Avyakt murli for Wednesday 8 October 1975 - 1
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| Hindi | Hinglish |
|---|---|
| आत्मा | aatma |
| शान्ति | shanti |
| मैं | main |
| हूँ | hoon |
0> 108-10-75 om shanti avyakt baapdaadaamdhuban
0> > 13/05/96 Om Shanti Avyakt BapDada Madhuban 08/10/75
2master gyaan-swaroop banne ki prerna
1Inspirations to become a master embodiment of knowledge.
3vishwa roopi behad drama mein mukhya athva vishesh paartadhaari banaane vaale tatha agyaanaandhakaar mitaane vaale gyaan-soorya shiv baba bole -
2Do you consider yourselves to be BapDada's decoration, the decoration of the Brahmin clan, the decoration of theworld and the decoration of your home?
4svayan ko baapdaada ka shrringaar, brahman kul ka shrringaar, vishwa ka shrringaar,apne ghar ka shrringaar samajhte ho? 5bachchon ko baap ke sir ka taaj, gale ka haar maana jaata hai। 6isliye baapdaada ke shrringaar ho?
3Children are said to be the crown of the head, the garland around the neck;therefore, are you BapDada's decoration? 4In your own home of Paramdham, the land of peace, whilst amidst all theother souls sparkling like stars, are you the especially sparkling decoration of the home?
7apne ghar paramdham va shantidham mein bhi sarva chamakte hue sitaaron ke samaan aatmaon ke beech vishesh chamakte hue ghar ke shrringaar,saakaar srishti arthaat vishwa ke andar vishwa drama ke andar hero paartadhaari,vishesh part bajaane vaali vishesh aatmaayen ho,arthaat vishwa ke shrringaar ho।
5Are you the special soulswho are hero actors within the drama of the corporeal world playing a special part, that is, are you the decoration ofthe world? 6Are you moving along whilst considering yourselves to be the elevated decoration? 7Today, BapDada wasseeing His decoration; what did He see? 8He saw you all in the form of sparkling jewels.
8aise apne ko shreshtha shrringaar samajhte hue chalte ho?
9Everyone had the form of asparkling jewel, but of course, you were all numberwise.
9aaj baapdaada apne shrringaar ko dekh rahe the,kya dekha? 10sabhi ko chamakti hui maniyon ke roop mein dekha।
10Today, Baba saw the jewels in three forms of decoration. 11The first decoration Baba saw were the jewels sparkling in the centre of the crown of the head.
11roop sabka chamakti hui maniyon ka tha, lekin nambarvaar zaroor hote hi hain।
12Everyone had theform of a sparkling jewel. 13Each of the three types of jewels had its own speciality.
12aaj teen roop ke shrringaar mein maniyon ko dekha। 13pahla shrringaar sir ke taaj mein mastak beech chamakti hui maniyon ko dekha।
14The speciality of the first numberjewels, that is, of the jewels of the crown of the forehead, was that all of them were sparkling like a master sun ofknowledge, equal to the Father.
14roop sabka chamakti hui maniyon ka tha। 15ab in teenon prakaar ki maniyon mein apni-apni visheshta dekhi।
15Just as the rays of the sun make the world full of light and dispel darkness from everycorner, so too, the jewels who are master embodiments of knowledge were those who were spreading rays of theirown powers in all directions.
16pahle number ki maniyaan arthaat taaj mein chamakti hui maniyon ki visheshta yeh thi-yeh sab maniyaan baap samaan, master gyaan-soorya samaan chamak rahi theen।
16The rays of all the powers of each one were reaching the entire world. 17It wasn't withinlimits; it wasn't reaching just one, not just reaching a few souls, but reaching the entire world.
17jaise soorya ki kirnen vishwa ko prakaashmay banaati hain, chaaron kone ke andhakaar ko door karti hain aise master gyaan-soorya swaroop maniyaan har-ek apne sarva shaktiyon roopi kirnen chaaron or phailaane vaali dekheen।
18Together with this,they were the master oceans of all virtues, the same as the Father. 19The sign of this was visible in all the differentcolours of the jewels. 20Each one had the sparkle of all colours. 21Such master oceans of all virtues, whilst radiating thebeauty of their variety of colours, were the elevated decoration of the crown.
18har-ek ki har shakti roopi kirnen behad vishwa tak pahunch rahi theen - had tak nahin,ek tak nahin,alpa aatmaon tak nahin, lekin vishwa tak। 19saathsaath baap samaan sarva gunon ke master-saagar।
22These jewels, sparkling in the centre ofthe crown, were visible as BapDada's special decoration. 23There is significance to these jewels being set in the centre of the forehead. 24These special jewels constantly remainstable in their stage of soul consciousness in the centre of the forehead in the corporeal form.
20iski nishaani har mani ke andar sarva rang samaae hue the। 21ek mein sarva rangon ki jhalak thi। 22aise master gunon ke saagar, apne sarva rangon ki rangat se chamakte hue taaj ki shreshtha shobha theen।
25Whilst living in thecorporeal world, their intellect is constantly engaged in the Father's remembrance, the remembrance of the home, theremembrance of the kingdom and Godly service. 26Therefore, their place, sparkling in the centre of the forehead, wasalso a symbol of their elevated stage.
23taaj ke andar mastak beech latakti hui woh maniyaan baapdaada ke vishesh shrringaar roop mein dikhaai deen।
27And the speciality of such souls is that they constantly maintain an elevatedawareness, an elevated attitude, elevated vision and are part of the elevated family.
24in vishesh maniyon ka mastak ke beech latakte hue ka bhi rahasya hai।
28This is why they have attained anelevated place, that is, why they have become part of the crown.
25yeh vishesh maniyaan sada saakaar roop mein mastak beech chamakti hui mani arthaat aatma swaroop mein sada sthit rehti hain।
29The most elevated decoration is the crown. 30A crownis a symbol of greatness, as well as the symbol for a master. 31It is also a symbol of having all attainments and havingall rights.
26saakaar srishti mein rehte hue buddhi sada baap ki yaad, ghar ki yaad, raajdhaani ki yaad aur eeshvareey seva ki yaad mein latki hui rehti hain।
32Did you hear the specialities of such jewels of the forehead, that is, of the jewels who are part of thecrown? 33Very few of such jewels were visible. 34These were the first number jewels, the first number decoration.
27isliye inhon ka sthaan bhi uchcha sthiti ki nishaani mastak beech latakte hue dikhaai di aur aisi aatmaayen sada oonchi smriti, oonchi vritti, oonchi drishti aur oonchi pravritti mein rehti hain। 28isliye inhen ooncha sthaan arthaat sir ka taaj praapta hua hai।
35In the same way, what was the speciality and the basis of the second number decoration who are the garland aroundBapDada's neck? 36These jewels were also spreading their sparkle in all directions, but what was the difference? 37Therays of powers of the first number jewels were spreading equally in all directions, but the rays of the jewels of thegarland around the neck were not all equal.
29sabse ooncha shrringaar taaj hota hai।
38Some rays were short and others were long.
30taaj oonchaai ka bhi symbol hai, saath-saath maalikpan ka bhi symbol hai aur sarva praaptiyon ka bhi symbol hai,adhikaareepan ka bhi symbol hai।
39Some rays were going intothe unlimited whereas others were limited. 40These jewels were close to the Father, but were not equal to the Father.They had the colours of all the virtues, but not all the colours were clear.
31aise mastak maniyon va taaj-nasheen maniyon ki visheshta suni?
41They had surrendered themselves toBapDada with their love and cooperation, and they were therefore the garland around the neck.
32aisi vishesh maniyaan bahut thodi dikhaai di। 33yeh thi first number ki maniyaan va first number ka shrringaar।
42The basis of such souls is that, through their voice, that is, through their mouth, through the sound from their throat,they constantly sing the praise of the Father.
34ab doosre number ka shrringaar baapdaada ke gale ka haar unhon ki visheshta kya thi aur aadhaar kya tha?
43Such souls claim full marks in bringing souls close to the Father bygiving them the Father's introduction, that is, in the subject of serving through speech.
35woh sab maniyaan bhi apni chamak chaaron or phaila rahi theen। 36lekin pharka kya tha?
44They pass fully in servingthrough words but not in the subject of serving through the mind.
37pahle number ki maniyon ki shakti ki kirnen chaaron or samaan phaili hui theen।
45They themselves are not constantly an embodimentof remembrance, but they constantly remind others of the Father.
38lekin gale ke haar ki maniyon ki kirnen sarva samaan nahin theen।
46They become the garland around Baba's neck onthe basis of being close to the Father.
39koi chhoti,koi badi theen।
47There was a greater number of souls of this type.
40koi kirnen behad tak, koi had tak theen arthaat baap ke sameep theen।
48There are, of course, morebeads in a garland. 49So there were many more jewels of the garland than there were jewels of the crown.
41lekin baap samaan nahin theen।
50The third decoration was of the bracelet around the wrist.
42sarva gunon ke rang samaaye hue the - lekin sarva rang spashta nahin the।
51What is their basis or foundation? 52Arms are the symbol ofbeing cooperative and helpful.
43baapdaada ke oopar sneh aur sahayog ke aadhaar par balihaar the, isliye gale ke haar the।
53Garlands of the wrist and bracelets mean the same thing. 54You would call a bracelet agarland around the wrist, would you not?
44aisi aatmaon ka aadhaar sada kantha dvaara arthaat mukh dvaara, gale ki aavaaj dvaara baap ki mahima, baap ka parichay dekar baap ko sameep laana - arthaat vaacha ke subject mein full paas the parantu mansa ki subject mein full paas nahin lekin vaacha ki subject mein full paas।
55What speciality of theirs was visible? 56The sparkle of their rays was not inthe unlimited, but limited. 57Not all the colours of virtues were visible; only certain colours of virtues were visiblysparkling. 58Their speciality was that they were constantly cooperative in every task; they passed fully in the subjectof serving through actions.
45sada smriti swaroop nahin lekin sada smriti dilaane swaroop। 46is aadhaar se baap ke sameep, baap ke gale ka haar bante hain।
59They were constantly everready to serve through their body, mind and wealth; they wereconstantly merged in Baba's arms of love and they constantly experienced BapDada's hand over themselves.
47yeh sankhya jyaada thi। 48maala mein to jyaada hote hain na? 49to gale ki maala ki maniyaan, taaj ki maniyon se bahut jyaada theen।
60Theywere not those who constantly experienced the Company, but always experienced Baba's hand over themselves.There was also a greater number of this type of soul; these souls were cooperative souls.
50teesra shrringaar tha baanhon ka kangan। 51unhon ki visheshta aur aadhaar kya tha?
61The first number weresouls equal to the Father and the second number were of those close to the Father.
52baanhai sada sahayog ki va madadgaar banne ki nishaani gaayi jaati hain।
62Did you understand about the threetypes of decoration? 63Today, Baba saw all the children in the form of three types of decoration.
53baanhon ka haar athva kangan baat ek hi hai।
64Now check and seewhere you are. 65This was today's news.
54kangan ko baanhon ka haar kahenge na? 55inhon ki visheshta kya dekhi?
66You are interested in hearing the news of the subtle region, are you not?Achcha.
56kirnon va chamak behad mein nahin, lekin had mein theen। 57sarva gunon ke rang nahin, lekin koi- koi gun roopi rang chamakta hua dikhaai de raha tha।
67To the numberwise jewels, the decoration; to the powerful souls who stay in BapDada's remembrance and to thechildren who constantly have good wishes, BapDada's love, remembrance and namaste. 68Personal meetingः
58inhon ki visheshta har seva ke kaarya mein sada sahayogi, karmana ki subject mein full paas।
69Are you able to see your confluenceaged form and your future form very clearly? 70When you are able to see yourfuture clearly, you will make good effort.
59seva-arth tan-man-dhan se sada ever ready ।
71The final form is of Mahakali, that is, of the one who finishes all devilishsanskars.
60baap ke sneh roopi baanhon mein sada samaaye hue aur baapdaada ka haath sada apne oopar anubhav karne vaale the।
72Therefore, constantly have the awareness that you are Mahakali, and you will not have any devilishsanskars within yourself at this time.
61sada saath rahne vaale nahin lekin apne oopar haath anubhav karne vaale - yeh sankhya bhi jyaada thi।
73You instrument souls should constantly pay attention to making intense effort.What is the slogan for making intense effort?
62yeh thi sahayogi aatmaayen,woh samaan aatmaayen aur woh sameep aatmaayen।
74(Whatever actions others see me perform, they will do the same.)
63samjha teen prakaar ka shrringaar।
75Thatis a slogan for mediocre effort.
64to aaj teen roop ke shrringaar roop mein sarva bachchon ko dekha।
76The slogan for intense effort isः Whatever thoughts I have, they will create anatmosphere accordingly.
65ab apne aapko dekho ki main kaun hoon? 66yeh tha aaj ka samaachaar।
77Thoughts affect the atmosphere and the atmosphere affects your effort.
67sookshm vatan ka samaachaar sunne ki roochi hoti hai na?
78Whoever has anyparticular thought, others will follow that person.
68achha। 69aise nambarvaar sarva shrringaar ki maniyon ko, baapdaada ke sada smriti mein rahne vaali samartha aatmaon ko aur sada sarva ke shubh-chintak bachchon ko baapdaada ka yaad-pyaar aur namaste।
79Action is a gross aspect, but now you even have to pay attention toyour thoughts. 80Do not consider thoughts to be something insignificant, because thoughts are the seed. 81If the seed ofthought is weak, you will never experience powerful fruit.
70is murli ka saaraansh
82To waste even one second is a great mistake.
711. pahla shrringaar sir ke taaj mein mastak beech chamakti hui maniyaan,ve vishesh aatmaayen hain jo baap samaan master gyaan-soorya samaan chamakti hain।
83Just as youexperience making a mistake of words, so too, you should be able to experience having made a mistake of wastethoughts. 84Only when you have such checking will you be able to move forward.
72unki sarva shaktiyaan roopi kirnen apne andar sarva gun roopi rangon ko samaaye hue chaaron or behad vishwa tak pahunchti hain।
85Otherwise, you will not be able totake the benefit of the opportunity you have of being an instrument. 86Now, you should be making deep, subtle effort.The time for making gross effort has now gone by.
73aisi aatmaayen sada aatmik swaroop mein sthit hote hue oonchi smriti, oonchi vritti, oonchi drishti aur oonchi pravritti mein rehti hain।
87To make mistakes in actions or words is an aspect of childhood.Now you should be making effort of one in the stage of retirement. 88If, even now, you continue to make effort ofchildhood, then you will lose the lottery of fortune.
742. doosre number ka shrringaar baapdaada ke gale ke haar ki maniyaan, ve sameep aatmaayen hain jinki chamak chaaron or phailti to hain,parantu unki shakti roopi kirnen samaan nahin hain,sarva gunon ka rang spashta nahin hai।
89To sometimes be cheerful and sometimes sad, to sometimes make intense effort and sometimes be slack is not a signof a special soul. 90This is the sign of an ordinary soul. 91Now, there should be something especially unique in all of youso that you are able to make weak souls powerful with your own powerful attitude. 92Service is still waiting becauseyou are not content.
75vaacha ke subject mein full paas,parantu mansa ki subject mein full paas nahin hain।
93So now remember the sloganः I have to remain content and I also have to make others content.Do you understand? 94Achcha. 95* * * O M S H A N T I * * *