Avyakt murli for Sunday 8 November 1981

⁰> ¹08-11-81 om shanti avyakt baapdaada madhuban

⁰> > 08-11-81 Om Shanti Avyakt Bapdada Madhuban

²"antar sampanna karne ka saadhan - ‘turanta daan mahaapunya" ³gunon ke saagar avyakt baapdaada bole:-

¹The method to end any difference is ²“Give a donation instantly and thereby perform the greatest charity.”

⁴''aaj baapdaada savere praatahkaal ki vatan ki,baapdaada donon ke rooh-roohaan ki chitron sahit kahaani sunaate hain।

³Today, BapDada will tell you a story with illustrations about the conversation that took place between Bap and Dada early in the morning.

⁵kahaani sunne mein sabko roochi hoti hai na!

⁴Everyone is very interested in listening to stories.

⁶to aaj ki kahaani kya thi?

⁵So, what is today’s story?

⁷brahma baap vatan ke bageeche mein sair kar rahe the।

⁶Brahma Baba was walking around the subtle region garden.

⁸sair karte hue saamne kaun the?

⁷Whilst walking around, who appeared in front of him?

⁹baap ke saamne sada kaun rehte hain?

⁸Who is constantly in front of the Father?

¹⁰yeh to sabhi achhi tarah se jaante ho na?

⁹All of you know this very well, do you not?

¹¹baap bachchon ki maala smaran karte।

¹⁰The Father turns the beads of the rosary of the children.

¹²kaun-si maala?

¹¹Which rosary?

¹³gun maala।

¹²The rosary of virtues.

¹⁴to brahma baap gun maala smaran kar rahe the।

¹³So Brahma Baba was turning the beads of the rosary of virtues.

¹⁵shiv baap ne brahma se poochha - ‘‘kya smaran kar rahe ho?

¹⁴Father Shiva asked Brahma: “What are you thinking about?”

¹⁶'' brahma baap bole - ‘‘jo aapka kaam so mera kaam'' bachchon ke gun-maalaaon ko dekh rahe the।

¹⁵Brahma Baba replied: “Whatever is Your work is also my work.” ¹⁶I was looking at the rosary of the children’s virtues.

¹⁷shiv baap poochhe - ‘‘kya-kya dekha?

¹⁷Father Shiva asked: What did you see?

¹⁸'' kya dekha hoga?

¹⁸What would he have seen?

¹⁹koi bachchon ki sirf naikles ke maaphik maala thi aur koi bachchon ki paanv tak lambi maala thi।

¹⁹Some children had a rosary that was just like a necklace. ²⁰The rosary of some children was so long that it reached their feet.

²⁰koi bachchon ki kai ladiyon ki maala thi।

²¹Some children had rosaries of many rows of beads.

²¹koi bachche itni maalaaon se saje hue the jaise maalaayen unki dress ban gai thi।

²²Some children were adorned with so many rosaries, it was as though the rosaries had become their dress.

²²brahma baap variety gun-maalaaon se saje hue bachchon ko dekh-dekh harshit ho rahe the।

²³On seeing the children who were adorned with the rosaries of various virtues, Brahma Baba become very pleased.

²³aap harek apni gun-maala ko jaante ho?

²⁴Do you all know the rosary of your own virtues?

²⁴kitne saje hue ho,yeh apna chitra dekhte ho?

²⁵To what extent are you adorned? ²⁶Do you look at this portrait of yours?

²⁵brahma baap chitra-rekha ban chitra kheench rahe the।

²⁷Brahma Baba was drawing their portraits as an artist who does line­drawing sketches draws.

²⁶arthaat chitra mein takdeer ki rekhaayen kheench rahe the।

²⁸He was drawing the lines of fortune on your portraits.

²⁷aap svayan bhi svayan ka chitra arthaat takdeer ki tasveer kheench sakte ho na?

²⁹You too can draw your own portrait. ³⁰You can draw a picture of your own fortune, can you not?

²⁸photo kheench sakte ho na?

³¹You can take a photograph, can you not?

²⁹photo nikaalne aata hai?

³²Do you know how to take a photograph?

³⁰apna va doosre ka?

³³Yours? ³⁴Or, that of others?

³¹apna photo kheenchane aata hai?

³⁵Do you know how to take your own photograph?

³²to aaj sabka photo vatan mein tha।

³⁶So, today, everyone’s photograph was taken in the subtle region.

³³kitna bada camera hoga!

³⁷It must be such a huge camera.

³⁴sirf aap logon ka nahin,sabhi braahmanon ka photo tha।

³⁸It wasn’t only the photos of all of you who are sitting here, but it was a photograph of all Brahmins.

³⁵maalaaon ka shrringaar dekhte koi-koi bachchon ki visheshta kya dekhi - har gun heeron ke roop mein variety roop rekha aur rang vaale the।

³⁹When Baba saw all of you adorned with your rosaries, what special speciality did Baba see in many of the children? ⁴⁰Each virtue was like a diamond of various forms and colours.

³⁶vishesh chaar prakaar ke rang the।

⁴¹There were four particular types of colour.

³⁷jismen mukhya chaar sabjektas ke chaar rang the।

⁴²The four colours of the four main subjects were portrayed.

³⁸subject to jaante ho na?

⁴³You know the subjects, do you not?

³⁹gyaan-yog-dhaarna aur seva।

⁴⁴Gyan, yoga, dharna and seva (service).

⁴⁰gyaan swaroop ki nishaani kaun-sa rang hoga?

⁴⁵What is the colour of someone who is an embodiment of knowledge?

⁴¹gyaan swaroop ki nishaani - golden colour jo halka-sa gold colour hone ke kaaran us ek hi heere se sarva rang dikhaai dete the।

⁴⁶The colour of someone who is an embodiment of knowledge is golden. ⁴⁷Because the diamond had a light golden colour, all the other colours were visible within it.

⁴²ek hi heere se bhinna-bhinna rangon ki kirnon ke maaphik chamak dikhaai deti thi।

⁴⁸All the many rays of different colours were visibly sparkling as they emerged from just the one diamond.

⁴³door se aise anubhav karenge jaise chamak raha hai।

⁴⁹It seemed as though the sun was shining from a distance.

⁴⁴aur yeh usse bhi sundar soorya। ⁴⁵kyonki sarva rango ki kirnen door se hi spashta dikhaai deti theen।

⁵⁰This was even more beautiful because of all the colourful rays that were very clearly visible from a distance.

⁴⁶chitra saamne aa raha hai na! ⁴⁷kaise chamak raha hai heera?

⁵¹Is the picture of how the diamonds were sparkling emerging in your mind?

⁴⁸yaad ki nishaani - yeh to sahaj hai na?

⁵²The symbol of remembrance: This is easy, is it not?

⁴⁹yaad mein yahaan bhi baithte ho to kya karte ho? ⁵⁰laal rang।

⁵³What do you do when you sit here in remembrance? ⁵⁴You have a red coloured light.

⁵¹lekin is laal rang mein bhi golden rang mix tha, isliye aapki is duniya mein woh rang nahin hai।

⁵⁵However, there was also a golden colour mixed with this red colour. ⁵⁶This particular colour does not exist in your world.

⁵²kahne mein to laal rang aayega।

⁵⁷It would only be said in name to be red in colour.

⁵³dhaarna ki nishaani saphed rang। ⁵⁴lekin saphedi mein bhi jaise chandrama ki light ke beech sunahri rang mix karo ya chaandani ke rang mein halka-sa peela rang add karo to dikhaai chaandani jaisa dega lekin halka sa sunahri hone ke kaaran uski chamak aur hi sundar ho jaati hai।

⁵⁸The symbol for dharna (inculcation of divine virtues): White colour. ⁵⁹However, within that white colour, there is a beautiful sparkling colour similar to that in the centre of a moon. ⁶⁰Or, when a light yellow colour is added to the colour of moonlight, then it would be visible like moonlight, but because it has a sparkling colour, its sparkle becomes even more beautiful.

⁵⁵yahaan woh rang bana nahin sakenge। ⁵⁶kyonki ve chamakne vaale rang hain।

⁶¹You would not be able to create that colour here, because this is sparkling colour.

⁵⁷kitni bhi trial karo lekin vatan ke rang yahaan kahaan se aayenge?

⁶²No matter how much you try, how could the colours that exist in the subtle region be created here?

⁵⁸seva ki nishaani hara rang।

⁶³The symbol for service: a green colour.

⁵⁹seva mein chaaron or hariyaali kar dete ho na!

⁶⁴By serving you create greenery everywhere (you make everything flourish).

⁶⁰kaanto ke jangal ko phoolon ka bageecha bana dete ho।

⁶⁵You change the forest of thorns into a garden of flowers.

⁶¹to abhi suna chaar rang kaun se hain?

⁶⁶So, did you hear what the four colours represent?

⁶²in chaar rango ke heeron se saji hui maalaayen sabke gale mein theen।

⁶⁷Everyone was adorned with diamond rosaries of these four colours. ⁶⁸You all had this rosary around your neck.

⁶³ismen bhinna-bhinna size aur chamak mein antar tha।

⁶⁹However, there was a difference in the size and sparkle of each rosary.

⁶⁴koi ki gyaan swaroop ki maala badi thi to koi ki yaad swaroop ki maala badi thi।

⁷⁰Some had a large rosary of an embodiment of knowledge. ⁷¹Some had a long rosary of an embodiment of remembrance.

⁶⁵aur koi-koi ki chaar hi maalaayen thode se antar mein thi।

⁷²Some had all four rosaries; each a little different.

⁶⁶jinhon ki chaar hi rangon ki anek maalaayen theen- woh kitne sundar lagte honge?

⁷³Those who had many rows of all four colours appeared to be so beautiful!

⁶⁷to baapdaada sabki result maalaaon ke roop mein dekh rahe the।

⁷⁴So, BapDada was looking at all of your results that were seen in the form of your rosaries.

⁶⁸door se heere aise chamak rahe the jaise chhote-chhote bulb ki line-yeh tha chitra।

⁷⁵Seen from a distance, the diamonds were sparkling like a line of small lights. ⁷⁶That was the picture.

⁶⁹ab is chitron dvaara result dekh brahma baap bole - ‘‘samay ki raphtaar pramaan sarva bachchon ka shrringaar sampanna hua hai?

⁷⁷Then, having seen the results from this picture, Brahma Baba asked: has the adornment of all the children been completed according to the speed of time?

⁷⁰'' kyonki result mein to antar tha।

⁷⁸A difference was visible in the results.

⁷¹to is antar ko sampanna kaise karen?

⁷⁹So, how will this difference be ended?

⁷²brahma baap bole - ‘‘bachche mehnat to bahut karte hain!

⁸⁰Brahma Baba replied: Children are making a lot of effort for this.

⁷³mehnat ke saath sabki ichchha bhi hai, sankalp bhi karte hain''।

⁸¹Together with making effort, they also desire this. ⁸²They even have the thought to do this.

⁷⁴baaki kya rah gaya?

⁸³Therefore, what else remains?

⁷⁵jaante to sab ho na!

⁸⁴All of you know this, do you not?

⁷⁶knowledgeful to ban gaye ho।

⁸⁵You have all become knowledge­full.

⁷⁷to bataao kya antar rah jaata hai, jisse koi ki naikles,koi ki paanv tak lambi maalaayen, woh bhi anek maalaayen?

⁸⁶So, tell Baba what difference still remains to be finished so that the necklace of some, the other rosaries that reach to the feet and the may rows of rosaries of others all become completely equal.?

⁷⁸sunte bhi ek ho, sunaate bhi ek ho, vidhi bhi sabki ek hai aur vidhaata bhi ek hai, vidhaan bhi ek hai, baaki kya antar rah jaata hai?

⁸⁷You all listen to the same teachings. ⁸⁸You all tell others the same teachings. ⁸⁹The method you all use is the same. ⁹⁰The Bestower too is only One.

⁷⁹sankalp bhi ek hai, sansaar bhi ek hai?

⁹¹The rules are also the same for all of you.

⁸⁰phir antar kyon?

⁹²So, what is the difference that still remains?

⁸¹brahma baap ko aaj bachchon par bahut-bahut sneh aa raha tha।

⁹³Why is there a difference? ⁹⁴Brahma Baba was feeling a lot of love for the children.

⁸²sabhi chitron ko sampanna banaane ke liye teevra umang aa raha tha ki abhi ka abhi hi sabko maalaaon se saja den।

⁹⁵He had a lot of enthusiasm for all the pictures to be completed. ⁹⁶He felt that all the children should be adorned with rosaries right now.

⁸³baap to saja bhi den lekin dhaaran karne ki samartha bhi chaahiye!

⁹⁷Baba can adorn you with a rosary, but you also need power to wear that rosary.

⁸⁴sambhaalne ki samartha bhi chaahiye।

⁹⁸You also need power to take care of it.

⁸⁵to brahma ne shiv baap se poochha - kya baat hai?

⁹⁹Therefore, Brahma asked Father Shiva: What is the matter?

⁸⁶bachche saath chalne ke liye sampoorn sajte kyon nahin hain?

¹⁰⁰Why aren’t the children becoming fully adorned so that everyone can return home together?

⁸⁷saath mein to saje sajaaye hi jaayenge। ⁸⁸kaaran kya nikla?

¹⁰¹Only those who are fully adorned will go with him.

⁸⁹shiv baap bole - antar to chhota-sa hai।

¹⁰²What was the cause of this that Baba showed.

⁹⁰sochte sab hain,karte bhi sab hain lekin koi- koi hain jo sochte aur karte ek hi samay par hain।

¹⁰³Father Shiva said: The difference is very tiny. ¹⁰⁴Everyone thinks about it and everyone does it.

⁹¹arthaat sochna aur karna saath-saath hai,woh sampanna ban jaate hain aur koi-koi hain jo sochte hain aur karte bhi hain lekin sochne aur karne ke beech mein margin rah jaati hai।

¹⁰⁵However, some think and do at the same time, that is, their thinking and doing are simultaneous. ¹⁰⁶Therefore, they are becoming complete. ¹⁰⁷Others things and also do, but there is a gap between their thinking and their doing.

⁹²sochte bahut achha hain lekin karte kuchh samay ke baad hain।

¹⁰⁸They all think about it very well, but they do it after some time.

⁹³usi samay nahin karte hain।

¹⁰⁹They do not do it at that same time.

⁹⁴isliye sankalp me jo us samay ki teevrata, umang-ullaas-utsaah hota hai woh samay padne se percentage kam ho jaati hai।

¹¹⁰This is why, after some time, the intensity and enthusiasm they have in their thoughts at that time reduces by a percentage.

⁹⁵jaise garam va taaji cheez ka anubhav aur thandi va rakhi hui cheez ka anubhav mein antar aa jaata hai na!

¹¹¹It is similar to the difference between eating something hot and fresh and eating something cold and stale.

⁹⁶taaji cheez ki shakti aur rakhi hui cheez ki shakti mein antar pad jaata hai na!

¹¹²There is a difference in the strength you receive from eating something fresh and something stale.

⁹⁷cheez kitni bhi badhiya ho lekin rakhi hui to uski result vahi nahin nikal sakti।

¹¹³No matter how delicious something is, when it is kept for some time, it does not give the same result as it would if eaten fresh.

⁹⁸aise sankalp jo karte hain woh usi samay practical mein karna-uski result, aur sochna aaj, karna kab, uski result mein antar pad jaata hai।

¹¹⁴There is a difference between the results of those who think and do something at the same time, and those who think about something today and do it tomorrow.

⁹⁹beech mein samay ki margin hone ke kaaran, ek to sunaaya ki percentage sab ki kam ho jaati hai।

¹¹⁵Because of the gap in time, first, as you were told, the percentage is reduced.

¹⁰⁰jaise taaji cheez ke vitaaminsa mein pharka pad jaata hai।

¹¹⁶There is a difference in the vitamins of something fresh and something stale.

¹⁰¹doosra - margin hone ke kaaran samasyaaon roopi vighna bhi aa jaate hain।

¹¹⁷Second, because of the gap in time, problems come in the form of obstacles.

¹⁰²isliye sochna aur karna saath-saath ho।

¹¹⁸Therefore, your thinking and doing should be simultaneous.

¹⁰³isko kaha jaata hai - ‘‘turanta daan mahaapunya।

¹¹⁹This is known as donating instantly and performing great charity.

¹⁰⁴''nahin to mahaapunya ke bajaae punya ho jaata hai।

¹²⁰Otherwise, instead of it being great charity, it becomes just charity.

¹⁰⁵to antar ho gaya na?

¹²¹So, there is a difference, is there not?

¹⁰⁶mahaapunya ki praapti aur punya ki praapti mein antar ho jaata hai।

¹²²There is a difference between the attainment one receives from great charity and just charity.

¹⁰⁷samjha kaaran kya hai?

¹²³Do you understand what the cause is?

¹⁰⁸chhota sa kaaran hai।

¹²⁴It is a small cause. ¹²⁵You do do everything.

¹⁰⁹karte bhi ho sirf ‘ab'ke bajaae ‘kab' karte ho isliye mehnat jyaada karni padti hai।

¹²⁶It is just that instead of doing it “now” (ab), you do it after “some time” (kab). ¹²⁷This is the cause of your having to labour.

¹¹⁰to brahma baap bachchon se bole - ‘‘ab is kaaran ka nivaaran karo।

¹²⁸Therefore, Brahma Baba says to you children: Now, find an answer to this cause.

¹¹¹''suna aaj ki kahaani! ¹¹²donon baap ke beech ki kahaani।

¹²⁹Did you listen to today’s story, the story told between the two fathers?

¹¹³ab kya karenge?

¹³⁰What will you do now?

¹¹⁴nivaaran karo।

¹³¹Find a solution to the cause.

¹¹⁵nivaaran karna hi nimaarkan karna ho jaayega।

¹³²To find the solution means constructing something.

¹¹⁶to sva mein bhi nav-nimaarkan aur vishwa mein bhi nav-nirvaan।

¹³³Then, there will be new construction within yourself and also the world.

¹¹⁷achha!

¹³⁴Achcha.

¹¹⁸aise sada saje-sajaaye,sochna aur karna samaan banaane vaale,sada baap samaan turanta daani mahaapunya-aatmaayen,donon baap ke shubh ichchha ko poorn karne vaale, aise sampanna aatmaon ko baapdaada ka yaadapyaar aur namaste। ¹¹⁹’’

¹³⁵To those who remain constantly fully adorned; to those who make their thinking and their doing equal; to those who are constantly equal to the Father and who instantly donate and perform great charity; to those who fulfil the pure desires of both fathers; to such complete souls, BapDada’s love, remembrance and namaste.

¹²⁰teachers ke saath-sevaadhaari amritvele se lekar raat tak seva ki stage par ho?

¹³⁶You servers remain on the stage of service from amrit vela until night.

¹²¹agar aaraam bhi karte ho to bhi stage par ho,stage par bhi sone ka part bajaate hain na!

¹³⁷Even whilst you are resting, you are on the stage. ¹³⁸Even whilst sleeping, you are on the stage playing your part.

¹²²sabki najar hoti hai ki kaise soye hue hain।

¹³⁹Everyone’s vision is on how you sleep.

¹²³is reeti sevaadhaari arthaat 24ghante stage par part bajaane vaale।

¹⁴⁰Therefore, to be a server means to be one who performs every act on stage.

¹²⁴to har kadam, har second saari vishwa ke aage hain।

¹⁴¹You are in front of the world at every step and every second.

¹²⁵sevaadhaari sada hero paartadhaari samajh karke chalen,centre par nahin baithe ho lekin stage par baithe ho,vishwa ki stage par।

¹⁴²You servers must constantly consider yourselves to be hero actors. ¹⁴³You are not just sitting at your centre, but on the stage – on the world stage.

¹²⁶to itna attention rahne se har sankalp aur karma svatah hi shreshtha honge na!

¹⁴⁴When you pay this much attention, every thought you have and every action you perform will be elevated.

¹²⁷natural attention hoga।

¹⁴⁵You will naturally pay attention.

¹²⁸attention dena nahin padega lekin rahega hi kyonki stage par ho na!

¹⁴⁶You won’t have to pay special attention, but because you are on the stage, there would be attention paid naturally.

¹²⁹aur sada apne ko poojya aatma samjho to poojya aatma arthaat paavan aatma।

¹⁴⁷Constantly consider yourself to be a worthy­to­be­worshipped soul, that is, a pure soul.

¹³⁰kalpa-kalpa poojya hain।

¹⁴⁸You are worthy of being worshipped every cycle.

¹³¹poojya samajhne se sankalp aur svapna bhi sada paavan honge।

¹⁴⁹By considering yourself to be worthy of being worshipped, your thoughts and dreams will remain pure.

¹³²to aisa nasha rehta hai?

¹⁵⁰Do you have this much intoxication?

¹³³vaise bhi sevaadhaari majority kumaariyaan hain।

¹⁵¹In any case, the majority of servers are kumaris.

¹³⁴kumaariyaan double kumaariyaan ho gai, brahmaakumaari bhi aur kumaari bhi।

¹⁵²You kumaris have become double kumaris: A Brahma Kumari and a kumari.

¹³⁵to kitni mahaan ho gai।

¹⁵³Therefore, you are so elevated!

¹³⁶kumaari ki, ab 84ven antim janma mein bhi,charnon ki pooja hoti hai।

¹⁵⁴Even now, in your final birth, your eighty­fourth birth, the feet of you kumaris are worshipped.

¹³⁷to itni paavan bani ho tab itni pooja ho rahi hai।

¹⁵⁵It is because you became so pure that you are worshipped.

¹³⁸kumaariyon ko kabhi bhi jhukne nahin denge।

¹⁵⁶Kumaris are never allowed to bow down. ¹⁵⁷Everyone else bows at the feet of kumaris.

¹³⁹kumaariyon ke charnon mein sab jhukte hain।

¹⁵⁸They wash the feet of kumaris and drink that water. ¹⁵⁹So which kumaris are they?

¹⁴⁰charan dhokar peete hain।

¹⁶⁰They are the Brahma Kumaris.

¹⁴¹to woh kaun si kumaariyaan hain?

¹⁶¹So you servers are such elevated souls!

¹⁴²brahmaakumaariyaan hain na!

¹⁶²Who is being worshipped? ¹⁶³It is all of you.

¹⁴³to sevaadhaari aisi shreshtha aatmaayen ho।

¹⁶⁴There is also a song that goes, “This worship takes place in every home….”

¹⁴⁴kiski pooja ho rahi hai? ¹⁴⁵aap logon ki।

¹⁶⁵This is why it can be said that you are being worshipped.

¹⁴⁶geet bhi hai na - pooja hoti hai ghar-ghar mein…। ¹⁴⁷isliye bolo - jamaari pooja hoti hai।

¹⁶⁶Look, even BapDada says, “Namaste”, to you. ¹⁶⁷It is because you are so worthy of being worshipped that even BapDada says “Namaste” to you.

¹⁴⁸baapdaada bhi dekho namaste karte hain na! ¹⁴⁹to itni poojya ho tab to baap bhi namaste karte hain।

¹⁶⁸By remaining an embodiment of this awareness, you will continue to make progress – progress for yourself and also for service.

¹⁵⁰isi smriti swaroop mein rahne se sada vriddhi hoti rahegi।

¹⁶⁹All obstacles will then stop. ¹⁷⁰All specialities are contained within this awareness.

¹⁵¹apni bhi aur seva ki bhi।

¹⁷¹Achcha. ¹⁷²BapDada meeting groups:

¹⁵²sab vighna khatma ho jaayenge। ¹⁵³isi smriti mein sab visheshtaayen bhari hain।

¹⁷³The solution to the many problems in life is to have the awareness of the pilgrimage place.

¹⁵⁴achha ¹⁵⁵party se avyakt baapdaada ki mulaakaat:-

¹⁷⁴It is a great fortune to reach the land of the Bestower of Fortune.

¹⁵⁶1.jeevan ki anek samasyaaon ka hal-teertha sthaan ki smriti- bhaagya vidhaata ki bhoomi par pahunchna yeh bhi bahut bada bhaagya hai।

¹⁷⁵This place is not an empty place, but a great pilgrimage place. ¹⁷⁶People on the path of bhakti believe that when they visit a pilgrimage place, all of their sins are absolved.

¹⁵⁷yeh koi khaali sthaan nahin hai, mahaan teerthasthaan hai।

¹⁷⁷However they don’t know when and how this happens.

¹⁵⁸vaise bhi bhakti maarga mein maante hain ki teertha sthaan par jaane se paap khatma ho jaate hain,lekin kab hote hain, kaise hote hain, yeh jaante nahin hain।

¹⁷⁸You children experience that by coming to this pilgrimage place at this time, you become charitable souls. ¹⁷⁹The awareness of this pilgrimage place takes you beyond all problems in life.

¹⁵⁹is samay tum bachche anubhav karte ho ki is mahaan teerthasthaan par aane se punya aatma ban jaate hain।

¹⁸⁰This awareness works like a talisman (lucky charm). ¹⁸¹Whenever you remember this place, then the peace and happiness of this place emerges in your life.

¹⁶⁰yeh teerthasthaan ki smriti jeevan ki anek samasyaaon se paar le jaayegi।

¹⁸²Therefore, you have become fortunate charitable souls, have you not? ¹⁸³Even to visit this land is a sign of fortune.

¹⁶¹yeh smriti bhi ek taaveej ka kaam karegi।

¹⁸⁴This is why you are very, very fortunate.

¹⁶²jab bhi yaad karenga to yahaan ke vaataavran ki shanti aur sukh aapke jeevan mein emerge ho jaayega।

¹⁸⁵You have become fortunate. ¹⁸⁶However, to become one hundred times fortunate or even multimillion times fortunate is in your own hands.

¹⁶³to punya aatma ho gaye na! ¹⁶⁴is dharni par aana bhi bhaagya ki nishaani hai।

¹⁸⁷The Father has made you fortunate, and it is this fortune that can help you from time to time.

¹⁶⁵isliye bahut-bahut bhaagyashaali ho।

¹⁸⁸Whenever anything happens, then just use your intellect to come to Madhuban.

¹⁶⁶ab bhaagyashaali to ban gaye lekin saubhaagyashaali banna va padmaapadma bhaagyashaali banna yeh aapke haath mein hai।

¹⁸⁹Then you will experience yourself swinging in the swing of peace and happiness. ¹⁹⁰A spinner of the discus of self­realisation is to be an embodiment of success.

¹⁶⁷baap ne bhaagyashaali bana diya, yahi bhaagya samay prati samay sahayog deta rahega।

¹⁹¹Do all of you consider yourselves to be spinners of the discus of self­realisation? ¹⁹²Have you become embodiments of whatever praise the Father has?

¹⁶⁸koi bhi baat ho to madhuvan mein buddhi se pahunch jaana।

¹⁹³Just as every act the Father performed is even now praised as a divine act so, too, is every act you perform like a divine act?

¹⁶⁹phir sukh aur shanti ke jhoole mein jhoolne ka anubhav karenge।

¹⁹⁴Have you become those who perform such divine acts? ¹⁹⁵Do you ever perform ordinary acts?

¹⁷⁰achha! ¹⁷¹2.svadarshan chakradhaari ki nishaani hai - saphalta swaroop।

¹⁹⁶Those who have become spinners of the discus of self­realisation like the Father would never perform ordinary acts.

¹⁷²sabhi apne ko svadarshan chakradhaari samajhte ho, baap ki jitni mahima hai, usi mahima swaroop bane ho?

¹⁹⁷Whatever acts you perform would have success merged within them. ¹⁹⁸There would be no question as to whether they will be successful or not.

¹⁷³jaise baap ke har karma charitra ke roop mein abhi bhi gaaye jaate hain aise aapke bhi har karma charitra samaan ho rahe hain?

¹⁹⁹You would have the faith that success is guaranteed. ²⁰⁰Those who are the spinners of the discus of self­realisation would also be conquerors of Maya.

¹⁷⁴aise charitravaan bane ho, kabhi saadhaaran karma to nahin hote hain?

²⁰¹Because they are conquerors of Maya, they would be embodiments of success.

¹⁷⁵jo baap ke samaan svadarshan chakradhaari bane hain unse kabhi bhi saadhaaran karma ho nahin sakte।

²⁰²Those who are embodiments of success would constantly be multimillion times fortunate at every step.

¹⁷⁶jo bhi kaarya karenge usmein saphalta samaai hui hogi।

²⁰³Do you experience yourselves to be multimillions times fortunate in this way?

¹⁷⁷saphalta hogi ya nahin hogi, yeh sankalp bhi nahin uth sakta।

²⁰⁴Have you accumulated such an income that will last you for twenty­ one births?

¹⁷⁸nishchay hoga ki saphalta hui padi hai। ¹⁷⁹svadarshan chakradhaari maayaajeet honge।

²⁰⁵To be part of the sun dynasty means to accumulate enough for twenty­one births.

¹⁸⁰maayaajeet hone ke kaaran saphaltaamoortta honge।

²⁰⁶Therefore, constantly continue to accumulate at every second.

¹⁸¹aur jo saphaltaamoortta honge woh sada har kadam mein padmaapadmapti honge।

²⁰⁷Achcha. ²⁰⁸Do you constantly consider yourselves to be the ignited lamps?

¹⁸²aise padmaapadmapti anubhav karte ho? ¹⁸³itni kamaai jama kar li hai jo 21janmon tak chalti rahe।

²⁰⁹You lamps of the world are the eternal lamps of the world in whose memory even today, Deepmala is celebrated.

¹⁸⁴sooryavanshi arthaat 21janmon ke liye jama karne vaale।

²¹⁰So, do you have the faith and intoxication that you are the lamps of the Deepmala?

¹⁸⁵to sada har second mein jama karte raho।

²¹¹Even today, people turn the beads of your rosary so much!

¹⁸⁶achha।

²¹²Why do they do this?

¹⁸⁷3.chaitanya chheepmaala ke deepkon ka karttavya hai-andhakaar mein roshni karna। ¹⁸⁸apne ko sada jage hue deepak samajhte ho?

²¹³Because you have become those who brought light where there was darkness. ²¹⁴Constantly experience yourselves to be ignited lamps, not the lamps who are flickering.

¹⁸⁹aap vishwa ke deepak avinaashi deepak ho jiska yaadgaar abhi bhi deepmaala manaai jaati hai।

²¹⁵No matter how many storms there are, you lamps are constant and eternal lights. ²¹⁶Even the world bows down to you lamps.

¹⁹⁰to yeh nishchay aur nasha rehta hai ki ham deepmaala ke deepak hain?

²¹⁷You are even staying with such lamps. ²¹⁸You are not staying with flickering lamps.

¹⁹¹abhi tak aapki maala kitni simran karte rehte hain? ¹⁹²kyon simran karte hain?

²¹⁹Just as the Father is a constantly ignited light, an eternal light and an immortal light, in the same way, children are also immortal lights.

¹⁹³kyonki andhakaar ko roshan karne vaale bane ho।

²²⁰Your memorial also exists in the form of the immortal lamps.

¹⁹⁴svayan ko aise sada jage hue deepak anubhav karo।

²²¹Even whilst you sit in your living form, you are able to see all your non­living memorials.

¹⁹⁵timtimaane vaale nahin।

²²²You have become such elevated souls!

¹⁹⁶kitne bhi toofaan aayen lekin sada ekras, akhanda jyoti ke samaan jage hue deepak।

²²³Achcha. ²²⁴Blessing: May you be a destroyer of attachment who finishes the stage of being pulled by the suffering of karma.

¹⁹⁷aise deepkon ko vishwa bhi naman karti hai aur baap bhi aise deepkon ke saath rehte hain।

²²⁵Even now, the situations created by nature still pull our stage to some extent. ²²⁶The suffering of your karmic accounts of the body pulls you the most.

¹⁹⁸timtimaate deepkon ke saath nahin rehte।

²²⁷When even this pull ends you will have become a complete destroyer of attachment.

¹⁹⁹baap jaise sada jaagti jyoti hai, akhanda jyoti hai, amar jyoti hai, aise bachche bhi sada ‘amar jyoti'! ²⁰⁰amar jyoti ke roop mein bhi aapka yaadgaar hai।

²²⁸When no situation of your body or the bodily world is able to shake your stage you will have attained your perfect stage. ²²⁹When you reach such a stage, you will stabilise in your form of a master almighty authority in a second.

²⁰¹chaitanya mein baithe apne sabhi jad yaadgaaron ko dekh rahe ho।

²³⁰Slogan: Remain in the company of the Father and you will never become disheartened.

²⁰²aisi shreshtha aatmaayen ho। ²⁰³achha!

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