Avyakt murli for Sunday 10 December 1978

⁰> ¹10-12-78om shanti avyakt baapdaadaamdhuban

⁰> > 10/12/78 Om ShantiAvyakt BapDada Madhuban

²vistaar ko na dekh saar arthaat bindu ko dekho

¹Do not see the expansion, but the point, the essence.

³madhuban nivaasi tyaagi, tapasvi bachchon prati baap-daada boleh -

²To be a resident of Madhuban means to be one who constantly moves along with the waves of the ocean of sweetness.

⁴madhuban nivaasi arthaat madhurta ke saagar mein sada lahraane vaale baap-daada vi vishesh karmabhoomi, charitra bhoomi, madhur milan-bhoomi ya mahaan punya bhoomi,aisi bhoomi ke sada nivaasi kitni mahaan aatmaayen hain!

³How great the souls are who constantly live in BapDada’s special land; the land where He performed actions, the land of divine actions, the land where a sweet meeting is experienced, the great pure and charitable land!

⁵niraakaar baap ko bhi is saakaar bhoomi se vishesh sneh hai - aise bhoomi ke nivaasi svayan ko bhi sada aise anubhav karte hain madhuban arthaat madhur bhoomi। ⁶vritti ki bhi madhurta - vaani ki bhi madhurta aur har karma mein bhi sada madhurta।

⁴The incorporeal Father also has special love for this corporeal land. ⁵Do those who live in this land also constantly have the same experience? ⁶Madhuban means the land of sweetness where there is sweetness in your attitude, sweetness in your words and constant sweetness in your every deed.

⁷jaisi bhoomi vaisi hi bhoomi mein rahne vaali mahaan aatmaayen।

⁷As is the land, so are the great souls who live in that land!

⁸madhuban se jo aatmaaen anubhav karke jaati hain woh bhi kya kehti hain!

⁸What do souls say when they return fromMadhuban and give their experience?

⁹madhuban hai sangamayugi svarga - arthaat svargabhoomi mein rahne vaale।

⁹Madhubanis the confluence-aged heaven. ¹⁰This means that you are the residents of heaven.

¹⁰ab bhi svarga aur bhavishya mein bhi svarga - to double svarga ke adhikaari kitne vishesh hue।

¹¹So, how special are those who have a right todoubleheaven; to be in the heaven of this time and also the heaven of the future?

¹¹baap-daada aaj khaas madhuban nivaasiyon se milne aaye hain।

¹²Today,BapDada has especially come to meet the residents ofMadhuban.

¹²baba poochhte hain svarga ki visheshta athva svarga ka vishesh gaayan kya hai?

¹³Baba is asking: What is the speciality or special praise of heaven?

¹³svarga ka vishesh gaayan hai ‘‘sada sampanna arthaat apraapta nahin koi vastu svarga ke khazaane mein।

¹⁴The special praise of heaven is of always being full; that nothing is lacking in the treasure-store of heaven.

¹⁴’’ chaahe sangamayugi svarga ya bhavishya ka svarga - donon ki yeh ek hi visheshta gaai hui hai।

¹⁵Whether it is the heaven of the confluence age or the heaven of the future, the speciality remembered of each is the same.

¹⁵to madhuban nivaasi arthaat sangamayugi svarga nivaasi aisi sampanna sthiti ka anubhav karte hain? ¹⁶jismen mahsoos ho ki ham sada tripta aatmaaen hain - jaise ichchha maatram avidya ke sanskaar bhavishya svarga mein natural honge vaise madhuban nivaasiyon ke yeh natural sanskaar hain ?

¹⁶So, as a resident of Madhuban, as a resident of the confluence-aged heaven, do you experience the complete stage in which you feel that you are a constantly satisfied soul? ¹⁷When you are in heaven of the future, younaturallyexperience thesanskar of being ignorant of the knowledge of desire; do you residents of Madhuban alsonaturallyhave this sanskar?

¹⁷svargavaasi arthaat in sab baaton mein natural sanskaar swaroop ho?

¹⁸As a resident of heaven, are you anaturalembodiment of all those sanskars?

¹⁸koi bhi poochhte hain aap kahaan ke rahvaasi ho ? ¹⁹badi phalak se,khushi se kehte ho na ham madhuban nivaasi hain?

¹⁹When someone asks you where you live, you say, with great intoxication and happiness, that you live in Madhuban, do you not?

²⁰madhuban vaasi ki jaise chhaap lagi hui hain -saath-saath jaisa sthaan vaisi sthiti ki chhaap bhi hogi na। ²¹jaise kolda store mein jaayenge to jaisa sthaan vaisi sthiti automatically hogi na।

²⁰It is as though you are stamped with the stamp of being a resident ofMadhuban. ²¹As well as that stamp, you should also be stamped with the stage appropriate to this place. ²²When you go into acoldroom,your stateautomaticallybecomes like the place.

²²to madhuban ki jo mahima hai aise sanskaar bane hain?

²³So, are your sanskars appropriate to the praise of Madhuban?

²³kyonki saakaar roop mein lakshya swaroop sabke aage madhuban hai, kaapi sab madhuban ko karte hain।

²⁴In the corporeal form, it isMadhuban that everyone has as their aim; everyonecopiesMadhuban.

²⁴kisi ki bhi sthiti mein halchal hoti hai to achalghar madhuban yaad aata hai ki madhuban achalghar mein jaane se achal ho jaayenge - aisi bhaavna se, shubh kaamna se is punya bhoomi par sabhi aate hain - jab anek aatmaon ki halchal ka saadhan milne ka sthaan achalghar madhuban hai to maghuban mein rahne vaale bhi sada achal honge na।

²⁵When someone’s stage fluctuates, they rememberAchalghar Madhuban (the home of stability), that by going to AchalgharMadhuban they will become stable. ²⁶Everyone comes to this sacred land with such faith and pure feelings. ²⁷Since AchalgharMadhuban is the place where many souls are able to find the means to finish their upheaval, then those who live inMadhuban should also be constantly unshakeable, would they not?

²⁵aisi stage anek aatmaon ke liye maarga-darshan karne vaali hogi।

²⁸Such astagebecomes a guiding light for many others because Madhuban is thelighthouse.

²⁶kyonki madhuban hai light house। ²⁷sarva sevaakendron ko sahayog dene vaale madhuban nivaasi hain।

²⁹It is you residents ofMadhuban who co-operate with all the centres: you constantly co-operate with your thoughts, words and deeds with one another.

²⁸sada sankalp vaani athva karma se ek-do ke sahayogi hain to saathiyon ke bhi sahayogi honge na।

³⁰Therefore, you should also co-operate with your companions, should you not? ³¹All of you children have been given one year to show someresults.

²⁹sarva bachchon ko ek varsha mila hai result nikaalne ke liye - to ek varsha mein ab kya parivartan laaya hai ?

³²So, what transformation have you brought about in one year, that when others hear your experience, they also become inspired to transform themselves?

³⁰jisko doosre sunne vaale svayan bhi parivartan ho jaaen - jaise kai baar dekha hoga koi-koi aatmaayen jab apna sachchi dil se,umang se,baap ke sneh se anubhav sunaati hain to anubhav sunte-sunte bhi anek aatmaaen parivartit ho jaati hain।

³³Sometimes, when souls relate their experience with enthusiasm and with sincere love for the Father from the hearts, many other souls become transformed whilst listening to their experience. ³⁴The transformation of one becomes a way of transforming many others. ³⁵So, have you brought about such transformation that you have become anexamplefor others?

³¹ek ka parivartan anek aatmaon ke parivartan ka saadhan ban jaata hai।

³⁶Have you had such awonderfulexperience in this one year? ³⁷Who has taken ahigh jump?

³²to aisa parivartan hua hai?

³⁸Who has taken thegiftof alift?

³³jo anekon ko ek egzaampal roop mein ho - ek varsha mein aise koi wonderful anubhav hua hai?

³⁹Nowadays, very clear pictures of any place can be seen in many different places throughTV.

³⁴kis-kisne highjump diya - kisne lift ki gift li?

⁴⁰So, Madhuban is also aTV station.There areTV setseverywhere.

³⁵jaise aajkal T.vi. mein chaaron or ek sthaan ka chitra spashta dikhaai deta hain to madhuban bhi T.vi. station hai।

⁴¹Nowadays, the speed of thoughts and the state of someone’s mind can becheckedwith instruments ofscience.

³⁶chaaron or T.vi. ke set lage hue hain -aur T.vi. station par jo act chalta hai woh automatically sab taraph dikhaai det hai।

⁴²Similarly, the thoughts and vibrations of the minds of the residents ofMadhuban spread everywhere. ⁴³Therefore, let there beattentionpaid to your every thought.

³⁷to madhuban vaalon ka har sankalp bhi chaaron or dikhaai deta arthaat phailta hai kyonki T. vi. sait chaaron or lage hue hain। ³⁸jaise aajkal science ke saadhnon dvaara sankalpon ki gati ya mansa sthiti ko chaik kar sakte hain vaise madhuban nivaasiyon ke sankalpon ki gati ya maansik sthiti chaaron or phailti hai।

⁴⁴Do not be careless about this. ⁴⁵If you residents ofMadhuban want to spread yourvibrationsof a special thought whilst sitting in Madhuban, you are able to sit somewhere and spread them in all four directions. ⁴⁶Just as the fragrance of something physicalautomaticallyspreads everywhere, similarly, thevibrationsthrough your thoughts shouldautomaticallyspread everywhere.

³⁹isliye har sankalp par bhi attention ho। ⁴⁰ismen albelaapan na ho।

⁴⁷This is the special service that the residents ofMadhuban have to do.

⁴¹madhuban nivaasi madhuban mein baithe hue bhi kisi prakaar ke vishesh sankalp dvaara vibration phailaane chaahe to is ek sthaan par baithe hue bhi chaaron or phaila sakte hain - jaise sthool cheez ki khushbu chaaron or automatically phail jaati hai vaise yeh vibration sankalp ke dvaara chaaron or svatah phail jaaen, madhuban nivaasiyon ki yeh vishesh seva hai। ⁴²jaise madhuban mein vishesh bhatthi karte ho to vibration chaaron or pahunchte hain na। ⁴³chaahe patron dvaara samaachaar na bhi jaae lekin sookshm vibration madhuban ke bahut sahaj chaaron or phail sakte hain। ⁴⁴to aisi seva bhi karte hain ya sirf yagya ko sambhaalne ki seva hi karte hain।

⁴⁸When you have a specialbhatthi in Madhuban, thosevibrationsreach everywhere.

⁴⁵kaarobaar hai karma dvaara karmana seva lekin uske saathsaath mansa seva ki bhi zimmevaari hai?

⁴⁹Even if letters of news are not received, the subtlevibrationsfromMadhuban can easily be spread everywhere.

⁴⁶baap-daada to varsha ki result dekhne aaye hain na। ⁴⁷jo sada paas rehte hain woh paas with honour kahaan tak bane hain?

⁵⁰Your business is to serve through your deeds, but together with that, you also have the responsibility to serve with your mind.

⁴⁸jo mahaan aatmaon ke saath rehte hain, saakaar mein bhi sameep hain aur sthaan bhi mahaan hai aisi aatmaon ki praalabdha kya banti hai। ⁴⁹shaastran mein bhi madhuban ki mahima vishesh gaai hui hai - to madhuban nivaasi har baat mein vishesh aatmaaen har samay koi visheshta dikhaane vaali hain - jo bhi group aave woh yeh anubhav kare ki madhuban nivaasiyon mein yeh visheshta thi। ⁵⁰madhuban svarga mein har aatma sada tripta aatma sampanna moortta thi। ⁵¹iska aadhaar hai ki sada ek lakshya ho ki humein daata ka bachcha ban sarva aatmaon ko dena hai na ki lena hai - yeh kare to main karoon, nahin।

⁵¹BapDadahas come to see theresultsof one year.

⁵²harek daataapan ki bhaavna rakhe to sab dene vaale arthaat sampanna aatma ho jaayenge।

⁵²To what extent have those who remain constantly closepassed with honours?

⁵³sampanna nahin honge to de bhi nahin sakenge। ⁵⁴to jo sampanna aatma hogi woh sada tripta aatma zaroor hogi।

⁵³What reward has been created by the souls who live with great souls, by those who are close physically and who live in such an elevated place?

⁵⁵main dene vaale daata ka bachcha hoon - dena hi lena hai।

⁵⁴In the scriptures too,Madhuban has been specially praised.

⁵⁶jitna dena utna lena hi hai। ⁵⁷practical mein lene vaala nahin lekin dene vaala banna hai।

⁵⁵So, the residents ofMadhuban are special in every aspect and they reveal theirspeciality at every moment.

⁵⁸daataapan ki bhaavna sada nirvighna,ichchha maatram avidya ki sthiti ka anubhav karaati hai- sada ek lakshya ki taraph hi nazar rahe।

⁵⁶Everygroupthat comes should experience the residents of Madhuban to have this speciality; namely, that all the souls who live in the heaven of Madhuban are embodiments of being completely full and constantly satisfied.

⁵⁹woh lakshya hai bindu। ⁶⁰ek lakshya arthaat bindi ki taraph sada dekhne vaale।

⁵⁷The basis of this is to have one constant aim: As a child of the Bestower, I have to give and not take.

⁶¹anya koi bhi baaton ko dekhte hue bhi nahin dekhen।

⁵⁸I should not think that only when the other one does it I will do it.

⁶²nazar ek bindu ki taraph hi ho - jaise yaadgaar roop mein bhi dikhaaya hai ki machhli ke taraph nazar nahin thi lekin aankh ki bhi bindu mein thi।

⁵⁹Each of you should believe that you are a bestower, and all of you would then become those who bestow; you would become souls who are completely full.

⁶³to machhli hai vistaar - aur saar hai bindu।

⁶⁰If you are not full, you would not be able to give.

⁶⁴to vistaar ko nahin dekha lekin saar arthaat ek bindu ko dekha।

⁶¹Constantly full souls would definitely be constantly satisfied souls.

⁶⁵isi prakaar agar koi bhi baaton ke vistaar ko dekhte to vighnon mein aate - aur saar arthaat ek bindu roop sthiti ban jaati aur fullstop arthaat bindu lag jaati।

⁶²You are a child of the Bestower who bestows; in fact, to give is to receive. ⁶³You receive to the extent that you give. ⁶⁴In apracticalway, you have to become those who give, not those who take.

⁶⁶karma mein bhi full staapaarthaat bindu। ⁶⁷smriti mein bhi bindu arthaat beejroop stage ho jaati।

⁶⁵The feeling of being abestower is to experience the stage of being constantly free from obstacles and ignorant of the knowledge of desires.

⁶⁸yeh vishesh abhyaas karna hai।

⁶⁶Your vision should always be on the one aim.

⁶⁹vistaar ko dekhte bhi na dekhen, sunte hue bhi na sunen - yeh practical abhi se chaahiye। ⁷⁰tab ant ke samay chaaron or ki halchal ki aavaaz jo badi duhkhadaayi hogi,drishya bhi ati bhayaanak honge - abhi ki baaten uski bhent mein to kuchh nahin hain - agar abhi se hi dekhte hue na dekhna, sunte hue na sunna yeh abhyaas nahin hoga to ant mein is vikraal drishya ko dekhte ek ghadi ke paper mein sada ke liye fail marks mil jaavegi। ⁷¹isliye yeh bhi vishesh abhyaas chaahiye। ⁷²aisi stage ho jismen saakaar shareer bhi aakaari roop mein anubhav ho।

⁶⁷That aim is of a point.

⁷³jaise aakaar roop mein dekha saakaar shareer bhi aakaari pharishta roop anubhav kiya na।

⁶⁸To have one aim means constantly to see just the point; it means that whilst seeing other things, you do not see them.

⁷⁴chalte-phirte kaarya karte aakaari pharishta anubhav karte the।

⁶⁹Your vision should always be on the one point.

⁷⁵shareer to wahin tha na - lekin sthool shareer ka bhaan nikal jaane kaaran sthool shareer hote bhi aakaari roop anubhav karte the। ⁷⁶to aisa abhyaas aap sabka ho - karmendriyon dvaara karma hota rahe lekin mansa shakti dvaara vaayumandal shaktishaali,sneh sampanna, sarva ke sahayog ke vibration ka phaila hua ho - jis bhi sthaan par jaaen to yeh pharishta roop dikhaai de। ⁷⁷karma kar rahe hain lekin ek hi samay par karma or mansa donon seva ka balance ho। ⁷⁸jaise shuru-shuru mein yeh abhyaas karaaya tha karma bhal bahut saadhaaran ho lekin sthiti aisi mahaan ho jo saadhaaran kaam hote hue bhi saakshaatkaar moortta dikhaai den - koi bhi sthool kaarya dhobeeghaat ya saphaai aadi ka kar rahe hain,bhandaare ka kaarya kar rahe hain lekin sthiti aisi mahaan ho - aisa bhi samay practical mein aavega jo dekhne vaale yahi varnan karenge ki itni mahaan aatmaayen pharishta roop aur kaarya kya kar rahi hain।

⁷⁰In the memorial of this, it is shown that the archer’s vision was not just on the fish, but on the point (pupil) in the eye of the fish.

⁷⁹kaarya saadhaaran aur sthiti ati shreshtha।

⁷¹So, the fish is the expansion and the eye is the point.

⁸⁰jaise satayugi shahzaadiyon ki aatmaayen jab aati theen to woh bhavishya ke roop practical mein dekhte hue aashcharya khaati theen na ki itne bade mahaaraaje aur kaarya kya kar rahe hain।

⁷²Therefore, he did not see the expansion, but saw the essence, the point. ⁷³When you look at the expansion, you become obstructed, whereas when you stabilisein the essence, that is, in the point form, your stage becomes that of a point; afull stopis applied.

⁸¹vishwa mahaaraaja aur bhojan bana rahe hain।

⁷⁴You also put a point, afull stopto your actions.

⁸²vaise hi aane vaali aatmaayen yeh varnan karengi ki hamaare itne shreshtha poojya eeshta dev aur yeh kaarya kar rahe hain! ⁸³chalte-phirte eeshtadev ya devi ka saakshaatkaar spashta dikhaai de।

⁷⁵To have the point in your awareness means to have the seedstage. ⁷⁶You especially have to practisethis. ⁷⁷To see the expansion, but not see it; to hear it but not hear it: you need topractisethis from this moment onwards.

⁸⁴ant mein poojya swaroop pratyaksha dekhne lagenge pharishta roop pratyaksha dikhaai dene lagega।

⁷⁸Only then, at the end, when there are the sorrowful sounds of upheaval and the extremely fearsome scenes, will you be able topass.

⁸⁵jaise kalpa pahle ka bhi gaayan hai arjun ka - saadhaaran sakha roop bhi dekha lekin vaastavik roop ka saakshaatkaar karne ke baad varnan kiya ki aap kya ho! ⁸⁶itna shreshtha aur woh saadhaaran sakha roop! ⁸⁷isi reeti aapke bhi saakshaatkaar honge chaltephirte।

⁷⁹The things of the present time are nothing compared to the things that are to happen at that time. ⁸⁰If you do not practise from this moment on, seeing but not seeing, and hearing but not hearing, then, at the end, when you see those fearsome scenes, you willfailthat momentary test paper for all time.

⁸⁸divya drishti mein jaakar dekhen woh baat aur hai।

⁸¹Therefore, it is essential that you especially practise this.

⁸⁹jaise shuru mein chalte-phirte dekhte rehte the। ⁹⁰yeh dhyaan mein jaakar dekhne ki baat nahin।

⁸²Yourstageshould be such that you experience a corporeal body to be in the angelic form.

⁹¹jaise ek saakaar baap ka aadi mein anubhav kiya vaise ant mein abhi sabka saakshaatkaar hoga।

⁸³You saw Baba in a subtle form. ⁸⁴Although he had a corporeal body, you experienced that body to be angelic and subtle.

⁹²yeh saadhaaran roop gaayab ho jaavega, pharishta roop ya poojya roop dekhenge।

⁸⁵Whilst he was walking and moving around doing everything, you experienced him to be a subtle angel.

⁹³jaise shuru mein aakaari brahma aur shreekrishna ka saath-saath saakshaatkaar hota tha। ⁹⁴vaise abhi bhi yeh saadhaaran roop dekhte hue bhi dikhaai na de।

⁸⁶He was in the same physical body, but, because the consciousness of his physical body was removed, you experienced his subtle form even though he had the physical body.

⁹⁵aapke poojya devi ya devta roop ya pharishta roop dekhen।

⁸⁷So, all of you should practise this same thing.

⁹⁶lekin yeh tab hoga jab aap sabka purooshaartha dekhte hue na dekhne ka ho - tab hi anek aatmaon ko bhi aap mahaan aatmaon ka yeh saadhaaran roop dekhte hue bhi nahin dikhaai dega।

⁸⁸Whilst continuing to work through your physical organs, use the power of your mind. ⁸⁹There should be powerfulvibrationsfilled with the love of everyone’s co-operation in the atmosphere.

⁹⁷aankh khule-khule ek sekenda mein saakshaatkaar hoga।

⁹⁰Wherever you go, this angelic form should be visible.

⁹⁸aisi stage banaane ke liye vishesh abhyaas bataaya ki dekhte hue bhi na dekho, sunte hue bhi na suno।

⁹¹You are performing actions, but serving through your physical body should bebalancedwith serving through your mind.

⁹⁹ek hi baat suno aur ek bindu ko hi dekho।

⁹²In the beginning, you were made to practisethis.

¹⁰⁰vistaar ko na dekh ek saar ko dekho। ¹⁰¹vistaar ko na sunte hue sada saar ko hi suno।

⁹³While performing an ordinary task, your stage should be so elevated that, even whilst doing that ordinary task, your appearance is of an image granting visions.

¹⁰²aise jaadu ki nagri yeh madhuban ban jaavega - to suna madhuban ka mahattva arthaat madhuban nivaasiyon ka mahattva। ¹⁰³achha।

⁹⁴No matter that you are doing something physical like the laundry or cleaning or cooking, your stage should still remain elevated.

¹⁰⁴madhuban ki shakti sena arthaat vishesh aatmaon ki sena। ¹⁰⁵harek apni visheshta ko achhi tarah se jaante ho।

⁹⁵Such a time will come in apracticalway when those who see you will say: You are all such great angelic souls and yet look at the type of work you do!

¹⁰⁶visheshta ke kaaran hi vishesh bhoomi ke nivaasi bane hain yeh khushi rehti hai?

⁹⁶The work you do is very ordinary and yet your stage is so elevated!

¹⁰⁷pichhla khaata to harek ka apna-apna hai jo chuktu bhi hota rehta hai lekin saath-saath drama anusaar koi na koi visheshta bhi hai। ¹⁰⁸jis kaaran vishesh part mila hai। ¹⁰⁹sada punya bhoomi aur shreshtha aatmaon ke sang ka vishesh part yeh kam bhaagya nahin hai।

⁹⁷When the souls of the golden-aged princesses were invoked, they would be amazed to see thepracticalwork they did before they became that form of the future; that they are such great empresses, and yet look at what they used to do! ⁹⁸A world emperor, yet that one is cooking!

¹¹⁰jad chitron ke mandir ke pujaari bhi apne ko kitna mahaan samajhte hain - hain pujaari - lekin nasha kitna rehta।

⁹⁹In the same way, souls who come will also say that you are their elevated worthy of worship deity souls and yet you are doing this work!

¹¹¹kyonki samajhte hain moorti ke sameep sambandh vaale hain। ¹¹²to jad chitron ke pujaari bhi itna nasha rakhte yahaan to pujaari ki baat nahin।

¹⁰⁰As you walk and move around, others will be able to have a clear vision of their special, loved deity in you.

¹¹³yahaan to samparka mein rahne vaale sang mein rahne vaale sangi saathiyon ko kitna nasha aur khushi honi chaahiye।

¹⁰¹At the end, they will see your worthy of worship form and also your angelic form in a practical way.

¹¹⁴eeshvareey parivaar mein aai hui aatma mein koi visheshta na ho yeh ho nahin sakta। ¹¹⁵to apni visheshta ko jaan usko karma mein lagaao।

¹⁰²The praise ofArjuna in the previous cycle was that he saw the ordinary form in the form of a friend, but, on seeing the actual form of God, he asked: “Who are You?

¹¹⁶jo bhi gun athva visheshta ho chaahe karmana ka gun ho chaahe madhurta ka gun ho - sneh ka ho usko kaarya mein lagaao।

¹⁰³You are so elevated, and yet you have such an ordinary form of a friend!” Similarly, others will have visions of you whilst you walk and move around.

¹¹⁷jaise loha paaras se lag paaras ban jaata hai vaise ek gun ya visheshta seva mein lagaane se seva ka phal ek ka laakh guna milne se woh ek visheshta anek samay ka phal dene ke laayak ban jaati।

¹⁰⁴To see something through divine vision is a different matter. ¹⁰⁵In the beginning, you used to see those things while walking and moving around. ¹⁰⁶This is not a matter of seeing something in trance.

¹¹⁸jaise ek beej daalne se kitne phal nikalte vaise ek bhi visheshta karma mein lagaana arthaat dharni mein beej daalna hai। ¹¹⁹to samjhe kitne khushanseeb ho !

¹⁰⁷Just as people experienced seeing sakar Baba in this way in the beginning, so too, at the end, people will see all of you in the same way.

¹²⁰brahman parivaar mein janma hua hai to janma ke saath koi na koi visheshta ki takdeer saath lekar hi aaye hain।

¹⁰⁸Your ordinary form will disappear and they will see both your angelic and your worthy of worship form.

¹²¹sirf antar yeh ho jaata ki usko kaarya mein kahaan tak lagaate hain।

¹⁰⁹In the beginning, you had visions of the angelic Brahma and of Shri Krishna at the same time.

¹²²janma ka bhaagya hai lekin bhaagya ko karma ya seva mein lagaane se anek samay ke bhaagya ka phal nikaalna,beej bone ka yeh tareeka aana chaahiye।

¹¹⁰Similarly, now, whilst looking at your ordinary form, they should not see that, but be able to see your worthy of worship form and your angelic form.

¹²³phal to avashya niklega। ¹²⁴beej bona arthaat visheshta roopi beej ko seva mein lagaana।

¹¹¹However, this will only happen when you all make the effort to see but not see.

¹²⁵yahaan to sab sada bhaagya ke takhtansheen hain। ¹²⁶jis bhaagya ke liye kalpa pahle ki yaadgaar mein bhi ab tak ek second ka sameep rehna bhi mahaan samajhte hain - to jo practical mein hain unheen ki khushi, unheen ka bhaagya kitna shreshtha hai।

¹¹²Only then will all souls not see the ordinary forms of you great souls even whilst looking at you, but they will have visions with their eyes open in just asecond. ¹¹³In order to create such astage, you have been told especially topractise seeing but not seeing and hearing but not hearing.

¹²⁷shreshthata ko saamne rakhne se vyartha baaten samaapta ho jaati hain।

¹¹⁴Listen to just the One and see just the one Point. ¹¹⁵Do not see the expansion, but just see the essence.

¹²⁸achha – ¹²⁹paandav arthaat sada ke vijayi।

¹¹⁶Do not hear all the expansion, but always hear the essence.

¹³⁰paandavon ka naam vijay ke kaaran hi prasiddha hai।

¹¹⁷Only then will Madhuban become the land of magic.

¹³¹paandav sena woh bhi vishesh saagar ke kanthe par shreshtha sang mein rahne vaali।

¹¹⁸So, did you hear how important Madhuban is, that is, how important the residents of Madhuban are?Achcha.

¹³²to aisi paandav sena sada vijayi ho?

¹¹⁹Speaking to Madhuban sisters:

¹³³vijay ka khel sada chalta hai ya haar-jeet ka - ab ke samay aur sahayog ke pramaan drama anusaar jo bhaagya praapta hai usi pramaan sada vijayi ka khel chalna chaahiye।

¹²⁰The Shakti Army ofMadhuban means the army of special souls. ¹²¹Each of you knows your own speciality very well. ¹²²Are you happy that you have become the residents of this special land because of yourspecialities?

¹³⁴drama anusaar jo visheshta praapta hai use sada kaarya mein lagaao to auron ki bhi visheshta dikhaai degi। ¹³⁵visheshta na dekh baaton ko dekhte ho isliye haar hoti hai।

¹²³The past accounts of each of you are individual to you and they will continue to be settled. ¹²⁴However, together with those, according to thedrama, you have one or anotherspeciality and it is due to this that you have received this specialpart.

¹³⁶harek ki visheshta ko smriti mein rakho ek do mein faithful raho to unki baaton ka bhaav badal jaavega।

¹²⁵To have the specialpartof constantly living in the land of charity and in this company of elevated souls is not a small fortune!

¹³⁷agar aapas mein do mitra hote hain aur unke beech teesra unki kuchh glaani karne aata to woh uske bhaav ko badal dete hain।

¹²⁶The priests who look after the temples of the non-living idols consider themselves to be so great. ¹²⁷Even though they are worshippers, they have such great intoxication.

¹³⁸jaise aapko koi brahma baap ke liye kahe ki yeh kya, yeh to gaali dete hain - lekin tum unhein nishchay se samjhaavenge ki yeh gaali nahin hai yeh to spashteekran hai।

¹²⁸This is because they consider themselves to have a very close relationship with those idols. ¹²⁹The worshippers of those non-living idols have so much intoxication, whereas here, it isn’t even a question of being a worshipper.

¹³⁹jahaan nishchay hota hai vahaan shabd ka bhaav badal saadhaaran baat ho jaati hai।

¹³⁰Here, you live in connection and have that company and so you companions should have so much happiness and intoxication!

¹⁴⁰harek ki visheshta ko dekho to anek hote bhi ek dikhaai denge।

¹³¹It is impossible for souls who come into this Godly family not to have a speciality.

¹⁴¹ek mat sangathan ho jaavega।

¹³²So, recogniseyour speciality and use it.

¹⁴²koi kiski glaani ki baaten sunaave to use teka dene ke bajaae sunaane vaale ka roop parivartan kar do।

¹³³Whatever virtue orspeciality you have, whether it is of some kind of work or of being sweet and loving, you must use it.

¹⁴³arth mein bhaavna parivartan kar do। ¹⁴⁴yeh abhyaas chaahiye nahin to ek ki baat doosre se suni,doosre ki teesre se suni aur phir woh vyartha baaten vaataavran mein phailti rahteen,jis kaaran powerful vaataavran nahin ban paata। ¹⁴⁵saakshaatkaar moortta bhi nahin ban sakte।

¹³⁴Just as the philosopher’s stone was said to be able to change iron into gold, in the same way, when you use your virtue or speciality in service, you claim one hundred thousand fold fruit of that service. ¹³⁵Therefore, one specialitymakes you worthy of being rewarded for a long period of time.

¹⁴⁶isliye sadaiv sabke prati shubh bhaavna, kalyaan ki bhaavna ho।

¹³⁶When one seed is planted, so much fruit develops on that tree.

¹⁴⁷ek-do ki glaani ki baaten sunna time vesta karna hai। ¹⁴⁸kamaai se vanchit hona hai।

¹³⁷Similarly, to use even your onespeciality for service in a practical way means to plant a seed.

¹⁴⁹agar parivartan kar sakte ho to suno - nahin to sunte hue bhi na suno।

¹³⁸So, do you understand how fortunate you are? ¹³⁹You have taken birth in the Brahmin family.

¹⁵⁰harek ki visheshta ka varnan karo। ¹⁵¹koi kahe bhi ki hamne aisa dekha to bhi aapke mukh se koi aisi baat na nikle।

¹⁴⁰So, together with having the fortune of this birth, you have also brought with you the fortune of one or another speciality.

¹⁵²aap unki visheshta suna kar us baat ko change kar do।

¹⁴¹The only difference seen is to what extent you actually use thatspeciality.

¹⁵³sabke mukh se harek ke prati vaah-vaah nikle। ¹⁵⁴tab hi baap ki vaah-vaah hogi। ¹⁵⁵koi ki baat agar neeche oopar dekhte ho, sunte ho to dil mein nahin rakhon, oopar diya aur khatma।

¹⁴²You have the fortune of your birth, but you should know how to plant the seed to create the fruit of your future fortune for a long period of time by using your present fortune in practice for service.

¹⁵⁶apne aap ko sada khaali aur halka rakho।

¹⁴³The fruit will definitely emerge.

¹⁵⁷agar dil ke andar kisi bhi prakaar ki baat hogi to jahaan baaten hain vahaan baap nahin।

¹⁴⁴To sow a seed means to use the seed of speciality for service. ¹⁴⁵Here, everyone is constantly seated on the throne of fortune.

¹⁵⁸kiske avgun ko ek do ke saamne varnan nahin karna chaahiye kyonki varnan karna arthaat beemaari ke germs ko phailaana hai।

¹⁴⁶This fortune which was created in the previous cycle is even now still remembered by souls who consider themselves to be very fortunate when they come close to God for even asecond.

¹⁵⁹koi aise germs hote hain to usi samay koi powerful davaai daal khatma kiya jaata hai।

¹⁴⁷So, how great the happiness and fortune should be of those who have this fortune in apracticalway at this time!

¹⁶⁰koi poochhe phalaana kaise hai to dil se nikle bahut achha hai।

¹⁴⁸When you keep this greatness in front of you, everything wasteful stops.

¹⁶¹anek bhaavon se anek aatmaayen aati hain lekin aap ki taraph se shubh bhaavna ki baaten hi le jaaen।

¹⁴⁹Achcha. ¹⁵⁰Blessing: May you be a conqueror of Maya who sees the games of the fearsome forms of Maya as detached observer.

¹⁶²bhaavna shubh ho, ev bhaavna, ek kaamna ek ki hi lagan mein nirvighna - vyartha baaton ka stock khatma aur khushi ki baaton ka stock jama ho - khushi mein jhoolne vaali aatmaayen sabko nazar aayen।

¹⁵¹Those whowelcomeMaya are not afraid on seeing a fearsome form of Maya. ¹⁵²When you watch a game as a detached observer, you enjoy yourself because, externally, Maya has the form of a lion but she doesn’t have as much strength as even a cat.

¹⁶³har bol mein roohaaniyat ho - roohaaniyat ke shabd bahut meethe hote hain।

¹⁵³It is just that you become afraid and make her into something big by thinking, “What can I do?

¹⁶⁴samay pramaan stage bhi bahut oonchi honi chaahiye। ¹⁶⁵chadhti kala ka arth hi hai jo pahle tha usko paar kar chalen।

¹⁵⁴How will this happen?” However, remember the lesson of “Whatever is happening is good and whatever is to happen will be even better”.

¹⁶⁶aisi sthiti honi chaahiye saakshaatkaar moortta dikhaai den - phir dekho kitni bheed hoti hai।

¹⁵⁵Watch the game as a detached observer and you will become a conqueror of Maya.

¹⁶⁷tumhaari sthiti sadaiv ekaagra rahe tab naam baala hoga - vritti ki,drishti ki,svabhaav ki chaiking karne vaale sab aayenge lekin unhein real gyaan ka parichay ho jaae।

¹⁵⁶Slogan: Those who are tolerant do not become jealous on seeing anyone’s nature. ¹⁵⁷They listen to wasteful matters with one ear and let it out through the other.

¹⁶⁸achha - omshaanti।

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