Daily Murli for Sunday 10 April 2022
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| Hindi | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
010-04-22 praatahmurli om shanti ''avyakt-baapdaada'' revise 19-03-90 madhuban
0 10/04/22 Madhuban Avyakt BapDada Om Shanti 19/03/1990
1udti kala ka aadhaar umang-utsaah ke pankh
1The basis of the flying stage is to have wings of zeal and enthusiasm.
2aaj sarva bachchon ke sneh sampanna milan-bhaavna aur sampoorn banne ki shreshtha kaamna ke shubh umang-utsaah ke vibration baapdaada dekh rahe hain।
2Today, BapDada is seeing the pure feelings filled with love for a meeting and the pure vibrations of zeal and enthusiasm of all the children’s elevated desire to become complete.
3har bachche ke andar usmein bhi is kalpa mein pahli baar milne vaale bachchon ka utsaah aur is kalpa mein anek baar milne vaale bachchon ka utsaah apna-apna hai।
3He is also seeing within each child how the zeal and enthusiasm of those children who are meeting Baba for the first time in this cycle are unique, and how the zeal and enthusiasm of those who have met Baba many times in this cycle are unique.
4jisko aap apni bhaasha mein kehte ho - naye bachche aur puraane bachche।
4In your own language you refer to this as the “new children” and the “old children”.
5lekin hain sabhi ati puraane se puraane kyonki puraani pahchaan, baap ki taraph, brahman-parivaar ki taraph aakarshit kar yahaan laai hai।
5However, all of you are the oldest of all, because it is with the old recognition that you are attracted and drawn here to the Father and the Brahmin family.
6yeh sirf nishaani maatra kaha jaata hai naya aur puraana।
6It is only for identification that you say “new” and “old”.
7to naye bachchon ka umang-utsaah yahi hai ki thode samay mein bahut aage udte hue baap samaan ban karke dikhaayen।
7The zeal and enthusiasm of the new children are seen in them wanting to show everyone by flying ahead and becoming equal to the Father in a short time.
8puraane bachchon ka yahi shreshtha sankalp hai ki jo baapdaada se paalna mili hai, khajaana mila hai - uska return baap ke aage sada rakhte rahen।
8The older children constantly have the elevated thought to continue to bring in front of BapDada some return for the sustenance and the treasures they have received from BapDada.
9donon ka umang-utsaah shreshtha hai। 10aur yahi umang-utsaah pankh ban udti kala ki or le ja raha hai।
9The zeal and enthusiasm of both are elevated, and it is this zeal and enthusiasm that become the wings that take you to the flying stage.
11udti kala ke pankh gyaan-yog to hain hi lekin pratyaksha swaroop mein saari dincharya mein har samay, har karma mein, har din naya umang-utsaah svatah hi utpanna hota hai।
10You have wings of knowledge and yoga for the flying stage anyway, but, within the whole timetable, new zeal and new enthusiasm automatically emerge every day in a visible form at every moment and in every action.
12jahaan umang-utsaah hai vahi udti kala ka aadhaar hai।
11The basis of the flying stage is your zeal and enthusiasm.
13kaisa bhi kaarya ho, chaahe saphaai karne ka ho, bartan maanjane ka ho, saadhaaran karma ho lekin usmein bhi umang-utsaah natural aur nirantar hoga।
12No matter what kind of task it is, whether it is that of cleaning or of washing dishes or of doing any ordinary work, in that too, there would be natural and constant zeal and enthusiasm.
14aise nahin ki jab gyaan ki padhaai kar aur kara rahe hain va yaad mein baithe hain, kisko bitha rahe hain va aadhyaatmik seva mein busy hain to us samay sirf umang-utsaah ho aur saadhaaran karma ho to sthiti bhi saadhaaran ho jaae, umang-utsaah bhi saadhaaran ho jaae - yeh udti kala ki nishaani nahin।
13It isn’t that there are zeal and enthusiasm only when you are studying knowledge or teaching it to others, when you are sitting in meditation or conducting meditation for others, or when you are busy in doing spiritual service, and when you are performing ordinary actions, your stage also becomes ordinary and your zeal and enthusiasm also become ordinary. 14That is not a sign of the flying stage.
15udti kala vaali shreshtha aatma ke umang-utsaah ke pankh sada hi udte rahenge।
15The wings of zeal and enthusiasm of an elevated soul in the flying stage would always be flying.
16to baapdaada sabhi bachchon ke umang-utsaah ko dekh rahe hain।
16So BapDada is seeing the zeal and enthusiasm of all the children.
17pankh to sabhi ke hain lekin kabhi-kabhi umang-utsaah mein udte-udte thak jaate hain।
17You all have wings, but you sometimes get tired while flying in zeal and enthusiasm.
18koi chhota-bada kaaran banta hai arthaat rookaavat aati hai, kabhi to pyaar se paar kar lete hain, lekin kabhi ghabra jaate hain।
18Something becomes a small or a large excuse, that is, there is an obstruction and, whilst you are sometimes able to overcome it with love, at other times you get confused.
19jisko aap log kehte hain kanaphyooz ho jaate hain, isliye sahaj paar nahin karne ke kaaran thak jaate hain lekin thoda-thoda thakte hain phir bhi lakshya shreshtha hain, manzil ati pyaari lagti hai isliye udne lag jaate hain।
19You people call this confusion. 20Because you are not able to overcome this easily you get tired. 21You get a little tired but, nevertheless, your aim is elevated, and you have love for your destination and this is why you start flying again.
20shreshtha lakshya aur pyaari manzil aur baap ke pyaar ka anubhav thakaavat se neeche ki sthiti mein thaharne nahin deta hai isliye phir se udne lag jaate hain।
22The elevated aim, the lovely destination and the experience of the Father’s love do not allow you to remain in a lower stage due to tiredness and you therefore start flying again.
21to baapdaada bachchon ka yeh khel dekhte rehte hain।
23So BapDada continues to watch the games of the children.
22phir bhi baap ka pyaar rookne nahin deta aur pyaar mein majority paas hain isliye rookaavat kitna bhi rokne ki koshish kare aur karti hai।
24Even so, the Father’s love does not allow you to stop. 25The majority of you has passed in the subject of love.
23kabhi-kabhi sochte hain ki bada mushkil hai, isse to jaise the vaise ban jaayen। 24lekin chaahte bhi past life mein jaane ka maja nahin aata kyonki pahle to is parmaatma-pyaar aur dehdhaariyon ka pyaar donon ka antar saamne hai to udte-udte jab thaharti kala mein aa jaate hain to do raaston ke beech mein hote hain aur sochte hain - idhar jaayen va udhar jaayen।
26This is why, no matter how much the obstructions try to stop you - and they do stop you - and, although you sometimes even think that this is very difficult and that it would be better to become what you were previously, even though you do wish this, you do not find any pleasure in going back to the past life. 27Why? 28Firstly, you have in front of you the contrast of God’s love and the love of bodily beings.
25kahaan jaayen? 26lekin parmaatma-pyaar ka anubhav kanaphyooz ko surjeet kar deta hai aur umang-utsaah ke pankh mil jaate hain isliye sochte bhi phir thaharti kala se udti kala mein ud jaate hain।
29Therefore, when you come to a standstill while flying and you are in between two roads, you think: Should I go here, or should I go there? 30Where should I go? 31However, the experience of God's love revives confused people and you receive the wings of zeal and enthusiasm.
27baaten bahut chhoti-chhoti hoti hai lekin us samay kamjor hone ke kaaran badi lagti hai। 28jaise shareer ki kamjori vaale ko ek paani ka gilaas uthaana bhi mushkil lagta hai aur jo himmat vaala hai usko do baalti uthaana bhi khel lagta hai।
32Even while thinking about it, you fly from a stagnant stage into the flying stage. 33The matters may be very small but they seem very large at that time because you are weak. 34Someone who is physically weak finds it difficult to lift even a glass of water, whereas those who are courageous find it a game to lift even two buckets.
29aise hi chhoti-si baat badi anubhav karne lagte hain।
35In the same way, you start experiencing little things to be big.
30to umang-utsaah ke pankh sada udaate rehte hain।
36Therefore, the wings of zeal and enthusiasm constantly make you fly.
31roz amritvele apne saamne saara din kis smriti se umang-utsaah mein rahen - woh variety umang-utsaah ki points emerge karo।
37Every day at amrit vela, let the variety of points of zeal and enthusiasm that you have to have in your awareness throughout the day emerge in front of you.
32sirf ek hi point ki main jyotirbindu hoon, baap bhi jyotirbindu hai, ghar jaana hai phir raajya mein aana hai - yeh ek hi baat kabhi-kabhi bachchon ko bor kar deti hai। 33phir sochte hain kuchh naya chaahiye।
38If it is simply one point such as: I am a point of light, Baba is a point of light, we have to return home and then go back into our kingdom, then, because it is just the one point, some children sometimes get bored with that and they think that they want something new.
34lekin har din ki murli mein umang-utsaah ki bhinna-bhinna points hoti hai।
39However, every day there are different points in the murli for zeal and enthusiasm.
35woh umang-utsaah ki vishesh point apne paas note karo।
40Note down the special points for zeal and enthusiasm from every day's murli.
36bahut badi list bana sakte hain।
41You can make a very big list.
37diary mein bhi note karo to buddhi mein bhi note karo।
42Note it down in your diary and also in your intellect.
38jab buddhi mein emerge na ho to diary se emerge karo aur variety points har roj naya umang-utsaah badhaayengi।
43When these points do not remain emerged in your intellect, recall them from your diary, and that variety of points will then increase your zeal and enthusiasm every day.
39manushya aatma ka yeh nature hai ki variety pansad aati hai isliye chaahe gyaan ki point manan karo ya roohrihaan karo। 40saara din bindu yaad karenge to bor ho jaayenge।
44It is human nature to like variety. 45This is why, whether you churn the points of knowledge, whether you have a heart-to-heart conversation, if you simply remember the dot throughout the day, you will get bored.
41lekin bindu baap bhi hai, bindu aap bhi ho।
46However, the Father is a dot; each of you is a dot.
42sangamayug par hero paartadhaari bhi ho, zero ke saath hero bhi ho। 43sirf zero nahin ho।
47You are hero actors of the confluence age; as well as being a zero, you are also a hero, you are not simply a zero.
44sangamayug par hero hone ke kaaran saare din mein variety part bajaate ho।
48Because you are heroes at the confluence age, you play a variety of parts throughout the day.
45mujh zero ka saare kalpa mein kya-kya part raha hai aur is samay kya hero part hai, kiske saath part hai, kitna samay aur kya part bajaana hai, is variety roop se zero ban apne hero part ki smriti mein raho।
49What was the part of myself, a zero, throughout the whole cycle, and what is my hero part at the moment? 50With whom is my part now? 51For how long do I have to play this part? 52What part do I have to play after this?
46yaad mein bhi variety roop se kabhi beejroop sthiti mein rahe, kabhi pharishta roop mein, kabhi roohrihaan ke roop mein raho। 47kabhi baap ke mile hue khajaanon ke ek-ek ratna ko saamne laao। 48jis samay jo roochi ho usi reeti se yaad karo।
53Become a zero with this variety form and keep the awareness of your hero part. 54So, in having remembrance too, maintain variety: sometimes stay in the seed stage, sometimes in the angelic stage, sometimes have a heart-to-heart conversation and sometimes bring in front of you each jewel from the treasures you have received from the Father.
49jis samay jis sambandh se baap ka milan, baap ka sneh chaaho us sambandh se milan manaao, isliye jo sarva sambandh se baap ne aapko apna banaaya aur aapne bhi baap ko sarva sambandh se apna banaaya।
55Remember Him with whatever interest you have at a particular time.Celebrate a meeting with the Father at whatever time you want, with the love of whatever relationship you want. 56This is why the Father has made you belong to Him in all relationships and you have also made the Father belong to you in all relationships.
50sirf ek sambandh to nahin hai, variety hai na?
57There isn't only one relationship. 58There is a variety, is there not?
51lekin ek baat dhyaan mein rakhni hai ki sivaae baap ke, sivaae baap ki praaptiyon ke va sivaae baap ke khajaanon ke aur koi yaad na aaye।
59You simply have to pay attention to this one aspect of not remembering anyone except the Father, the attainment from the Father and the treasures from the Father.
52variety praapti hai, variety khajaane hain, variety sambandh hain, variety khushi ki baaten hain - umang-utsaah ki baaten hain।
60However, there is a variety of attainment, a variety of treasures, a variety of relationships, a variety of the points of happiness, and a variety of the points of zeal and enthusiasm.
53usi vidhi se use karo।
61Use them in this way.
54baap aur aap yahi safety ki lakeer hai।
62Let there only be the Father and you: this is the line of safety.
55is smriti ki lakeer se baahar nahin aao।
63Do not go beyond the line of this awareness; that is all.
56bas, yeh lakeer paramatma-chhatrachhaaya hai, jab tak is chhatrachhaaya ki lakeer ke andar hain tab tak koi maaya ki himmat nahin।
64This line is the Godly canopy of protection. 65For as long as you stay within the line of the canopy of protection, Maya does not have any courage.
57phir mehnat kya hoti, rookaavat kya hoti, vighna kya hota - in shabdon se avidya ho jaayegi।
66There is then ignorance of the terms: what effort is, what obstructions are (a situation that stops you) and what obstacles are (a situation that is difficult).
58jaise aadi sthaapna ke samay jab satayug ki aatmaayen pravesh hoti theen to un aatmaon ko vikaar kya hota hai, duhkh kya hota , maaya kya hoti hai - in shabdon ki avidya rehti thi।
67The children who were present at the beginning of establishment used to experience the souls of the golden age incarnating and how those souls were ignorant of what the vices were, what sorrow was and what Maya was. 68You children experienced this, did you not?
59bachchon ko yeh anubhav hai na?
69The old ones know these things.
60puraane to in baaton ko jaante hain। 61aise jo baap aur aap - is smriti ki lakeer ki chhatrachhaaya mein hain, unko in baaton ki avidya ho jaati hai isliye sada safe hain, sada baap ke dil mein rehte hain।
70In the same way, those who stay within the line of the canopy of protection of the awareness of there being “Only the Father and I” are ignorant of these things. 71This is because they are constantly safe and they constantly stay in the Father's heart. 72You people like the heart a lot, do you not?
62aap logon ko dil jyaada pasand aati hai na।
73Even when you bring a gift, you bring a heart-shaped gift.
63saugaat bhi heart hi banaakar laate ho।
74Even when you make cakes, you make them heart shaped.
64cake bhi heart banaate ho, box bhi heart jaisa banaate ho।
75You even make the boxes heart shaped. 76So you stay in the heart, do you not?
65to rehte bhi heart mein ho na?
77Maya cannot approach the Father’s heart.
66baap ki heart taraph maaya aa nahin sakti। 67jaise jangal mein bhi roshni kar dete hain to jangal ka raaja sher bhi nahin aa sakta, bhaag jaata hai।
78Just as when there is a flame in a jungle, even the king of the jungle, the lion, cannot go there, he runs away. 79So, there is such light and might in the Father’s heart.
68baap ki heart kitni light aur might hai!
80No form of Maya can come in front of that.
69uske aage maaya ka koi roop aa nahin sakta।
81You have become safe from labouring, have you not? 82You took birth easily.
70to mehnat se safe ho gaye na!
83Did it take effort for you to take birth?
71janma bhi sahaj hua, mehnat lagi kya janma lene mein? 72baap ka parichay mila, pahchaana aur second mein anubhav kiya।
84You received the Father’s introduction, you recognised Him and within a second you experienced the Father to belong to you and you to belong to Him.
73baap mera, main baap ka। 74janma sahaj hua, bhatakna nahin pada।
85You took birth easily; you did not have to wander around anywhere.
75aapke desh roopi ghar mein baap ne bachchon ko nimitta banaakar bheja।
86The Father made certain children instruments and sent them to your land, that is, to your home.
76dhoondhana va bhatakna to nahin pada।
87You did not have to search for Him, did you?
77ghar baithe baap mila na।
88You did not have to wander around, did you?
78yeh to abhi pyaar se bhaarat mein aate ho milne।
89So, you found the Father while sitting at home, did you not?
79lekin parichay to vahaan hi mila, janma to vahaan mila na?
90You come running to Bharat out of love, but you received the introduction there; you took birth there.
80janma ati sahaj hua to paalna bhi ati sahaj hai।
91Since you took birth very easily, you also receive sustenance very easily.
81sirf anubhav karo। 82aur jaayenge bhi sahaj hi।
92Simply experience it and you will go back with the Father easily.
83baap ke saath-saath jaana hai na ya beech mein dharmaraajpuri mein rookna hai।
93You want to go back with Him, do you not? 94Or, do you want to wait in between, in the land of Dharamraj?
84sabhi saath chalne vaale ho na।
95Are all of you ones who will go back together with the Father?
85sabhi ka yeh dridh sankalp hai ki saath hain aur saath chalenge।
96Do you all have the determined thought: We are together and we will go back together?
86aur aage bhi brahma baap ke saath raajya mein va part mein aayenge - pakka sankalp hai na?
97In the future, too, you will come into the kingdom and have a role with Father Brahma. 98Or will you come later? 99Do you have this firm thought?
87chalte-chalte thak jaayenge to rook jaayenge phir kya karenge?
100If, while walking along, you get tired and you stop what would you then do there?
88kyonki baap to us samay rookenge nahin।
101Because the Father will not stop. 102At that time He will not wait.
89abhi rook rahe hain।
103He is waiting at present.
90abhi samay diya hai, us samay nahin rookenge।
104You have now been given some time, but He will not wait at that time.
91us samay to second mein udenge।
105At that time, He will fly in a second.
92abhi naye-naye bachchon ke liye let hua hai lekin tu let ka board nahin laga hai।
106At present it is late for the new children, but the board of 'Too late' has not yet been put up.
93abhi to nai duniya aane ke liye, naye-naye bachchon ke liye rooki hui hai ki yeh bhi last so fast aur first number tak pahunch jaaen।
107So the new world is waiting for the new children to come so that they can also reach 'last so fast' and claim the first number. 108So, are all of you ready to go back together?
94sabhi saath jaane ke liye taiyaar ho na? 95jo is kalpa mein pahli baar aaye hain, baapdaada mubaarak dete hain।
109BapDada is congratulating those who have come here for the first time in this cycle.BapDada is giving congratulations.
96chhote-chhote bachchon par badon ka pyaar hota hai।
110Why? 111The seniors still have love for the younger ones.
97to baap ka aur bade bhaai-bahnon ka aap logon se vishesh pyaar hai।
112The Father and the senior brothers and sisters have special love for you.
98laadle ho gaye na।
113So, you are beloved ones, are you not?
99naye bachche laadle hain।
114New children are specially loved.
100chaahe naye ho va puraane ho sabhi ke liye fast gati first aane ki hai - chhatrachhaaya mein rehna, sada dil mein rehna, yahi sabse sahaj teevragti hai।
115Whether you are old or new, everyone keeps a fast speed to come first. 116Constantly stay under this canopy of protection. 117Constantly stay in the heart; this is the easiest method for a fast speed.
101apne-aapko kabhi bhi bor nahin karo।
118Never allow yourself to be bored.
102sada apne-aapke liye variety roop se umang-utsaah emerge karo।
119Always make zeal and enthusiasm emerge for yourself in a variety of ways.
103double videshi kabhi-kabhi koi-koi yeh bhi sochte hain ki hamaara culture aur india ka culture bahut farka hai।
120Some double foreigners sometimes think that there is a great difference between their culture and the culture of India.
104indiyan culture kabhi pansad aata, kabhi nahin aata।
121This is why they sometimes like Indian culture and sometimes don't.
105lekin yeh to na indiyan culture hai, na videsh ka culture hai। 106yeh to brahman culture hai।
122However, this is neither Indian culture nor foreign culture; this is Brahmin culture.
107brahmaakumaar, brahmaakumaari yeh naam to sabhi ko pasand hai na?
123All of you like the name Brahma Kumars and Kumaris, do you not?
108brahma baap se bhi bahut pyaar hai aur bi.ke. jeevan bhi ati pyaari hai।
124You have a lot of love for Father Brahma, and you also love the BK life a lot.
109kabhi-kabhi saphed kapdon ke bajaae rangeen kapde yaad aate hain kyonki saphed kapde jaldi maile ho jaate hain।
125Sometimes, you think of coloured clothes instead of white clothes because the white clothes get dirty very quickly.
110daphtar mein jaate ho va kahaan bhi aise sthaanon par jaate ho to jo dress aap pahante ho uske liye baapdaada mana nahin karte lekin usi vritti se nahin pahno ki hamaara foreign culture hai, yahi meri personality hai - is reeti se nahin pahno।
126BapDada does not forbid you to wear the clothes that you wear when you go to the office, or to any other such place. 127However, do not wear them with the attitude: This is our foreign culture and this is my personality. 128You may wear them to do service.
111sevaabhaav se bhale pahno, personality ke lakshya se nahin।
129Do not wear them with the aim of personality. 130Have the aim of a Brahmin life.
112brahman-jeevan ka lakshya ho। 113seva arth, aavashyakta arth pahante ho to koi mana nahin।
131You are not forbidden to wear them for doing service or as a necessity, but definitely verify that too with the souls who are the instruments.
114lekin woh bhi nimitta bani hui aatmaon se verify karaao।
132Do not say: BapDada has given me permission, so why are you forbidding me?
115aise nahin ki baapdaada ne to chhutti de di phir aap mana kyon karte ho? 116kabhi-kabhi bahut hansi ki baaten karte hain।
133Sometimes, you say many amusing things. 134You remember the words that you want to hear for your own purpose, but you forget the things about the law behind it.
117jo matlab ke akshar hote hain woh yaad rakhte hain lekin uske peechhe jo kaayde ki baat hoti woh bhool jaate।
135BapDada likes cleverness, but there should be a limit to cleverness; it shouldn't be off limits. 136So eat, drink, wear and play, but within limits.
118hoshiyaari to baapdaada ko achhi lagti hai lekin hoshiyaari limit mein ho, anlimit mein na ho।
137So, which culture do you like? 138Whatever is the culture of Father Brahma is the culture of the Brahma Kumars and Kumaris.
119khaao, piyo, pahno, khelo - lekin limit mein। 120to kaun sa culture pansad hain?
139You like it, do you not?You have a speciality which is that you say everything clearly.
121jo brahma baap ka culture woh brahmaakumaar, kumaariyon ka culture hai, pasand hai na?
140Not all are alike. 141There are some who speak of their own weaknesses. 142That is good, but they then become whimsical.
122inhon mein ek baat achhi hai jo saaph bol dete hain, sabhi ek jaise nahin hain - koi-koi aise hain jo apni kamjori varnan karte hain, lekin vimjeekal ban jaate hain। 123baar-baar vahi smriti mein laate rehte - main kamjor hoon…।
143They repeatedly bring that weakness into their consciousness: “I am weak, I am weak.” 144Do not become sensitive in that way. 145If you continue to think about that, you will forget all the other specialities you have and you will continue to think about all the other weaknesses.
124aise naazuk nahin bano।
146Do not do this.
125visheshtaaon ko bhool jaayenge, kamjori ko hi sochte rahenge, yeh nahin karna। 126kamjori sunaao zaroor lekin jab baap ko di to phir kiske paas rahi?
147Definitely tell the Father about your weaknesses, but since you gave your weaknesses away to the Father, who then has them?
127phir kyon yeh sochte ho main aisa hoon.... baap ko de diya na।
148In that case, why do you think: “I am like this”? 149You have given them to the Father.
128baapdaada ko patra likh kamjoriyaan de dete ho ya patra likh baapdaada ke kamre mein rakh dete ho to phir sochte ho javaab to mila nahin।
150Some children write a letter in which they write about their weaknesses and give them to BapDada, or they leave it in BapDada's room and then they think that they did not get a response.
129baapdaada aise javaab nahin dete।
151BapDada does not give a reply just like that.
130jo kami aapne de di to baapdaada usi jagah par aapko shakti, khushi, umang-utsaah bhar deta hai।
152Whatever weakness of yours you give to the Father, BapDada replaces that with power, happiness, zeal and enthusiasm.
131to jo baapdaada deta hai woh lete nahin ho, sirf sochte ho ki javaab to mila nahin।
153However, you do not take what BapDada gives you. 154You simply think that you did not receive a reply.
132jo baap deta hai usko lene ka prayatna karo।
155Try to take what the Father is giving you; do not wait for a response.
133javaab ka intajaar nahin karo - shakti, khushi lete jaao।
156Continue to take power and happiness and then see how good your zeal and enthusiasm are.
134phir dekho kitna achha umang-utsaah rehta hai। 135jis ghadi apni kamjori likhte ho va nimitta bani hui aatmaon ko sunaate ho to de di maana khatma।
157The moment you write about your weaknesses or you speak about them to the souls who are the instruments, it means that you have given those to them and have finished with them.
136abhi mil kya raha hai woh socho।
158Now, think about what you are receiving.
137baapdaada ke paas ek-ek ke kitne patra aate, baapdaada uttar nahin deta lekin jo aavashyakta hai, jo kami hai usko bharne ka return deta hai।
159BapDada receives so many letters from each one. 160He does not give a reply, but He gives a return of whatever is necessary and He fills in the weakness.
138baaki yaad-pyaar to roz dete hi hain।
161He continues to give love and remembrance every day.
139koi din aisa hai jo yaad-pyaar na mila ho?
162Is there any day when you do not receive love and remembrance?
140baapdaada sabhi ko roz do-teen page ka patra likhte hain।
163Every day BapDada writes a letter of two to three pages to all the children (murli).
141(murli) itna bada patra to roz koi bhi kisko nahin likhta! 142kitna bhi aapka pyaara ho koi ne itna bada patra likha?
164No one else writes such a long letter every day. 165No matter how much you love someone, has that person ever written such a long letter to you?
143murli patra hai na।
166The murli is a letter, is it not?
144aapki baaton ka respond hota hai na?
167It is the response to what you have written, is it not?
145to itna bada patra likhte bhi, bolte bhi - jo aap vishesh patra likhte ho uska vishesh return bhi karte hain kyonki laadle, sikeeldhe ho।
168He writes such a long letter. 169He even speaks about it, and all those who write a special letter receive a special response, because you are the beloved ones, the long-lost and now-found ones.
146baapdaada return mein shakti aur khushi extra dete hain।
170Therefore, in return, BapDada gives extra power and happiness.
147sirf buddhi ko sada careful aur clear rakho।
171Just keep the intellect constantly careful and clear.
148pahle bhi sunaaya tha, woh baat apni buddhi se nikaal do।
172As you were told previously, remove those things from your intellect.
149vo baaten bhi rakhi hui hoti hain to buddhi clear nahin hoti isliye baap jo return deta, woh mix ho jaata।
173If you keep those things in your intellect, your intellect is not clear and whatever the Father gives you in return therefore becomes mixed.
150kabhi miss kar dete ho। 151kabhi mix kar dete ho।
174Sometimes you miss it and sometimes you mix it.
152kabhi-kabhi koi bachche kya karte hain.... aaj haalchaal sunaate hain।
175What do some children sometimes do? 176Today, Baba is telling you of your state.
153kai sochte hain seva to kar rahe hain lekin baap ka vaayda hai ki main sada madadgaar hoon - is seva mein to madad ki nahin।
177Some think: “We are doing service and the Father promised us that He will always be our Helper, but Baba did not help in this service and so there was less success.
154saphalta kam nikli।
178Why did BapDada not help?”
155baapdaada ne kyon nahin madad ki? 156phir sochte shaayad main yogya nahin hoon।
179Then they think, “Perhaps I am not worthy, perhaps I am not able to do this service.
157main seva kar nahin sakti hoon, main kamjor hoon।
180I am weak.” 181They have these wasteful thoughts.
158vyartha sochte hain lekin agar koi bachcha seva ki madad ke liye baap ke aage sankalp karte bhi hain, khuli dil se karo।
182If you children put a thought in front of the Father to have help in some service, do it with an open heart.
159lekin iska return baapdaada seva ke samay vishesh madad dete hain - sirf ek vidhi apnaao।
183In return for that, BapDada gives special help at the time of service. 184Simply adopt one method.
160kaisi bhi mushkil seva ho lekin baap ko seva bhi buddhi se arpan kar do।
185No matter how difficult that service is, still surrender that service to the Father with your intellect.
161mainne kiya, saphalta nahin hui, main kahaan se aaya?
186"I did this and so it wasn't successful." 187Where did the 'I' come from?
162baap karan-karaavanhaar ki jimmevaari bhool karke apne oopar kyon uthaai।
188Why did you forget that it's the responsibility of the Father who is Karankaravanhar, and take it on yourself?
163yeh wrong ho jaata hai।
189This is wrong.
164baap ki seva hai, baap avashya karega।
190It is the Father’s service and He will definitely do it.
165baap ko aage rakho, apne ko aage nahin rakho।
191Therefore, keep the Father in front of you.
166mainne yeh kiya, yeh main shabd saphalta ko door karta hai।
192Do not keep yourself in the front. 193"I did this". 194This word 'I' makes success distant.
167samjha। 168achha।
195Do you understand?
169chaaron or ke sada umang-utsaah mein udne vaale teevra purushaarthi aatmaon ko, sada baap ki dil mein rahne vaali vishesh maniyon ko, sada baap aur aap is smriti ki chhatrachhaaya mein rahne vaale sada thaharti kala-girti kala se paar udti kala mein aage badhne vaale, sada apne ko variety points se khushi aur nashe mein aage badhaane vaali shreshtha aatmaon ko baapdaada ka yaad-pyaar aur namaste।
196To the intense, effort-making souls from everywhere who are constantly flying with zeal and enthusiasm, to the special jewels who constantly stay in the Father’s heart, to those who constantly stay under the canopy of the awareness of the “Father and I”, to those who go beyond the stopping and descending stages and move ahead in the flying stage, to the elevated souls who make themselves move forward in happiness and intoxication with a variety of points, BapDada's love, remembrance and namaste.
Blessing
170vardaan:- brahman jeevan mein alaukik maujon ka anubhav karne vaale karmo ki guhya gati ke gyaata bhav
197Blessing: May you understand the deep philosophy of karma and experience spiritual pleasure in your Brahmin life.
171brahman jeevan mauj ki jeevan hai lekin mauj mein rahne ka arth yeh nahin ki jo aaya woh kiya, masta raha।
198 Brahmin life is a life of pleasure, but staying in pleasure does not mean that you can do whatever enters your mind and just remain intoxicated.
172yeh alpakaal ke sukh ki mauj va alpakaal ke sambandh-samparka ki mauj sadaakaal ki prasannachit sthiti se bhinna hai।
199That pleasure of temporary happiness and pleasure of temporary relationships and connections are different from the permanent stage of happiness.
173jo aaya woh bola, jo aaya woh kiya - ham to mauj mein rehte hain, aise alpakaal ke manmauji nahin bano।
200“Say whatever you want, do whatever you want, I am just going to stay in my own pleasure!” 201Do not become one who pleases himself temporarily.
174sadaakaal ki roohaani alaukik mauj mein raho - yahi yathaartha brahman jeevan hai।
202Stay in alokik, spiritual (ruhani) pleasure all the time: this is the true Brahmin life.
175mauj ke saath karmo ki guhya gati ke gyaata bhi bano।
203Along with having this pleasure, also understand the deep philosophy of karma.
Slogan
176slogan:- aham aur vaham mein aane ke bajaae sarva par raham karo।
204Slogan: Instead of having ego of “I” (ahem) or having doubts (veham), have mercy (reham) for everyone.
205*** Om Shanti ***