Avyakt murli for Wednesday 17 May 1972

⁰> ¹17-05-72om shanti avyakt baapdaadaamdhuban

⁰> > Avyakt BapDada 17th May 1972

²sangathan roopi kile ko mazboot banaane ka saadhan

¹Pandav Bhavan is called the fort of the Pandavas.

³paandav bhavan ko paandavon ka kila kehte hain।

²The fort has been remembered. ³This Godly gathering is also a fort.

⁴kile ka gaayan bhi hai।

⁴The fort is the gathering.

⁵aise hi jo yeh eeshvareey sangathan hai, yeh sangathan bhi kila hi hai। ⁶jaise sthool kile ko bahut majboot kiya jaata hai, jisse koi bhi dushman vaar kar na sake।

⁵Just as a physical fort is made strong so that no enemy can attack it, there should be so much strength here that no enemy in the form of a vice can attack you.

⁷is reeti se mukhyakila hai sangathan ka।

⁶If an enemy does attack, there is definitely a weakness in the fort.

⁸ismen bhi itni majbooti ho jo koi bhi vikaar dushman ke roop se vaar kar na sake।

⁷The fort is of the gathering, and to strengthen it three things are essential.

⁹agar koi dushman vaar kar leta hai to zaroor kile ki majbooti ki kami hai।

⁸If all three things are strong then no enemy in any form can attack anyone inside the fort.

¹⁰yeh to sangathan roopi kila hai, iski majbooti ke liye teen baaton ki aavashyakta hai।

⁹Then no enemy will even have the courage to enter. ¹⁰What are those three things? ¹¹Love, cleanliness, and spirituality.

¹¹agar teenon baaten majboot hain to is kile ke andar koi bhi roop se kabhi bhi koi dushman vaar nahin kar sakenge।

¹²If all these three are strong, then nothing can attack you. ¹³If someone does attack then one thing or another is lacking - maybe love, maybe spirituality.

¹²dushman pravesh bhi nahin kar sakte, himmat nahin ho sakti।

¹⁴In order to strengthen the fort of the gathering you must pay great attention to these three things.

¹³woh teen baaten kaunsi hain, jisse majboot ho sakte hain?

¹⁵At every place these three things must be introduced with force.

¹⁴ek - sneh; doosra - svachchhata aur teesra hai roohaaniyat yeh teenon baaten agar majboot hain to kab koi ka vaar nahin hoga।

¹⁶In a physical way, in order to purify the atmosphere, you freshen the air, and the atmosphere is changed for a while through that.

¹⁵agar kahaan bhi, koi bhi vaar karta hai, unka kaaran in teenon mein koi-na-koi kami hai।

¹⁷In the same way you should apply pressure on these aspects to remove any effect on the atmosphere.

¹⁶ya sneh ki kami hai ya phir roohaaniyat ki kami hai।

¹⁸This is the main thing to attract anyone.

¹⁷to sangathan roopi kile ko majboot karne ke liye in teen baaton par bahut attention chaahiye। ¹⁸harek sthaan par in baaton ka force rakhkar bhi yeh laana chaahiye।

¹⁹People are impressed by the love and cleanliness, but the third aspect - spirituality - is also most important.

¹⁹jaise sthool mein bhi vaayumandal ko shuddh karne ke liye ear Öaush karte hain। ²⁰usse alpakaal ke liye vaayumandal change ho jaata hai।

²⁰In order to bring one another into a gathering, or to increase power in a gathering, you must bring these three things to one another’s attention.

²¹is reeti se ismen bhi in baaton ka praishar daalna chaahiye jisse vaayumandal ka bhi asar nikal jaae। ²²koi ko bhi aakarshan karne keemukhyabaaten yahi hoti hain।

²¹If any one aspect of the three is weak, there is definitely one weakness or another - therefore you ar unable to attain the success that you should.

²³sneh se, svachchhata se prabhaavit to ho jaate hain lekinmukhyateesri baat roohaaniyat ki jo hai, yeh hai mukhya।

²²So you must pay a lot of attention to these things. ²³The fort is strengthened through your coming together in a gathering.

²⁴do baaton se prabhaavit hokar gae। ²⁵yeh to unhon ke prati vishesh vriti aur drishti mein attention raha।

²⁴If even one brick or stone in a wall of a fort is not fully supporting it then that fort cannot be safe.

²⁶uski result mein yeh lekar ke gae।

²⁵If it moves even a little, there is a weakness.

²⁷to jaise logon ko bhi yeh mukhyabaaten aakarshan karne ke liye nimitta banti hain na।

²⁶Although you would say that only one brick is weak, the weakness spreads is all four directions.

²⁸vaise ek do ko sangathan mein laane ke liye va sangathan mein shakti badhaane ke liye aapas mein bhi yeh teen baaten ek do ko dekar ke attention dilaane ki aavashyakta hai।

²⁷So, in the same way, these three things are very essential for strength. ²⁸Then, no vibration can even touch you. ²⁹You pay less attention to yourself.

²⁹agar teenon mein se koi bhi baat ki kamjori hai to zaroor koi na koi viknes hai।

³⁰Sakar Baba was visible from a distance as a lighthouse and a might- house.

³⁰jo safalta honi chaahiye woh nahin ho paati, zaroor koi kami hai। ³¹to yeh baaten bahut dhyaan mein rakhni hain।

³¹In the same way, where the strength of spirituality is there, anyone who enters will experience it to be a lighthouse and a might-house.

³²kile ki majbooti hoti hai ek do ke sangathan se। ³³agar kile ki deevaar mein ek bhi eenrta va patthar ka sahayog poora na ho to woh kila safe nahin ho sakta।

³²Just as love and cleanliness are visible in the external form, in the same way spirituality and uniqueness should be visible externally.

³⁴zara bhi hila to kamjori aa jaaegi।

³³Then there will be the sound of victory.

³⁵bhale kahne mein to ek eent ki kami hai lekin kamjori chaaron or phailti hai। ³⁶to vaise hi majbooti ke liye teen baaten bahutazroori hain।

³⁴According to the drama, whatever is happening is accurate anyway, but there should also be the experience of being an embodiment of power.

³⁷phir koi vibration bhi touch nahin kar sakta।

³⁵There should definitely be this spirituality.

³⁸apne oopar attention kam hai। ³⁹jaise saakaar baap saakaar roop mein light-house, might-house door se hi dikhaai dete the, aise roohaaniyat ki majbooti hone se koi bhi andar aaenge to light-house, might-house ka anubhav karenge। ⁴⁰jaise sneh aur svachchhata baahar ke roop mein dikhaai deti hai, vaise hi roohaaniyat va alaukikta baahar reeti se pratyaksha dikhaai de, tab jay-jaykaar hogi। ⁴¹drama pramaan jo bhi kuchh chal raha hai usko yathaartha to kahenge hi lekin saath-saath shakti roop ka bhi anubhav hona chaahiye।

³⁶This place is different from all other places.

⁴²yeh alaukikta zaroor honi chaahiye। ⁴³yeh sthaan anya sthaanon se bhinna hai।

³⁷You can find love and cleanliness for a temporary period in other places in the world too, but there isn’t much spirituality elsewhere.

⁴⁴svachchhata va sneh to duniya mein bhi alpakaal ka milta hai lekin roohaaniyat kam hai।

³⁸A Godly task is being carried out here - it is not something ordinary. ³⁹They should experience this when they come here.

⁴⁵yeh eeshvareey kaarya chal raha hai, koi saadhaaran baat nahin hai -- yeh anubhav yahaan aakar karna chaahiye। ⁴⁶woh tab hoga jab apne alaukik nashe mein rahkar ke nishaana lagaaenge। ⁴⁷yeh lakshyazroor rakhna hai -- apne charitra dvaara, chalan dvaara, vaani dvaara, vritti dvaara, vaayumandal dvaara, sabhi prakaar ke saadhnon se baap ke practical part ki pratyakshata avatran-bhoomi par to pratyaksha milni chaahiye। ⁴⁸sirf sneh, svachchhata ki prashansa to kahaan bhi kar sakte hain, chhote-chhote sthaanon mein bhi prabhaav pad sakta hai lekin karma-bhoomi, charitra-bhoomi dvaara bhoomi mein aane ki visheshta honi chaahiye।

⁴⁰That will only happen when you stay in your spiritual intoxication, and aim at the target.

⁴⁹jaise koi ko gheraav daalkar ke chaaron or usko apne tarphaaakarshitkarne liye karte hain। ⁵⁰to baap ke saath sneh mein bhi sameep laane ki pvaaeentsa ka gheraav daalo।

⁴¹Through your activity, your behaviour, your words, your attitude, the atmosphere, and the facilities, the revelation of the practical part of the Father should be found in the land on which he incarnated.

⁵¹iske liye vishesh is bhoomi par samparka mein aane vaalon ko sambandh mein sameep laana chaahiye। ⁵²jo samparka mein aane vaale hain vahi sambandh mein sameep aa sakte hain।

⁴²Love and cleanliness can be practiced anywhere - it can influence even little places - but there should be the speciality of God having come onto Earth in the land where He performed action and carried out divine activities.

⁵³chaaron or yahi aavaaj kaanon mein goonjata rahe, chaaron or yahi vaayumandal unhon ko bhale deta rahe, iske liye teen baaton ki aavashyakta hai।

⁴³To attract someone towards you, you surround that one from all four directions. ⁴⁴So, throw a net of points for bringing souls close to God.

⁵⁴ab tak jo hua woh to kahenge theek hua। ⁵⁵achha to sabhi hota hai।

⁴⁵For this you must bring into close connection those who come into contact with you in this land.

⁵⁶lekin ab ki stage pramaan ab hona chaahiye achhe se achha।

⁴⁶Only those who come into contact with you can come into a close relationship with you.

⁵⁷jabki challenge karte ho - 4 varsha mein vinaash ki jvaala pratyaksha ho jaaegi; to sthaapna mein bhi zaroor baap ki pratyakshata hogi tab to kaarya hoga na।

⁴⁷In order for this sound to echo in their ears from all four directions, and for this atmosphere all around to give them power, three things are essential. ⁴⁸Whatever has happened until now is good, but now everything should be the best of all.

⁵⁸achha!

⁴⁹Achcha.

⁵⁹kamaal yeh hai jo vistaar dvaara beej ko pragat karen।

⁵⁰The wonder is to reveal the seed through the expansion.

⁶⁰vistaar mein beej ko gupta kar dete hain।

⁵¹In the expansion, the Seed becomes incognito.

⁶¹ab to vriksha ki antim stage hai na।

⁵²Now it is the final stage of the tree.

⁶²madhya mein gupta hota hai। ⁶³ant tak gupta nahin rah sakta।

⁵³In the middle, the Seed is incognito, but it cannot remain incognito until the end.

⁶⁴ati vistaar ke baad aakhreen beej hi pratyaksha hota hai na।

⁵⁴At the very end, after a great deal of expansion, the Seed is revealed.

⁶⁵manushya aatmaon ki yeh nature hoti hai jo variety mein aakarshitaadhik hote hain। ⁶⁶lekin aap log kislie nimit ho? ⁶⁷sabhi aatmaon ko variety va vistaar ke aakarshan se attention nikaalkarbeej tarphaaakarshitkarna।

⁵⁵It is the nature of human souls to be attracted to variety, but you are instruments to draw the attention of souls away from the variety and expansion, and to enable them to be attracted to the Seed. ⁵⁶Achcha.

⁶⁸achha!

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