Avyakt murli for Wednesday 2 February 1977
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Hindi is also shown in Latin characters, using an adapted form of ISO 15919 transliteration.
How to read the transliteration
This site uses transliteration based on ISO 15919, with a few adaptations to make reading easier: h is added after c, ś and ṣ, and i after the vowel r̥. These adaptations bring it closer to the Hunterian system used in India while retaining the distinctive marks of ISO 15919.
| ISO 15919 | On this site |
|---|---|
| c | ch |
| ś | śh |
| ṣ | ṣh |
| r̥ | r̥i |
A few reading pointers:
- ā, ī, ū: the line above the letter indicates a long vowel.
- ṭ, ḍ, ṇ: the dot below distinguishes retroflex consonants from t, d, n.
- A tilde above a vowel indicates nasalisation.
0> 102-02-77 ōm śhānti avyakt bāpadādāmadhuban
0> > 20/01/97 Om Shanti AVYAKT BapDada Madhuban 02/02/77
2Sadā alaṅkārī svarūp mē̃ sthit rahnē vālā hī svayã kā tathā bāp kā sākṣhātkār karā saktā hai 3Sadā alaṅkārī , nirahaṅkārī , nirākārī sthiti mē̃ sthit , viśhva kō rōśhan karnē vālē dīpakō̃ kē prati bābā bōlē - 4Bāpdādā snēhī bachchō̃ kē|K rūhānī snēh kī|key mahaphil mē̃ āē haĩ .
5Aisē rūhānī snēh kī|key mahaphil kalp mē̃ ab saṅgam par hī hōtī hai . 6Aur kisī bhī yug mē̃ rūhānī bāp aur bachchō̃ kē|K snēh kī|key mahaphil nahī̃ hō saktī hai .
1Only those who are constantly stable in their form of having all ornaments can grant a vision of the Father through themselves.
7Is mahaphil mē̃ apnē kō padmāpadma bhāgyaśhālī samajhtē hō ?
2BapDada has come into the gathering of spiritual love of the loving children.
8Aisā śhrēṣhṭh bhāgya jō svayã almighty authority bāp , bachchō̃ kē|K is bhāgya kā varṇan kartē haĩ . 9Aisē bhāgyaśhālī bachchō̃ kō svayã bāp dēkh harṣhit hōtē haĩ .
3Only once in a kalpa, at the confluence age, does such a gathering of spiritual love take place.
10Tō sōchō aisā bhāgya kyā hōgā ? 11Bhāgya kō sumiraṇ kartē hī bāp kī|key sumaraṇī kē|K maṇakē ban saktē hō .
4In no other age can the gathering of love between the Father and the children take place.
12Itnā ū̃chā bhāgya jiskā āj kaliyug kē|K ant mē̃ bhī sumiraṇ karnē vālē bhakta apnē kō bhāgyaśhālī samajhtē haĩ .
5Do you consider yourselves to be multimillion times fortunate in this gathering?
13Aisē śhrēṣhṭh bhāgya kē|K anubhav kē|K añchalī kē liē bhī sabhī taṛaphtē haĩ . 14Aisē bhāgyaśhālī hō jinkē nām sē bhī apnē jīvan kō saphal samajhtē haĩ .
6It is such elevated fortune that Baba, the Almighty Authority, Himself, speaks of the fortune of the children.
15Tō sōchō vah kitnā baṛā bhāgya hai !
7Baba is very happy to see such fortunate children.
16Sadaiv apnē kō itnā bhāgyaśhālī ātmā samajhtē hō ?
8Just think what that fortune itself would be!
17Tō sōchō vah kitnā baṛā bhāgya hai ! 18Baṛē sē baṛā brāhmaṇ kul hai , aisē brāhmaṇ kul kē|K bhī āp dīpak hō .
9Whilst just remembering the fortune, you become the beads of the rosary which Baba turns.
19Kul kē|K dīpak arthāt sadā apnī smr̥iti kī|key jyōti sē brāhmaṇ kul kā nām rōśhan kartā rahē . 20Aisē apnē kō kul kē|K dīpak samajhtē hō ? 21Sadā smr̥iti kī|key jyōti jagī huī hai ?
10It is such elevated fortune that, even today, at the end of the iron age, the bhagats who turn that rosary consider themselves to be fortunate.
22Bujh tō nahī̃ jātī ? 23Akhaṇḍ jyōti arthāt kabhī bhī bujhnē vālī nahī̃ .
11All are desperate to experience even a little of that elevated fortune.
24Āpkē jaṛ chitrō̃ kē āgē bhī akhaṇḍ jyōti jagātē haĩ . 25Chaitanya akhaṇḍ jyōti kā hī vah yādgār hai tō chaitanya dīpak bujh saktē haĩ ?
12You are so fortunate that, just by mentioning your name, others consider their life to be worthwhile.
26Kyā bujhī huī jyōti achchhī lagtī hai ?
13So, just think how great that fortune would be!
27Tō svayã kō bhī check karō , jab smr̥iti kī|key jyōti bujh jātī hai tō kaisā lagtā hōgā ?
14Do you always consider yourself to be such a fortunate soul?
28Kyā vah akhaṇḍ jyōti huī ?
15Just imagine how great this fortune is!
29Jyōti kī|key niśhānī hai - sadā smr̥iti svarūp aur samarthī svarūp hōgā . 30Smr̥iti aur samarthī kā sambandh hai .
16The greatest clan of all is the Brahmin clan, and you are the deepaks (lights) of this Brahmin clan.
31Agar kōī kahē smr̥iti tō hai ki bābā kā bachchā hū̃ , lēkin samarthī nahī̃ hai , yah hō hī nahī̃ saktā .
17To be a deepak of the clan means to constantly glorify the name of the Brahmin clan with the light of awareness.
32Kyōṅki smr̥iti hī hai ki maĩ master sarvśhaktivān hū̃ .
18Do you consider yourself to be a deepak of the clan in this way?
33 master sarvśhaktivān arthāt samarth svarūp .
19Is the light of awareness constantly ignited?
34Samarth arthāt śhakti .
20It has not extinguished, has it?
35Phir vah gāyab kyō̃ hō jātī hai ? 36Kāraṇ ?
21A constant light means a light that never extinguishes.
37Ēk śhabda kī|key galatī|galtī kartē hō . 38Kaun-sī galatī|galtī ? 39Bāp kahtē haĩ sākārī sō alaṅkarī banō .
22People keep a constantly burning light in front of your nonliving images.
40Lēkin ban kyā jātē hō ? 41Ãlakārī kē bajāē dēh-ahaṅkārī ban jātē haĩ .
23That is a memorial of the constant, living light; so can the living deepak extinguish?
42Buddhi kē|K ahaṅkārī , nām aur śhān kē|K ahaṅkārī ban jātē hō . 43Sadā sāmnē alaṅkārī svarūp kā symbol ( S y m b o l ; chinh ) hōtē huē bhī apnē alaṅkārō̃ kō dhāraṇ nahī̃ kar pātē . 44Jaisē had kē|K rājkumār aur rājakumāriyā̃ bhī sadā sajē sajāē̃ rôyaliṭī ( R O Y A L T Y ) mē̃ hōtē haĩ . 45Vaisē hī brāhmaṇ kul kī|key śhrēṣhṭh ātmāē̃ sadā alaṅkārō̃ sē sajē-sajāē̃ hōnē chāhiē .
24Would you like an extinguished light?
46Yah alaṅkār brāhmaṇ jīvan kā śhrr̥iṅgār haĩ , na ki dēvtā jīvan kā . 47Tō apnē alaṅkār kē|K śhrr̥iṅgār kō sadā kāyam rakhō .
25So check yourself: when the light of awareness is extinguished, how do you feel?
48Lēkin kartē kyā hō , ēk alaṅkār kō pakaṛtē tō dūsrē alaṅkār kō chhōṛ dētē haĩ . 49Kōī tīn pakaṛ saktē haĩ tō kōī chār pakaṛ saktē haĩ . 50Bāp-dādā bhī bachchō̃ kā khēl dēkhtē rahtē haĩ . 51Bhujā arthāt śhakti , jis śhakti kē|K ādhār sē hī alaṅkārī ban saktē haĩ , vah śhaktiyō̃ rūpī bhujāyē̃ hiltī rahtī haĩ .
26Is that a constant light?
52Jab bhujāē̃ hiltī rahtī haĩ tō sadā alaṅkārī kaisē ban saktē haĩ ? 53Isliē kitnī bhī kōśhiśh kartē haĩ alaṅkārī bannē kī|key , lēkin ban nahī̃ saktē .
27The sign of a (constant) light is to be constantly an embodiment of awareness and an embodiment of power.
54Tō ēk śhabda kaun-sā yād rakhnā hai ? 55Kisī bhī prakār kē|K ahaṅkārī nahī̃ lēkin alaṅkārī bannā hai . 56Sadā alaṅkārī svarūp mē̃ sthit na hōnē kē|K kāraṇ svayã kā , bāp kā sākṣhātkār nahī̃ karā saktē . 57Isliē apnē śhakti rūpī bhujāō̃ kō majbūt banāō , nahī̃ tō alaṅkārō̃ kī|key dhārṇā nahī̃ kar sakē̃gē .
28Awareness is deeply connected with power.
58Alaṅkārō̃ kō tō jāntē hō nā ? 59Jāntē hō aur varṇan bhī kartē hō phir bhī dhāraṇ nahī̃ kar saktē . 60Kyō̃ ? 61Bāp-dādā bachchō̃ kī|key kamzōrī kī|key līlā bahut dēkhtē haĩ jaisē prabhu kī|key līlā aparampār hai tō bachchō̃ kī|key bhī līlā aparampār hai .
29When someone says that he has the awareness of being Babas child, but that he has no power, it is not possible, because the awareness is of being a master almighty authority.
62Rōj kī|key naī raṅgat hōtī hai . 63Māyā kē|K naī raṅgat mē̃ raṅg jātē haĩ .
30To be a master almighty authority means to be a form of power.
64Svadarśhan chakra kē bajāē vyarth darśhan kā chakra chal jātā hai .
31To be powerful means to have strength (shakti).
65Dvāpar sē jō vyarth kathāē̃ aur vhāniyā̃ baṛī rūchi sē sunnē aur sunānē kī|key ādat hai , vah saṅskār abhī bhī aṅśh rūp mē̃ ā jātā hai . 66Isliē kamal puṣhp samān arthāt kamal puṣhp kē|K alaṅkār dhārī nahī̃ ban saktē . 67Kamal kī|key bajāy kamzōr ban jātē haĩ . 68Māyājīt bannē kā dūsrō̃ kō sandēśh dētē , lēkin svayã māyājīt haĩ yā nahī̃ , yah sōchtē hī nahī̃ .
32So, why does it disappear?
69Isliē alaṅkārī nahī̃ ban saktē . 70Ahaṅkārī . 71
33What is the reason for this?
72Aisē sadā alaṅkārī , nirahaṅkārī , nirākārī sthiti mē̃ sthit hōnē vālē , sadā kē|K vijayī , sadā jāgtē huē dīpak , viśhva kō rōśhan karnē vālē dīpak , bāp-dādā kē|K nainō̃ kē|K dīpakō̃ kō bāp-dādā kā yād-pyār aur namastē . 73Dīdī jī kē sāth 74 naī duniyā banānē vālō̃ kī|key , apnē jīvan kō nayā banānē kī|key raphtār kaisē chal rahī hai ? 75Pahlē apnē jīvan mē̃ navīntā lāyēṅgē tab duniyā mē̃ bhī navīntā āyēgī .
34You make a mistake of one word.
76Tō apnē jīvan rūpī building ( B u i d l i n g ; imārat ) kō sundar aur sampann banāyēṅgē , utnā hī naī duniyā mē̃ bhī sundar aur sampann rājya-bhāgya milēgā . 77Karma dvārā apnē takdīr kī|key lakīr khīñch rahē haĩ . 78Vah hai had kī|key hast rēkhāē̃ aur yē haĩ karma kī|key rēkhāē̃ . 79Jitnā karma śhrēṣhṭh aur spaṣhṭ hōgā , utnī bhāgya kī|key rēkhāē̃ śhrēṣhṭh aur spaṣhṭ hōgī .
35Instead of being one with all ornaments (alankari), you become one who has arrogance of the body (deh ahankari).
80Tō karma kī|key rēkhāō̃ sē apnā bhaviṣhya khud hī dēkh saktē hō . 81Yamunā kē|K kinārē par kaun rah sakē̃gē ?
36You become one who has arrogance of your own intellect and arrogance of name and prestige.
82Jinhōnnē sadā kē liē purānī duniyā sē kinārā kiyā hai aur bāp kō sadā sāthī banāyā hai , vahī yamunā kē|K kinārē sāth mahal vālē hōṅgē .
37Even whilst having the symbol of the form with all ornaments, you are not able to be inculcated with all these ornaments.
83Śhrī kr̥iṣhṇa kē sāth paṛhnē vālē kaun hōṅgē ? 84Paṛhnē paṛhānē vālē sāthī bhī hōṅgē nā ?
38The princes and princesses of todays world are always maintain their royalty and decoration.
85Jiskā sadaiv paṛhāī paṛhānē aur paṛhnē mē̃ viśhēṣh part hai vahī vahā̃ bhī viśhēṣh paṛhāī kē|K sāthī banē̃gē . 86Rās karnē vālē kaun hōṅgē ?
39Therefore, the elevated souls of the Brahmin clan should also be always decorated with all the ornaments.
87Jinhōnnē saṅgam par bāp kē sāth samān saṅskār milānē kī|key rās milāī hōgī .
40These ornaments are the decoration of Brahmin life, not of the deity life.
88Tō yahā̃ jinkē bāp samān saṅskārō̃ kē|K rās miltī hai vē|way vahā̃ rās karē̃gē .
41So, you should always keep the decoration of your ornaments on you, but, what do you do instead?
89Royal family ( R O Y A L F a m i l y ; ucca parivār ) mē̃ kaun āyēṅgē ?
42You catch hold of one ornament and let go of another.
90Jō sadaiv apnī pyūriṭī kī|key rôyalaṭī mē̃ rahtē haĩ .
43Some can hold three ornaments whereas others hold four ornaments.
91Kahā̃ bhī had kē|K ākarṣhaṇ mē̃ ā̃kh nahī̃ ḍūbtī .
44BapDada continues to watch the games of the children.
92Sadā alaṅkārō̃ sē sajē huē hōtē haĩ . 93Sadā śhrr̥iṅgārē huē mūrti , aisī rôyalaṭī vālē royal family mē̃ āyēṅgē .
45Arms means power and on the basis of this power, you can become one with all ornaments.
94Vāris kaun banē̃gē ? 95Vāris arthāt adhikārī .
46However, the arms of power continue to shake.
96Tō jō yahā̃ sadā adhikārī stage par rahtē , kabhī bhī māyā kē|K adhīn nahī̃ hōtē , adhikārīpan kē|K śhubh naśhē mē̃ rahtē , aisē adhikārī stage vālē hī vahā̃ bhī adhikārī banē̃gē . 97Ab har ēk kō apnē āp kō dēkhnā paṛē ki maĩ kaun hū̃ ? 98Yah pahēlī hai . 99Kisī-kisī kā sārē jīvan mē̃ sāth-sāth part bhī hai - sāth paṛhnē kā , sāth rās karnē kā , sāth mahal mē̃ rahnē kā , royal family mē̃ bhī sāth hōṅgē .
47When the arms are constantly shaking, how can you hold the ornaments?
100Kuchēk ātmāō̃ kā sarv adhikār bhī hai . 101Yah hai naī duniyā kī|key rūprēkhā . 102 103Teachers kē sāth :
48Therefore, no matter how much you try to hold the ornaments, you are not able to do so.
104Bāp-dādā kō viśhēṣh khuśhī hōtī hai . 105Kyō̃ , jāntē hō ?
49Therefore, which one word should you remember?
106Āp samān śhikṣhak hō nā . 107Jaisē bāp viśhva kā śhikṣhak , sēvak hai vaisē teacher bhī śhikṣhak aur sēvak haĩ .
50Not to be one who has any type of arrogance, but to be one who has all the ornaments.
108Tō samāntā vālō̃ kō dēkhkar khuśhī hōtī hai . 109Śhikṣhak kī|key sthiti mē̃ tō samān hō . 110Binā sēvā kē|K aur kōī bāt ākarṣhit na karē . 111Din-rāt sēvā mē̃ lagī rahō .
51Because of not being constantly stable in your form of having all ornaments, you are not able to grant a vision of the self or the Father.
112Agar sēvā sē free ( F r e e ; khālī ) rahē̃gē tō phir aur bātē̃ bhī ā jāyēṅgī . 113Khālī ghar mē̃ hī bichchhū , ṭiṇḍan ātē haĩ . 114Khālī ghar hō yā purānā ghar hō .
52Therefore, make the arms of the shakti strong, otherwise, you will not be able to hold the ornaments.
115Yahā̃ bhī aisē hōtā hai .
53Do you know the ornaments?
116Buddhi yā tō khālī hōtī hai yā tō purānē saṅskārō̃ vālī hōtī hai , tō vyarth saṅkalp rūpī bichchhū , ṭiṇḍan paidā hō jātē .
54You know about them and you speak about them, so why are you not able to imbibe them?
117 ( 1 ) teacher arthāt sadā busy ( B u s y ; vyast ) rahnē vālī .
55BapDada sees the wonderful games of the weaknesses of the children.
118Kabhī phursat mē̃ rahnē vālī nahī̃ . 119Saṅkalp , bōl , karma sē bhī free rahnē vālī nahī̃ . 120 ( 2 ) teacher kā arth|earth hī bāp samān athavā bāp kē|K samīp vijayī mālā kē|K maṇakē .
56Just as the divine acts of God are wonderful, so too, the divine games of the children are also wonderful. 57Each day, there is a new game.
121Teacher kā yahī lakṣhya hai nā - vijayī mālā kē|K maṇakē bannā .
58You become coloured by Mayas games.
122 ( 3 ) teacher arthāt kabhī hār , kabhī jīt mē̃ ānē vālē nahī̃ , lēkin sadā vijayī . 123 ( 4 ) teacher arthāt sadā tilakdhārī , sadā saubhāgyavatī , suhāgavatī .
59Instead of spinning the discus of self realisation, you start spinning the wasteful discus of looking at others.
124Tilak suhāg kī|key niśhānī hai nā . 125Tō sadā suhāgavatī arthāt bāp kō sadā sāthī banānē vālī . 126Suhāgavatī arthāt tilak vālī . 127Teacher kā sthān hai - dil-takhta .
60From the copper age onwards, you have had a lot of interest in the habit of listening to and telling wasteful stories.
128Sthān chhōṛē̃gē tō dūsrē lē lē̃gē . 129Teacher kā āsan bāp kā dil-takhta hai .
61Even now, a trace of that sanskar emerges now and again.
130Āsan chhōṛ diyā tō tyāg , tapasyā khatm . 131Tō yah āsan kabhī nahī̃ chhōṛnā . 132Jagah lēnē vālē bahut haĩ .
62Therefore, you are not able to become like a lotus flower and become one who holds the lotus.
133Sabhī kō yahī umaṅg utsāh hōtā hai ki ham teacher sē āgē jāyē̃ .
63Instead of being like a lotus (kamal), you become weak (kamzor).
134Teacher phir unsē bhī āgē jāē tab tō dil takht naśhīn hōgī ? 135Teacher kā chhōṭā-sā saṅsār hai nā . 136Teacher kā saṅsār ēk bāp hī hai . 137Māt-pitā , bandhusakhā … .
64You give others the message to make them into the conquerors of Maya, but you never think about whether you are a conqueror of Maya or not.
138Tō saṅsār mē̃ kyā hōtā hai ? 139Sarv sambandh hōtā hai , vaibhav hōtā hai .
65This is why you are not able to become one who has all the ornaments.
140Yahā̃ sarv sambandh kī|key prāpti bāp sē hai . 141Hai chhōṭā-sā saṅsār lēkin sampann aur śhaktiśhālī hai .
66Become one who has all the ornaments, not one who has arrogance of the body.
142Is chhōṭē sē saṅsār mē̃ kōī aprāpta vastu nahī̃ . 143Sarv sambandh bāp sē . 144Aisē nahī̃ pitā kā sambandh hai tō mātā kā nahī̃ , mātā kā hai tō bandhu kā nahī̃ . 145Agar ēk bhī sambandh kī|key prāpti bāp sē na hōgī tō buddhi dūsrē taraph jarūr jāyēgī .
67To those who constantly remain stable in the stage of holding all ornaments, of being egoless and incorporeal; to those who are constantly victorious; to the constantly ignited deepaks who enlighten the whole world, to the lights of BapDadas eyes, love, remembrances and namaste.
146Bāp sē sarv sambandhō̃ kā anubhav hōnā chāhiē .
68BAPDADA MEETING DIDIJI:
147Nahī̃ tō dūsrā sambandh apnī taraph khīñch lēgā . 148Sārā saṅsār hī ēk bāp hō gayā tō sab rūp hō gayā nā .
69What is the speed of creating a new life of those who are creating the new world?
149Iskō kahā jātā hai number one teacher . 150Phlôlēs ( F l a w l e s s ; bēdāg ) teacher , yōgya teacher , nāmī-grāmī teacher .
70Only when you first bring about newness in your life will you be able to bring about newness in the world.
151Bāp tō sadā ūñchī nazar sē dēkhtē haĩ . 152Agar bāp kamī kō dēkhē tō sadā kē liē us kamī kō anḍar line ( U n d e r l i n e ) lag jātī hai . 153Bāp bhāgya-vidhātā hai nā .
71The more complete and beautiful you make the building of your life, accordingly, you will receive a complete and beautiful kingdom in the new world.
154Isliē bāp sadā śhrēṣhṭh nazar sē dēkhtē haĩ .
72You are drawing your line of fortune with your actions.
155Śhrēṣhṭhatā kē āgē , kamzōrī āp hī man kō khātī hai . 156Śhrēṣhṭh bātē̃ sunnē sē kamzōrī spaṣhṭ hō hī jātī hai .
73That is a limited line of fortune on your palm whereas these are the lines of action.
157Isliē bāp sadaiv śhrēṣhṭhatā kā varṇan kartē haĩ jissē kamzōrī svataḥ hī dikhāī dē .
74The more elevated and clear your actions are, the more elevated and clear your line of fortune will be.
158Agar kamzōrī kō dēkhē̃ tō lambī-chauṛī vēd - śhāstrō̃ kī|key khāniyā̃ ban jāē̃ .
75So, you can see your future through the lines of action.
159Sabhī teachers kō viśhēṣh ēk bāt kā dhyān rakhnā hai - kabhī bhī , kisī mē̃ bhī royal rūp mē̃ bhī jhukāv na hō , kisī bhī ātmā kē|K guṇō̃ kī|key taraph , sēvā , sahyōg kī|key taraph , buddhi kī|key taraph , plāniṅg ( P l a n n i n g ; yōjnā ) kī|key taraph jhukāv nahī̃ hō . 160Usī kō apnā ādhār banānē sē jhukāv hōtā hai . 161Jab kisī ātmā kā ādhār hō jātā hai tō bāp kā ādhār svataḥ hī nikal jātā hai ; aur ab āgē chalkar alp kāl kā ādhār hil jātā hai tō bhaṭak jātē haĩ . 162Isliē kabhī bhī kisī ātmā kē|K kisī viśhēṣh prabhāv kē|K kāraṇ prabhāvit hōnā , yah mahān bhūl hai .
76Who will be able to live on the banks of river Jamuna?
163Bhūl nahī̃ mahān bhūl hai . 164Ismē̃ khuśh na hō jānā ki service vr̥iddhi kō pā rahī hai . 165Yah alp kāl kā jalvā hōtā hai . 166Foundation ( F o u n d a t i o n ; nīṃv ) hilā tō service hilī .
77Those who have stepped away from the old world for all time and have made the Father their constant Companion will be the ones who have palaces on the banks of river Jamuna.
167Isliē kabhī bhī kōī ātmā kō ādhār na banāō .
78Who will be studying with Shri Krishna?
168Aisē nahī̃ ki iskē kāraṇ service vr̥iddhi kō nahī̃ pāyēgī , unnati nahī̃ hōgī .
79He will have companions who teach and study with him, will he not?
169Yah kāraṇ nahī̃ kālāpan hai , jō svachchha ātmā kō kālā kar dētā hai . 170Yah baṛē sē baṛā dāg hai . 171Kisī ātmā kō ādhār banānā - yah baṛē tē baṛā phlā hai .
80Those who have a special part in constantly teaching and studying will also be the companions in teaching and studying there.
172Tō phlālēs ( F l a w l e s s ) nahī̃ ban sakē̃gē .
81Who will dance with Krishna?
173Bākī mēhnat bahut kartī hō . 174Mēhnat kī|key bāp-dādā mubārak dētē haĩ .
82Those who have performed the dance of making their sanskars the same as the Fathers.
175Sunāyā na ki śhāstrō̃ kī|key kahāniyā̃ bhī bahut hōtī haĩ jinkā kōī foundation nahī̃ .
83Who will become part of the royal family?
176Isliē pahlē sunāyā ki teacher arthāt sadā sēvā mē̃ busy . 177Saṅkalp mē̃ bhī bāp kē sāth busy rahō tō kisī ātmā mē̃ busy nahī̃ hōṅgē . 178Jō busy hōtā hai vah kahā̃ jhukēgā nahī̃ .
84Those who constantly maintain the royalty of their purity, whose vision is never attracted to limited attractions and who are constantly decorated with all the ornaments.
179Free hōnē kē bād hī manōrañjan kē|K sādhan , snēh , sahyōg kī|key taraph jhukāv hōtā hai . 180Jō busy hōgā , unkō in bātō̃ kē liē phursat hī nahī̃ .
85Those whose idols are constantly decorated and have that royalty are the ones who will become part of the royal family.
181Bāp-dādā teachers kō dēkh khuśh hōtē haĩ .
86Who will become the heirs?
182Himmat , umaṅg , ullās tō bahut achchhā hai .
87An heir means one who has a right.
183Kadam āgē baṛhā rahī hō lēkin apnē kāryō̃ kī|key kahānī kā śhāstra nahī̃ banānā . 184Karma kī|key rēkhā sē śhrēṣhṭh takdīr banānī hai . 185Aisī kahānī nahī̃ banānā jiskā janm bhī ulṭā tō kahānī bhī ulṭī .
88Those who constantly have a right here, and are never subservient to Maya but maintain the pure intoxication of having a right, are the ones who will have a right there.
186Sṭuḍēṇṭ ( S t u d e n t ; jigyāsu ) kō paṛhānā bhī khud kō paṛhānā hai .
89Now, each one can check the self: Who am I? 90This is the puzzle.
187Teachers sē rūh-rūhān karnā bāp-dādā kō bhī achchhā lagtā hai . 188Follow karnē vālē tathā samān vālō̃ sē jyādā snēh hōtā hai . 189Jissē snēh hōtā hai uskī chhōṭī kamzōrī bhī baṛī lagtī hai .
91Some souls have a part of being together throughout their entire life: of studying together, of dancing together, of living in the palace and of being part of the royal family.
190Isliē iśhārā dētē haĩ .
92Such souls have all rights also.
191Ham kitnē samīp haĩ dēkhnā hai .
93This is the plan of the new world.
192Tō amr̥itvēlē darpaṇ spaṣhṭ hōtā hai . 193Teachers salvation ( S a l v a t i o n ; sahuliyat ) dēnē vālī ban gaī nā , lēnē vālī nahī̃ . 194Teachers sē pūchhnē kī|key āvaśhyaktā nahī̃ ki khuśh-rāzī hō . 195Sadā khuśh rahō aur sēvā mē̃ vr̥iddhi kartī rahō .
94Achcha. 95Blessing:Through your stage of perfection, may you become a world transformer and have control over the elements.When you worldtransformer souls have the thought of world transformation through your stage of perfection and completion, then the elements will begin the dance of complete upheaval.
196Parantu jab bāhē̃ laṛakhaṛātī haĩ tō yah scene ( S c e n e ; dr̥iśhya ) bhī achchhā lagtā hai .
96Then, upheaval through the wind, earth, ocean, water and land will clean everything.
197Ēk alaṅkār uṭhātī tō dūsrā chhūṭtā hai . 198Kabhī svadarśhan chakra kō ṭhīk kartī tō śhaṅkh chhūṭ jātā hai , śhaṅkh pakaṛtī tō kamal chhūṭ jātā hai .
97However, only when your cooperative organs your mind, intellect and sanskars first obey your orders will the elements obey your orders.
199Ab teachers kō śhāstrō̃ kī|key kathā band karnī hai . 200Her|har saṅkalp , her|har second mē̃ takdīr banāō . 201Kōī kathā sunnē vālī , sunānē vālī aur banānē vālī bhī hōtī hai .
98Together with this, you should have such a powerful stage of tapasya that everyone has the thought of transformation simultaneously so that the elements are ready in front of them.
202Jaisē vyās kī|key kamāl hai , vaisē yahā̃ bhī kamāl kartē haĩ . 203Janm dētē , pālnā kartē parantu vināśh nahī̃ kar pātē .
99Slogan:Whilst creating everyones fortune through your elevated fortune, constantly remind others of God.
204Tō phir paścāttāp kartē haĩ aur kahtē haĩ madad karō . 205Achchhā .
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