Avyakt murli for Friday 27 May 1977

⁰> ¹27-05-77om shanti avyakt baapdaadaamdhuban

⁰> > 16/06/97 Om Shanti Avyakt BapDada Madhuban 27/05/77

²powerful stage arthaat baap samaan beejroop sthiti

¹A powerful stage means the seed stage, equal to that of the Father.

³sada samartha, sada gyaan ke khazaane se sampanna,baap samaan gunmoortta aur shakti moortta, gyaani tu aatma, aisi videshi so svadeshi aatmaon prati baap-daada ke uchchaare hue mahaavaakya:- ⁴aaj baap-daada ke saamne kaun si sabha baithi hui hai?

²Do you know which gathering is sitting in front of BapDada today?

⁵jaante ho? ⁶aaj double prakaar ki sabha hai।

³Today, there is a double gathering in front of Baba.

⁷ek,jo sabhi saamne baithi hain - bhaaratvaasi bachchon ki sabha। ⁸doosre, videshi bachchon ki sabha।

⁴One gathering, sitting in front of Baba, is of the children of Bharat, and the second gathering is of the foreign children.

⁹videshi bachche bahut umang,utsaah aur lagan se baap ko pratyaksha karne ke plaansa (Plans) banaate hue, baar-baar baap ke gun gaate,khushi mein naach rahe hain।

⁵Whilst making plans to reveal the Father with a lot of zeal, enthusiasm and love, the foreign children also sing songs of the Father’s praise and are all dancing.

¹⁰unhon ki khushi ka, man ka geet baap-daada ke saamne sunaai de raha hai।

⁶BapDada is able to hear the songs of happiness in their minds.

¹¹sab taraph,vishesh roop se baap ke sneh aur seva ka vaataavran aakarshan karne vaala hai।

⁷In all directions, it is especially the atmosphere of love for Baba and His service that attracts.

¹²baap-daada ko bhi bachchon ko dekh, bachchon ke umang par khushi hoti hai।

⁸On seeing the children, BapDada is happy to see their enthusiasm.

¹³saath-saath aap sabhi bachchon ka milan ka umang dekh harshit hote hain।

⁹As well as this, Baba is happy to see the enthusiasm of all of you children for meeting the Father.

¹⁴aaj amritvele baap-daada chaaron or ke bachchon ke paas chakkar lagaane nikle।

¹⁰This morning at amrit vela, BapDada went on a tour to see all the children.

¹⁵kya dekha?

¹¹What did He see?

¹⁶madhuban vardaan bhoomi mein, khushi-khushi se aae hue bachche, is hi milan ki khushi mein aur sab baate bhoole hue hain।

¹²In Madhuban, the land of blessings, children who have come to celebrate a meeting, in their happiness of this meeting, have forgotten everything else.

¹⁷harek nambarvaar purooshaartha anusaar vardaan praapta karne ke umang, utsaah mein the।

¹³Each one has numberwise zeal and enthusiasm for claiming the blessings.

¹⁸aur sab taraph chakkar lagaate hue kya dekha?

¹⁴And what did Baba see when going on a tour of everywhere else?

¹⁹majority(Majority;adhiktar) ka shareer bhal apne-apne sthaan par hai,lekin man ki lagan madhuban taraph hai।

¹⁵Although the bodies of the majority were in different places, the love of everyone’s mind was for Madhuban.

²⁰avyakt roop se yogayukta bachche madhuban mein hi apne ko anubhav karte hain।

¹⁶Yogyukt children, in the avyakt form, experience themselves to be in Madhuban.

²¹chaaron or swaroop chaatrak samaan dikhaai de raha tha।

¹⁷In all directions, everyone’s form was that of a chatrak bird.

²²yaad ki yaatra ke chart mein kya dikhaai diya?

¹⁸What did Baba see in their chart of the pilgrimage of remembrance?

²³position (Position;martaba) aur opposition (Opposition;virodh) donon ka khel dekha tha। ²⁴yatha shakti harek apne position par sthit rahne ka prayatna bahut karte, lekin maaya ki opposition, ek ras sthiti mein sthit hone mein vighna-swaroop ban rahi thi।

¹⁹Baba saw the game of both position and opposition. ²⁰According to his own capacity, each one of them was trying to remain set in his position, but the opposition from Maya was creating obstacles to his maintaining a steady stage.

²⁵iska kaaran kya?

²¹What were the reasons for this?

²⁶(1) ek to saare din ki dincharya par baar-baar attention ki kami hai।

²² 1. The lack of constant attention to the whole day’s timetable. ^{23 24}

²⁷(2) doosra shuddh sankalp ka khajaana jama na hone kaaran vyartha sankalpon mein jyaada samay vyateet karte hain।

^{25 26} 2. Because of not having accumulated a treasure­store of positive thoughts, they spend a lot of time in waste thoughts.

²⁸manan shakti bahut kam hai।

²⁷Their power of churning is very low.

²⁹(3) teesra,kisi bhi prakaar ki chhoti-chhoti paristhitiyaan jo hain kuchh bhi nahin, un chhoti si baaton ki kamzori ka kaaran bahut bada samajh, usko mitaane mein time bahut vesta (Time Waste;samay vyartha) karte hain। ³⁰kaaran kya? ³¹samay prati samay jo anek prakaar ki paristhitiyon ko paar karne ki yuktiyaan sunte hain, woh us samay ghabraane ke kaaran smriti mein nahin aati hain। ³²(4) chautha apne hi svabhaav sanskaar, jo samajhte bhi hain ki nahin hone chaahiye, baar-baar un svabhaav-sanskaar ke vasheebhoot hone se dhokha bhi kha chuke hain, lekin phir bhi rachta kahlaate hue bhi,vasheebhoot ho jaate hain।

²⁸

³³apne anaadi,aadi sanskaar baar-baar smriti mein nahin laate hain। ³⁴is kaaran sanskaar svabhaav mitaane ki samarthi nahin aa sakti hain। ³⁵aise chaaron hi prakaar ke yoddha dekhe।

^{29 30} 3. Because of the children’s weakness, they consider any type of minor situation, which in fact is nothing, to be something major and they waste a lot of time in finishing it.

³⁶yoddha shabd sunkar hansi aati hai।

³¹What is the reason for this?

³⁷aur jis samay prekteekal act (Practical Act;vyavhaarik karma) mein aate ho, us samay hansi aati hai? ³⁸baap-daada ko aisa khel dekhte hue, bachchon par raham aur kalyaan ka sankalp aata hai।

³²Because of being afraid, they are unable to remember the different methods that they have heard from time to time of how to overcome these adverse situations. ^{33 34}

³⁹ab tak majority vyartha sankalpon ki complain (Complain;shikaayat) bahut karte hain।

³⁵ 4. You understand that you shouldn’t have a certain type of nature or sanskars.

⁴⁰vyartha sankalp ke kaaran tan aur man donon kamzor ho jaate hain। ⁴¹vyartha sankalp ka kaaran kya? ⁴²sunaaya tha,apni dincharya ko set karna nahin aata। ⁴³amritvele roz ki dincharya, tan ki aur man ko set karo।

³⁶Nevertheless, though you have already experienced being influenced and deceived by them again and again, even though you call yourself a creator, you still become influenced by them.

⁴⁴jaise tan ki dincharya banaate ho ki saare din mein yeh-yeh karma karna hai,vaise apne sthool kaarya ke hisaab se,man ki sthiti ko bhi set karo।

³⁷Because of this, you do not bring your original and eternal sanskars into your awareness; you are unable to acquire the power to finish those sanskars and nature.

⁴⁵jaise amritvele yaad ki yaatra ka samay set hai,to aise suhaavne samay par, jabki samay ka bhi sahayog hai, satopradhaan buddhi ka sahayog hai, aise samay par man ki sthiti bhi sabse powerful stage (Powerful Stage;shaktishaali sthiti) ki chaahiye। ⁴⁶powerful stage arthaat baap samaan beejroop sthiti। ⁴⁷to yeh amritvele ka jaisa shreshtha samay hai, vaisi shreshtha sthiti honi chaahiye। ⁴⁸saadhaaran sthiti mein to,karma karte bhi rah sakte ho,lekin yeh vishesh vardaan ka samay hai।

³⁸

⁴⁹is samay ko yathaartha reeti use (USE;prayog) na karne ka kaaran, saare din ki yaad ki sthiti par prabhaav padta hai। ⁵⁰to pahla attention - ‘amritvele ki powerful sthiti ki saiting karo। ⁵¹’ ⁵²doosri baat, jab gyaan ki guhya baaten sunte ho, arthaat regular study (niymit adhyayan) karte ho, us samay jo points nikalti hain,us har point ko sunte hue,anubhvi moortta hokar nahin sunte।

³⁹

⁵³gyaani tu aatma har baat ke swaroop ka anubhav karti hain।

⁴⁰Baba saw these four types of warrior.

⁵⁴sunna arthaat us swaroop ke anubhvi bankar sunna। ⁵⁵lekin anubhvi moortta banna bahut kam aata hai।

⁴¹On hearing the word, “warrior”, you become amused, but are you also amused when you carry out these acts in practice?

⁵⁶sunna achha lagta hai,guhya bhi lagta hai, khush bhi hote hain,bahut achha khajaana mil raha hai, lekin samaana arthaat swaroop banna - iska abhyaas hona chaahiye।

⁴²On seeing such acts of the children, BapDada feels mercy for the children and has benevolent thoughts for them. ⁴³Even now, the majority have a lot of complaints about waste thoughts.

⁵⁷main aatma niraakaar hoon - yeh baar-baar sunte ho, lekin niraakaar sthiti ke anubhvi bankar suno।

⁴⁴Because of waste thoughts, both the mind and body become weak. ⁴⁵What is the reason for waste thoughts?

⁵⁸jaisi point,vaisa anubhav। ⁵⁹paramdham ki baaten suno to paramdham nivaasi hokar paramdham ki baaten suno।

⁴⁶You have already been told that it is because you do not know how to set your daily timetable.

⁶⁰svargavaasi devtaai sthiti ke anubhvi ban,svarga ki baaten suno।

⁴⁷At amrit vela every day, set the timetable for the body and the mind.

⁶¹isko kaha jaata hai sunna arthaat samaana। ⁶²samaana arthaat swaroop banna।

⁴⁸You set a timetable for your body, for whatever actions you have to perform throughout the day.

⁶³agar isi reeti se murli suno to shuddh sankalp ka khajaana jama ho jaaega। ⁶⁴aur isi khazaane ke anubhav ko baar-baar sumiran karne,saara samay buddhi isi mein hi busy rahegi।

⁴⁹In the same way, as you make a timetable for the physical work you have to do, also set a timetable for your mind, just as the time for the pilgrimage of remembrance is set for the mind.

⁶⁵vyartha sankalpon se sahaj kinaara ho jaaega। ⁶⁶agar anubhvi hokar nahin sunte,to baap ke khazaane ko apna khajaana nahin banaate। ⁶⁷iseelie khaali rehte ho।

⁵⁰At such an auspicious time, when you have the co­operation of the time, and your intellect is in its satopradhan stage, then the mind should also be in its most powerful stage.

⁶⁸arthaat vyartha sankalpon ko svayan hi jagah dete।

⁵¹A powerful stage means the seed stage, equal to that of the Father.

⁶⁹aur aage badhkar saari dincharya mein kya-kya kami karte ho,woh phir doosre din sunaayenge।

⁵²Therefore, just as the time of amrit vela is so elevated, so your stage should be the same.

⁷⁰pahle in do baaton ko theek karo। ⁷¹jyaada dose (Dose;khuraak) nahin dete hain। ⁷²achha।

⁵³You can continue to perform actions in an ordinary stage, but this is a special time for blessings.

⁷³sada samartha, sada gyaan ke khazaane se sampanna,yaad ki yaatra dvaara sarva shaktiyon ke anubhvi moortta, sada har paristhati ko svasthiti dvaara second mein aur sahaj paar karne vaale,aise baap samaan gun moortta aur shaktimoortta gyaani tu aatmaon ko baap-daada ka yaad-pyaar aur namaste। ⁷⁴deedi ji ke saath:- ⁷⁵aaj vishesh videsh vaalon ka baap ko apni taraph kheenchane ka chal raha hai। ⁷⁶yeh sabha dekhte hue bhi baap-daada ko baar-baar saamne videshi nazar aate hain।

⁵⁴Because this time is not used in an accurate way, your stage of remembrance is influenced throughout the day.

⁷⁷vishesh yaad ke aakarshan ka bahut fullforce se meethi-meethi baaten karte hain। ⁷⁸harek apne man ke umang ka sankalp baap ke aage aise rakh rahe hain, jaise sammukh baaten ki jaati hain,videsh mein rahne vaalon ko itni khushi kyon hai? ⁷⁹iska kaaran kya hai? ⁸⁰kyonki nai-nai phulvaadi samajhti hain ki ham peechhe aane vaale jab tak koi vishesh kaarya nahin karenge to high jump (oonchi chhalaang) dekar aage kaise badhenge।

⁵⁵So, first pay attention to setting a powerful stage at amrit vela.

⁸¹unhonko yeh lagan hai ham kuchh vishesh karke dikhaaven। ⁸²jo na hua hai woh karke dikhaaven। ⁸³is kaaran is nashe mein raat-din tan-dhan kuchh dikhaai nahin deta hai। ⁸⁴lakshya achha rakha hai।

⁵⁶Secondly, when you are listening to the deep aspects of knowledge, that is, when you are studying regularly, you are not listening as an embodiment of experience to the points that emerge.

⁸⁵harek sthaan yahi soch raha hai ki hamaare desh ka chaaron or naam nikle।

⁵⁷A knowledgeable soul experiences the form of every aspect.

⁸⁶is race ke kaaran ek do se aage badh rahe hain।

⁵⁸To listen means to become an embodiment of that form whilst listening.

⁸⁷videsh se naam nikalna hai - yeh to theek hai,lekin kis kone se nikalta?

⁵⁹However, you very much lack the knowledge of how to become an embodiment of experience.

⁸⁸kaun sa sthaan nimitta banta? ⁸⁹kis sthaan ka vyakti nimitta banta hai? ⁹⁰isliye harek apne dhun mein lage hue hain।

⁶⁰You enjoy listening and you also find that the points very deep; you become happy and feel that you are receiving very good treasures.

⁹¹aur baap-daada ko bhi bachchon ki mehnat aur utsaah achha lagta hai।

⁶¹However, to become an embodiment of them, you have to merge them within you.

⁹²(daadi ko) aap yahaan baithi ho ya videsh mein?

⁶²You should practise this.

⁹³videsh service ke plan chalte hain ki jab plen (Plane) mein chadhengi tab plan chalenge?

⁶³You constantly hear, “I am a soul”, but listen to it whilst experiencing the incorporeal stage.

⁹⁴mahaarthiyon se ek prashn poochhte hain।

⁶⁴As is the point, so should be your experience.

⁹⁵baap se to bahut poochhte hain। ⁹⁶mahaarthiyon ke liye vishesh hai – rooh-roohaan, mahaarthiyon se achhi lagti hai।

⁶⁵When you listen to anything of Paramdham, become a resident of Paramdham as you listen to it.

⁹⁷vijay maala ke jo manke bante hain pahla number va 108vaan number, donon mein antar kya hai?

⁶⁶Become experienced in the stage of the golden­aged deities and then listen to the things of heaven.

⁹⁸kahlaate to sab vijayi ratna hain। ⁹⁹naam hi hai vijaymaala।

⁶⁷This is known as listening, that is, merging it within you.

¹⁰⁰lekin pahla number vijayi ratna aur jo last ka vijayi ratna hai unmein koi vishesh subject (vishay) par vijay ka aadhaar hai va total number par aadhaar hai। ¹⁰¹ek hota hai vishesh subject mein।

⁶⁸To merge it means to become an embodiment of it. ⁶⁹If you listen to the murli in this way, the treasure of pure thoughts will accumulate, and you will constantly remember the experiences of these treasures; the intellect will remain busy in this all the time.

¹⁰²doosra hota hai sab subject ke total marks ka antar।

⁷⁰Then, you will easily be able to step away from waste thoughts.

¹⁰³to iski guhyata kya hai arthaat vijay ki guhya gati? ¹⁰⁴ismen bahut kuchh rahasya bhara hua hai। ¹⁰⁵yugal daane ki vishesh subject kaun si hai aur ashta ratnon ki kaun si hai।

⁷¹If you do not listen to the knowledge as an embodiment of experience, then you are not able to make the Father’s treasures your own and you, therefore, remain empty, that is, you create space for waste thoughts.

¹⁰⁶100ratnon ki kaun si hai? ¹⁰⁷usmein bhi aage aur peechhe vaalon mein kya antar hai?

⁷²Baba will tell you another day of the weaknesses you have in maintaining the daily timetable.

¹⁰⁸is guhya gati ko aapas mein manan karna।

⁷³First of all, put these two aspects right.

¹⁰⁹phir bataayenge। ¹¹⁰aaj chakkar lagaaya na।

⁷⁴Baba is not giving you a strong dose.

¹¹¹yeh to hui moti baat।

⁷⁵Achcha.

¹¹²lekin vishesh mahaarthiyon ke purooshaartha mein kya maheen antar rah jaata hai jisse do number ke baad teesra aata, phir chautha aata? ¹¹³hain mahaarthi, naami-graami lekin doosra teesra number bhi kis aadhaar se banta hai? ¹¹⁴to aaj mahaarthiyon ke is guhya gati ke purooshaartha ko dekh rahe the। ¹¹⁵ashta mein bhi pahla number aur aathvaan number mein kya antar hai?

⁷⁶To those who are constantly powerful and full with the treasures of knowledge; to those who are the embodiment of experience of all the powers through the pilgrimage of remembrance; to those who easily overcome any adverse situation in one second with their own stage; to the knowledgeable souls who, like the Father, are the embodiment of virtues and powers, BapDada’s love, remembrance and namaste.

¹¹⁶poojte to aath hi hain lekin pooja mein bhi antar, vijay mein antar hai।

⁷⁷Baba meeting Didi: ⁷⁸Today, the foreigners are especially pulling Baba towards themselves.

¹¹⁷harek ki visheshta bhi vishesh hai aur phir jo kami rah jaati hai woh bhi vishesh hai jiske aadhaar par phir number bante hain।

⁷⁹Even whilst Baba is seeing this gathering, the foreigners are constantly appearing in front of Baba’s vision.

¹¹⁸aaj donon hi dekh rahe the to yeh aapas mein vichaar karna। ¹¹⁹samjha? ¹²⁰dilli party se:-

⁸⁰With the special attraction of remembrance, they are having sweet conversations with the Father with full force.

¹²¹dilli ko darbaar banaaya hai? ¹²²dilli darbaar kehte hain to dilli ko apni raajya darbaar banaai hai?

⁸¹Each one is placing the thought of the enthusiasm within his mind in front of Baba as though he is talking to Baba personally.

¹²³raajaai taiyaar ho gai hai?

⁸²Why do the foreigners have so much happiness?

¹²⁴darbaar mein kaun baithenge?

⁸³What is the reason for this?

¹²⁵darbaar mein pahle to mahaaraaja,mahaaraaniyaan chaahiye। ¹²⁶kitne mahaaraaja, mahaaraaniyaan taiyaar hui hain? ¹²⁷dilli vaalon ko raajya ka foundation (Foundation;neenv) lagaana hai।

⁸⁴Those of the new garden think that they have come late and that, unless they carry out some special task, they will not be able to take a high jump and move forward.

¹²⁸raajya ka foundation kaise lagega,uska aadhaar kya?

⁸⁵They have the deep desire to demonstrate something special.

¹²⁹raajya arthaat adhikaar praapta kar lena। ¹³⁰pahle svayan ka raajya,phir vishwa ka raajya।

⁸⁶They want to demonstrate doing something that has not yet been done.

¹³¹to dilli nivaasi svayan par adhikaari bane hain? ¹³²videsh se to naam niklega, lekin naam pahunchega kahaan?

⁸⁷Because of this, and in this intoxication, they do not consider whether it is day or night and do not even consider their body or wealth.

¹³³(dilli mein) to dilli vaalon ko naveenta karni chaahiye kyonki seva ka aadi sthaan hai। ¹³⁴seva ki ‘beej roop’ dilli hai।

⁸⁸They have a good aim. ⁸⁹Those from each place are thinking that the name should spread from their country.

¹³⁵to jaise dilli aadi sthaan hai seva ke hisaab se aur raajya ka sthaan raajasthaan bhi hai, to donon hi hisaab se dilli vaalon ko visheshta karni chaahiye to kya karenge?

⁹⁰Because of this race, each one is moving ahead of the other. ⁹¹It is right that the name will be revealed from the foreign lands, but from which land will it be revealed?

¹³⁶mela karenge? ¹³⁷conference karenge?

⁹²Which country will become the instrument for this?

¹³⁸yeh to puraani baaten ho gayeen। ¹³⁹lekin naveenta kya karenge?

⁹³Which place will emerge with a person to become instrumental for this?

¹⁴⁰pahli baat to dilli vaalon ka ek dridh sankalp sangathit roop se hona chaahiye ki‘ham sab dilli ka kila majboot kar saphalta honi hi hai, is sankalp ka vrat ek ho।

⁹⁴This is why each of them is deeply absorbed in their desire. ⁹⁵BapDada also feels very good seeing the effort and enthusiasm of the children.

¹⁴¹’jaise koi bhi kaarya mein saphalta ke liye vrat rakhte hain na।

⁹⁶(Speaking to Dadi Janki) Are you sitting here or in the foreign land?

¹⁴²woh to sthool vrat rakhte hain,lekin yeh mansa ka vrat hai jis vrat se nimitta koi bhi kaarya karenge।

⁹⁷Are you thinking of plans for foreign service or will you think about that when you board the plane?

¹⁴³bhala kaarya saadhaaran bhi ho, result naveenta ki ho। ¹⁴⁴maano kaanaphrens karte, baahar ka jaise roop saadhaaran ka hota lekin saphalta naveenta ki ho। ¹⁴⁵jab ek hi samay aur sarva ka ek hi sankalp vrat hoga ki hona hi hai,to dekho dilli kya kamaal karti hai! ¹⁴⁶kamzori ke sankalp na ho - hona hai, nahin hona hai, hoga,nahin hoga,abhi tak to hua nahin - yeh kamzori ke sankalp hain।

⁹⁸Baba wants to ask the maharathis a question.

¹⁴⁷ek dridh sankalp ki bhatthi ho phir sab dilli ko kaapi karenge। ¹⁴⁸abhi aisi koi naveenta dikhaao।

⁹⁹You ask Baba many questions and so there is this special heart­to­heart conversation with the maharathis.

¹⁴⁹bhaashan kiya, janta aai, suna aur gae।

¹⁰⁰Baba enjoys doing this with the maharathis.

¹⁵⁰bhaashan karne vaale ne bhaashan kiya aur chale - yeh to hota rehta hai।

¹⁰¹In the rosary of victory, what is the difference between the first bead and the 108thbead?

¹⁵¹ab double stage svayan ki aur doosri sthaan ki taiyaar karo। ¹⁵²jab double stage ho tab saphalta ho।

¹⁰²All the beads are called victorious jewels, and the rosary is called the rosary of victory.

¹⁵³sthool stage par jhanda lagaana, slogan lagaana, chitra lagaana bahut sahaj hai, lekin har ek chaitanya chitra ho। ¹⁵⁴harek ki buddhi mein vijay ka jhanda laga ho।

¹⁰³However, is the basis of claiming the number of the first bead or the last bead specifically based on any one subject or on the total marks as a whole?

¹⁵⁵slogan sabka ek ho - saphalta hamaara janmasiddha adhikaar hai। ¹⁵⁶phir dekho dilli vaale kamaal karenge।

¹⁰⁴One is to claim the marks in a specific subject and the other is to claim total marks in all subjects.

¹⁵⁷dilli vaalon ko vishesh ek lift ki gift bhi hai,woh kaun si hai?

¹⁰⁵So, what is the secret of this, that is, what is the deep secret of victory?

¹⁵⁸dilli vaalon ka, usmein bhi vishesh shakti sena ka vishesh gun kaunsa hai?

¹⁰⁶The secret of this is very deep. ¹⁰⁷What is the special subject of the dual­bead and of the eight jewels?

¹⁵⁹yagya ki sthaapna ke kaarya mein dilli ki shakti sena ka sudaama misal jo chaaval chapti kaam mein aai hai।

¹⁰⁸What is the speciality of the one hundred jewels? ¹⁰⁹And what is the difference between those at the front and those at the back?

¹⁶⁰woh bahut mahatva ke samay kaam mein aai hai।

¹¹⁰Churn these secrets and Baba will then tell you.

¹⁶¹to mahatva ke samay par agar kaarya mein chaaval chapti bhi lagaate to woh bahut vriddhi ho jaati hai। ¹⁶²jaise samay itna phaleebhoot nahin hota। ¹⁶³samay par sahayog dene se dilli vaalon ko vishesh gift ki lift mili hai।

¹¹¹Today, Baba went on a tour. ¹¹²This is something gross, but what is the subtle difference that still remains in the effort of the maharathis due to which they claim the second, third or fourth number?

¹⁶⁴baap ki or se drama pramaan dilli vaalon ko sada sampanna rahne ka vardaan praapta hai।

¹¹³Of course, all maharathis are well­known, but on what basis do they claim the second, third or fourth number?

¹⁶⁵dilli ki dharni ka foundation achha hai।

¹¹⁴So, today, Baba was seeing this deep effort of the maharathis.

¹⁶⁶ekjaampal (Example;misaal) banne vaalon ko vishesh sahayog milta hai।

¹¹⁵Even out of the special eight jewels, what is the difference between the first and last jewel?

¹⁶⁷dilli ko nimitta seva,anya seva sthaanon ke nimitta ekjaampal bane। ¹⁶⁸jaise aadi mein visheshta dikhaai, vaise abhi dikhaao।

¹¹⁶All eight are worshipped, but there is a difference in the way they are worshipped; there is a difference in their victory.

¹⁶⁹to uska sahayog mil jaaega। ¹⁷⁰dilli vaale foreign (videshi) vaalon se bhi achhe plan bana sakte hain; kyonki yahaan bahut seva ke saadhan hain।

¹¹⁷Each one’s speciality is special and whatever particular weakness still remains is also the basis on which the number is created.

¹⁷¹yahaan mehnat ki jaroorat nahin sirf kila majboot ki baat hai।

¹¹⁸Today, Baba was seeing both these things, and so churn this amongst yourselves.

¹⁷²achha।

¹¹⁹Do you understand?

¹⁷³jab sabke sankalp ki anguli ikatthi hogi to har kaarya saphal hoga। ¹⁷⁴sabki nazar dilli par hai। ¹⁷⁵jab ek do ke sameep ho haath mein haath milaaenge tab gheraav daal sakenge। ¹⁷⁶haath mein haath milaana arthaat sankalp milaana।

¹²⁰Blessing:May you be a constantly fearless and victorious mahavir who finds a solution to everyproblem.Those who are mahavirs can never give the excuse that the circumstances were such, that the problems were such and that they were therefore defeated.

¹⁷⁷sabmen ek jaisa umang utsaah ho,dilaana na pade। ¹⁷⁸achha। ¹⁷⁹purooshaartha ki guhya gati kya hai? ¹⁸⁰athva shreshtha purooshaartha kaun sa hai?

¹²¹It is the duty of the problem to come and the duty of the mahavirs to find a solution to the problem and not be defeated.

¹⁸¹har sankalp, svaans mein svatah baap ki yaad ho। ¹⁸²isko kaha jaata hai smriti swaroop। ¹⁸³jaise bhakti mein bhi kehte hain - anhad shabd sunaai de,ajpaajap chalta rahe, aisa purooshaartha nirantar ho - isko kaha jaata hai shreshtha purooshaartha।

¹²²A mahavir is one who constantly remains fearless and becomes victorious and does not become weak in trivial matters. ¹²³Mahavir victorious souls never become upset, but remain happy at every step through their body and mind.

¹⁸⁴yaad karna nahin,yaad aata hi rahe। ¹⁸⁵mahaarthiyon ka purooshaartha yeh hai - mahaarthi arthaat svatah yaad।

¹²⁴Waves of sorrow cannot come to them even in their dreams.

¹⁸⁶mahaarthi har sankalp mahaan hoga। ¹⁸⁷jitnaajitna aage badhte jaayenge saadhaaranta khatma hoti jaayegi, mahaatna aati jaayegi।

¹²⁵Slogan:Always to have benevolent feelings for everyone is the qualification of a gyani­yogi soul.

¹⁸⁸yeh hai badhne ki nishaani।

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