sankalp mein hai woh kabhi nahin hona hai।

¹⁵Anyone can claim a number in this line. ¹⁶Whatever is in everyone's thoughts will never happen.

¹⁷hoga phir bhi anaayaas hi।

¹⁷What is to happen will happen suddenly.

¹⁸yeh brahman kul ki reeti-rasma chaalu ho chuki hai।

¹⁸This custom and system of the Brahmin clan has already begun.

¹⁹yeh reeti-rasma bhi drama mein kyon bani hui hai, uska bhi bahut gupta rahasya hai।

¹⁹There is a very deep secret within the drama, as to why this custom and system has been created.

²⁰to aisa purushaartha pahle se hi kar lo jo phauran samet bhi sako aur jump bhi ke sako।

²⁰So make such effort in advance so that you are instantly able to pack up and take a high jump.

²¹sametne ki shakti kismen ho sakti hai?

²¹Who are the ones who have the power to pack up?

²²jo saral svabhaav vaale honge usmein sametne ki shakti sahaj aa sakti hai।

²²Those who have an easy nature are easily able to adopt the power to pack up.

²³jo saral svabhaav vaala hoga woh sabhi ka sahayogi bhi hoga।

²³Those who have an easy nature will also be co-operative with others.

²⁴jo sabhi ka snehi hota hai unko sabhi dvaara sahayog praapta hota hai।

²⁴Those who have love for all will always receive cooperation from all.

²⁵isliye sabhi baaton ka saamna karna va samenna sahaj hi kar sakta hai।

²⁵This is why they are easily able to confront everything or pack up.

²⁶aur jitna saral svabhaav vaale honge utna maaya kam saamna karegi।

²⁶To the extent that their nature is easy, Maya will confront them less.

²⁷woh sabhi ko priy lagta hai।

²⁷They are loved by all.

²⁸saral svabhaav vaale ka vyartha sankalp kabhi nahin chalta। ²⁹samay vyartha nahin jaata।

²⁸Those with an easy nature never have waste thoughts nor is their time wasted.

³⁰vyartha sankalp na chalne ke kaaran unki buddhi vishaal aur dooraandeshi rehti hai। ³¹isliye unke aage koi bhi samasya saamna nahin kar sakti।

²⁹Because of not having waste thoughts, their intellect remains broad and far­sighted, and therefore, no obstacle can confront them.

³²jitni saralta hogi utni svachchhata bhi hogi।

³⁰The more there is easiness, the greater the cleanliness.

³³svachchhata sabhi ko apne taraph aakarshit karti hai।

³¹Cleanliness attracts everyone towards itself.

³⁴svachchhata arthaat sachchaai aur saphaai।

³²Cleanliness means honesty as well as being clean.

³⁵sachchaai aur saphaai tab hogi jab apne svabhaav ko saral banaayenge।

³³There will be honesty and cleanliness only when you have an easy nature.

³⁶saral svabhaav vaala bahuroopi bhi ban sakta hai।

³⁴Those who have an easy nature can adopt many forms.

³⁷komal cheez ko jaise bhi roop mein laao aa sakti hai।

³⁵You can give any form to something that is soft.

³⁸to ab gold bane ho lekin gold ko ab agni mein galaao to mould bhi ho sake।

³⁶So, although you have become gold, you must now melt that gold in the fire so that it can be moulded.

³⁹is kami ke kaaran service ki saphalta mein kami padti hai।

³⁷Due to weakness in this there is a lack of success in service.

⁴⁰apne ko kaise mould kare iske liye bhatthi mein aaye ho।

³⁸You have come to the bhatthi to learn to mould yourself.

⁴¹ek hai modne ki shakti aur doosri hai brake lagaane ki shakti।

³⁹One is the power to mould and the other is the power to apply a brake.

⁴²modna bhi hai to kitne samay mein?

⁴⁰How much time should you take to mould yourself?

⁴³bhal modna aata bhi hai lekin kahaan-kahaan samay bahut lag jaata hai।

⁴¹Although you know how to mould, you sometimes take a long time.

⁴⁴samay na lage woh sankalp karna hai। ⁴⁵sankalp kiya aur siddha hua।

⁴²You have to have such thoughts that you don't take a long time.

⁴⁶bhatthi se aisa bankar ke nikalna hai jo har sankalp har shabd siddha ho।

⁴³The moment you have a thought, it should take a practical form.

⁴⁷woh log riddhi-siddhi praapta karte hain lakin yahaan yog ki riddhi-siddhi hai।

⁴⁴You have to emerge from the bhatthi in such a stage that each of your thoughts and words takes a practical form.

⁴⁸yaad ki riddhi-siddhi kya hoti hai,woh seekhna hai।

⁴⁵Those people attain occult powers, whereas here you attain powers through yoga.

⁴⁹jo siddhi ko praapta hote hai unke sankalp, shabd aur har karma siddha hota hai।

⁴⁶You have to learn what the powers of remembrance are. ⁴⁷The thoughts, words and actions of those who attain success are successful.

⁵⁰ek sankalp bhi vyartha nahin uthega।

⁴⁸They will not have a single waste thought.

⁵¹sankalp woh uthenge jo siddha honge।

⁴⁹They will only have thoughts that are successful.

⁵²service-able usko kaha jaata hai jiska ek bhi sankalp bina siddhi ke na jaaye। ⁵³athva aisa koi sankalp na uthna chaahiye jo siddha hone vaala na ho।

⁵⁰Those who are serviceable will not have any thoughts that are not successful, and they should not have any thoughts that are not going to be successful.

⁵⁴aap ke ek-ek sankalp ki value hai।

⁵¹Each thought of yours has value.

⁵⁵lekin jab apni value ko khud rakhenge tab anek aatmaayen bhi aap ratnon ki value ko parkhegi।

⁵²But only when you give value to yourself will others recognise the value of you jewels.

⁵⁶is bhatthi se harek ka chehra chaitanya museum bankar nikle।

⁵³The face of each of you when you emerge from this bhatthi should be like a living museum.

⁵⁷aur museum to bahut banaaye lekin ab ek-ek ko apne chehre ko chaitanya museum banaana hai।

⁵⁴You have built many museums, but now each of you has to make your face like a living museum.

⁵⁸is chaitanya chehre ke museum mein kitne chitra hai?

⁵⁵How many images are there in this living museum of the face?

⁵⁹is chehre ke museum mein kaun-kaun se chitra fit karenge?

⁵⁶Which images will you place in the living museum of this face?

⁶⁰museum mein pahle chitron ki phiting karte hain,baad mein dekoreshan hota hai phir udghaatan karaana hota hai phir opinion lena hota hai।

⁵⁷First of all, they position the images in the museums, and then they decorate them. ⁵⁸Then they have an inauguration, and then they ask others for their opinions.

⁶¹to aap ke is chaitanya museum mein teen mukhya chitra hain। ⁶²bhrikuti,nayan aur mukh।

⁵⁹So, there are three main images in your living museum: the forehead, the eyes and the mouth.

⁶³in dvaara hi aapki smriti,vritti drishti aur vaani ka maaloom padta hai।

⁶⁰It is only through these that others can know your consciousness, your attitude, your vision and your words.

⁶⁴jaise trimoorti,lakshmi naaraayan aur seedhi yeh teen mukhya chitra hain na।

⁶¹There are the three main pictures of the Trimurti, Lakshmi and Narayan and the ladder.

⁶⁵ismen saara gyaan aa jaata hai। ⁶⁶vaise hi is chehre ke andar yeh chitra anaadi fit hain।

⁶²Just as the entire knowledge is contained in these, in the same way, these images are eternally fitted in the face.

⁶⁷inki aisi dekoreshan ho jo door se yeh chitra apne taraph aakarshan kare। ⁶⁸aakarshan hone ke bina rah nahin sakenge।

⁶³The image should be decorated in such a way that it attracts others to itself from a distance, in such a way that others cannot stay without being attracted.

⁶⁹aap log museum banaate ho to koshish karte ho na ki chitra aise decorate ho jo door se aakarshan kare। ⁷⁰kisko bulaana bhi na pade।

⁶⁴When you people build museums you try to decorate the pictures in such a way that they attract from a distance, so that you do not have to call anyone to come.

⁷¹vaise hi aap harek ko apna museum aisa taiyaar karna hai।

⁶⁵In the same way, each of you has to prepare your museum in this way.

⁷²jo kuchh suna hai usko gahraai se sochkar ke ek-ek rang mein sama dena hai।

⁶⁶You have to think in depth about whatever you have heard and merge it into your every vein.

⁷³jinhonne jitna gahraai se suna hai utna apne chalan mein pratyaksha roop mein laaya hai?

⁶⁷To the extent that you think about it in depth, to that extent, you will bring it about in action and into your activity in a practical form.

⁷⁴un sanskaaron ko pratyaksha karne ke liye ek-ek baat ki gahraai mein jaao aur apne ek-ek rag mein woh sanskaar samaao।

⁶⁸In order to reveal those sanskars, go into the depth of each aspect and merge each of those sanskars into your every vein.

⁷⁵koi bhi cheez ko kismen samaana hota hai to kya karna hota hai?

⁶⁹What do you have to do in order to incorporate one thing into something else?

⁷⁶ek to gahraai mein jaana hota hai aur andar dabaana hota hai।

⁷⁰Firstly, you have to put it in very deep, and secondly, you have to press it down.

⁷⁷kootna padta hai।

⁷¹You have to grind it in.

⁷⁸kootna arthaat harek baat ko maheen banaana।

⁷²To grind it means to make every aspect refined.

⁷⁹is bhatthi se sanskaaron ko pratyaksha roop mein laane ki pratigya kar ke nikalna hai।

⁷³You have to emerge from this bhatthi with the promise of bringing about those sanskars in a practical form.

⁸⁰jitna baap ko pratyaksha karenge utna khud ko pratyaksha karenge।

⁷⁴To the extent that you reveal the Father, to that extent, you will reveal yourself.

⁸¹baap ko pratyaksha karne se aap ki pratyakshata baap ke saath hi hai।

⁷⁵Included within your revelation of the Father is your own revelation.

⁸²aisa banna aur phir banaana hai। ⁸³samjha।

⁷⁶You have to become like this and make others the same.

⁸⁴is sangathan mein aisi shakti hai jo chaahe woh kar sakte hain।

⁷⁷Do you understand? ⁷⁸There is such power in this gathering that you can do whatever you want.

⁸⁵sirf sankalp kare to srishti badal sakti hai।

⁷⁹If you just have the thought, you can even change the world.

⁸⁶aisi shaktishaali aatmaayen hain।

⁸⁰You are such powerful souls.

⁸⁷lekin ab sankalp kaunsa powerful karna hai?

⁸¹But what powerful thought must you have now?

⁸⁸usko phir se refresh karna hai।

⁸²You have to refresh yourself with that once again.

⁸⁹is madhuban ke liye hi gaayan hai ki koi aisa-vaisa paanv nahin rakh sakta।

⁸³It is for Madhuban that it is remembered: Not just anyone can step inside.

⁹⁰madhuban hai saubhaagya ki lakeer।

⁸⁴Madhuban is the line of fortune.

⁹¹uske andar aur koi paanv nahin rakh sakta।

⁸⁵No-one else can step inside.

⁹²aap sabhi ko baapdaada samjhaate hain ki yeh sneh ki lakeer hai jis sneh ke gheraav ke andar baapdaada nivaas karte hain।

⁸⁶BapDada explains to all of you that this is the line of love, and BapDada lives within the boundary of this love.

⁹³iske andar koi aa nahin sakta। ⁹⁴chaahe bhal apna sheesh bhi utaar kar rakhe।

⁸⁷No-one else can enter, not even if he were to cut off his head.

⁹⁵saakaar roop mein sneh milna koi chhoti baat nahin hai।

⁸⁸It is not a small thing to receive this love in the corporeal form.

⁹⁶uske liye to aage chalkar jab rona dekhenge tab aap logon ko uski value ka maaloom hoga।

⁸⁹As you progress further, when you see others weep for it, then you will have value for it.

⁹⁷ro-rokar aap ke charnon mein girenge।

⁹⁰They will fall at your feet, weeping.

⁹⁸sneh ki ek boond ki pyaasi ho charnon mein girenge।

⁹¹They will be thirsty for one drop of love and will fall at your feet.

⁹⁹aap logon ne sneh ke saagar ko apne mein samaaya hai। ¹⁰⁰woh ek boond ke bhi pyaase rahenge।

⁹²All of you have merged the Ocean of Love into yourselves, whereas they will remain thirsty for even one drop.

¹⁰¹aisa saubhaagya kiska ho sakta hai?

⁹³Who can have such a fortune?

¹⁰²sarva sambandhon ka sukh, rasna jo aap aatmaon mein bhari hui hai woh aur koi mein nahin ho sakti।

⁹⁴No-one else can have the happiness and sweetness of all relationships with which you souls are filled.

¹⁰³to drama mein apne itne oonch bhaagya ko sadaiv saamne rakhna।

⁹⁵So within this drama always keep your elevated fortune in front of you.

¹⁰⁴saamne rakhne se return dena aap hi yaad aayega।

⁹⁶When you keep it in front of you, you will automatically be reminded about giving a return. ⁹⁷Achcha.

¹⁰⁵achha !

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