Avyakt murli for Monday 27 September 1971

⁰> ¹27-09-71 om shanti avyakt baapdaada madhuban

⁰> > 27/09/71 - 29/03/93 ¹The revelation of truth with the power of love

²sneh ki shakti dvaara satyata ki pratyakshata

²What is in each one's awareness and eyes at this moment?

³is samay sabhi ki smriti mein va naynon mein kya hai?

³Is there one thing or two things, or are there two things merged in one? ⁴What is it?

⁴ek baat hai va do hain va ek mein do hain?

⁵(There is only the one Father.) ⁶Today, all of you are following one direction and have only one thing.

⁵woh kya hai? ⁶(ek hi baap hai) aaj sabhi ek mat aur ek hi baat par hain।

⁷Achcha, at this time, there is one thing, but according to the present time, what constantly stays in your awareness and in your eyes?

⁷achha, is samay to ek baat hai lekin vaise vartamaan samay smriti mein va naynon mein sadaiv kya rehta hai?

⁸Do you remember service or not? ⁹Just as you remember Baba, in the same way, do you also remember service, or just that you have to return home?

⁸sirf ghar jaana hai- yeh yaad rehta hai?

¹⁰Do you remember this?

⁹sarviskarne bigar kaise jaayenge?

¹¹How can you return home without having done service?

¹⁰varsa bhi apne liye to yaad raha, lekin doosron ko bhi varsa dilaana hai - yeh bhi to yaad rehna hai।

¹²Of course you remember the inheritance for your own self, but you also have to remember that you have to enable others to claim their inheritance.

¹¹har kadam mein smriti mein baap ki yaad aur saath-saath sarvisva sirf yaad rehti hai aur rahni chaahiye?

¹³In your awareness and at your every step, you have Baba's remembrance, but together with that, do you also remember service? ¹⁴Or, is there just remembrance?

¹²chalte-phirte, karma karte agar yeh smriti mein rahega ki ham har samay eeshvareey seva ke arth nimitta hain, sthool kaarya karte bhi eeshvareey seva ke nimitta hain - yeh smriti rahne se, sadaiv nimitta samajhne se koi bhi aisa karma nahin hoga jisse dis-sarvisho।

¹⁵Should there not be both? ¹⁶Whilst walking and moving around, whilst performing action, if you have the awareness that you are an instrument for Godly service at every moment; if, even whilst doing physical work, you have the awareness that you are an instrument for Godly service, then by constantly considering yourself to be an instrument, you will never perform any action through which there could be disservice.

¹³yeh smriti bhool jaati hai tab saadhaaran karma va saadhaaran reeti samay jaata rehta hai।

¹⁷When you forget this awareness, you perform ordinary actions and your time is spent in an ordinary way.

¹⁴jaise dekho, koi vishesh sarvisaartha nimitta bante ho; to jitna samay visheshsarviska roop saamne hota hai utne samay ki stage va sthiti achhi hoti hai na। ¹⁵kyonki samajhte hain ham is samay sabhi ke saamnesarviske liye nimitta hoon।

¹⁸For instance, when any of you become instruments for special service, for the length of time you have the special service in front of you, your stage remains good because you realise that at that moment, you are instruments for service in front of everyone.

¹⁶aise hi sthool kaarya karte hue bhi yeh smriti mein rahe ki is samay mansa dvaara vishwa ko parivartan karne ki seva mein upasthit hoon, to kya sthiti rahegi?

¹⁹In the same way, whilst performing ordinary actions, have the awareness that at that time, you are engaged in doing world service through the mind. ²⁰So what will your stage be?

¹⁷attention rehta hai, checking rehti hai?

²¹You will have attention and also be checking.

¹⁸is prakaar agar sada apne ko vishwa ki stage par vishwa-kalyaan ki seva arth samajhte ho; to phir saadhaaran sthiti va saadhaaran chalan va albelaapan rahega?

²²If, in this way, you constantly consider yourselves to be instruments for world benefit on the world stage, then would there be an ordinary stage, ordinary activity or carelessness?

¹⁹aur kitna samay vyartha jaane se saphal ho jaayega, jama ka khaata kitna badh jaayega!

²³So much of your time would be used in a worthwhile way instead of it going to waste.

²⁰aise koi ke oopar bahut badi zimmevaari hoti hai to woh ek-ek second apna amoolya samajhte hain। ²¹agar ek-do minute bhi vyartha chala jaae to unke liye woh do minute bhi bahut bada samay dekhne mein aata hai।

²⁴Your account of accumulation would increase so much. ²⁵When someone has a big responsibility, he considers his every second to be invaluable; if even one or two minutes are spent wastefully, those two minutes will also seem to be a very long period.

²²to sabhi se badi te badeezimmevaari aapke oopar hai।

²⁶So you are the ones who have the biggest responsibility of all.

²³aur kiski itni badeezimmevaari hai, jitni aapki is samay hai?

²⁷Does anyone else have such a great responsibility as you have at this moment?

²⁴to saare vishwa ka kalyaan, jad, chaitanya - donon ko parivartan karna hai।

²⁸You have to bring benefit to the whole world: you have to transform the living and the non-living.

²⁵kitni badeezimmevaari hai!

²⁹It is such a huge responsibility.

²⁶to har samay yeh smriti rahe ki baap ne is samay kaunsi duty di hai!

³⁰At every moment, have in your awareness the responsibility that Baba has given you.

²⁷ek aankh mein baap ka sneh, doosri aankh mein baap dvaara mila hua karttavya arthaat seva।

³¹In one eye, you have Baba's love and in the other eye, you have the task given to you by the Father, that is, service.

²⁸to sneh aur seva - donon saath-saathchaahie।

³²So love and service have to be together.

²⁹snehi bhi priy hain, lekinsarvisaebal ‘gyaani tu aatma’ ati priy hain।

³³There is love for those who are loving, but the serviceable knowledgeable souls are extremely loved.

³⁰to donon hi saath-saathchaahie।

³⁴So both have to be together.

³¹apni sthiti jab donon ki saath-saath smriti hogi tab hi service karne ke samay sneheemoorta bhi honge।

³⁵Only when your stage is that of having the awareness of both at the same time, will you then be an image of love at the time of doing service.

³²lekin sirf sneh bhi nahin chaahiye, sneh ke saath aur kya chaahiye?

³⁶However, there mustn't be just love. ³⁷What else is needed with love?

³³(shaktiroop) shaktiroop to honge hi lekin shaktiroop ka pratyaksha roop kya dikhaai dega?

³⁸(The form of power.) ³⁹You will be the form of power, but what will be visible as the practical form of power?

³⁴sarviski result mein number kis aadhaar par hote hain?

⁴⁰On what basis is the number given as a result of service?

³⁵kyonki vaani mein jauhar bhara hua hai arthaat sneh ke saath shabdon mein aisa jauhar hona chaahiye jo unhon ke hday videerna ho jaayen!

⁴¹When there is power in your words, that is, together with love, there should be such power in your words that their hearts are pierced.

³⁶abhi tak result kya hai?

⁴²What has been the result up to now?

³⁷ya to bahut jauhar dikhaati ho va bahut sneh dikhaati ho, ya to bilkul hi halke roop mein bolenge ya bahut josh mein bolenge।

⁴³Either you have too much power in your words or you give them too much love. ⁴⁴Sometimes you speak very lightly and sometimes you speak very forcefully.

³⁸lekin hona kya chaahiye?

⁴⁵However, what should it be?

³⁹ek-ek shabd mein sneh ki rekhaaen honi chaahiye।

⁴⁶There should be the threads of love in your every word.

⁴⁰phir bhale kaise bhi kaduve shabd bolenge to hday mein lagenge zaroor, lekin woh shabd kaduve nahin lagenge, yathaartha lagenge।

⁴⁷Then, no matter how bitter the words you speak may be, they will touch the heart. ⁴⁸However, they will not seem bitter, they will seem to be the truth.

⁴¹abhi agar shabd tej bolte hain to roop mein bhi teji ka bhaav dikhaai deta, jisse kai log yahi kehte hain ki aap logon mein abhimaan hai va apmaan karte ho।

⁴⁹At present, if you speak sharp words, the sharpness is also visible in your form through which many people also say: You people have arrogance or you insult others.

⁴²lekin ek taraph thokte jaao doosre taraph saath-saath sneh bhi dete jaao; to aapke sneh ki moorta se apna tiraskaar mahsoos nahin karenge lekin yeh anubhav karenge ki ham aatmaon ke oopar taras hai।

⁵⁰On the one hand, continue to hammer them and on the other hand, give them love. ⁵¹With your image of love, they will not feel disregarded, but they will have the experience that we have mercy for souls.

⁴³tiraskaar ki bhaavna badal taras mahsoos karenge।

⁵²The feeling of disregard will be changed and they will experience compassion.

⁴⁴to donon saath-saath chaahiye na - kehte hain na makhmal ki jutti lagaani hoti hai।

⁵³So the two have to be together. ⁵⁴It is said that you have to have velvet slippers.

⁴⁵to service ke saath ati taras bhi ho aur phir saath-saath jo aythaartha baaten hain unko yathaartha karne ki khushi bhi honi chaahiye।

⁵⁵So together with service, there should be a lot of mercy. ⁵⁶And, together with that, there should also be the happiness of correcting the things that are inaccurate.

⁴⁶baaten sabhi spashta deni hain lekin sneh ke saath।

⁵⁷You have to give them everything very clearly, but with love.

⁴⁷snehmoorta hone se unhon ko jagat-maata ke roop ka anubhav hoga।

⁵⁸By your being the embodiment of love, they will experience the form of the world mother.

⁴⁸jaise maa bachche ko bhale kaise bhi shabdon mein shiksha deti hai, to maa ke sneh kaaran woh shabd tej va kaduve mahsoos nahin hote।

⁵⁹Its just as when a mother gives teachings using some words to her children, and yet because of the mother's love, those words are not experienced to be sharp or bitter.

⁴⁹samajhte hain - maa hamaari snehi hai, kalyaankaari hai।

⁶⁰They understand that their mother has love for them and is only bringing them benefit.

⁵⁰vaise hi aap bhale kitna bhi spashta shabdon mein bolenge lekin woh mahsoos nahin karenge।

⁶¹In the same way, no matter how clearly you speak to them in words, they will not experience those words to be so strong.

⁵¹to aise donon swaroop ke samaanta ki sarviskarni hai, tab hi sarviski saphalta sameep dekhenge।

⁶²Therefore, you have to do service whilst being equal in both forms. ⁶³Only then will success in service be close.

⁵²kahon bhi jaao to nirbhay hokar। ⁵³satyata ki shakti swaroop hokar, almighty government ke si.aai.D. ke officer hokar usi nashe se jaao।

⁶⁴No matter where you go, be fearless, be the embodiment of the power of truth and go as an officer of the Almighty Authority Government.

⁵⁴is nashe se bolo, nashe se dekho।

⁶⁵Go with this intoxication.

⁵⁵ham anuchar hain - isi smriti se aythaartha ko yathaartha mein laana hai।

⁶⁶Speak with this intoxication and look at everything with this intoxication. ⁶⁷We are the servants of that One.

⁵⁶satya ko prasiddha karna hai, na ki chhipaana hai।

⁶⁸With this awareness, make that which is inaccurate accurate.

⁵⁷lekin donon roopon ki samaanta chaahiye।

⁶⁹You have to reveal the truth, not hide it.

⁵⁸kisko dekhte ho va kuchh sunte ho to taras ki bhaavna se dekhte-sunte ho, ya seekhne aur copy karne ke lakshyase sunte- dekhte ho?

⁷⁰However, there has to be equality in both forms. ⁷¹When you see someone or when you hear something, do you see them and listen to them with the feeling of mercy, or with the aim of learning from them or copying them?

⁵⁹aajkal ki jo bhi alpasukh bhogne vaali aatmaayen prakriti daasi ke show mein dikhaai deti hain, unhon ke show ko dekhkar sthiti kya rehti hai?

⁷²The souls of today who are experiencing temporary happiness are revealed as those who have made the elements their servants. ⁷³What is your stage when you see them?

⁶⁰yeh aatmaayen is tareeke va is reeti-rasma mein prakriti daasi ke roop mein stage par prakhyaat hui hain, isliye humein bhi aisa karna chaahiye va humein bhi inhon ke pramaan apne mein parivartan karna chaahiye - yeh sankalp bhi agar aaya to unko kya kahenge?

⁷⁴"Those souls have been revealed on the stage as those who have made the elements their servants, and this is why we should also do the same." ⁷⁵Or, "We should also bring about transformation in ourselves just ⁷⁶like they have". ⁷⁷If you have this thought, what would you call that?

⁶¹kya daata ke bachche bhikhaariyon ki copy karte?

⁷⁸Do the children of the Bestower ever copy beggars?

⁶²aap ke aage kitne bhi pomp show mein aane vaali aatmaaen hon lekin hovanhaar pratyaksha roop ke bhikhaari hain।

⁷⁹No matter how much pomp and splendour those souls have in front of you, yet in the future, they will be revealed in the form of beggars.

⁶³in sabhi aatmaon ne baapdaada ke bachchon se thodi-bahut shakti ki boondon ko dhaaran kiya hai।

⁸⁰All these souls have taken a few drops of power from the children of the Bestower.

⁶⁴aap logon ke shakti ki anchali lene se aajkal is anchali ke phal, prakriti daasi ke phalroop mein dekh rahe hain।

⁸¹They took a few drops of power from you, and the result of these few drops is that they are able to see the elements as their servants.

⁶⁵lekin anchali lene vaale ko dekh saagar ke bachche kya ho jaate hain?

⁸²However, on seeing those who have taken just a few drops, what do the children of the Ocean become?

⁶⁶prabhaavit।

⁸³They become impressed!

⁶⁷yeh sabhi thode samay mein hi aap logon ke charnon mein jhukne liye tadpenge।

⁸⁴In just a short while, all of them will bow down at your feet. ⁸⁵They will be anxious to bow down.

⁶⁸isliye sneh ke saath sarviska josh bhi hona chaahiye। ⁶⁹jaise shuru mein sneh bhi tha aur josh bhi tha।

⁸⁶Together with love, there should also be the force for service, just as at the beginning, there was love and also force.

⁷⁰nirbhay the, vaataavran va vaayumandal ke aadhaar se pare।

⁸⁷They were fearless and beyond the support of the atmosphere.

⁷¹isliye ekras service ka umang aur josh tha।

⁸⁸This is why they had constant zeal and enthusiasm and force for service.

⁷²abhi vaayumandal va vaataavran dekh kahaan- kahaan apni roop-rekha badal dete ho।

⁸⁹At present, on seeing the atmosphere and the environment, you sometimes change your form.

⁷³isliye saphalta kab kaise, kab kaise dikhaai deti hai।

⁹⁰This is why success is sometimes one thing and sometimes another thing.

⁷⁴jabki kaliyug ant ki aatmaaen apni satyata ko prasiddha karne mein nirbhay hokar stage par aati hain, to purooshottam sangamayugi sarvashreshtha aatmaaen apne ko satya prasiddha karne mein vaayumandal pramaan roop rekha kyon banaati hain?

⁹¹Since the souls of the end of the iron age come onto the stage to reveal their truth whilst being fearless, why do the confluence-aged souls who are the most elevated create different forms and change according to the atmosphere in order to reveal themselves as those who are honest?

⁷⁵aap master rachayita ho na। ⁷⁶woh sabhi rachna hain na।

⁹²You are the master creators; they are the creation.

⁷⁷rachna ko master rachayita kaise dekhenge?

⁹³How would the creation see the master creator?

⁷⁸jab master rachta ke roop mein sthit hokar dekhenge to phir yeh sabhi kaunsa khel dikhaai dega? ⁷⁹kaunsa drishya dekhenge?

⁹⁴When you look at everything whilst having stabilised yourselves in the stage of being master creators, what kind of game will all this seem like?

⁸⁰jab baaris padti hai to baaris ke baad kaunsa drishya dekhte hain?

⁹⁵The play of dolls is of the bhagats. ⁹⁶Which game is this of those who have pomp and splendour?

⁸¹mendhak thode se paani mein mahsoos aise karte hain jaise saagar mein hain।

⁹⁷What scene will you see? ⁹⁸When it rains, what scene do you see after the rain?

⁸²traan-traan… karte naachte rehte hain। ⁸³lekin hai woh alpakaal sukh ka paani।

⁹⁹Even in a little water, the frogs think that they are in an ocean; they continue to croak and dance.

⁸⁴to yeh mendhakon ki traan-traan karne aur naachne-koodne ka drishya dikhaai dega, aise mahsoos karenge ki yeh abhi- abhi alpakaal ke sukh mein phoolte hue gaye ki gaye।

¹⁰⁰However, that is in fact the water of temporary happiness. ¹⁰¹So you will see the scene of the frogs croaking, dancing and jumping around. ¹⁰²You will see that they have continued to experience a lot of temporary happiness.

⁸⁵to master rachayita ki stage par thaharne se aisa drishya dikhaai dega।

¹⁰³So by stabilising yourself on the stage of being a master creator, you will see such a scene.

⁸⁶koi saar nahin dikhaai dega। ⁸⁷bigar arth bol dikhaai denge।

¹⁰⁴You will not be able to see any essence; the words will appear to be meaningless.

⁸⁸to satyata ko prasiddha karne ki himmat aur ullaas aata hai?

¹⁰⁵Therefore, for you to reveal the power of truth, you will have courage and enthusiasm.

⁸⁹satya ko prasiddha karne ka umang aata hai ki abhi samay pada hai?

¹⁰⁶Now that there is still a little time, do you have the enthusiasm to reveal the truth?

⁹⁰kya abhi satya ko prasiddha karne mein samay pada hai? ⁹¹phalak bhi ho aur jhalak bhi ho।

¹⁰⁷Is there still time to reveal the truth? ¹⁰⁸Let there be the intoxication and also a sparkle.

⁹²aisi falak ho jo mahsoos karen ki satya ke saamne ham sabhi ke alpakaal ke yeh aadambar chal nahin sakenge।

¹⁰⁹Let there be such intoxication that they experience that, in front of this truth, their temporary pretence will not do.

⁹³jaise stage par drama dikhaate hain na - kaise vikaar vidaai le haath jodte, sir jhukaate hue jaate hain! ⁹⁴yeh drama practical vishwa ki stage par dikhaana hai।

¹¹⁰Just as when a drama is shown on the stage, they show how the vices take leave, they fold their hands, bow down and take leave, so you now have to show this drama in a practical way on the world stage.

⁹⁵ab yeh drama ki stage par karne vaala drama behad ke stage par laao।

¹¹¹Now, go beyond this stage of the drama and come onto the unlimited stage.

⁹⁶isko kaha jaata hai service।

¹¹²This is called service.

⁹⁷aisesarvisaebal vijayi maala ke vishesh manke bante hain।

¹¹³Such serviceable souls become the beads of the rosary of victory.

⁹⁸to aise serviceable banna pade।

¹¹⁴You have to become such serviceable souls.

⁹⁹abhi to yeh practice kar rahe hain।

¹¹⁵At present, you are still practising this.

¹⁰⁰pahle practice ki jaati hai to chhote-chhote shikaar kie jaate hain, phir hota hai sher ka shikaar।

¹¹⁶When you practise this, you first go hunting small prey, and then you will hunt the big lions. ¹¹⁷You will see the final practical part exactly as it is in a small drama.

¹⁰¹last practical part hu-ba-hu aise dekhenge jaise yeh chhota drama। ¹⁰²tab ek taraph jayjaykaar aur ek taraph haahaakaar hogi।

¹¹⁸Only then will there be the cries of victory on one side and the cries of distress on the other side: both will be on the same stage.

¹⁰³donon ek hi stage par। ¹⁰⁴achha।

¹¹⁹* * * O M S H A N T I * * *