Avyakt murli for Tuesday 30 September 1975
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| Hindi | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
0> 130-09-75 om shanti avyakt baapdaadaamdhuban
0> > 29/04/96 Om Shanti Avyakt BapDada Madhuban 30/09/75
2saare kalpa mein vishesh part bajaane vaali shreshtha aatmaon ki visheshtaaen
1The specialities of the elevated souls who play a special part throughout the kalpa.
3sarva shreshtha part bajaane vaale, apne gyaan ke prakaash se chandrama (brahma) ko solah kala prakaashit karne vaale gyaan soorya shiv baba bole -
2Do you consider yourselves to be the special souls who play the most elevated part of all the souls throughout theentire kalpa?
4svayan ko saare kalpa ke andar sarva aatmaon se shreshtha part bajaane vaali vishesh aatmaayen samajhte ho?
3Do you know which specialities you special souls have from the beginning of the kalpa to the end of thekalpa?
5aap vishesh aatmaon ki aadi se ant tak kya-kya visheshtaayen hain va aapne kaun-sa vishesh part bajaaya hai, usko jaante ho?
4Do you know what special part you have played throughout the kalpa? 5One is to be known as a special soulon the basis of having performed a special task.
6ek hota hai vishesh kaam karne ke kaaran vishesh aatma kahlaana,doosra vishesh gunon ke prabhaav ke kaaran vishesh aatma kahlaana, teesra position va status ke kaaran aur chautha sambandh aur samparka dvaara anekon ko vishesh praapti karaane ke kaaran।
6Second is to be called a special soul on the basis of virtues. 7Third isto be known as a special soul on the basis of one's position or status and fourth is through enabling others to havespecial attainment on the basis of one's connection and relationship.
7in sab visheshtaaon ko saamne rakhte hue dekho ki yeh chaar prakaar ki visheshtaayen kis stage tak aur kitne percentage mein hain।
8Whilst keeping all these four types of specialityin front of you, check which stage and to what percentage you have them within yourself.
8satayug ke aadi mein aap vishesh aatmaon ki first stage kaun-si hoti hai, unki visheshta aaj ke bhakta bhi gaate rehte hain - jismen sampanna aur sampoornata ka gaayan hai woh to sabki smriti mein hai na?
9What is the first stage of you special souls at the beginning of the golden age? 10Even today, the bhagat soulsremember that speciality for which there is also the memorial of being perfect and complete. 11You remember that, doyou not?
9ab aage chalo।
12Now, move further from there.
10satayug ke baad kahaan aate ho?
13Where do you go from the golden age?
11- (treta) vahaan ki visheshta kya hai?
14(To the silver age.) 15What are thespecialities of that?
12vahaan ki visheshta bhi itni hi prasiddha hai,ki jo aaj ke kaliyugi neta usi raajya ka svapna dekhte rehte ki aisa hona chaahiye।
16The specialities of that age are also so wellknown that even the ironaged leaders have dreams ofthat kingdom; they feel that that kind of kingdom should exist now.
13koi bhi plan sochte hain,to bhi aapki second stage ko ati vishesh samajhte hue use saamne rakhte hain।
17Whenever they create any plans, they keep yoursecond stage in front of themselves, considering it to be very special.
14aur aage chalo treta ke baad kahaan aate hain?
18Now move further from the silver age; wheredo you go from there?
15(dvaapar) lekin dvaapar mein bhi kahaan pahunche।
19(The copper age.) 20But where in the copper age?
16dvaapar mein bhi raajya satta to hoti hai na?
21Ruling authority still exists in the copperage, does it not?
17vahaan dharmasatta aur raajya satta do tukdon mein but jaati hai।
22There, authority is divided between the authority of religion and the authority of ruling.
18isliye dvaapar ho jaata hai। 19do pur ho gaye na?
23This is whyit becomes the copper age (dwapur = duality); it splits into two.
20ek raajya-satta doosri dharma satta।
24One is the authority of religion and the other isauthority of ruling.
21phir bhi aap vishesh aatmaon ke vishesh sanskaar gaayab nahin hote।
25However, even then, the special sanskars of you special souls do not disappear.
22chaahe anya dharma pita, dharma satta ke aadhaar se dharma ki sthaapna bhi karte hain lekin aapki visheshtaaon ka poojan, gaayan aur vandan aarambha ho jaata hai। 23yaadgaar phir bhi aap vishesh aatmaon ki hi banaayenge।
26Even though themany religious founders establish their religions on the basis of the authority of religion, the worship, theremembrance and praise of your specialities also begin at that time; the memorials of you special souls would bemade.
24gungaan aap vishesh aatmaon ke hi hote hain।
27Praise is sung of you special souls.
25raajya satta mein bhi raajaai thaath aur raajaai powers rehti hai।
28Those within the ruling authority still have the royal splendour and powersof their kingdom.
26aapki visheshtaaon ki yaadgaar mein shaastra ban jaate hain।
29Scriptures are created as a memorial of your specialities.
27apni visheshtaayen yaad aati hain? 28achha, isse aage chalo।
30Do you remember your specialities?Achcha, now move forward from there.
29kahaan pahunche?
31Where do you reach from there?
30(kaliyug) vahaan ki visheshta kya hai?
32(The iron age.) 33What are the specialitiesthere?
31aap vishesh aatmaon ke naam se sab kaam shuru hote hain।
34Everything begins with the name of you special souls.
32har kaarya ki vidhi mein aapki visheshtaaon ki siddhi sumiran hoti rehti hai।
35Whilst performing every task, they remember thesuccess achieved through your specialities.
33aapke naam se anek aatmaon ka shareer nirvaah hota hai।
36The livelihood of many souls takes place on the basis of your name.
34naam ki mahima - yeh kaliyug ki visheshta hai।
37Thespeciality of the iron age is the praise of your name.
35aapka naam sab sthool-sookshm praaptiyon ka aadhaar ban jaata hai।
38Your name becomes the basis of physical and subtle attainment.Do you know this speciality?
36kya is visheshta ko jaante ho?
39Achcha, move ahead from there.
37achha phir aage chalo?
40Where do you reach?
38kahaan pahunche?
41(The confluence age.)
39(sangam) jahaan hain vahaan pahunch gaye।
42Youreach where you are now.
40sangam yug ki visheshtaaon ko to svayan ab anubhav kar hi rahe ho।
43You yourselves are experiencing the specialities of the confluence age.
41saare kalpa ki visheshtaaon ko sada smriti mein rakhte hue sada alaukik vichitra raas karte rehte ho।
44Whilst keeping the specialities of the entirekalpa in your awareness, you constantly continue to perform the unique spiritual dance.
42gop-gopiyon ki raas to prasiddha hi hai।
45The dance of the gopes andgopis is very well known.
43to nirantar raas karte ho athva programme se?
46Do you dance constantly or do you only dance according to a programme?
44yeh hai hullaas ka raas।
47This is thedance of enthusiasm.
45lekin is raas mein sampoorn poornamaasi ki raas prasiddha hai।
48Within all these dances, the dance on the day of the full moon is very well known.
46iska rahasya kya hai?
49What is thesignificance of this?
47poornamaasi arthaat usmein sampoornatah ki nishaani gaai hui hai।
50The full moon signifies it to be a memorial of perfection.
48is raas ki visheshtaayen ab tak varnan karte rehte hain।
51Even today, people speak of thespecialities of this dance.
49woh kaun-si visheshtaayen?
52What are those specialities?
50us samay gop-gopiyon ki visheshta kya thi?
53What were the specialities of the gopes and gopis at that time?
51aapki hi baaten hain na?
54These are applicable to you, are they not?
52mukhya visheshta kya thi, teen baaten sunaao?
55What were the main specialities? 56Relate three specialities.
53ek visheshta raat ko din banaaya hua tha। 54din arthaat har ek gop-gopi ke jeevan mein satopradhaanta ka soorya uday tha।
57The firstspeciality: They made night into day, that is, the sun of being satopradhan rose in the life of every gope and gopi.
55logon ke liye kumbhakran ke neend ki raat thi arthaat tamopradhaanta thi।
58Forthe people, it was the night of the sleep of Kumbhakarna. 59That is, there was a tamopradhan atmosphere.
56doosri visheshta saara samay jaagti jyoti the।
60The secondspeciality: They were constantly the lamps that were ignited.
57maaya ek sankalp-roop mein bhi aa nahin paati thi।
61Maya was not able to enter even their thoughts.
58maayaavi log arthaat maaya moorchhit thi aur behosh thi।
62The people are caught up in Maya and Maya itself was unconscious.
59kyonki sarva jaagti jyoti nirantar baap ke saath lagan mein magna the।
63All the constantly ignited lights were deeplyabsorbed in love of the Father.
60teesri visheshta sarva ka haath mein haath mila hua tha aur taal se taal mila hua tha arthaat sanskaar mile hue the।
64The third speciality: Each one's hand was in the hand of another, that is, they were inharmony, that is, their sanskars were in harmony.
61sneh aur sahayog ka sangathan tha।
65It was a gathering of love and cooperation.
62raas mein saarkil arthaat chakra lagaate hain na?
66When they performthis dance, they go around in a circle.
63saarkil arthaat chakra - yeh shakti swaroop prakriti aur maaya ko gheraav daalne ki va kile ki nishaani hai।
67Circle means cycle: this is a sign of surrounding matter and Maya, the fortress,with the embodiment of power.
64yeh hai visheshtaayen isliye is raas ka vishesh mahatva gaaya hua hai।
68These are the specialities, and this is why there is special importance given to thisdance.
65yeh hua sangamayug ki visheshtaaon ka gaayan।
69This is the praise of the specialities of the confluence age.
66to aisi raas nirantar honi chaahiye।
70You should constantly perform such a dance.
67kitni baar yeh raas ki hai?
71Howmany times have you performed this dance?
68anek baar ki hui hai,phir kabhi bhool kyon jaate ho? 69jab sanskaar milaana arthaat taal se taal milaana,aisi koi paristhiti aati hai to kya kehte ho?
72You have performed it many times; so why do you sometimes forget it?To harmonise sanskars means to harmonise your rhythm. 73But what do you say when any situation arises?
70us samay bhakta arthaat kamzor ban jaate ho।
74At thattime, you become a bhagat, that is, you become weak.
71sanskaar milaana padega,marna padega,jhukna padega, sunna padega aur sahan karna padega - yeh kaise hoga?
75"I have to harmonise sanskars; I have to die; I have to bowdown; I have to listen to others; I have to tolerate; how will this happen?"
72-aise-aise kahne se bhakta bante ho।
76By saying such things, you becomebhagats.
73isliye ab us bhaktapan ke vansh ke ansh ko bhi khatma karo, tab hi is raas mandal ke andar pahunch sakenge।
77Therefore, now finish any trace of being a bhagat; only then will you be able to reach the stage where thisdance is performed.
74nahin to dekhne vaale ban jaayenge।
78Otherwise, you will only become observers.
75jo karne mein maja hai,woh dekhne mein nahin। 76to apni sarva-visheshtaayen suni na?
79There isn't as much pleasure in just watching asthere is in performing.
77aisi sarvashreshtha aatmaayen ho?
80So you heard about your specialities.
78aisi sarvashreshtha aatmaon ke liye baapdaada ko bhi aana padta hai।
81Are you these most elevated souls? 82Even BapDada hasto come for you most elevated souls.
79achha।
83Achcha.
80aisi vishesh aatmaayen jo baapdaada ko bhi mehmaan banaane vaali hai, aisi mahaan aatmaayen jinhon ka har sankalp anekon ko mahaan banaane vaala hai,aisi takdeervaan jinke mastak par sadaiv takdeer ka sitaara chamakta hai aur aisi padma-padam bhaagyashaali aatmaon ke prati baapdaada ka yaad-pyaar aur namaste।
84To such special souls who make BapDada a Guest; to such great souls whose every thought makes others into greatsouls; to the most fortunate souls who constantly have the star of fortune shining in the middle of their forehead; tosuch multimillion times fortunate souls, BapDada's love, remembrance and namaste.
81raashi milne vaale hi manke ke daane
85Only those whose horoscopes are in harmony become the beads.
82aise raas karne vaale taiyaar hue hain?
86Are the souls who are prepared to dance in harmonyready?
83sanskaaron ka milna arthaat raas se raas milna।
87To harmonise sanskars means to dance in unity.
84raas mein agar koi ka haath oopar, koi ka haath neeche hoga, to raas mein maja nahin aayega।
88In a dance, if the arms of some are raised and those of othersare kept low, the dance is not enjoyable.
85raas arthaat raashi milna।
89To perform this dance means to match oneself with others.
86jaise koi bhi connection jodte hain va milan karte hain,to raashi milaate hain na?
90When arelationship is being made, or when a match is being made, their horoscopes are examined.
87agar raashi nahin milti to jodi nahin milaate hain।
91If they don't match, thatrelationship is not forged.
88ek-do mein raashi milna arthaat svabhaav, sanskaar,gun aur seva saath-saath milne mein dikhaai de।
92To have the horoscope of one another matching means to have their natures, sanskars,virtues and service in perfect unity.
89samaan to nahin ho sakta।
93Of course, they cannot be equal; it would be numberwise.
90number to honge lekin jara-sa antar jo na ke baraabar dikhaai de-aisi raashi milne vaale kitne taiyaar hue hain?
94However, thedifference would be very slight, the visible difference would be almost neglegible. 95How many souls who have suchharmony been prepared?
91kya aadhi maala?
96Has half the rosary been created?
92jitne bhi taiyaar hue hain, hona to hai, hui padi hai sirf ghoonghat ke andar hai।
97No matter how many are ready, everyone has to becomeready anyway; it is already accomplished, but it is just that they are behind a veil. 98Achcha.
93achha।
99* * * O M S H A N T I * * *