Avyakt murli for Wednesday 17 May 1972

⁰> ¹17-05-72 ōm śhānti avyakt bāpadādāmadhuban

⁰> > Avyakt BapDada 17th May 1972

²Saṅgaṭhan rūpī kilē kō mazbūt banānē kā sādhan

¹Pandav Bhavan is called the fort of the Pandavas.

³Pāṇḍav bhavan kō pāṇḍavō̃ kā kilā kahtē haĩ .

²The fort has been remembered.

⁴Kilē kā gāyan bhī hai .

³This Godly gathering is also a fort.

⁵Aisē hī jō yah īśhvarīy saṅgaṭhan hai , yah saṅgaṭhan bhī kilā hī hai .

⁴The fort is the gathering.

⁶Jaisē sthūl kilē kō bahut majbūt kiyā jātā hai , jissē kōī bhī duśhman war|vār kar na sakē . ⁷Is rīti sē mukhyakilā hai saṅgaṭhan kā . ⁸Ismē̃ bhī itnī majbūtī hō jō kōī bhī vikār duśhman kē|K rūp sē war|vār kar na sakē .

⁵Just as a physical fort is made strong so that no enemy can attack it, there should be so much strength here that no enemy in the form of a vice can attack you.

⁹Agar kōī duśhman war|vār kar lētā hai tō zarūr kilē kī|key majbūtī kī|key kamī hai .

⁶If an enemy does attack, there is definitely a weakness in the fort.

¹⁰Yah tō saṅgaṭhan rūpī kilā hai , iskī majbūtī kē liē tīn bātō̃ kī|key āvaśhyaktā hai .

⁷The fort is of the gathering, and to strengthen it three things are essential.

¹¹Agar tīnō̃ bātē̃ majbūt haĩ tō is kilē kē|K andar kōī bhī rūp sē kabhī bhī kōī duśhman war|vār nahī̃ kar sakē̃gē .

⁸If all three things are strong then no enemy in any form can attack anyone inside the fort.

¹²Duśhman pravēśh bhī nahī̃ kar saktē , himmat nahī̃ hō saktī .

⁹Then no enemy will even have the courage to enter.

¹³Vah tīn bātē̃ kaunsī haĩ , jissē majbūt hō saktē haĩ  ?

¹⁰What are those three things?

¹⁴Ēk - snēh  ; dūsrā - svachchhatā aur tīsrā hai rūhāniyat yah tīnō̃ bātē̃ agar majbūt haĩ tō kab kōī kā war|vār nahī̃ hōgā . ¹⁵Agar kahā̃ bhī , kōī bhī war|vār kartā hai , unkā kāraṇ in tīnō̃ mē̃ kōī-nā-kōī kamī hai . ¹⁶Yā snēh kī|key kamī hai yā phir rūhāniyat kī|key kamī hai . ¹⁷Tō saṅgaṭhan rūpī kilē kō majbūt karnē kē liē in tīn bātō̃ par bahut attention chāhiē .

¹¹Love, cleanliness, and spirituality.

¹⁸Harēk sthān par in bātō̃ kā force rakhkar bhī yah lānā chāhiē .

¹²If all these three are strong, then nothing can attack you.

¹⁹Jaisē sthūl mē̃ bhī vāyumaṇḍal kō śhuddha karnē kē liē ēar Ö auś kartē haĩ . ²⁰Ussē alpkāl kē liē vāyumaṇḍal change hō jātā hai .

¹³If someone does attack then one thing or another is lacking - maybe love, maybe spirituality.

²¹Is rīti sē ismē̃ bhī in bātō̃ kā praiśar ḍālnā chāhiē jissē vāyumaṇḍal kā bhī asar nikal jāē .

¹⁴In order to strengthen the fort of the gathering you must pay great attention to these three things.

²²Kōī kō bhī ākarṣhaṇ karnē kīmukhyabātē̃ yahī hōtī haĩ .

¹⁵At every place these three things must be introduced with force.

²³Snēh sē , svachchhatā sē prabhāvit tō hō jātē haĩ lēkinamukhyatīsarī bāt rūhāniyat kī|key jō hai , yah hai mukhya .

¹⁶In a physical way, in order to purify the atmosphere, you freshen the air, and the atmosphere is changed for a while through that.

²⁴Dō bātō̃ sē prabhāvit hōkar gaē . ²⁵Yah tō unhō̃ kē prati viśhēṣh vr̥iti aur dr̥iṣhṭi mē̃ attention rahā .

¹⁷In the same way you should apply pressure on these aspects to remove any effect on the atmosphere.

²⁶Uskī result mē̃ yah lēkar kē|K gaē .

¹⁸This is the main thing to attract anyone.

²⁷Tō jaisē lōgō̃ kō bhī yah mukhyabātē̃ ākarṣhaṇ karnē kē liē nimitt bantī haĩ nā .

¹⁹People are impressed by the love and cleanliness, but the third aspect - spirituality - is also most important.

²⁸Vaisē ēk dō kō saṅgaṭhan mē̃ lānē kē liē vā saṅgaṭhan mē̃ śhakti baṛhānē kē liē āpas mē̃ bhī yah tīn bātē̃ ēk dō kō dēkar kē|K attention dilānē kī|key āvaśhyaktā hai .

²⁰In order to bring one another into a gathering, or to increase power in a gathering, you must bring these three things to one another’s attention.

²⁹Agar tīnō̃ mē̃ sē kōī bhī bāt kī|key kamjōrī hai tō zarūr kōī nā kōī vikanēs hai . ³⁰Jō safalatā hōnī chāhiē vah nahī̃ hō pātī , zarūr kōī kamī hai .

²¹If any one aspect of the three is weak, there is definitely one weakness or another - therefore you ar unable to attain the success that you should.

³¹Tō yah bātē̃ bahut dhyān mē̃ rakhnī haĩ .

²²So you must pay a lot of attention to these things.

³²Kilē kī|key majbūtī hōtī hai ēk dō kē|K saṅgaṭhan sē .

²³The fort is strengthened through your coming together in a gathering.

³³Agar kilē kī|key dīvār mē̃ ēk bhī ī̃rṭa vā patthar kā sahyōg pūrā nā hō tō vah kilā safe nahī̃ hō saktā .

²⁴If even one brick or stone in a wall of a fort is not fully supporting it then that fort cannot be safe.

³⁴Zarā bhī hilā tō kamjōrī ā jāēgī .

²⁵If it moves even a little, there is a weakness.

³⁵Bhalē kahnē mē̃ tō ēk īṇṭ kī|key kamī hai lēkin kamjōrī chārō̃ ōr phailtī hai .

²⁶Although you would say that only one brick is weak, the weakness spreads is all four directions.

³⁶Tō vaisē hī majbūtī kē liē tīn bātē̃ bahutazarūrī haĩ .

²⁷So, in the same way, these three things are very essential for strength.

³⁷Phir kōī vibration bhī touch nahī̃ kar saktā .

²⁸Then, no vibration can even touch you.

³⁸Apnē ūpar attention kam|cum hai .

²⁹You pay less attention to yourself.

³⁹Jaisē sākār bāp sākār rūp mē̃ light-house , māiṭ-hāus dūr sē hī dikhāī dētē thē , aisē rūhāniyat kī|key majbūtī hōnē sē kōī bhī andar āēṅgē tō light-house , māiṭ-hāus kā anubhav karē̃gē .

³⁰Sakar Baba was visible from a distance as a lighthouse and a might- house. ³¹In the same way, where the strength of spirituality is there, anyone who enters will experience it to be a lighthouse and a might-house.

⁴⁰Jaisē snēh aur svachchhatā bāhar kē|K rūp mē̃ dikhāī dētī hai , vaisē hī rūhāniyat vā alaukiktā bāhar rīti sē pratyakṣha dikhāī dē , tab jay-jayakār hōgī .

³²Just as love and cleanliness are visible in the external form, in the same way spirituality and uniqueness should be visible externally. ³³Then there will be the sound of victory.

⁴¹Drama pramāṇ jō bhī kuchh chal rahā hai uskō yathārth tō kahē̃gē hī lēkin sāth-sāth śhakti rūp kā bhī anubhav hōnā chāhiē .

³⁴According to the drama, whatever is happening is accurate anyway, but there should also be the experience of being an embodiment of power.

⁴²Yah alaukiktā zarūr hōnī chāhiē .

³⁵There should definitely be this spirituality.

⁴³Yah sthān anya sthānō̃ sē bhinn hai .

³⁶This place is different from all other places.

⁴⁴Svachchhatā vā snēh tō duniyā mē̃ bhī alpkāl kā miltā hai lēkin rūhāniyat kam|cum hai . ⁴⁵Yah īśhvarīy kārya chal rahā hai , kōī sādhāraṇ bāt nahī̃ hai - - yah anubhav yahā̃ ākar karnā chāhiē .

³⁷You can find love and cleanliness for a temporary period in other places in the world too, but there isn’t much spirituality elsewhere.

⁴⁶Vah tab hōgā jab apnē alaukik naśhē mē̃ rahkar kē|K niśhānā lagāēṅgē .

³⁸A Godly task is being carried out here - it is not something ordinary.

⁴⁷Yah lakṣyazarūr rakhnā hai - - apnē charitra dvārā , chalan dvārā , vāṇī dvārā , vr̥itti dvārā , vāyumaṇḍal dvārā , sabhī prakār kē|K sādhanō̃ sē bāp kē|K practical part kī|key pratyakṣhatā avataraṇ-bhūmi par tō pratyakṣha milnī chāhiē . ⁴⁸Sirph snēh , svachchhatā kī|key praśhansā tō kahā̃ bhī kar saktē haĩ , chhōṭē-chhōṭē sthānō̃ mē̃ bhī prabhāv paṛ saktā hai lēkin karm-bhūmi , caritr-bhūmi dvārā bhūmi mē̃ ānē kī|key viśhēṣhtā hōnī chāhiē . ⁴⁹Jaisē kōī kō ghērāv ḍālkar kē|K chārō̃ ōr uskō apnē taraphaākarṣitakaranē liē kartē haĩ . ⁵⁰Tō bāp kē sāth snēh mē̃ bhī samīp lānē kī|key pvāīṇṭsa kā ghērāv ḍālō .

³⁹They should experience this when they come here. ⁴⁰That will only happen when you stay in your spiritual intoxication, and aim at the target. ⁴¹Through your activity, your behaviour, your words, your attitude, the atmosphere, and the facilities, the revelation of the practical part of the Father should be found in the land on which he incarnated. ⁴²Love and cleanliness can be practiced anywhere - it can influence even little places - but there should be the speciality of God having come onto Earth in the land where He performed action and carried out divine activities.

⁵¹Iskē liē viśhēṣh is bhūmi par samparka mē̃ ānē vālō̃ kō sambandh mē̃ samīp lānā chāhiē .

⁴³To attract someone towards you, you surround that one from all four directions.

⁵²Jō samparka mē̃ ānē vālē haĩ vahī sambandh mē̃ samīp ā saktē haĩ .

⁴⁴So, throw a net of points for bringing souls close to God.

⁵³Chārō̃ ōr yahī āvāj kānō̃ mē̃ gūñjtā rahē , chārō̃ ōr yahī vāyumaṇḍal unhō̃ kō bhalē dētā rahē , iskē liē tīn bātō̃ kī|key āvaśhyaktā hai .

⁴⁵For this you must bring into close connection those who come into contact with you in this land.

⁵⁴Ab tak jō huā vah tō kahē̃gē ṭhīk huā . ⁵⁵Achchhā tō sabhī hōtā hai .

⁴⁶Only those who come into contact with you can come into a close relationship with you.

⁵⁶Lēkin ab kī|key stage pramāṇ ab hōnā chāhiē achchhē sē achchhā . ⁵⁷Jabki challenge kartē hō - 4 varṣh mē̃ vināśh kī|key jvālā pratyakṣha hō jāēgī  ; tō sthāpanā mē̃ bhī zarūr bāp kī|key pratyakṣhatā hōgī tab tō kārya hōgā nā .

⁴⁷In order for this sound to echo in their ears from all four directions, and for this atmosphere all around to give them power, three things are essential. ⁴⁸Whatever has happened until now is good, but now everything should be the best of all.

⁵⁸Achchhā  !

⁴⁹Achcha.

⁵⁹Kamāl yah hai jō vistār dvārā bīj kō pragaṭ karē̃ .

⁵⁰The wonder is to reveal the seed through the expansion.

⁶⁰Vistār mē̃ bīj kō gupta kar dētē haĩ .

⁵¹In the expansion, the Seed becomes incognito.

⁶¹Ab tō vr̥ikṣha kī|key antim stage hai nā .

⁵²Now it is the final stage of the tree.

⁶²Madhya mē̃ gupta hōtā hai . ⁶³Ant tak gupta nahī̃ rah saktā .

⁵³In the middle, the Seed is incognito, but it cannot remain incognito until the end.

⁶⁴Ati vistār kē bād ākhrīn bīj hī pratyakṣha hōtā hai nā .

⁵⁴At the very end, after a great deal of expansion, the Seed is revealed.

⁶⁵Manuṣhya ātmāō̃ kī|key yah nature hōtī hai jō variety mē̃ ākarṣitaadhik hōtē haĩ . ⁶⁶Lēkin āp lōg kisliē nimit hō  ? ⁶⁷Sabhī ātmāō̃ kō variety vā vistār kē|K ākarṣhaṇ sē attention nikālakarabīj taraphaākarṣitakaranā . ⁶⁸Achchhā  !

⁵⁵It is the nature of human souls to be attracted to variety, but you are instruments to draw the attention of souls away from the variety and expansion, and to enable them to be attracted to the Seed. ⁵⁶Achcha. ⁵⁷* * * O M S H A N T I * * *