Avyakt murli for Monday 9 May 1977

⁰> ¹09-05-77 ōm śhānti avyakt bāpadādāmadhuban

⁰> > 28/04/97 Om Shanti Avyakt BapDada Madhuban 09/05/77 ¹Complete purity is the decoration of those who play a special part.

²Sampūrṇ pavitratā hī viśhēṣh part bajānē vālō̃ kā śr̥ṅgār hai

²Do you consider yourselves to be the specials actors who are playing a special part within this drama?

³Viśhēṣh pārṭdhārī ātmāō̃ prati bāp-dādā bōlē –

³Do you know what the speciality is of this special part?

⁴Apnē kō is drama kē|K andar viśhēṣh part bajānē vālē , viśhēṣh pārṭdhārī samajhtē hō  ?

⁴The speciality is that you are playing your part as Baba’s companion and together with this, whilst playing your own role, you also remain stable in the stage of a detached observer.

⁵Viśhēṣh part kī|key viśhēṣhtā kyā hai , uskō jāntē hō  ?

⁵So the speciality is of being Baba’s companion and remaining a detached observer.

⁶Viśhēṣhtā yah hai ki bāp kē sāth sāthī ban part bajātē hō , aur sāth-sāth her|har part apnē sākṣhīpan kī|key sthiti mē̃ sthit hō bajātē hō .

⁶It is because of these specialities that you are known as the special actors. ⁷So, constantly check: Do I constantly have both these specialities whilst playing my part? ⁸Otherwise, you would be called an ordinary actor.

⁷Tō viśhēṣhtā huī - ‘ bāp kē sāth sāthī kī|key aur sākṣhīpan kī|key .

⁹It would not seem right for the Father to be elevated and the child to be ordinary.

⁸’ us viśhēṣhtā kē|K kāraṇ hī viśhēṣh pārṭdhārī gāē jātē haĩ .

¹⁰What is the decoration of playing a special part? ¹¹Complete purity is your decoration.

⁹Tō apnē āpkō sadā caik ( C h e c k  ; nirīkṣaṇ ) karō ki her|har part bajātē huē dōnō̃ hī viśēṣatāē̃ rahtī haĩ  ? ¹⁰Nahī̃ tō sādhāraṇ pārṭdhārī kahlāē jāyēṅgē .

¹²There shouldn’t be the slightest trace of impurity even in your thoughts. ¹³Do you constantly have such a decoration? ¹⁴None of you are those who play a limited part for a short time, but you are those who play an unlimited part at every second through every thought.

¹¹Bāp śhrēṣhṭh aur bachchē sādhāraṇ  ! ¹²Yah śhōbhēgā nahī̃ .

¹⁵This is why each of you is an image that is constantly decorated and constantly an embodiment of purity.

¹³Viśhēṣh part bajānē kā śr̥ṅgār kaun sā hai  ?

¹⁶The decoration of this time becomes imperishable for birth after birth.

¹⁴Sampūrṇ pavitratā hī āpkā śr̥ṅgār hai .

¹⁷The time for filling yourself with the important sanskars is now.

¹⁵Saṅkalp mē̃ bhī apavitratā kā aṅśh mātra na hō .

¹⁸It is at this time that you are recording sanskars in the soul for every birth.

¹⁶Aisā śr̥ṅgār nirantar hai  ?

¹⁹When recording, attention is paid at every second.

¹⁷Kyōṅki āp sab had kē|K , alp kāl kē|K part bajānē vālē nahī̃ hō .

²⁰There has to be attention that there is no type of tension; even if there is tension, there also has to be attention paid.

¹⁸Lēkin bēhad kā , her|har second , her|har saṅkalp sē sadā part bajānē vālē hō .

²¹If there is any type of tension, you will not be able to record very well.

¹⁹Isliē sadā śr̥ṅgār kī|key huī mūrtta arthāt sadā pavitra svarūp hō .

²²Instead of earning an elevated name for all time, what will be remembered is that you weren’t able to record as well as you wanted to.

²⁰Is samay kā śr̥ṅgār janm janmāntar kē liē avināśhī ban jātā hai . ²¹Mukhya saṅskār bharnē kā samay abhī hai .

²³Therefore, remain beyond every type of tension; tension of the self or of time, and pay attention to having the Father’s company at every second whilst playing your part.

²²Ātmā mē̃ her|har janm kē|K saṅskārō̃ kā record is samay bhar rahē hō . ²³Tō record bharnē kē|K samay second-second kā attention rakhā jātā hai .

²⁴The basis of tension in souls who are master almighty authorities, the children of the Almighty Authority, the knowledge­full souls is just two words. ²⁵What are those two words? ²⁶Why? and what?.

²⁴Kisī bhī prakār kē|K tension ( tanāv ) kā attention  ; tension mē̃ attention rahē .

²⁷Tension in any situation arises when you have these two questions in your intellect, “Why did this happen?” or “What happened?” However, the elevated actors of the confluence age cannot have any type of tension, because you know everything. ²⁸With the specialities of being a detached observer and Baba’s companion, there can never be any tension whilst playing any role within the drama. ²⁹So, understand this special beneficial time, and fill the sanskars with the number one stage at every second. ³⁰Do you know what seat the stage of being knowledge­full is, that is, what seat this stage of the confluence age is?

²⁵Agar kisī bhī prakār kā tension hōtā hai , tō record ṭhīk nahī̃ bhar sakēgā .

³¹On the path of bhakti, what have they shown the goddess of knowledge, Saraswati seated on? (a swan).

²⁶Sadā kāl kē liē śhrēṣhṭh nām kē bajāē , yahī gāyan hōtā rahēgā ki jitnā achchhā bharnā chāhiē , utnā nahī̃ bharā hai .

³²Why have they portrayed a swan? ³³What are the special virtues of a swan? ³⁴The special virtues are: ³⁵ 1. Being knowledge­full; able to discriminate between right and wrong (real and false) is also to have knowledge.

²⁷Isliē her|har prakār kē|K tension sē parē , svayã aur samay kā , bāp kē sāth kā attention rakhtē huē second-second kā , part bajāō .

³⁶So, the seat of someone who is knowledge­full is portrayed as being something knowledge­full. ³⁷So, the swan has the special knowledge to discriminate between right and wrong. ^{38 39}

²⁸Master sarvśhaktivān , almighty authority ( A L M I G H T Y A u t h o r i t y ) kī|key santān - aisī knowledgeful ( K n o w l e d g e f u l  ; gyān sāgar ) ātmāō̃ mē̃ tension kā ādhār dō śhabda haĩ .

⁴⁰ 2. Secondly, the memorial of your stage is also shown in the form of a seat. ⁴¹Those who always accept he food of pure thoughts, whose intellect imbibes virtues from all souls and from nature are such souls who have been portrayed as those who pick up pearls.

²⁹Kaun sē dō śhabda  ?

^{42 43}

³⁰‘ kyō̃ aur kyā  ?

⁴⁴ 3. Thirdly, cleanliness.

³¹’ kisī bhī bāt mē̃ , yah kyō̃ huā  ?

⁴⁵The sign of cleanliness is the colour white.

³²Yah kyā huā  ?

⁴⁶Cleanliness means purity.

³³Jab yah dō śhabda buddhi mē̃ ā jātē haĩ , tab kisī bhī prakār kā tension paidā hōtā hai .

⁴⁷Therefore, the holy swan is the symbol of constantly remaining seated on the seat of being knowledge­full. ⁴⁸Saraswati has been portrayed as a constant server by being given the sitar.

³⁴Lēkin saṅgamyugī śhrēṣhṭh pārṭdhārī ātmāē̃ kyō̃ , kyā kā tension nahī̃ rakh saktī haĩ , kyōṅki sab jāntē haĩ .

⁴⁹To constantly play this sitar of knowledge means to be a constant server. ⁵⁰Just as the seat is portrayed as a memorial, so too, to play your part, having imbibed all these specialities, is the special part.

³⁵‘ sākṣhī aur sāthīpan ’ kī|key viśhēṣhtā sē , drama kē|K her|har part kō bajātē huē kabhī tension nahī̃ ā saktā .

⁵¹Therefore, constantly play your part whilst considering yourself to be a special actor. ^{52 53 54}You are not subservient to matter, are you?

³⁶Tō apnē is viśhēṣh kalyāṇkārī samay kō samajhtē huē her|har second kē|K saṅskārō̃ kā record number one stage mē̃ bhartē jāō .

⁵⁵No element of nature should bring you into upheaval. ⁵⁶As you progress, many test papers will come. ⁵⁷Your stage should not be based on any physical facilities. ⁵⁸Together with becoming a conqueror of Maya, you also have to become a conqueror of matter.

³⁷Knowledgeful stage arthāt is saṅgamyug kī|key sthiti kā āsan jāntē hō  ?

⁵⁹If, in the midst of upheaval, you have the slightest tension in your thoughts such as, “What is this?

³⁸Bhakti mārg mē̃ vidyā kī|key dēvī , sarasvatī kō kaun sā āsan dikhāyā hai  ?

⁶⁰Why did this happen? ⁶¹How will this be possible?”, that is, if your attention is reduced, then you will not be able to pass fully.

³⁹Isē kyō̃ dikhāyā hai  ?

⁶²Therefore, you have to remain constantly unshakeable. ⁶³Achcha.

⁴⁰Iskā viśhēṣh guṇ kaun sā gāyā huā hai  ?

⁶⁴To those who constantly remain seated on the seat of a knowledge­full one; to those who play an elevated part at every second; to those who pass every paper, who pass with honour; to those who remain steady in the remembrance of the one Father; to such elevated souls who are equal to the Father, BapDada’s love, remembrance and namaste. ⁶⁵Blessing:May you be an embodiment of success whose intellect constantly imbibes divinity.As soon as each child takes birth, he receives the blessing of a divine intellect from BapDada. ⁶⁶To the extent that you use the blessing of this divine intellect, to that extent, you become an embodiment of success, because to perform every action with divinity is the basis of success. ⁶⁷Souls who have attained a divine intellect make divine anything that is not divine.

⁴¹Uskā ‘ viśhēṣh guṇ ’ ( 1 ) bhī knowledgeful kā hī dikhāyā hai nā .

⁶⁸They put divinity into every aspect. ⁶⁹A divine intellect cannot be influenced by any task that is not divine.

⁴²Right aur wrong ( R I G H T A n d W r o n g  ; satya aur asatya ) kō jānnē vālā yah bhī knowledge huī nā .

⁷⁰Slogan:Maintain balance at every moment and in every action and you will continue to receive blessings from everyone.

⁴³Tō knowledgeful kā āsan bhī knowledge vālā hī dikhāyā hai .

⁷¹Question:In what form should you stabilise yourself in order to constantly experience yourself as the highest authority?

⁴⁴Vicious knowledge hai ‘ right aur wrong kō jānnē ’ kī|key ( 2 ) dūsrī bāt , āpkī sthiti kā yādgār bhī āsan kē|K rūp mē̃ dikhāyā hai .

⁷²Answer:In your combined form. ⁷³First, the soul and body are a combined form. ⁷⁴Secondly, at this most auspicious confluence age, it is the combined form of the Father and the children.

⁴⁵Sadā śhuddha saṅkalp kā bhōjan buddhi dvārā grahaṇ karnē vālā , sadā kī|key sarv ātmāō̃ dvārā vā rachnā dvārā guṇ dhāraṇ karnē vālā , usī kō mōtī chugnē vālā dikhāyā hai .

⁷⁵Thirdly, the four­armed image has been shown as a memorial. ⁷⁶So, whilst imbibe the knowledge of the combined form and by stabilising yourself in that stage, you will experience yourself as the highest authority.

⁴⁶ ( 3 ) tīsrī bāt , ‘ svachchhatā ’ .

⁷⁷Question:What is the result when you forget the combined form of the soul and the body?

⁴⁷Svachchhatā kī|key niśhānī saphēd raṅg dikhāyā hai . ⁴⁸‘ svachchhatā arthāt pavitratā ’ .

⁷⁸Answer:When you forget the combined form of the soul and the body, the authority of being a master finishes.

⁴⁹Tō sadā knowledgeful sthiti mē̃ sthit hī rahnē kī|key niśhānī ‘ hans kā āsan ’ dikhāyā jātā hai .

⁷⁹When you begin to believe the soul and the body to be one, the awareness of being an authority finishes.

⁵⁰Sarasvatī kō , sadā sēvādhārī rūp kī|key niśhānī , bīn bajātē huē dikhāyā hai .

⁸⁰You forget yourself because of body consciousness and therefore, you lose everything; in the stage of being unconscious, you lose everything you had.

⁵¹Yah gyān kī|key vīṇā sadā bajātē rahnā arthāt sadā sēvādhārī rahnā .

⁸¹Question:What is the result of the forgetting the awareness of the combined form of the Father and the children at the confluence age?

⁵²Jaisē āsan yādgār rūp mē̃ dikhāyā hai , vaisē sab viśēṣatāē̃ dhāraṇ kar part bajānā , yahī viśhēṣh part hai .

⁸²Answer:Instead of experiencing yourself to be the highest authority, you experience yourself to be weak, powerless, unhappy, confluence and in influenced soul.

⁵³Tō sadā aisē viśhēṣh pārṭdhārī samajhtē huē part bajāō .

⁸³With the awareness of the combined form, you receive power.

⁵⁴Prakr̥iti kē|K adhīn tō nahī̃ hō nā  ?

⁸⁴With the awareness of the combined form, you have the authority of facing the obstacles of Maya. ⁸⁵Even if you may be a weak soul, because of having the Father’s company, because of having the company and the awareness of the Almighty Authority, you experienceyourself to be a master almighty authority. ⁸⁶Therefore, do not separate yourself from the combined form. ⁸⁷Question:Nowadays, in which particular aspect do people of the world spend their time, body, mind and wealth?

⁵⁵Prakr̥iti kā kōī bhī tatva halchal mē̃ nahī̃ lāvē .

⁸⁸Answer:Chasing after a companion and companionship.

⁵⁶Āgē chalkar tō bahut paper ānē haĩ .

⁸⁹Everyone in the world especially needs company and a companion.

⁵⁷Kisī bhī sādhanō̃ kē|K ādhār par , sthiti kā ādhār na hō . ⁵⁸Māyājīt kē|K sāth-prakr̥tijīt bhī bannā hai .

⁹⁰However, a lokik companion would only deceive you, give you sorrow, constantly change moods, sometimes cry and sometimes laugh.However, this alokik Companion constantly makes you laugh.

⁵⁹Prakr̥iti kī|key halchal kē|K bīch - yah kyā  ?

⁹¹He never has an “off­mood” and saves you from being deceived.

⁶⁰Yah kyō̃ huā  ? ⁶¹Yah kaisē hōgā  ?

⁹²Question:What mistake do the children make because of not recognising their Companion?

⁶²Zarā bhī saṅkalp mē̃ tension huā arthāt attention kam huā , tō full pass nahī̃ hōṅgē . ⁶³Isliē sadā achal hōnā hai . ⁶⁴Achchhā .

⁹³Answer:Instead of staying with Him, they step away from Him and cause a lot of mischief. ⁹⁴Sometimes, they turn away their mind and sometimes they make their intellect wander from here to there.

⁶⁵Sadā apnē knowledgeful āsan par sthit rahnē vālē , her|har second śhrēṣhṭh part bajānē vālē , her|har prakār kē|K paper mē̃ full pass hō , pass with honour ( P a s s W i t h H o n o u r  ; sammān sahit saphalatāmūrtta ) bannē vālē , sadā ēk bāp kī yād kē|K ras mē̃ ēkras rahnē vālē , aisē sadā bāp samān śhrēṣhṭh ātmāō̃ kō bāp-dādā kā yād-pyār aur namastē .

⁹⁵Sometimes, they even divorce Him through their thoughts. ⁹⁶Instead of allowing the true Companion to seat on their heart­throne, they give that position to a companion who only fulfils his responsibility for a temporary period and who deceives you. ⁹⁷The artificial golden deer that tempts you withlimited attainment attracts you towards itself. ⁹⁸* * * O M S H A N T I * * *