Avyakt murli for Monday 19 March 1990
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| Hindi | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
0> 119-03-90 om shanti avyakt baapdaadaamdhuban
0> > 19-03-90 Om Shanti Avyakt Bapdada Madhuban
2udti kala ka aadhaar umang-utsaah ke pankh
1The basis of the flying stage is the wings of zeal and enthusiasm.
3aaj sarva bachchon ko sneh sampanna milan-bhaavna aur sampoorn banne ki shreshtha kaamna ke shubh umang-utsaah ke vibration baapdaada dekh rahe hain।
2Today, BapDada is seeing the pure feelings filled with the love for a meeting and the pure vibrations of zeal and enthusiasm of all the children’s elevated desire to become complete.
4har bachche ke andar usmein bhi is kalpa mein pahli baar milne vaale bachchon ka utsaah aur is kalpa mein anek baar milnevaale vaale bachchon ka utsaah apna-apna hai।
3And also, within each child, how the zeal and enthusiasm of those children who are meeting Baba for the first time in this cycle, and how the zeal and enthusiasm of those who have met Baba many times in this cycle are unique.
5jisko aap apni bhaasha mein kehte ho naye bachche aur puraane bachche।
4In your own language you refer to this as the new children and the old children.
6lekin hain sabhi aati puraane-te-puraane। 7kyonki puraani pahchaan,baap ki taraph,brahman-parivaar ki taraph aakarshit kar yahaan laai hai।
5However, all of you are the oldest of all because it is with the old recognition that you are attracted and drawn here to the Father and the Brahmin family.
8yeh sirf nishaani maatra kaha jaata hai naya aur puraana।
6It is only for identification that you say new and old.
9to naye bachchon ka umang-utsaah yahi hai ki thode samay mein bahut aage udte hue baap samaan ban karke dikhaayen।
7The zeal and enthusiasm of the new children are in wanting to show everyone by flying ahead and becoming equal to the Father in a short time.
10puraane bachchon ka yahi shreshtha sankalp hai ki jo baapdaada se paalna mili hai,khazaana mila hai - uska return baap ke 11aage sada rakhte rahen।
8And the older children have the elevated thought to constantly continue to bring in front of BapDada some return for the sustenance and the treasures they have received from BapDada.
12donon ka umang-utsaah shreshtha hai। 13aur yahi umang-utsaah pankh ban udti kala ki or le ja raha hai।
9The zeal and enthusiasm of both are elevated, and it is this zeal and enthusiasm that become the wings that take you to the flying stage.
14udti kala ke pankh gyaan-yog to hain hi lekin pratyaksha swaroop mein saari dincharya mein har samay, har karma mein, udti kala ka aadhaar hai।
10You have wings of knowledge and yoga for the flying stage anyway, but within the whole timetable, new zeal and new enthusiasm automatically emerge every day in a visible form at every moment and in every action.
15kaisa bhi kaarya ho, chaahe saphaai karne ka ho, bartan maanjane ka ho,saadhaaran karma ho lekin us mein bhi umang-utsaah natural aur nirantar hoga।
11The basis of the flying stage is your zeal and enthusiasm. 12No matter what kind of task it is, whether it is that of cleaning or washing dishes or any ordinary actions, in that too, there would be natural and constant zeal and enthusiasm.
16aise nahin kah jab gyaan ki padhaai kar aur kara rahe hain va yaad mein baithe hain, kisko bitha rahe hain,va aadhyaatmik seva mein busy hain to us samay sirf umang-utsaah ho aur saadhaaran karma ho to sthiti bhi saadhaaran ho jaae,umang-utsaah bhi saadhaaran ho jaae - yeh udti kala ki nishaani nahin।
13Is it that there are zeal and enthusiasm only when you are studying knowledge or teaching it to others, or when you are sitting in meditation or conducting meditation for others, or only when you are busy in spiritual service, and that when you are performing ordinary actions, your stage also becomes ordinary and your zeal and enthusiasm also become ordinary? 14That is not the sign of the flying stage.
17udti kala vaali shreshtha aatma ke umang-utsaah ke pankh sada hi udte rahenge।
15The wings of zeal and enthusiasm of an elevated soul in the flying stage would always be flying.
18to baapdaada sabhi bachchon ke umang-utsaah ko dekh rahe hain।
16So BapDada is seeing the zeal and enthusiasm of all the children.
19pankh to sabhi ke hain lekin kabhi-kabhi umang-utsaah mein udte-udte thak jaate hain।
17Everyone has wings, but sometimes, while flying in zeal and enthusiasm, you become tired.
20koi chhota-bada kaaran banta hai arthaat rookaavat aati hai,kabhi to pyaar se paar kar lete hain,lekin kabhi ghabra jaate hain। 21jisko aap log kehte hain confuse ho jaate hain।
18Something becomes a small or a large excuse, that is, there is an obstruction, and whereas you are sometimes able to overcome it with love, at other times you become confused. 19You people call this confusion.
22isliye sahaj paar nahin karne ka kaaran thak jaate hain lekin thoda-thoda thakte hain phir bhi lakshya shreshtha hain,manzil ati pyaari lagti hai isliye udne lag jaate hain।
20Because you are not able to overcome this easily you become tired. 21You become a little tired, but, nevertheless, your aim is elevated, and you have love for your destination and this is why you start flying again.
23shreshtha lakshya aur pyaari manzil aur baap ke pyaar ka anubhav thakaavat se neeche ki sthiti mein thaharne nahin deta hai।
22The elevated aim, the lovely destination and the experience of the Father’s love do not allow you to remain in a lower stage due to tiredness and you therefore start flying again.
24isliye phir se udne lag jaate hain।
23So BapDada continues to watch the games of the children.
25to baapdaada bachchon ka yeh khel dikhaate rehte hain।
24Even so, the Father’s love does not allow you to stop.
26phir bhi baap ka pyaar rookne nahin deta।
25The majority of you have passed in the subject of love.
27aur pyaar mein majority paas hain isliye rookaavat kitna bhi rokne ki koshish kare aur karti hai। 28kabhi-kabhi sochte hain ki bada mushkil hai,isse to jaise the vaise ban jaayen। 29lekin chaahte bhi past life mein jaane ka maja nahin aata।
26This is why no matter how much the obstructions try to stop you, and they do stop you, and, although you sometimes even think that this is very difficult and that it would be better to become what you were previously, even though you wish this, you do not find any pleasure in going back to the past life. 27Why?
30kyonki pahle to is parmaatma-pyaar aur dehdhaariyon ka pyaar donon ka antar saamne hain to udte-udte jab thaharti kala mein aa jaate hain to do raaston ke beech mein hote hain aur sochte hain - idhar jaayen va udhar jaayen।
28Firstly, you have in front of you the contrast of God’s love and the love of bodily beings. 29And so, when you come to a standstill from flying, you are in between two roads, and you think: Should I go here, or should I go there?
31kahaan jaayen?
30Where should I go?
32lekin parmaatma pyaar ka anubhav confuse ko surjeet kar deta hai aur umang-utsaah ke pankh mil jaate hain isliye sochte bhi phir thaharti kala se udti kala mein ud jaate hain।
31However, the experience of God's love revives confused people, and you receive the wings of zeal and enthusiasm. 32Even while thinking about it, you fly from a stagnant stage into the flying stage.
33baaten bahut chhoti-chhoti hoti hai lekin us samay kamjor hone ke kaaran badi lagti hai।
33The matters may be very small, but, because you are weak, they seem very large at that time.
34jaise shareer ki kamjori vaale ko ek paani ka gilaas bhi mushkil lagta hai aur jo himmat vaala hai usko do baalti uthaana khel lagta hai। 35aise hi chhoti-si baat badi anubhav karne lagte hain।
34Just as someone who is physically weak finds it difficult to lift even a glass of water, whereas those who are courageous find it a game to lift even two buckets, in the same way, you start experiencing little things to be big.
36to umang-utsaah ke pankh sada udaate rehte hain।
35And so the wings of zeal and enthusiasm constantly make you fly.
37roj amritvele apne saamne saara din kis smriti se umang-utsaah mein rahen - woh variety umang-utsaah bhi points emerge karo।
36Every day at amrit vela, emerge in front of you the variety of points of zeal and enthusiasm that you should have in your awareness throughout the day.
38sirf ek hi point ki main jyotirbindu hoon, baap bhi jyotirbindu hai, ghar jaana hai phir raajya mein aana hai - yeh ek hi baat kabhi-kabhi bachchon ko bor kar deti hai। 39phir sochte hain kuchh naya chaahiye।
37If it is simply one point such as: I am a point of light, Baba is a point of light, we have to return home and then come back into our kingdom, then, because it is just the one point, children sometimes become bored with that and they think that they want something new.
40lekin har din ki murli mein umang-utsaah ki bhinna-bhinna points hoti hai।
38However, every day there are different points in the murli for zeal and enthusiasm.
41woh umang-utsaah ki vishesh point apne paas note karo।
39Note down the special points for zeal and enthusiasm from every day's murli.
42bahut badi list bana sakte hain।
40You can make a very big list.
43diary mein bhi note karo to buddhi mein bhi note karo।
41Note it down in your diary and also in your intellect.
44jab buddhi mein emerge na ho to diary se emerge karo aur variety points har roj naya umang-utsaah badhaayengi।
42When these points do not remain emerged in your intellect, recall them from your diary, and a variety of points will increase your zeal and enthusiasm every day. 43It is human nature to like variety.
45manushya aatma ka yeh nature hai ki variety pasanda aati hai isliye chaahe gyaan ka pvaanit manan karo ya roohrihaan karo।
44This is why, whether you churn the points of knowledge, whether you have a hearttoheart conversation, if you simply remember the dot throughout the day, you will become bored.
46saara din bindu yaad karenge to baahar ho jaayenge। 47lekin bindu baap bhi hai bindu aap bhi ho।
45However, the Father is a dot; you are a dot; at the confluence age you are hero actors; together with being a zero, you are also a hero, you are not simply a zero.
48sangamayug par hero paartadhaari bhi ho, zero ke saath hero bhi ho।
46Because you are a hero at the confluence age, you play a varietypart throughout the day.
49sirf zero nahin ho। 50sangamayug par hero hone ke kaaran saare din mein variety part bajaate ho।
47What was the part of me, the zero, throughout the whole cycle, and what is my heropart at the moment?
51mujh zero ka saare kalpa mein kya-kya part raha hai aur is samay kya hero part hai, kiske saath part hai,kitna samay aur kya part bajaana hai, is variety roop se zero baj apne hero part ki smriti mein raho।
48With whom is my part now? 49For how long do I have to play this part? 50What part do I have to play after this? 51Become a zero with this varietyform and keep the awareness of your heropart.
52yaad mein bhi variety roop se kabhi beej-roop sthiti mein rahe, kabhi pharishta roop mein, kabhi roohrihaan ke roop mein raho। 53kabhi baap ke mile hue khazaanon ke ke ek-ek ratna ko saamne laao।
52So, in remembrance too, maintain variety sometimes stay in the seed stage, sometimes in the angelic stage, sometimes have a hearttoheart conversation and sometimes bring in front of you each jewel from the treasures you have received from the Father.
54jis samay jo roochi ho usi reeti se yaad karo।
53Remember Him with whatever interest you have at a particular time.
55jis samay jis sambandh se baap ka milan, baap ka sneh chaaho us sambandh se milan manaao।
54At whatever time you want, celebrate a meeting with the Father with the love of whatever relationship you want.
56isliye jo sarva sambandh se baap ne aapko apna banaaya aur aapne bhi baap ko sarva sambandh se apna banaaya।
55This is why the Father has made you belong to Him with all relationships and you have also made the Father belong to you with all relationships.
57sirf ek sambandh to nahin hai,variety hai na?
56There isn't only one relationship. 57There is variety, is there not?
58lekin ek baat dhyaan mein rakhni hai ki sivaae baap ke,sivaae baap ki praaptiyon ke va sivaae baap ke khazaanon ke aur koi yaad na aaye।
58You simply have to pay attention to this one aspect of not remembering anyone except the Father, the attainment from the Father and the treasures from the Father.
59variety praapti hai,variety khazaane hain, variety sambandh hai,variety khushi ki baaten hain - umang-utsaah ki baaten hain।
59However, there is a variety of attainment, a variety of treasures, a variety of relationships, a variety of the points of happiness, and a variety of the points of zeal and enthusiasm.
60usi vidhi se use karo।
60Use them with this method.
61baap aur aap yahi safety ki lakeer hai।
61There should be only the Father and you: this is the line of safety.
62is smriti ki lakeer se baahar nahin aao।
62Do not go beyond the line of this awareness; that is all.
63bas,yeh lakeer paramatma-chhatrachhaaya hai, jab tak is chhatrachhaaya ki lakeer ke andar hain tab tak koi maaya ki himmat nahin।
63This line is the Godly canopy of protection. 64While you stay within the line of the canopy of protection, Maya does not have any courage.
64phir mehnat kya hoti, rookaavat kya hoti, vighna kya hota - in shabdon se avidya ho jaayegi।
65Then there is ignorance of these terms: what effort is, what obstructions are (a situation that stops you) and what obstacles are (a situation that is difficult).
65jaise aadi sthaapna ke samay jab satayug ki aatmaaen pravesh hoti theen to un aatmaon ko vikaar kya hota hai, duhkh kya hota ,maaya kya hoti hai - in shabdon ki avidya rehti thi।
66The children who were present at the beginning of establishment had the experience that when the souls of the golden age used to incarnate, those souls were ignorant of what vices were, what sorrow was and what Maya was.
66bachchon ko yeh anubhav hain na?
67You children had this experience, did you not?
67puraane to in baaton ko jaante hain।
68The old ones know these things.
68aise jo baap aur aap - is smriti ki lakeer ki chhatrachhaaya mein hain, unko in baaton ki avidya ho jaati hai।
69In the same way, those who stay within the line of the canopy of protection of the awareness of there being “only the Father and I” are ignorant of these things.
69isliye sada safe hain, sada baap ke dil mein rehte hain।
70This is because they are constantly safe and they constantly stay in the Father's heart.
70aap logon ko dil jyaada pasand aati hai na।
71You people like the heart a lot, do you not?
71saugaat bhi heart hi banaakar laate ho।
72Even when you bring a gift, you bring a heartshaped gift.
72cake bhi heart banaate ho, box bhi heart jaisa banaate ho।
73Even when you make cakes, you make them heartshaped.
73to rehte bhi heart mein ho na?
74You even make the boxes heartshaped.
74baap ki heart taraph maaya aa nahin sakti।
75So you stay in the heart, do you not?
75jaise jangal mein bhi roshni kar dete hain to jangal ka raaja sher bhi nahin aa sakta,bhaaga jaata hai। 76baap ki heart kitni light aur might hai! 77uske aage maaya ka koi roop aa nahin sakta।
76Maya cannot come towards the Father’s heart. 77Just as in a jungle, when there is a light, even the king of the jungle, the lion, cannot go there, he runs away, so the Father’s heart is such light and might.
78to mehnat se safe ho gaye na!
78No form of Maya can come in front of that.
79janma bhi sahaj hua, mehnat lagi kya janma lene mein?
79You have become safe from labouring, have you not?
80baap ka parichay mila,pahchaana aur second mein anubhav kiya।
80You took birth easily. 81Did it take effort to take birth?
81baap mera, main baap ka। 82janma sahaj hua, bhatakna nahin pada। 83aapke desh roopi ghar mein baap ne bachchon ko nimitta banaakar bheja।
82You received the Father’s introduction, you recognised Him and within a second you had the experience that the Father belongs to you and you belong to Him.
84dhoondhana va bhatakna to nahin pada।
83You took birth easily; you did not have to wander anywhere.
85ghar baithe baap mila na। 86yeh to abhi pyaare se bhaarat mein aate ho milne।
84The Father made certain children instruments and sent them to your land, that is, to your home.
87lekin parichay to vahaan hi mila, janma to vahaan mila na?
85You did not have to search for Him, did you?
88janma ati sahaj hua to paalna bhi aati sahaj hai।
86You did not have to wander, did you?
89sirpu anubhav karo। 90aur jaayenge bhi sahaj hi।
87So, you found the Father while sitting at home, did you not?
91baap ke saath-saath jaana hai na ya beech mein dharmaraajpuri mein rookna hai। 92sabhi saath chalne vaale ho na।
88You come running to Bharat because of love, but you received the introduction there; you took birth there.
93sabhi ka yeh dridh sankalp hai ki saath hai aur saath chalenge।
89Since you took birth very easily, you also receive sustenance very easily.
94aur aage bhi brahma baap ke saath raajya mein va part mein aayenge - pakka sankalp hai na?
90Simply experience it and you will go back with the Father easily. 91You want to go with Him, do you not?
95chalte-chalte thak jaayenge to rook jaayenge phir kya karenge?
92Or, do you want to wait in between, in the land of Dharamraj?
96kyonki baap to us samay rookenge nahin। 97abhi rook rahe hain।
93Are all of you ones who will go back together with the Father?
98abhi samay diya hai,us samay nahin rookenge। 99us samay to second mein udenge।
94Does everyone have the determined thought that we are together and that we will go back together?
100abhi naye naye bachchon ke liye let hua hai lekin tu let ka board nahin laga hai।
95And in the future, too, you will come into the kingdom and have a role with Father Brahma.
101abhi to nai duniya aane ke liye,naye-naye bachchon ke liye rooki hui hai ki yeh bhi last so fast aur first number tak pahunch jaaen।
96Or will you come later? 97Do you have this firm thought? 98If, while walking along, you become tired, and you stop there, what would you then do?
102sabhi saath jaane ke liye taiyaar ho na?
99Because the Father will not stop.
103jo is kalpa mein pahli baar aaye hain, baapdaada mubaarak dete hain।
100At that time He will not wait. 101He is waiting at present.
104chhote-chhote bachchon par badon ka pyaar hota hai।
102You have now been given some time, but He will not wait at that time.
105to baap ka aur bade bhaai-bahnon ka aap logon se vishesh pyaar hai। 106laadle ho gaye na। 107naye bachche laadle hain।
103At that time, He will fly in a second. 104At present it is late for the new children, but the board of 'too late' has not yet been put up.
108chaahe naye ho va puraane ho sabhi ke liye fast gati first aane ki hai - chhatrachhaaya mein rehna, sada dil mein rehna,yahi sabse sahaj teevragti hai।
105So the new world is waiting for the new children to come so that they can also reach 'last so fast' and claim the first number. 106So, are all of you ready to go back together?
109apne-aapko kabhi bhi bor nahin karo। 110sada apne-aapke liye variety roop se umang-utsaah emerge karo।
107BapDada is congratulating those who have come here for the first time in this cycle. 108BapDada is giving congratulations. 109Why?
111double videshi kabhi kabhi koi-koi yeh bhi sochte hain ki hamaara culture aur india ka culture bahut pharka hai।
110Even the seniors have love for the younger ones. 111The Father and the senior brothers and sisters have special love for you.
112indiyan culture kabhi pasanda aata kabhi nahin aata।
112So, you are the beloved ones, are you not? 113New children are specially loved.
113lekin yeh to na indiyan culture hai na videsh ka culture hai।
114Whether you are old or new, everyone has a fast speed to come first.
114yeh to brahman culture hai।
115Always stay under this canopy of protection.
115brahmaakumaar,brahmaakumaari yeh naam to sabhi ko pasand hai na?
116Always stay in the heart; this is the easiest method for a fast speed.
116brahma baap se bhi bahut pyaar hai aur bi.ke. jeevan bhi ati pyaari hai। 117kabhi-kabhi saphed kapdon ke bajaae rangeen kapde yaad aate hain kyonki saphed kapde jaldi maile ho jaate hain। 118daphtar mein jaate ho va kahaan bhi aise sthaanon par jaate ho to jo dress aap pahante ho uske liye baapdaada mana nahin karte lekin usi vritti se nahin pahno ki hamaara foreign culture hai, yahi meri personality hai - is reeti se nahin pahno। 119sevaabhaav se bhale pahno,personality ke lakshya se nahin | brahman-jeevan ka lakshya ho, seva arth | aavashyakta arth pahante ho to koi mana nahin।
117Never allow yourself to become bored.
120lekin woh bhi nimitta bani hui aatmaon se verify karaao।
118Always allow zeal and enthusiasm to emerge for yourself in a variety of ways.
121aise nahin ki baapdaada ne to chhutti de di phir aap mana kyon karte ho? 122kabhi-kabhi bahut hansi ki baaten karte hain।
119Some double foreigners sometimes think that there is a great difference between their culture and the culture of India.
123jo matlab ke akshar hote hain woh yaad rakhte hain lekin uske peechhe jo kaayde ki baat hoti woh bhool jaate। 124hoshiyaari to baapdaada ko achhi lagti hai lekin hoshiyaari limit mein ho,anlimit mein na ho।
120This is why they sometimes like Indian culture and sometimes don't. 121However, this is neither Indian culture nor foreign culture; this is Brahmin culture. 122All of you like the name Brahma Kumars and Kumaris, do you not?
125khaao,piyo, pahno,khelo - lekin limit mein। 126to kaun sa culture pasanda hain?
123You have a lot of love for Father Brahma, and you also love the BK life a lot.
127jo brahma baap ka culture woh brahmaakumaar,kumaariyon ka culture hai,pasand hai na?
124Sometimes you remember the coloured clothes instead of the white clothes because the white clothes get dirty very quickly.
128inhon mein ek baat achhi hai jo saaph bol dete hain, sabhi ek jaise nahin hain - koi-koi aise hain jo apni kamjori varnan karte hain, lekin vimjeekal ban jaate hain।
125BapDada does not forbid you to wear the clothes that you wear when you go to the office, or to any other such place. 126However, do not wear them with the attitude: This is our foreign culture and this is my personality.
129baar-baar vahi smriti mein laate rehte -main kamjor hoon…।
127You may wear them for service. 128Do not wear them with the aim of personality.
130aise naajuk nahin bano।
129Have the aim of a Brahmin life.
131visheshtaaon ko bhool jaayenge, kamjori ko hi sochte rahenge, yeh nahin karna। 132kamjori sunaao zaroor lekin jab baap ko di to phir kiske paas rahi?
130You are not forbidden to wear them for service or as a necessity, but definitely verify that also with the souls who are the instruments.
133phir kyon yeh sochte ho main aisa hoon… baap ko de diya na।
131Do not say: BapDada has given me permission, so why are you forbidding me?
134baapdaada ko patra likh kamjoriyaan de dete ho ya patra likh baapdaada ke kamre mein rakh dete ho to phir sochte ho javaab to mila nahin। 135baapdaada aise javaab nahin dete।
132Sometimes, you say many amusing things. 133You remember the words that you want to hear for your own purpose, but you forget the things about the law behind it.
136jo kami aapne de di to baapdaada deta hai woh lete nahin ho,sirf sochte ho ki javaab to mila nahin।
134BapDada likes cleverness, but there should be a limit to cleverness; it shouldn't be off limits.
137jo baap deta hai usko lene ka prayatna karo।
135So eat, drink, wear and play, but within limits.
138javaab ka intajaar nahin karo - shakti,khushi lete jaao। 139phir dekho kitna achha umang-utsaah rehta hai।
136So, which culture do you like? 137Whatever is the culture of Father Brahma is the culture of the Brahma Kumars and Kumaris.
140jis ghadi apni kamjori likhte ho va nimitta bani hui aatmaon ko sunaate ho to de di maana khatma।
138You like it, do you not? 139You have a speciality which is that you speak everything clearly. 140Not all are alike.
141abhi mil kya raha hai woh socho।
141There are some who speak of their own weaknesses.
142baapdaada ke paas ek-ek ke kitne patra aate, baapdaada uttar nahin deta lekin jo aavashyakta hai,jo kami hai usko bharne ka return deta hai।
142That is good, but they then become whimsical. 143They repeatedly bring that weakness into their consciousness: “I am weak, I am weak.”
143baaki yaad-pyaar to roj dete hi hain।
144Do not become sensitive in this way.
144koi din aisa hai jo yaad-pyaar na mila ho? 145baapdaada sabhi ko roj do-teen page ka patra likhte hain।
145If you continue to think about that, you will forget all the other specialities you have, and you will continue to think about all the other weaknesses.
146(murli) itna bada patra to roj koi bhi kisko nahin likhta!
146Do not do this. 147Definitely tell the Father about your weaknesses.
147kitna bhi aapka pyaara ho koi ne itna bada patra likha?
148However, since you have given away your weaknesses to the Father, who then has them?
148murli patra hai na।
149Then why do you think: “I am like this”?
149aapki baaton ka respond hota hai na?
150You have given them to the Father.
150to itna bada patra likhte bhi bolte bhi - jo aap vishesh patra likhte ho uska vishesh return bhi karte hain kyonki laadle, sikeeldhe ho।
151Some children write a letter in which they write about their weaknesses and give them to BapDada, or they leave it in BapDada's room, and then they think that they did not get a response.
151baapdaada return mein shakti aur khushi extra dete hain।
152BapDada does not give a reply just like that.
152sirf buddhi ko sada careful aur clear rakho। 153pahle bhi sunaaya tha woh baat apni buddhi se nikaal do।
153Whatever weakness of yours you give to the Father, BapDada replaces that with power, happiness, zeal and enthusiasm.
154vo baaten bhi rakhi hui hoti hain to buddhi clear nahin hoti।
154However, you do not take that which BapDada gives you.
155isliye baap jo return deta woh mix ho jaata।
155You simply think that you did not receive a reply.
156kabhi miss kar dete ho। 157kabhi mix kar dete ho।
156Try to take what the Father is giving you; do not wait for a response.
158kabhi-kabhi koi bachche kya karte hain - aaj haalchaal sunaate hain।
157Continue to take power and happiness and then see how good your zeal and enthusiasm are.
159kai sochte hain seva to kar rahe hain lekin baap ka vaayda hai ki main sada madadgaar hoon - is seva mein to madad ki nahin। 160saphalta kam nikli।
158The moment you write about your weaknesses or you speak about them to the souls who are the instruments, it means that you have given those to them and have finished them.
161baapdaada ne kyon nahin madad ki।
159Now think about what you are receiving.
162phir sochte shaayad main yogay nahin hoon।
160BapDada receives so many letters from each one.
163main seva kar nahin sakti hoon, main kamjor hoon। 164vyartha sochte hain lekin agar koi bachcha seva ki madad ke liye baap ke aage sankalp karte bhi hain,khuli dil se karo।
161He does not give a reply, but He gives a return of that of whatever is necessary and He fills in the weakness. 162He continues to give love and remembrance every day. 163Is there any day when you do not receive love and remembrance?
165lekin iska return baapdaada seva ke samay vishesh madad dete hain - sirf ek vidhi apnaao।
164Every day BapDada writes a letter of two to three pages to all the children (murli).
166kaisi bhi mushkil seva ho lekin baap ko seva bhi buddhi se arpan kar do। 167mainne kiya,saphalta nahin hui, main kahaan se aaya?
165No one else writes such a long letter every day. 166No matter how much you love someone, has that person ever written such a long letter to you?
168baap karnakraavanhaar ki jimmevaari bhool karke apne oopar kyon uthaai।
167The murli is a letter, is it not? 168It is the response to what you have written, is it not?
169yeh wrong ho jaata hai।
169He writes such a long letter.
170baap ki seva hain, baap avashya karega। 171baap ko aage rakho, apne ko aage nahin rakho। 172mainne yeh kiya, yeh main shabd saphalta ko door karta hai।
170He even speaks about it, and all those who write a special letter receive a special response, because you are the beloved ones, the longlost and nowfound ones.
173samjha। 174donon prakaar ke patra aur roohrihaan hoti hai।
171Therefore, in return, BapDada gives extra power and happiness.
175ek kamjori ke patra ya roohaarihaan aur koi seva mein saphalta prati patra likhte ya roohrihaan karte।
172Just always keep the intellect careful and clear. 173As told to you previously, remove those things from your intellect.
176aap karne vaale nimitta ho। 177main yogya nahin hain - yeh sankalp kaise karte ho? 178yeh kamjor sankalp,yeh beej hi kamjor daalte ho aur phir sochte ho phal achha kyon nahin nikla।
174You keep those things in your intellect, and so your intellect is not clear and, therefore, whatever the Father gives you in return becomes mixed. 175Sometimes you miss it and sometimes you mix it.
179beej kamjor aur phal shaktishaali nikle yeh ho sakta hai kya!
176What do some children sometimes do? 177Today, Baba is telling you of your state.
180foundation kamjor daalte ho। 181baaki baapdaada,brahman-parivaar,drama,sangamayug ka samay sab aapki saphalta mein madadgaar hain।
178Some think: “We are doing service, and the Father’s promise is that He will always be our Helper, but Baba did not help in this service and so there was less success.
182aapke chaaron taraph shaktishaali hain।
179Why did BapDada not help?”
183baapdaada,brahman-parivaar,samay aur svayan। 184chaaron taraph majboot hain to hilega kyon,samjha?
180Then they think, “Perhaps I am not worthy, perhaps I am not able to do this service.
185letarsa jo likhte ho woh phaaltu nahin likhte।
181I am weak.” 182They have these waste thoughts.
186baapdaada ke pyaare ho। 187baapdaada ne har bachche ki jimmevaari sada ke liye li hui hai।
183If you children put a thought in front of the Father for help in service, do it with an open heart.
188sirf apne oopar jimmevaari galti se nahin le lo।
184In return for that, BapDada gives special help at the time of service.
189phir dekho saphalta aapke charnon mein, svayan saphalta aapke gale ki maala banegi, charan chhuyegi।
185Simply adopt one method. 186No matter how difficult that service is, still surrender that service to the Father with your intellect.
190sivaae braahmanon ke aur kahin saphalta ja nahin sakti।
187"I did this and so it wasn't successful."
191yeh sangamayug ka vardaan hai।
188Where did the 'I' come from?
192sirf baap ki jimmevaari ko apne oopar nahin uthaao। 193samjha? 194sada umang-utsaah ke pankhon se udti kala ki or jaao।
189Why did you forget that it's the responsibility of the Father who is Karankaravanhar, and take it upon yourself?
195thaharti kala mein nahin aao।
190This becomes wrong.
196na girti kala, na thaharti kala, sada udti kala ho।
191It is the Father’s service and He will definitely do it.
197sabhi teachers kaun-si kala vaali ho?
192Therefore, keep the Father in the front.
198teacher arthaat seva ke nimitta।
193Do not keep yourself in the front. 194"I did this".
199chaahe sva seva ho, chaahe vishwa ki seva ho lekin sada seva mein tatpar rehna - yahi teachers ki visheshta hai।
195This word 'I' makes success distant. 196Do you understand? 197And so, there are both types of letter and hearttoheart conversation.
200apne man-buddhi aur shareer dvaara sada busy rahne vaale, kabhi shareer dvaara karma karte ho to man-buddhi ko free rakh dete ho।
198Some write letters or have heartto heart conversations about their weaknesses, and some write letters or have a hearttoheart conversation for success in service.
201man-buddhi ko free rakhna maana maaya ko velkal karna। 202jisko vailkam karenge woh to zaroor baith jaayegi na।
199How can you, the ones who are instruments to do something have the thought that you are not worthy?
203phir kehte ho baapdaada maaya ko bhagaao। 204bulaate aap ho aur bhagaaye baapdaada!
200That is a weak thought; you sow a weak seed, and then wonder why the fruit is not good!
205to teacher va number one godly student ki visheshta hai - man buddhi shareer se apne ko busy rakhna।
201Is it possible to have powerful fruit emerge from a weak seed? 202Therefore, you lay a weak foundation.
206vishesh nimitta bane hue sevaadhaari ko yeh underline karni chaahiye to sahaj hi athak ban jaayenge।
203However, BapDada, the Brahmin family, the drama, the time of the confluence age: all of these help in your success.
207achha-aaj full kumbh mela hai।
204All four sides around you are powerful.
208bhaaratvaasiyon ko 3 pair prithvi chaahiye aur double videshiyon ko double chaahiye।
205BapDada, the Brahmin family, the time and the self.
2093 pair lagej ke liye to 3pair prithvi ke chaahiye।
206If all the four sides are strong, why should you shake?
210bhaaratvaasi in sab makaanon mein1600 rehte hain aur abhi 1125foreigners rahe hain, inhon ko 6 pair prithvi chaahiye। 211achha! 212chaaron or ke sada umang-utsaah mein udne vaale teevra purushaarthi aatmaon ko,sada baap ki dil mein rahne vaali vishesh maniyon ko,sada baap aur aap is smriti ki chhatrachhaaya mein rahne vaale sada thaharti kala-girti kala se paar udti kala mein aage badhne vaale, sada apne ko variety points se khushi aur nashe mein aage badhaane vaali shreshtha aatmaon ko baapdaada ka yaad-pyaar aur namaste। 213group ke saath - personal mulaakaat
207Do you understand?
214sada yeh khushi rehti hai ki baap mere liye aaye hain?
208So the letters that you write are not useless. 209You are loved by BapDada.
215anubhav hota hai, isliye sabhi khushi aur nashe se kehte ho mera baba।
210BapDada has taken the responsibility for all the children for all time.
216mera arthaat adhikaar hai। 217jahaan adhikaar hota hai vahaan mera kaha jaata hai।
211Just do not take the responsibility upon yourself, even by mistake, and you will then see that success is at your feet.
218to kitne samay ka adhikaar hai phir-phir praapta karte ho।
212Success itself will become a garland around your neck; it will touch your feet.
219anginat baar yeh adhikaar praapta kiya hai, jab yeh sochte ho to kitni khushi hoti hai।
213Success cannot go to anyone except Brahmins this is the blessing of the confluence age.
220yeh khushi khatma ho sakti hai? 221maaya khatma kare to?
214Just do not take the Father’s responsibility upon yourself.
222vaise bhi knowledge ko light,might kaha jaata hai।
215Do you understand? 216Achcha.
223jismen full knowledge hain arthaat full light might hai to maaya aa nahin sakti। 224maaya vaar nahin karegi lekin balihaar jaayegi। 225achha- sada apne ko avinaashi praapti ke adhikaari baalak ko maalik samajhte ho? 226baalakpan aur maalikpan ka double nasha rehta hai?
217To the intense effortmaking souls from everywhere who are constantly flying with zeal and enthusiasm, to the special jewels who constantly stay in the Father’s heart, to those who constantly stay under the canopy of the awareness of the “Father and I”, to those who go beyond the stopping and the descending stage and move ahead in the flying stage, to the elevated souls who make themselves move forward in happiness and intoxication with a variety of points, BapDada's love, remembrance and namaste.
227is samay sva ke maalik ho, svaraajya-adhikaari ho aur phir banenge vishwa ke maalik।
218Blessing: Instead of becoming confused, may you put the loose connection right and remain free from problems.
228to samay par baalakpan ka nasha, khushi aur samay par maalikpan ka nasha aur khushi।
219The main reason for all problems is to have a loose connection.
229aise nahin ki jis samay maalik banna ho us samay baalak ban jaao aur jis samay baalak banna ho us samay maalik ban jaao, yeh nahin ho।
220Simply put the connection right and all powers will hover around you. 221If it takes you one or two minutes to forge a connection, don’t lose courage or become confused.
230jis samay koi aisi baat hoti hai jismen svayan ko kamjor samajhte ho, badi baat lagti hai to baalak bankar jimmevaari baap ko de do।
222Do not allow the foundation of your faith to shake. 223On the basis of “I am Baba’s and Baba is mine”, make your foundation strong and you will become free from all problems.
231jis samay seva karte ho to baalak so maalik bankar baap ke khazaane so mere khazaane samajh baanto। 232samjha!
224Slogan: To remain stable in the seed stage is the way to transform your old sanskars. 225* * * O MS H A N T I * * *