Avyakt murli for Sunday 3 October 1971

⁰> ¹03-10-71 om shanti avyakt baapdaada madhuban

⁰> > Avyakt BapDada 3rd October 1971

²nirmaanta ke gun se vishwa-nirmaata

¹Whom is BapDada seeing today? ²Who are you?

³aaj baapdaada kinhon ko dekh rahe hain? ⁴aap kaun ho?

³Do you know in which form BapDada is seeing you today?

⁵aaj baapdaada aap ko kis roop mein dekh rahe hain, yeh jaante ho?

⁴Are you not master knowledge-full?

⁶maastarnolejphul nahin ho? ⁷jab master knowledgeful ho, to yeh nahin jaan sakte ho ki baap kis roop mein dekh rahe hain?

⁵Since you are master knowledge-full, are you not able to know in which form Baba is seeing you?

⁸bachche to hain hi, lekin kis roop mein dekh rahe hain?

⁶You are the children anyway, but in which form Baba is seeing you?

⁹baapdaada dekh rahe hain ki itne sabhi vishwa-nirmaata hain।

⁷BapDada is seeing that all of you children are engaged in the task of world renewal.

¹⁰vishwa ke nirmaata ho?

⁸Are you Baba’s helpers in his task?

¹¹baap ke saath-saath baap ke karttavya mein madadgaar ho?

⁹Your task is to bring about world renewal, is it not?

¹²nai vishwa ka nirmaan karna -yahi karttavya hai na।

¹⁰Are you already engaged in that task? ¹¹Or do you still have to engage yourself in that?

¹³usi karttavya mein lage hue ho va abhi lagna hai? ¹⁴to vishwa- nirmaata nahin hue?

¹²So, does that not make you those engaged in the task of world renewal?

¹⁵sadaiv yeh smriti mein rahe ki ham sabhi master vishwa-nirmaata hain।

¹³You should always be aware that you are all master world constructors.

¹⁶yahi smriti sadaiv rahne se kaunsa vishesh gun automatically aa jaayega?

¹⁴By constantly having this awareness, you will automatically imbibe the virtue of humility.

¹⁷nirmaanta ka।

¹⁵Do you understand?

¹⁸samjha? ¹⁹aur jahon nirmaanta arthaat saralta natural roop mein rahegi vahaan anya gun bhi automatically aa hi jaate hain।

¹⁶Where there is humility - that is, an easy nature in a a natural way - all other virtues will also be imbibed automatically.

²⁰to sadaiv is smriti- swaroop mein sthit rah kar phir har sankalp va karma karo।

¹⁷So, always stabilise yourself in this awareness, before creating any thought, or performing any action.

²¹phir yeh jo bhi chhoti- chhoti baaten saamna karne ke liye aati hain, yeh baaten aise hi anubhav hongi jaise koi bujurga ke aage chhote-chhote bachche apne bachpan ke albelepan ke kaaran kuchh bhi bol deven va kuchh bhi aisa karttavya bhi karen to bujurga log samajhte hain ki yeh nirdosh, anjaan chhote bachche hain।

¹⁸Then, all those little things that come to oppose you will be experienced to be the same as when children come in front of the elderly. ¹⁹Due to the carelessness of their childhood, they might say anything, or even perform any such action... then then elders think that the child is not to be blamed: that he does not know anything, as he is still only a small child - they are not affected at all.

²²koi asar nahin hota hai। ²³aise hi jab master vishwa-nirmaata apne ko samjhenge to yeh maaya ke chhote-chhotevighnabachchon ke khel samaan lagenge।

²⁰In the same way, when you consider yourselves to be master world constructors, those small obstacles of Maya will seem like the games of little children.

²⁴jaise chhota bachcha agar bachpan ke anjaanpan mein naak-kaan bhi pakad le to josh aayega?

²¹When a small child pulls your nose or ears, due to his innocence of childhood, do you get angry?

²⁵kyonki samajhte hain - bachche nirdosh, anjaan hain।

²²You understand that the child is innocent and does not know anything.

²⁶unka koi dosh dikhaai nahin padta।

²³You do not blame him for anything.

²⁷aise hi maaya bhi agar kisi aatma dvaara samasya va vighnava pareeksha-paper bankar aati hai, to un aatmaon ko nirdosh samajhna chaahiye।

²⁴In the same way, when Maya comes through any soul in the form of a problem, obstacle, or test paper, you should consider these souls to be blameless.

²⁸maaya hi aatma dvaara apna khel dikha rahi hai।

²⁵It is only Maya showing her games through other souls.

²⁹to nirdosh ke oopar kya hota hai?

²⁶So, what do you feel for those who are not to be blamed?

³⁰taras, raham aata hai na।

²⁷You feel mercy and compassion for them.

³¹is reeti se koi bhi aatma nimitta ban jaati hai, lekin hai nirdosh aatma।

²⁸In this way, any soul could become an instrument, even though that soul is not to be blamed.

³²agar us drishti se har aatma ko dekho to phir purooshaartha ki speed kab dheeli ho sakti hai?

²⁹If you saw every soul with this vision, could your speed of effort ever become slack?

³³har second mein chadhti kala ka anubhav karenge।

³⁰You would experience the stage of ascent at every second.

³⁴sirf chadhti kala mein jaane ke liye yeh samajhne ki kala aani chaahiye।

³¹In order to go into the stage of ascent, you should simply have the art of being able to understand this aspect.

³⁵16 kala sampoorn banna hai na।

³²You have to become 16 celestial degrees complete.

³⁶to yeh bhi kala hai।

³³So this is also an art.

³⁷agar is kala ko jaan jaate hain to chadhti kala hi hai।

³⁴If you know this art, then it is already the stage of ascent.

³⁸woh kab rookega nahin। ³⁹uski speed kab dheeli nahin ho sakti।

³⁵Such a soul will never come to a standstill; can never slow down.

⁴⁰har second mein teevrata hogi।

³⁶There would be intensity at every second.

⁴¹aur abhi rookne ka samay bhi kya hai?

³⁷Anyway there is no time now to stop.

⁴²rook kar un aatmaon ke kaaran aur nivaaran ko hal karne ka abhi samay hai?

³⁸It is time to try to resolve and stop the excuses of those souls.

⁴³abhi to bade bujurga ho gaye ho।

³⁹You have now to become very mature.

⁴⁴abhi to vaanaprastha avastha mein jaane ka samay sameep aa raha hai।

⁴⁰The time of going into the stage of retirement is coming close.

⁴⁵apna ghar saamne dikhaai nahin deta hai?

⁴¹Can you not see your home in front of you?

⁴⁶aakhreen yaatra samaapta kar ghar jaana hai।

⁴²Eventually you have to finish your pilgrimage and return home.

⁴⁷koi bhi baat bhinna-bhinna roopon, bhinna- bhinna baaton se saamne jab aati hai, to pahle yeh samajhna chaahiye ki in samasyaaon va bhinna-bhinna roopon ki baaton ko kitna baar hal kiya hai aur karte-karte anubhvi bane hue ho।

⁴³When anything comes in front of you, in different forms and in different situations, you should understand how many times you have already solved such problems and situations, and how, by solving them, you have now become experienced.

⁴⁸kitne baar ke anubhvi ho, yaad hai?

⁴⁴Do you remember how many times you have experienced this?

⁴⁹anek baar kiya hai - yeh yaad aata hai?

⁴⁵Do you remember that you have done this innumerable times?

⁵⁰kalpa pahle paas kiya hai। ⁵¹cross kiya hoga।

⁴⁶Did you cross it, or do you think that you might have crossed it?

⁵²cross kiya tha va kiya hoga? ⁵³yeh nahin samajhte ki agar anek baar yeh anubhav nahin kiya hota to aaj itne sameep kaise aate?

⁴⁷Don’t you understand that, if you had not experienced this innumerable times, you could not have come so close today? ⁴⁸Do you not know how to make this calculation?

⁵⁴yeh hisaab lagaana nahin aata? ⁵⁵paandav to hisaab mein hoshiyaar honechaahie।

⁴⁹Pandavas should be clever in calculating, but, in fact, the Shaktis have become number one.

⁵⁶lekin shaktiyaan number one ho gainr।

⁵⁰You should have this awareness in a clear and simple form.

⁵⁷yeh smriti spashta aur saral roop mein rahe।

⁵¹You should not have to force this awareness.

⁵⁸khainchana na pade। ⁵⁹agar kalpa pahle ki baat abhi tak buddhi mein khainchakar laate rehte ho to kya kahenge?

⁵²If you have to bring things of the previous cycle into your intellect with force, what would you say to that?

⁶⁰zaroorkoi maaya ki khinchaavat abhi hai, isliye buddhi mein kalpa pahle vaali smriti spashta aur saral roop mein nahin aati hai aur isliye hi vighnon ko paar karne mein mushkil anubhav hota hai।

⁵³There must definitely be some pull of Maya, for that is why you are unable to draw the awareness of the previous cycle into your intellect in a clear and simple way, and that is also why you experience difficulty in overcoming obstacles.

⁶¹mushkil hai nahin।

⁵⁴It is not difficult.

⁶²jitna purooshaartha ka samay chala hai, jitnaanolejki light aur might mili hai us pramaan vartamaan samay saral aur spashta hona chaahiye।

⁵⁵Considering the length of time you have been making effort, and considering the light and might of knowledge you have received, it should now be easy and clear.

⁶³itna spashta ho jaise ek minute pahle agar koi kaarya kiya to woh yaad rehta ki woh bhi bhool jaata hai?

⁵⁶If you did something a minute ago, do you remember that, or forget it?

⁶⁴to aise hi 5000 varsha ke baad aise spashta anubhav ho jaise ek minute pahle kiya hua kaarya hai।

⁵⁷In the same way, you should experience everything of 5000 years ago as clearly as if it only happened a minute ago.

⁶⁵jaise powerful camera hoti hai to ek second mein kitna spashta chitra khainch leti hai।

⁵⁸A powerful camera is able to take such a clear picture in just one second.

⁶⁶kitna bhi door ka drishya ho, woh bhi spashta sammukh aata jaata hai।

⁵⁹No matter how far away the scene may be, it appears in front of you.

⁶⁷to kya powerful kaimraamain nahin bane ho?

⁶⁰Have you not become a powerful cameraman?

⁶⁸camera hai ki doosre ka loan par lekar use karte ho?

⁶¹Do you have a camera, or do you take someone else’s camera on loan and use that?

⁶⁹powerful hai?

⁶²Is it powerful?

⁷⁰kalpa pahle ke chitra usmein spashta aa jaate hain?

⁶³Does the picture of the previous cycle appear in that clearly?

⁷¹yeh jo man hai yeh ek badi camera hai।

⁶⁴Your mind is also a big camera.

⁷²har second ka chitra ismen khaincha nahin jaata?

⁶⁵Is not the picture of every second taken by that?

⁷³camera to sabhi ke paas hai lekin koi camera nazdeek ke chitra ko kheench sakti hai aur koi camera chandrama tak bhi photo khainch leti hai।

⁶⁶Each of you has a camera, but some cameras are able to take close pictures, and other cameras are able to take pictures even as far away as the moon. ⁶⁷Both are cameras.

⁷⁴hai to woh bhi camera, woh bhi camera। ⁷⁵aur yahaan ki chhoti- moti bhi camera to hai na।

⁶⁸You also have large and small cameras.So how powerful is each one’s camera?

⁷⁶to harek ke paas kitna powerful camera hai? ⁷⁷jab woh log chandrama se yahaan, yahaan se vahaan ka khainch sakte hain; to aap saakaar lok mein rehte niraakaari duniya ka, aakaari duniya ka va is saari srishti ke past va bhavishya ka chitra nahin khainch sakte ho?

⁶⁹Since those people are able to take pictures of everywhere from the moon, can you not, while living in the corporeal world, take a picture of the incorporeal world, the subtle world, and the past and future of the entire world?

⁷⁸camera ko powerful banaao jo usmein jo baat, jo drishya jaisa hai vaisa dikhaai de, bhinna-bhinna roop mein dikhaai nahin de।

⁷⁰Make your camera so powerful that you are able to see everything as it is - every scene as it is. ⁷¹It should not show something in many different forms.

⁷⁹jo hai jaisa hai, vaise spashta dikhaai de। ⁸⁰isko kehte hain powerful।

⁷²To be able to see something clearly as it is: this is known aspowerful.

⁸¹phir bataao koi bhi samasya, samasya ka roop hoga ya khel anubhav hoga?

⁷³In that case, would any problem still take on the form of a problem, or would it be experienced as a game?

⁸²to ab ki stage ke anusaar aisi stage banaao, tab kahenge teevrapurushaarthi।

⁷⁴According to the present time, create such a stage: then you would be calledintense effort-makers.

⁸³agar aise camera dvaara chitra pahle kheenchate jaate hain, uske baad saaph karaane ke baad maaloom padta hai ki kaise kheenche hain।

⁷⁵A picture is first taken by a camera, and later, when the film has been developed, you can tell how the picture has come out.

⁸⁴isi reeti se saare din mein jo apne-apne automatic camera dvaara anekaanek chitra khainchate rehte ho, raat ko phir baith kar clear dekhna chaahiye ki kis prakaar ke chitra aaj is camera dvaara kheenche?

⁷⁶In the same way, when you have taken all the many pictures with your individual automatic camera, you should sit at night and check clearly what type of pictures you have taken with this camera.Did you take pictures of everything as it was, or was there some fluctuation?

⁸⁵aur jo jaise hain vaise hi chitra kheenche va kuchh neeche-oopar bhi ho gaya?

⁷⁷Sometimes, when the camera is not good, even white things come out as black in the pictures.

⁸⁶kabhi-kabhi camera theek na hone ke kaaran saphed cheej bhi kaali ho jaati hai, roop badal jaata hai, features bhi kab badal jaate hain।

⁷⁸Its form changes, and sometimes even the features change. ⁷⁹Here also, when the camera is not clear, a little thing becomes a big problem: its form and colour change.

⁸⁷to yahaan bhi kabhi-kabhi camera theek clear na hone ke kaaran baat samasya ban jaati hai।

⁸⁰Sometimes an inaccurate form of something is even picked up.

⁸⁸unki rooprekha badal jaati hai, unka rang-roop bhi badal jaata hai।

⁸¹Therefore, constantly keep your camera clear and powerful.

⁸⁹yathaartha ka aythaartha roop bhi kab khaincha jaata hai। ⁹⁰isliye sadaiv apne camera ko clear aur powerful banaao। ⁹¹apne ko sevaadhaari samajhne se tyaag, tapasya sabhi aa jaata hai।

⁸²By considering yourself to be a server, that automatically includes renunciation and tapasya. “I am a server and this life is for serving”: when you have this awareness, not a second will go by without service.

⁹²sevaadhaari hoon aur seva ke liye hi yeh jeevan hai, yeh samajhne se second bhi seva bigar nahin jaayega। ⁹³to sada apne ko sevaadhaari samajhte chalo।

⁸³So you must constantly move along whilst considering yourself to be a server, and you must also consider yourself to be mature, and then all the little things will seem like toys.

⁹⁴aur apne ko bujurga samajhna chaahiye, to phir chhoti-chhoti baaten khilaune dikhaai dengi, merciful ban jaayenge।

⁸⁴You will then become merciful. ⁸⁵Instead of feeling disregard, you will have mercy.

⁹⁵tiraskaar ke badle taras aayega। ⁹⁶achha।

⁸⁶Achcha. ⁸⁷* * * O M S H A N T I * * *