Avyakt murli for Thursday 9 November 1972
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| Hindi | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
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0> > 9/11/72 Avyakt BapDada Revised: 28/02/94 1Do you constantly consider yourselves to be clear, divine stars; the divine stars who are the embodiment of remembrance? 2The elevated fortune of the present time is of being the stars of BapDada's eyes. 3The fortune which you are creating, is that which you will receive in the future.
109-11-72om shanti avyakt baapdaadaamdhuban
4Are you moving along whilst seeing yourselves as the stars of these elevated fortunes?
2gyaan-sitaaron ka sambandh gyaan-soorya aur gyaan-chandrama ke saath
5When you do not consider yourselves to be the divine stars, then neither do these two stars stay in your awareness.
3smritisvaroop spashta sitaare sadaiv apne ko divya sitaara samajhte ho?
6So constantly keep the form of the trimurti stars in your consciousness. 7The stars have a connection with the sun and the moon.
4vartamaan samay ka shreshtha bhaagya baapdaada ke nainon ke sitaare aur bhavishya jo praapta hone vaali takdeer bana rahe ho, un shreshtha takdeer ke sitaare apne ko dekhte hue chalte ho?
8They have a connection with the sun in an incognito way and in a revealed way with the moon. 9In the same way, with whom do you living stars have a practical relationship? 10You have it with the moon, do you not? 11The Sun of Knowledge is incognito anyway.
5jab apne ko divya sitaara nahin samajhte ho to yeh donon sitaare bhi smriti mein nahin rehte।
12However, in the corporeal form, in a revealed form, you have a connection with the senior mother. 13So, you must continually consider yourselves to be stars.
6to apne trimoorti sitaara roop ko sadaiv smriti mein rakho।
14Just as stars have a connection with the sun and the moon, in the same way, you should always have a relationship with BapDada.
7jaise sitaaron ka sambandh chandrama aur soorya ke saath hai।
15Just as stars are sparkling, in the same way, constantly remain stable in your form of light.
8gupta roop mein soorya ke saath rehta hai aur pratyaksha roop mein chandrama ke saath rehta hai।
16Stars stay together within a gathering and are always loving and cooperative with one another. 17These stars are a memorial of you living stars. 18So, have you become such elevated stars?
9aap chaitanya sitaaron ka sambandh bhi practical roop mein kiske saath raha?
19Have the living forms and the images both become equal? 20Whilst seeing the memorials of your various forms and tasks, do you think that this is the image of myself, the living form?
10chandrama ke saath raha na।
21Has the difference between the living form and the image finished?
11gyaansoorya to gupta hi hai।
22Or, are you still coming close to that?
12lekin saakaar roop mein prasiddha roop mein to badi maa hi ke saath sambandh raha na।
23Whilst being amongst themselves, do the stars remain distant to one another in their love and cooperation? 24Have all of you never had a seminar?
13to apne ko sitaara samajhte rehna hai।
25You have had many seminars of giving messages. 26What seminar still remains?
14jaise sitaaron ka sambandh chandrama aur soorya ke saath rehta hai, aise sada baapdaada ke saath hi sambandh rahe।
27What is the aim of the final seminar? 28You relate your aim to everyone before the seminar takes place. 29So, what is the aim of the final seminar? 30Have you fixed a date for that?
15jaise sitaare chamakte hain vaise hi apne chamakte hue jyoti-swaroop mein sadaiv sthit rehna hai।
31Just as you fix dates for other seminars, in the same way, have you fixed this? 32All of you have to have this seminar together. 33There is an image of that final seminar of yours.
16sitaare aapas mein sangathan mein rehte sada ek do ke snehi aur sahayogi rahenge।
34You have to put the image that has been remembered into a practical form. 35There is also an image of everyone's love, cooperation and constant stage.
17aap chaitanya sitaaron ki yaadgaar yeh sitaare hain।
36A finger is shown lifting a mountain. 37The finger is shown absolutely straight.
18to aise shreshtha sitaare bane ho?
38If it were bent in any way, there would be instability.
19chaitanya aur chitra samaan hue hain?
39It is straight and stable. 40That symbol is shown in this form.
20apne bhinna-bhinna roop ke bhinna-bhinna karttavya ke yaadgaar chitra dekhte, samajhte ho ki yeh mujh chaitanya ka hi chitra hai?
41Similarly, you have to keep your effort completely straight. 42Where the path bends every now and again, that is, when the intellect stumbles here or there, that should finish and you should stabilise yourself in a constant stage. 43Are you making such effort?
21chaitanya aur chitra mein antar samaapta ho gaya hai va ajun sameep aa rahe ho? 22sitaare kab aapas mein sangathan mein rehte ek do ke sneh aur sahayog se door rehte hain kya?
44Are you yourselves content with your effort? 45Or, is it just as you tell bhagats, that their desire is elevated, but because they lack the power, they are not able to do what they want? 46In the same way, you wish to become that elevated, your desire is elevated, and yet your effort is lacking.
23aap logon ne kab sammelan nahin kiya hai?
47Then, on the basis of your contentment, your aim seems very distant.
24sandesh dene ke sammelan to bahut kiye hain।
48What would you call that? 49A greatly knowledgeable soul?
25baaki kaunsa sammelan raha hua hai? 26jo antim sammelan hai uska uddeshya kya hai?
50You call yourselves the children of the Almighty Authority, yet even after becoming His children, do you not have any power within yourselves?
27sammelan ke pahle uddeshya sabhi ko sunaate ho na।
51People are able to do whatever they want. 52You believe this, do you not?
28to antim sammelan ka uddeshya sabhi ko sunaate ho na।
53So, in terms of being master almighty authorities, are you not able to do whatever you want and think?
29to antim sammelan ka uddeshya kya hai?
54Can you not put that final stage of yours into a practical form?
30uski date fix ki hai?
55Or, is it because it is the final stage, that it will happen at the end? 56Do not ever think that this is what is meant by the final stage, that that stage would be created at the end. 57However, it is when you put that complete stage into a practical form, that you will then be able to reach the final stage at the end. 58If you do not continue to bring that final stage close to you from now, then it will remain distant; you will not be able to attain it.
31jaise aur sammelan ki date fix karte ho na, yeh fix ki hai?
59This is why you must now take a jump in your effort. 60Whilst moving along, there is a lack of percentage in your effort.
32woh sammelan to sabhi ko mil kar karna hai।
61This is why you are now on the stage of making effort.
33aapke us antim sammelan ka chitra hai।
62So, whilst being on the stage, make up that percentage. 63A lot of percentage is lacking.
34jo chitra hai usko hi practical mein laana hai। 35sabhi ka sahayog, sabhi ka sneh aur sabhi ka ekras sthiti mein sthit rahne ka chitra bhi hai na।
64You are numberwise in the main subject of remembrance, but together with the stage, the percentage of remembrance you should have is still lacking. 65This is why the influence that there should be is not so visible. 66Unless you increase the percentage, you cannot spread the influence.
36jaise govardhan parvat par anguli dikhaate hain, to anguli ko bilkul seedha dikhaayenge।
67In order to spread that, you need a percentage. 68Just like light bulbs: there is light in each one, but according to the percentage of the light (wattage), it will spread that far.
37agar tedhi-baanki hogi to hilti rahegi।
69So, you have become bulbs, but you do not yet have the percentage of light that there should be.
38seedha aur sthit, uski nishaani is roop mein dikhaai hai।
70Now, increase that. 71You were also told earlier that one is light, next is a searchlight, and the third is a lighthouse.
39aise hi apne purooshaartha ko bhi bilkul hi seedha rakhna hai।
72There is a variety of stages. 73You have become light, but now become a lighthouse and spread light in all four directions and dispel the darkness.
40beech-beech mein jo tedha-baanka raasta ho jaata hai arthaat buddhi yahaan-vahaan bhatak jaati hai, woh samaapta ho ekras sthiti mein sthit ho jaana hai।
74Enable everyone to attain so much light that they are able to see themselves. 75At present, they are not even able to see their own selves. 76When there is a lot of darkness, they are neither able to see themselves nor others.
41aisa purooshaartha kar rahe ho?
77So, become such lighthouses that everyone is able to see himself. 78Just as a mirror is able to give a vision of the self to anyone who stands in front of it, have you become such mirrors? 79If all of you were to become mirrors and begin to carry out your task, then would souls in all four directions not receive a vision of themselves? 80When anyone has a vision, he definitely lets out a cry of happiness through his lips.
42lekin apne purooshaartha se svayan santushta ho?
81You have become such mirrors, have you not? 82Throughout the day, how many do you enable to have a vision of their own selves?
43va jaise bhakton ko kehte ho ki chaahna shreshtha hai lekin shaktiheen hone kaaran jo chaahte hain woh kar nahin paate hain, aise hi aap bhi jo chaahte ho ki aise shreshtha banen, chaahna shreshtha aur purooshaartha kam, lakshya apne santushtata ke aadhaar se door dikhaai de to usko kya kaha jaavega?
83Whoever comes in front of you, are they able to have a vision? 84If the mirror is not powerful, then they see another form instead of the real form: someone may be thin, but be seen as very fat. 85So, become such powerful mirrors that you can enable everyone to have a vision of their own selves, that is, as soon as they come in front of you, they forget their body and stabilise themselves in their bodiless form. 86In fact, this is the true service and the true success of service.
44mahaan gyaani?
87Achcha. 88To those who are constantly the embodiment of success; to those who constantly have a seminar to harmonise their sanskars; to the divine stars who bring their perfect stage close; to the stars of BapDada's eyes; to those who awaken the stars of fortune, love, remembrances and namaste. 89Avyakt BapDada's meeting groups personally: 90Do you experience yourselves to be powerful souls whilst keeping your elevated fortune in your consciousness?
45apne ko sarva- shaktivaan ki santaan kehte ho lekin santaan hone ke baad bhi apne mein shakti nahin hai?
91To the extent that you have this awareness, so you will have power. 92If there is less awareness, there is less power. 93Have you become the embodiment of remembrance, or do you have to make effort to remember?
46manushya jo chaahe so kar sakta hai, aise samajhte ho na?
94Just as you never forget your corporeal form, you constantly have the awareness that you are this or the other, in the same way, become the embodiment of remembrance of your fortune. 95Whilst having remembrance, you become aware, but as you move along, you become forgetful, and then this is not called being an embodiment. 96An embodiment never forgets. 97There are those who have to have remembrance and then those who are the embodiment of remembrance.
47to aap bhi master sarva-shaktivaan ke naate jo aap 3 varsha ki baat sochte ho woh abhi nahin kar sakte ho?
98So, who are all of you? 99Have you become the embodiment? 100Or, is the game of remembering and forgetting still continuing? 101Residents of the hospital and Abu sitting in front of BapDada:
48apni woh antim stage abhi practical mein nahin la sakte ho?
102All of you are very, very fortunate, because the majority are the residents of Madhuban.
49ki antim hai isliye ant mein ho jaavegi?
103Or, do you think that Madhuban and the hospital are separate?
50yeh kab bhi nahin samajhna ki antim stage ka arth yeh hai ki woh stage ant mein hi aavegi।
104You are all Madhuban residents, are you not? 105In which atmosphere do you live? 106Do you live in the atmosphere of Madhuban, or do you live in a different atmosphere of the hospital?
51lekin abhi se us sampoorn stage ko jab practical mein laate jaavenge tab antim stage ko ant mein pa sakenge।
107The greatest sustenance is that of knowledge and the murli. 108Do you listen to that in the hospital and in your homes, or do you just listen to that in Madhuban?
52agar abhi se us stage ko sameep nahin laate rahenge to door hi rah jaavenge, pa na sakenge।
109So the greatest sustenance is the murli, and the other sustenance is Brahma bhojan. 110One is the sustenance for the soul and the other is the sustenance for the body.
53isliye ab purooshaartha mein jump lagaao।
111So, you are given both in Madhuban, are you not?
54chalte- chalte purooshaartha ki percentage mein kami pad jaati hai।
112If you are eating in your own home, what do you remember as you eat? 113That you are sitting in Madhuban.
55isliye aap purooshaartha ki stage par ho lekin stage par hote bhi percentage ko bharo।
114Those from the hospital eat in Madhuban anyway. 115So, you are so lucky. 116To constantly receive Brahma bhojan is no less a fortune.
56percentage mein bahut kami hai।
117For the soul to constantly receive sustenance through the special souls is not any less sustenance. 118To constantly have an elevated atmosphere, to have elevated company; you have so many types of fortune. 119From amrit vela to nighttime, continue to bring your different fortunes in your awareness. 120At the beginning of the daily timetable, the first fortune is to celebrate a meeting with the Father.
57jaise mukhya subject yaad ki yaatra jo hai woh nambarvaar bana bhi chuke ho lekin stage ke saath jo percentage honi chaahiye woh ab kam hai।
121The world is desperate, whereas you celebrate a meeting from amrit vela till nighttime. 122Even when you go to sleep at night, where do you sleep? 123On a bed? 124So look, you have fortune at the beginning, fortune in the middle and what will happen at the end?
58isliye jo prabhaav dikhaai dena chaahiye, woh kam dikhta hai।
125You will receive nothing but fortune. 126So, constantly keep the list of your fortune in front of you.
59jab tak percentage nahin badhaai hai tab tak prabhaav phail nahin sakta hai।
127Constantly sing the song: Wah my fortune! 128Of course, you do say, Wah Baba! 129But together with that, wah my elevated fortune!
60phailaav ke liye percentage chaahiye।
130Not a limited fortune, but an unlimited, elevated fortune.
61jaise bulb hote hain, light to sabhi mein hoti hai lekin jitni light ki percentage hogi itni jaasti phailegi।
131Those who constantly maintain the awareness of their fortune will also make others fortunate, will they not? 132Whatever someone is like, he will make others the same. 133What do those from the hospital do all day long?
62to bulb bane ho lekin light ki jo percentage honi chaahiye, woh abhi nahin hai, usko badhaao।
134Do you constantly look at the patients or do you look at your fortune as well? 135What do you see? 136You look at your fortune, do you not? 137Together with the patients, first of all, see your fortune.
63sunaaya tha na - ek hai light, doosri hai searchlight, teesra hai light-haaoos।
138So, you should remember both God and your fortune. 139Look, you have received a very good title. 140Abu niwasis.
64bhinna stages hain na।
141As soon as you hear the words, "Abu niwasis", you can easily remember being the residents of Paramdham, can you not, because Abu belongs to Brahma Baba. 142So, when you remember father Brahma, you can easily remember Father Shiva because both are combined. 143So, by hearing the words, "Abu niwasis", you also remember your sweet home, that is, you easily remember both Bap and Dada. 144Where is the hospital?
65light to bane ho lekin light-haaoos ho chaaron or andhakaar ko door kar light phailaao।
145In Abu. 146Do those from the hospital stay in remembrance easily or do the residents of Abu, who live in their own homes, stay in remembrance easily?
66sabhi ko itni roshni praapta karaao jo woh apne aapko dekh saken।
147Or, do those who live at the centres stay in remembrance easily? 148Who stays in remembrance easily?
67abhi to apne aapko bhi dekh nahin sakte।
149Of course, everyone stays in remembrance, but who are the ones who have easy remembrance?
68jaise bahut andhakaar hota hai to na apne ko, na doosre ko dekh sakte hain।
150The doubleforeigners remain happy anyway. 151Double foreigners means doubly happy. 152Does the happiness in the hospital increase?
69to aise light-haaoos bano jo sabhi apne aapko to dekh saken।
153Or, does it only sometimes decrease? 154No matter what happens, even if you are about to die, your happiness should not disappear.
70jaise darpan ke aage jo bhi hota hai usko svayan ka saakshaatkaar hota hai। 71aise darpan bane ho?
155Even if you do die, your happiness should not go. 156It does not matter if you leave your body. 157You have the guarantee that if you go with happiness, then you go to make many others happy.
72agar itne sabhi darpan ban apna karttavya karne shuru kar den to kya chaaron or sarvaatmaaon ko svayan ka saakshaatkaar nahin ho jaavega?
158So, let it be this firm, that even if you leave your body, your happiness should not disappear. 159Brahmin life means a life of happiness. 160If you are Brahmins and do not have happiness, then it is not a Brahmin life. 161So, all of you are true Brahmins.
73jab kisko saakshaatkaar ho jaata hai to unke mukh se jay-jay ka naara zaroor nikalta hai।
162There is no need to ask about anything in this. 163When you sign anything, you first write B.K. as your occupation. 164So Brahmins means those who have the fortune of happiness, those who constantly remain happy.
74aise darpan to bane ho na?
165No one has the courage to reduce the happiness of a Brahmin soul.
75saare din mein kitnon ko svayan ka saakshaatkaar karaate ho?
166Whether it is Maya or Maya's father, they cannot make your happiness disappear. 167(Who is Maya's father?)
76jo saamne aata hai woh saakshaatkaar karta hai?
168Consider Ravan to be the father of Maya. 169But your happiness cannot disappear.
77agar darpan powerful na ho to real roop ke bajaay aur roop dikhaai deta hai।
170No matter where you may be living, your happiness cannot disappear. 171It is impossible. 172Do you say this with this much intoxication?
78hoga patla, dikhaai padega mota।
173Or, perhaps you think that it might become possible?
79to aise powerful darpan bano jo sabhi ko svayan ka saakshaatkaar kara sako arthaat aap logon ke saamne aate hi deh ko bhool apne dehi roop mein sthit ho jaayen।
174You know very well that it is impossible for happiness to disappear from Brahmin life. 175So each one's face should appear to be cheerful and happy. 176The fortune of happiness is sparkling on each one's forehead. 177It is sparkling, is it not?
80vaastavik sarvisaathvaasarviski saphalta ka roop yeh hai।
178There aren't any clouds, are there? 179Clouds can hide anything, so clouds cannot come.
81achha!
180So, constantly remain sparkling. 181What are the Shaktis thinking? 182The Shaktis constantly sing songs of happiness, and the Pandavs keep on dancing. 183In Brahmin life, there is just dancing and singing.
82sada saphaltaamoorta, sanskaaron ke milan ka sammelan karne vaale, apne sampoorn sthiti ko sameep laane vaale divya sitaaron ko, baapdaada ke nainon ke sitaaron ko, takdeer ke sitaare ko jagaane vaalon ko yaad-pyaar aur namaste।
184Even when you perform actions, performing actions is also just a dance. 185In a dance, you use your hands and feet, do you not? 186So, whatever actions you perform as a karma yogi, that is also just dancing, is it not? 187You are playing a game, are you not?
188Achcha.
189* * * O M S H A N T I * * *