Avyakt murli for Monday 15 April 1974
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Hindi is also shown in Latin characters, using an adapted form of ISO 15919 transliteration.
How to read the transliteration
This site uses transliteration based on ISO 15919, with a few adaptations to make reading easier: h is added after c, ś and ṣ, and i after the vowel r̥. These adaptations bring it closer to the Hunterian system used in India while retaining the distinctive marks of ISO 15919.
| ISO 15919 | On this site |
|---|---|
| c | ch |
| ś | śh |
| ṣ | ṣh |
| r̥ | r̥i |
A few reading pointers:
- ā, ī, ū: the line above the letter indicates a long vowel.
- ṭ, ḍ, ṇ: the dot below distinguishes retroflex consonants from t, d, n.
- A tilde above a vowel indicates nasalisation.
0> 115-04-74 ōm śhānti avyakt bāpadādāmadhuban
0> > 15/04/74 Avyakt BapDada
2Vighna-vināśhak ban kar aṅgad samān māyā par vijay prāpt karō
1Become the destroyers of obstacles and, like Angad, conquer Maya.
3Vighna-vināśhak , viśv-pālak aur māyā par vijay prāpt karā kar umaṅg aur ullās kō baṛhānē vālē śhivbābā bōlē : 4Kyā sabhī unnati kī ōr baṛhtē jā rahē hō ?
2Are all of you progressing? 3Do you know what is the sign of the stage of ascent? 4It is to be constantly absorbed in love and to be a destroyer of obstacles.
5Chaṛhtī kalā kī|key niśhānī kyā hai , kyā vah jāntē hō ?
5Are you experiencing both these signs in yourself?
6Sadā lagan mē̃ magna aur vighna-vināśhak yah dōnō̃ niśhāniyā̃ kyā anubhav mē̃ ā rahī haĩ ?
6Instead of becoming a destroyer of obstacles, you don't come down from your stage when you see any obstacles, do you?
7Yā vighnō̃ kō dēkh vighna-vināśhak bannē kē|K bajāy , vighnō̃ kō dēkh apnī stage sē nīchē tō nahī̃ ā jātē hō ?
7Do all the different types of storms that come create upheaval in your intellect?
8Kyā anēk prakār kē|K āyē huē tūphān āpkī buddhi mē̃ tūphān tō paidā nahī̃ kartē haĩ ?
8When you receive a gift from someone, it doesn't cause upheaval in the intellect, but it creates enthusiasm.
9Jaisē kōī kē|K dvārā tōhphā miltā hai tō buddhi mē̃ halchal nahī̃ hōtī hai balki ullās hōtā hai .
9In the same way, do the storms that come increase your enthusiasm or do they increase your upheaval?
10Isī prakār āyē huē tūphān ullās baṛhātē haĩ yā halchal baṛhātē haĩ ? 11Agar tūphān kō tūphān samjhā tō halchal hōgī aur tōhphā samjhā va anubhav kiyā tō ussē ullās aur himmat adhik baṛhēgī .
10If you consider the storm to be a storm, there will be upheaval, whereas if you consider or experience it to be a gift, then your enthusiasm and courage will increase multifold.
12Yah hai chaṛhtī kalā kī|key niśhānī .
11This is the sign of the stage of ascent.
13Ghabrānē kē|K bajāy gahrāī mē̃ jākar anubhav kē|K nayē-nayē ratna in parīkṣhāō̃ kē|K sāgar sē prāpt karē̃gē tō kyā aisē anubhav kartē hō ?
12Instead of being afraid, by going into the depth you will attain many new jewels of experiences from the ocean of tests.
14Yah kyā hō rahā hai , kyō̃ hō rahā hai aur aisē kaisē chalēgā ?
13Do you have this experience? 14Having the thoughts, "What is happening?
15Yah jō saṅkalp chaltē haĩ iskō halchal kahā jātā hai .
15Why is this happening? 16This will not do." is known as upheaval.
16Halchal kē|K andar ratna samāyē huē haĩ .
17Jewels are merged in the upheaval.
17Ūpar-ūpar sē arthāt bahirmukhatā kī|key dr̥iṣhṭi aur buddhi dvārā dēkhnē sē halchal dikhāī dēgī athavā anubhav hōgī ? 18Lēkin usī āī|eye|I huī bātō̃ kō antarmukhī dr̥iṣhṭi va buddhi sē dēkhnē sē anēk prakār kē|K gyān-ratna arthāt points prāpt hōṅgē .
18When you look at them on the surface with the vision and intellect of extroversion, you will see and experience it as upheaval, but by looking at the same thing with the vision and intellect of introversion, you will attain many types of jewels of knowledge, points of knowledge.
19Agar kōī bhī bāt kō dēkhtē yā suntē huē āśhcharya anubhav hōtā hai tō yah bhī final stage nahī̃ hai .
19If, whilst seeing or hearing of anything, you experience amazement, then this is also not the final stage.
20Aisā tō hōnā nahī̃ chāhiē , achchhā jō huā vah hōnā hī chāhiē , agar aisā saṅkalp drama kē|K hōnē par bhī utpanna hōtā hai tō iskō bhī ãśamātr kī|key halchal kā rūp kahē̃gē .
20"It should not happen like this. 21That which is good should happen." 22If, after having knowledge of the drama, you have such thoughts, then this too is called a slight trace of upheaval.
21Ab tak yah kyō̃-kyā kā question kā arth|earth hai - halchal .
23If, even now, you have the questions of "why, what" etc, it means there is upheaval.
22Vighna ānā āvaśhyak hai aur jitnā vighna ānā āvaśhyak hai agar utnā yah buddhi mē̃ rahēgā tō utnā hī aisā mahārathī harṣhit rahēgā .
24It is essential for obstacles to come, and if it also remains in the intellect to the same extent that it is essential for the obstacles to come, then a maharathi also remains cheerful to the same extent.
23Nothing new yah hai final stage .
25"Nothing new", is the final stage.
24Yadi kōī bhī halchal kā karttavya kartē hō va part bajātē hō tō sāgar samān ūpar sē halchal bhalē hī dikhāī dē rahī hō arthāt chāhē karmēndriyō̃ kī|key halchal mē̃ ā rahē hō̃ lēkin sthiti nothing new kī hō .
26If anyone performing a task or playing a part creates upheaval, then just like in the ocean, upheaval may be visible on the surface, that is, there may be upheaval of the sense organs, but your internal stage should be of "nothing new".
25Ēkāgr , ēkras , ēkānt arthāt ēk rachayitā aur rachnā kē|K ant kō jānnē vālē trikāldarśhī kī|key stage par , kyā ārām sē śhānti kī|key stage par sthit haĩ yā karmēndriyō̃ kī|key halchal āntarik stage kō bhī hilātī hai ?
27Are those who are stable, constant and in solitude, that is, those who know the depth of the Creator and the creation and have the trikaldarshi stage, stabilised in a comfortable stage peacefully? 28Or, does upheaval of the sense organs make your internal stage fluctuate?
26Jab sthūl sāgar dōnō̃ hī rūp dikhātā hai tō kyā master gyān sāgar aisā rūp nahī̃ dikhā saktē ?
29When the physical ocean is able to show both the forms, can the master oceans of knowledge not show both forms also?
27Yah prakr̥iti nē purūṣh sē copy kī hai .
30The elements have copied human beings.
28Āp tō purūṣhōttam hō .
31You are the most elevated of all human beings.
29Jō prakr̥iti apnī qualification dikhā saktī hai , kyā vah purūṣhōttam nahī̃ dikhā saktē ?
32If the elements are able to show their qualifications, are the most elevated human beings not able to show this also?
30Ab samay kis ōr baṛh rahā hai yah jāntē hō ?
33Do you know in which direction time is going?
31Ati kī|key taraph baṛh rahā hai .
34It is going towards the extreme.
32Sabhī taraph ati dikhāī paṛ rahī hai .
35You can see the extreme in every aspect.
33Ant kī|key niśhānī ati hai .
36The sign of the end is the extreme.
34Tō jaisē prakr̥iti samāpti kī|key taraph ati mē̃ jā rahī hai vaisē hī sampann bannē vālī ātmāō̃ kē|K sāmnē ab parīkṣhāyē̃ va vighna bhī ati kē|K rūp mē̃ āyēṅgē .
37Just as the elements are going towards their extreme and their end, so too, the tests and obstacles that come to souls who are to become complete also come in their extreme form.
35Isliyē āśhcharya nahī̃ khānā hai ki pahlē yah nahī̃ thā ab kyō̃ hai ?
38Therefore, there should not be any wonder that this didn't exist before; that why is it like this now?
36Yah āśhcharya bhī nahī̃ .
39There shouldn't be any wonder about this.
37Final paper mē̃ āśhcharyajanak bātē̃ question kē|K rūp mē̃ āyēṅgī tab tō pās|pass aur fail hō sakē̃gē .
40Only when amazing things come to you in the form of questions in the final paper will you be able to pass or fail.
38Na chāhtē huē bhī buddhi mē̃ question utpanna na hō̃ , yahī tō paper hai .
41The paper is when you do not have any questions in your intellect.
39Aur hai bhī ēk second kā hī paper .
42And it is a paper of just one second.
40Kyō̃ kā saṅkalp chandravanśhī kī|key queue mē̃ lagā dēgā .
43When you have to question "why?", it will make you stand in the queue of being part of the moon dynasty.
41Pahlē tō sūryavanśhī kā rājya hōgā nā ?
44But first, there will be the kingdom of the sun dynasty, will there not?
42Chandravanśhiyō̃ kā number pīchhē hōgā .
45The turn of those of the moon dynasty will be after that.
43Tō unkā , rājya kē|K takhtnaśhīn bannē kī|key queue mē̃ number āyēgā .
46Their number will come in the queue of those who are to be seated on the throne of the kingdom.
44Isliē ēkras sthiti mē̃ sthit hōnē kā abhyās nirantar hō .
47Therefore, there should be the practice of remaining stable in a constant stage at all times.
45Samasyā kē|K seat kō sambhālnē nahī̃ lag jāō . 46Lēkin seat par baiṭh samasyā kā sāmnā karnā hai .
48Don't begin to look after the seat of problems, but whilst seated on your seat, face the problems.
47Ab tō samasyā seat kī|key yād dilātī hai .
49Now, the problems remind you of your seat.
48Vighna ātā hai , tō viśhēṣh yōg lagātē hō aur bhaṭṭhī rakhtē hō nā ?
50When obstacles come, you have special yoga and bhatthis, do you not?
49Issē siddha hōtā hai ki duśhman hī śhastra kī|key smr̥iti dilātē haĩ lēkin svataḥ aur sadā-smr̥ti nahī̃ rahtī .
51This proves that your enemy reminds you of your weapons; and that you do not have natural and constant remembrance.
50Nirantar yōgī hō yā antar vālē yōgī hō ?
52Are you constant yogis or yogis who still experience the difference?
51Title tō nirantar yōgī kā hai nā ?
53Your title is "constant yogi", is it not?
52Duśhman āvē hī nahī̃ , samasyā sāmnā na kar sakē .
54No enemy should come and neither should any problem oppose you.
53Sūlī sē kāṇṭā bannā yah bhī final stage nahī̃ .
55To become a thorn from a crucifix is also not the final stage.
54Sūlī sē kāṇṭā banē aur kāṇṭē kō phir yōgāgni sē dūr sē hī bhasma kar dē̃ .
56Change the crucifix into a thorn and then burn the thorn with the fire of yoga from a distance.
55Kāṇṭā lagē aur phir nikālō , yah final stage nahī̃ hai .
57It is not the final stage when you have to remove a thorn that has pricked you.
56Kāṇṭē kō apnī sampūrṇ stage sē samāpt kar dēnā hai-yah hai final stage .
58Finish the thorns with your perfect and complete stage. 59This is the final stage.
57Aisā lakṣhya rakhtē huē apnī stage kō āgē chaṛhtī kalā kī|key taraph baṛhātē chalō .
60Whilst keeping such an aim, make your stage move forward in the stage of ascent.
58Baṛī bāt kō chhōṭā anubhav karnā , is stage tak mahārathī number-vār yathā-śhakti pahuñchē haĩ .
61Maharathis have reached the stage of experiencing a big thing to be something small numberwise, according to their capacity.
59Ab pahuñchnā vahā̃ tak hai jō ki aṅśh aur vanśh bhī samāpt hō jāē .
62You now have to reach the destination where even the slightest trace and its progeny are finished.
60Āp sabhī himmat , ullās aur sarv kē|K sahyōgī sadā rahtē huē chal rahē hō nā ?
63All of you are constantly moving along with zeal, enthusiasm and in co-operation with everyone, are you not?
61Kaliyugī duniyā kō samāpt karnē kē|K liyē va parivartan karnē kē liē , māyā kō vidāī dēnē kē|K liyē saṅgaṭhan arthāt ghērāv ḍālā huā hai nā ?
64You have encircled everything in order to finish the iron-aged world, to transform it and to bid farewell to Maya.
62Mazbūt ghērāv ḍālā huā hai yā bīch-bīch mē̃ kōī ḍhīlē hō jātē haĩ athavā thak tō nahī̃ jātē yā chaltē - chaltē rūk tō nahī̃ jātē hō nā ?
65Have you surrounded it strongly or do some become weak in-between? 66You don't get tired or stop whilst moving along, do you?
63Na āgē baṛhnā , na pīchhē haṭnā , jaisē-thē-vaisē rahnā vah pāṭh tō pakkā nahī̃ kartē hō ?
67You don't fix the aspect of not moving forward and not moving backwards, but remaining as you are, do you?
64Samay dhakkā lagāvēgā tō chal paṛē̃gē , aisā sōch jahā̃ kē|K tahā̃ rūk tō nahī̃ gayē hō ?
68You have not stopped anywhere thinking that you will move along when time gives you a push, have you?
65Kisī kē|K kisī prakār kē|K sahārē kā tō intzār kartē huē , khaṛē tō nahī̃ hō gayē hō ?
69You have not come to a standstill, waiting for some sort of support from someone, have you?
66Tō aisī stage vālō̃ kō kyā kahē̃gē ?
70So, what would you call those who have such a stage?
67Kyā iskō hī tō aṅgad kī|key stage nahī̃ samajhtē hō ?
71You do not think this is the stage of Angad, the unshakeable one, do you?
68Agar aisē rūk gayē , tō phir last vālē fast chalē jāvēṅgē .
72If you come to a standstill in this way, then those who come last will go ahead fast.
69Jab bhī pahāṛō̃ par barph girtī hai aur jam jātī hai tō rāstē rūk jātē haĩ . 70Tō phir barph kō galānē kē liē va usē haṭānē kē|K liyē purūṣhārth kartē hai nā ?
73Whenever snow settles on a mountain and the roads are blocked, you cannot go ahead, and so you have to make effort to melt or move the ice.
71Yahā̃ bhī agar barph kē|K māphik jam jātē hō tō issē siddha hōtā hai ki yōg-agni kī|key kamī hai .
74Here also, if you become set like ice, it proves that you lack the fire of yoga.
72Yōg-agni kō tēz karō tō rāstā clear hō jāyēgā .
75Intensify the fire of yoga and the path will become clear.
73Milī huī himmat aur ullās kē|K points buddhi mē̃ dauṛāō tō rāstā clear hō jāyēgā .
76Keep in your intellect the points of courage and enthusiasm that you have received and the path will become clear.
74Ab kī|key result mē̃ aisē ādhā hī chal rahē haĩ .
77According to the result of the present time, only half of you are moving along in this way.
75Isliē iskō āgē baṛhāō .
78Therefore, now move forward in this.
76Yah result kyā purūṣhōttam ātmāō̃ kō achchhī lagtī hai ?
79Does this result seem right for the most elevated souls?
77Isliyē na purūṣhārth kī|key gati mē̃ aṅgad banō , na māyā sē hār khānē kē|K liyē aṅgad banō , balki vijayī bannē kē liē aṅgad bannā hai .
80Therefore, now do not become Angad in your present speed of effort nor become Angad in being defeated by Maya, but become Angad in being victorious.
78Achchhā ,
81Achcha.
79Ūñch-tē-ūñch bāp dvārā pālnā lēnē vālē , viśhva kī|key pālnā karnē vālē , viṣṇu-kul kī|key śhrēṣhṭh ātmāyē̃ , prakr̥iti kō parivartan karnē vālī purūṣhōttam ātmāyē̃ , viśhva kē āgē sākṣātmūrtta prasiddh hōnē vālī ātmāyē̃ aur yōgī tū ātmāō̃ kē prati bāp-dādā kā yād-pyār aur good morning .
82To the souls who take sustenance from the highest-on-high Father; to the souls who sustain the world; to the elevated souls of the Vishnu clan; to the most elevated souls who transform the elements; to the souls who are revealed to the world as the images who grant visions; to the yogi souls, love, remembrances and good morning from BapDada.
80Achchhā !
83* * * O M S H A N T I * * *