Avyakt murli for Tuesday 5 October 1971

⁰> ¹05-10-71 ōm śhānti avyakt bāpdādā madhuban

⁰> > Avyakt BapDada 5th October 1971

²Sampūrṇtā kī|key niśhānī 16 kalāyē̃

¹What is the aim of each one’s effort?

³Sabhī kē|K purūṣhārth kā lakṣhya kaunsā hai  ?

²To become complete.

⁴ ( sampūrṇ bannā ) sampūrṇtā kī|key stage kiskō kahā jātā hai  ?

³What would you call the stage of completion?

⁵Kaunsā nakśhā sāmnē hai jiskō sampūrṇ stage samajhtē hō  ?

⁴What image do you have in front of you, which you consider to be the complete stage?

⁶Bāp nē bhī jō sampūrṇ stage dhāraṇ kī usmē̃ kyā bātē̃ thī̃  ?

⁵What did you see in the complete stage that the father adopted?

⁷Jab dūsrō̃ kō sunātē hō tō sampūrṇ stage kā kyā-kyā varṇan kartē hō  ?

⁶When you tell others about the complete stage, what do you tell them?

⁸Unhō̃ kō samjhātī hō nā ki is nôlējadvārā sarv guṇ sampann , 16 kalā sampūrṇ , sampūrṇ nirvikārī bantē haĩ .

⁷You explain to them that you can become 16 celestial degrees complete - completely viceless, and completely virtuous - through this knowledge.

⁹Yah sampūrṇ stage varṇan kartī hō nā . ¹⁰Bhaviṣhya mē̃ tō prāpti hōgī , lēkin sampūrṇ stage tō yah kahē̃gē nā .

⁸You speak about this stage of completion... you will attain this in future, but this is called the stage of completion, is it not?

¹¹Ātmā mē̃ bal tō abhī sē bharēgā nā .

⁹You will fill the soul with power at this time, will you not?

¹²16 kalā sampūrṇ kahā jātā hai , tō kalāē̃ abhī bharē̃gī nā .

¹⁰Since you speak of 16 celestial degrees complete, you will fill it with the talents now, will you not?

¹³Sarv rguṇ sampann , sampūrṇ nirvikārī , 16 kalā sampūrṇ , yah śhabda kahtē hō nā .

¹¹You use the words: “complete with all virtues, completely viceless, and sixteen celestial degrees complete”.

¹⁴Yah sampūrṇ stage hai .

¹²Is this the complete stage?

¹⁵Sarv guṇ kyā haĩ , vah tō samajhtē hō guṇō̃ kī|key list hai .

¹³Do you understand what all the virtues are?

¹⁶Parantu yah jō 16 kalā kahā jātā hai , unkā bhāv-artha kyā hai  ?

¹⁴You have a list of the virtues, but when you speak of the 16 degrees, what does that mean?

¹⁷Yah hai sampūrṇ stage kī|key niśhānī .

¹⁵It signifies the complete stage.

¹⁸Jaisē dēkhā - kismē̃ kōī bhī viśhēṣhtā hōtī hai tō kahnē mē̃ ātā hai nā inmē̃ yah kalā hai .

¹⁶When you see some speciality in someone, you say “this one has this talent”.

¹⁹Kisī mē̃ rōtē huē kō haṅsānē kī|key kalā arthāt viśhēṣhtā hōtī hai , kōī mē̃ hāth kē|K saphāī kī|key kalā , kōī mē̃ buddhi kē|K chamatkārī kī|key kalā hōtī hai nā .

¹⁷Someone may have the talent of making those who are crying laugh. ¹⁸Some have the art of magic, and some have the talent of a miraculous intellect.

²⁰Tō yah 16 kalā sampūrṇ arthāt uskā jō bhī karma hōgā vah her|har karma kalā kē|K samān dikhāī dēgā .

¹⁹So, 16 celestial degrees means that whatever actions they perform, each action will be seen as an art.

²¹Unkī her|har chalan - dēkhnā , bōlnā , chalnā jaisē kalā kē|K māphik dikhāī dēgā .

²⁰Their every activity, their way of looking, and moving, will be seen as an art.

²²Jaisē kōī kī|key kalā kō dēkhnē liē kitnā rūchī sē jātē haĩ .

²¹Sometimes people go with so much interest to see the talents of others.

²³Is rīti sē jō sampūrṇ stage kō prāpt huī ātmāē̃ hōtī haĩ unkī her|har chalan kalā kē|K rūp mē̃ hōtī hai aur charitra kē|K rūp mē̃ bhī hō jātī hai .

²²In this way the activity of souls, who have attained the complete stage, is seen as a talent, and it also becomes divine activity.

²⁴Tō viśhēṣhtā huī nā .

²³So, it is a speciality, is it not?

²⁵Jaisē sākār kē|K bōlnē mē̃ , chalnē mē̃ , sabhī mē̃ viśhēṣhtā dēkhī nā . ²⁶Tō yah kalā huī nā .

²⁴You saw a speciality in the way sakar Baba move and spoke, so that was a talent, was it not?

²⁷Uṭhanē-baiṭhanē kī|key kalā , dēkhnē kī|key kalā , chalnē kī|key kalā thī .

²⁵He had the arts of sitting, seeing, and walking.

²⁸Sabhī mē̃ nyārāpan aur viśhēṣhtā thī .

²⁶There was a uniqueness and a speciality in everything he did.

²⁹Her|har karma kalā kē|K rūp mē̃ practical mē̃ dēkhā .

²⁷His every action was seen as an art in a practical way.

³⁰Tō 16 kalā arthāt her|har chalan sampūrṇ kalā kē|K rūp mē̃ dikhāī dē , iskō kahtē haĩ 16 kalā sampūrṇ .

²⁸So, 16 celestial degrees means that every activity is seen as a perfect talent. ²⁹This is known as being 16 celestial degrees complete.

³¹Tō sampūrṇ stage kī|key niśhānī yahī hōgī jō unkā her|har karma kalā kē|K māphik dikhāī dēgā arthāt usmē̃ viśhēṣhtā hōgī .

³⁰So the sign of those with the complete stage is that their every act is seen as a talent: that is, there is speciality in it.

³²Iskō kahtē haĩ sampūrṇ stage .

³¹This is known as the completestage.

³³Tō 16 kalā sampūrṇ bannē kā jō lakṣyarakhā hai uskā spaṣhṭīkaraṇ yahī hai .

³²So this is the clarification of the aim of becoming 16 celestial degrees.

³⁴Yah check karnā chāhiē ki - ‘ ‘ mērē dēkhnē mē̃ kalā hai  ?

³³You should check whether you have the art of seeing everything.

³⁵Mērē bōlnē mē̃ kalā bharī huī hai  ?

³⁴In your words, is there the art of speaking?

³⁶’ ’ vaisē kahtē haĩ - kalā-kāyā hī chaṭ hō gaī hai . ³⁷Tō kalā ēk achchhī chīj hōtī hai .

³⁵It is said: “the talents of so-and-so have completely finished” - so talents are something good.

³⁸Kalā-kāyā khatm hō gaī hai arthāt karma mē̃ jō ākarṣhaṇ karnē kī|key śhakti hai , viśhēṣhtā hai vah khatm hō gaī .

³⁶Talents being finished means that the power of attracting, or the speciality of your action, has finished.

³⁹Tō her|har karma hamārā kalā kē|K samān hai vā nahī̃ - yah check karnā hai .

³⁷So check whether your every action is like an art or not?

⁴⁰Jaisē kōī bājīgar hōtē haĩ , tō vah jitnā samay bāzī dikhātē haĩ utnā samay her|har karma kalā kē|K rūp mē̃ dikhāī dētā hai .

³⁸When a con artist performs, for that length of time every action is seen as an art: how he moves, how he picks everything up, is noted by everyone as an art.

⁴¹Chaltē kaisē haĩ , chīz kaisē uṭhātē haĩ - vah sabhī kalā kē|K rūp mē̃ note kartē haĩ .

³⁹So this confluence age is for especially demonstrating the art of performing actions.

⁴²Tō yah saṅgamyug viśhēṣh karma rūpī kalā dikhānē kā hai .

⁴⁰Always experience yourself to be on a stage.

⁴³Sadaiv aisā mahsūs hō ki ham stage par haĩ . ⁴⁴Aisē 16 kalā sampūrṇ bannā hai .

⁴¹You have to become 16 celestial degrees complete in this way.

⁴⁵Jiskā her|har karma kalā kē|K rūp mē̃ hōtā hai unkē her|har karma arthāt guṇō̃ kā gāyan hōtā hai , iskō dūsrē śhabdō̃ mē̃ kahā jātā hai her|har karma charitra samān .

⁴²The virtues of those whose every action is seen as art are remembered. ⁴³In other words this is known as every act being a divine activity.

⁴⁶Jis kalā kē|K rūp kō dēkh aurō̃ mē̃ bhī prērṇā bhartī hai . ⁴⁷Unkē karma bhī serviceable hōtē haĩ .

⁴⁴Seeing this form of art, others are inspired, and their actions too become serviceable.

⁴⁸Jaisē kōī kalā dikhātē haĩ , tō kalā kamāī kā sādhan hōtā hai .

⁴⁵When some have an art, that becomes a means for their earning.

⁴⁹Is rīti sē vō jō her|har karma kalā kē|K rūp mē̃ kartē haĩ , unkē vah karma akhuṭ kamāī kē|K sādhan ban jātē haĩ aur dūsrō̃ kō ākarṣhaṇ kartē haĩ .

⁴⁶In this way, the actions of those who perform every action as an art earns them a limitless income, and attracts others.

⁵⁰Her|har karma kalā kē|K rūp mē̃ hōgā tō vah ēk chumbak ban jāyēgā .

⁴⁷If every action is performed as an art, they become like a magnet.

⁵¹Ājkal kē|K jamānē mē̃ kōī chhōṭē-mōṭē kalā dikhānē vālē bhī rāstā chaltē kalā dikhātē haĩ tō sabhī ikaṭṭhē hō jātē haĩ .

⁴⁸Nowadays, many people, whilst moving along a road, show one or other of their talents, and everyone gathers around.

⁵²Yah tō hai śhrēṣhṭh kalā . ⁵³Tō kyā ātmāē̃ākarṣitanahī̃ hōṅgī  ?

⁴⁹So, as this is an elevated art, would others not be attracted?

⁵⁴Abhī itnē tak checking karnī hai .

⁵⁰You have to check yourself to this extent.

⁵⁵Jō bhī śhrēṣhṭh ātmāē̃ bantī haĩ unkē her|har karma kē ūpar sabhī kā attention rahtā hai , kyōṅki unkē her|har karma mē̃ kalā bharī huī hai .

⁵¹Everyone pays a lot of attention to every act of elevated souls, because their every action is an art.

⁵⁶Tab tō her|har karma kē|K kalā kā mandirō̃ mē̃ pūjan hōtā hai .

⁵²This is why their art of every act is worshipped in the temples.

⁵⁷Jō baṛē-baṛē mandir hōṅgē unkē uṭhnē kē|K charitra kā darśhan alag hōgā , sōnē kā alag hōgā , khānē kā alag , nahānē kā alag hōgā .

⁵³In the big temples, there will be different views of their way of sitting, their way of sleeping, their way of eating and bathing.

⁵⁸Bahut thōṛē mandir jahā̃ sabhī karmō̃ kē|K darśhan hōtē haĩ .

⁵⁴There are a few temples where you can receive a glimpse of their every act.

⁵⁹Uskā kāraṇ kyā hai  ?

⁵⁵What is the reason for this?

⁶⁰Kyōṅki her|har kārya kalā kē|K rūp mē̃ kiyā , isliē yādgār chaltā hai .

⁵⁶They performed every act as an art, and their memorial therefore continues.

⁶¹Sākār mē̃ bhī her|har karma kō dēkhnē kī|key rūchi kyō̃ hōtī hai  ?

⁵⁷Why was there the interest to observe every act of sakar Baba?

⁶²Itnē varṣh sāth rahtē huē , jāntē huē , samajhtē huē , dēkhtē huē bhī phir-phir dēkhnē kī|key rūchi kyō̃ hōtī hai  ?

⁵⁸Even though you lived with Baba for so many years - you saw Baba, you knew Baba, and you understood Baba - yet your remained interested in observing Baba again and again.

⁶³Ēk karma bhī dēkhnā miss nahī̃ karnā chāhtē thē .

⁵⁹Why was that? ⁶⁰You did not wish to miss even one of Baba’s actions.

⁶⁴Jaisē jādūgar kalā dikhātē haĩ tō samajhtē haĩ - ēk bāt bhī miss kī|key tō bahut kuchh miss hōgā . ⁶⁵Kyōṅki unkē her|har karma kī|key kalā hai .

⁶¹When a magician shows his talents, you feel that if you miss even one thing, you would have missed a lot, because his every act is an art.

⁶⁶Is rīti yah bhī dēkhnē kī|key ichchhā rahtī thī ki dēkhē̃ kaisē sōyē huē haĩ .

⁶²In the same way you had the desire to see how Baba slept - there was an art even in Baba’s sleeping.

⁶⁷Sōnē mē̃ bhī kalā thī .

⁶³Every action was an art.

⁶⁸Her|har karma mē̃ kalā thī . ⁶⁹Iskō kahtē haĩ 16 kalā sampūrṇ .

⁶⁴This is known as 16 celestial degrees complete. ⁶⁵Achcha.

⁷⁰Achchhā , aisī stage banī hai .

⁶⁶Have you created such a stage?

⁷¹Lakṣyatō isī stage kā hai nā  ?

⁶⁷Your aim is to reach this stage, is it not?

⁷²Lakṣyasē lakṣhaṇ dhāraṇ karnē paṛē̃gē .

⁶⁸By having this aim, you will have to imbibe those qualifications.

⁷³Her|har karma kalā kē|K rūp mē̃ hōtā rahē . ⁷⁴Tō 16 kalā sampūrṇ bannē sē sarv guṇō̃ kī|key dhārṇā bhī automatically hō jāyēgī .

⁶⁹If every act is performed as an art, then by becoming 16 celestial degrees complete, there will automatically be the dharna of being complete with all virtues. ⁷⁰Achcha.

⁷⁵Achchhā .

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