Avyakt murli for Wednesday 4 April 1984

⁰> ¹04-04-84 ōm śhānti avyakt bāpadādāmadhuban

⁰> > 04-04-84 Om Shanti Avyakt Bapdada Madhuban

²Saṅgamyug kī|key śhrēṣhṭh vēlā śhrēṣhṭh takdīr kī|key taṣhwīr banānē kī|key vēlā

¹The elevated period of the confluence age is the time to draw the portrait of your elevated fortune.

³Dēśh vidēśh sē āyē , sampann aur sampūrṇ bannē kē|K puruṣhārthī bachchō̃ prati avyakt bāpdādā bōlē  :

²Today, BapDada was seeing the moment of birth of the elevated life and the line of fortune of every elevated Brahmin soul.

⁴‘ ‘ āp bāpdādā harēk brāhmaṇ śhrēṣhṭh ātmā kē|K śhrēṣhṭh jīvan kē|K janm kī|key vēlā , takdīr kī|key rēkhā dēkh rahē thē .

³The moment of birth of every child is elevated because it is now the most auspicious elevated confluence age.

⁵Janm kī|key vēlā sabhī bachchē̃ kī|key śhrēṣhṭh haĩ kyōṅki abhī yug hī purūṣhōttam śhrēṣhṭh hai .

⁴All of you took an elevated Brahmin birth at the elevated confluence age, that is, in the most elevated period.

⁶Śhrēṣhṭh saṅgamyug par arthāt śhrēṣhṭh vēlā mē̃ sabhī kā śhrēṣhṭh brāhmaṇ janm huā .

⁵The moment of birth of all of you is elevated.

⁷Janm vēlā sabhī kī|key śhrēṣhṭh hai . ⁸Takdīr kī|key rēkhā , takdīr bhī sabhī brāhmaṇō̃ kī|key śhrēṣhṭh hai . ⁹Kyōṅki śhrēṣhṭh bāp kē|K śhiv vãnśhī brahmākumār vā kumārī haĩ .

⁶The line of fortune, the fortune of all of you Brahmins, is elevated because you are the Shiv dynasty Brahma Kumars and Kumaris who belong to the elevated Father.

¹⁰Tō śhrēṣhṭh bāp , śhrēṣhṭh janm , śhrēṣhṭh varsā , śhrēṣhṭh parivār , śhrēṣhṭh khazānē - yah takdīr kī|key lakīr janm sē sabhī kī|key śhrēṣhṭh hai .

⁷The elevated Father, an elevated birth, an elevated inheritance, an elevated family and the elevated treasures: this line of fortune of all of you is elevated from birth.

¹¹Vēlā bhī śhrēṣhṭh aur prāpti kē|K kāraṇ takdīr kī|key lakīr bhī śhrēṣhṭh hai .

⁸The period is elevated and because of the attainment, the line of fortune is also elevated.

¹²Yah takdīr sabhī bachchō̃ kō ēk bāp dvārā ēk jaisī prāpt hai .

⁹All of you children have attained the same fortune from the one Father.

¹³Ismē̃ antar nahī̃ hai .

¹⁰There is no difference in this.

¹⁴Phir bhī ēk jaisī takdīr prāpt hōtē bhī number-vār kyō̃  ?

¹¹Even though you attain the same fortune, why does it become numberwise?

¹⁵Bāp ēk , janm ēk , varsā ēk , parivār ēk , vēlā bhī ēk saṅgamyug , phir number kyō̃  ?

¹²The Father is the same, the birth is the same, the inheritance is the same, the family is the same, the period is the same one of the confluence age, so why is there a number?

¹⁶Sarv prāpti arthāt takdīr sabhī kō bēhad kī|key milī hai .

¹³All of you have received unlimited attainments, that is, unlimited fortune.

¹⁷Antar kyā huā  ?

¹⁴So why is there a difference?

¹⁸Bēhad kī|key takadarī kō jīvan kē|K karma kī|key taṣhwīr mē̃ lānā ismē̃ yathā śhakti hōnē kē|K kāraṇ antar paṛ jātā hai .

¹⁵The difference is created in putting the unlimited fortune into the picture of actions in life according to your capacity.

¹⁹Brāhmaṇ jīvan arthāt takdīr kō taṣhwīr mē̃ lānā , jīvan mē̃ lānā .

¹⁶Brahmin life means to paint a picture of your fortune, to put it into your life; to put it into every deed.

²⁰Her|har karma mē̃ lānā , her|har saṅkalp sē , bōl sē , karma sē takdīrvān kō takdīr anubhav hō arthāt dikhāī dē .

¹⁷A fortunate one should experience fortune through every thought, every word and every action, that is, fortune should be visible.

²¹Brāhmaṇ arthāt takdīrvān ātmā kē|K nayan , mastak , mukh kī|key muskarāhaṭ her|har kadam sabhī kō śhrēṣhṭh takdīr kī|key anubhūti karāvē .

¹⁸A Brahmin means a fortunate soul, whose eyes, forehead and smile on the face, give everyone the experience of elevated fortune at every step.

²²Iskō kahā jātā hai - takdīr kī|key taṣhwīr banānā .

¹⁹This is known as drawing a picture of fortune.

²³Takdīr kō anubhav kī|key kalam sē , karma kē|K kāgaj kē|K taṣhwīr mē̃ lānā .

²⁰Draw the picture of your fortune with the pen of experience on the paper of action.

²⁴Takdīr kē|K taṣhwīr kī|key chitra rēkhā banānā .

²¹Make a line drawing of the portrait of fortune.

²⁵Taṣhwīr tō sabhī banā rahē hō lēkin kiskī taṣhwīr sampann hai aur kiskī taṣhwīr kuchh na kuchh kisī bāt mē̃ kam|cum rah jātī hai .

²²All of you are creating a portrait, but the portrait of some is complete, whereas the portrait of others remains lacking in something or another.

²⁶Arthāt practical jīvan mē̃ lānē mē̃ kiskī mastak rēkhā arthāt mansā , nayan rēkhā arthāt rūhānī dr̥iṣhṭi , mukh kī|key muskarāhaṭ kī|key rēkhā arthāt sadā sarv prāpti svarūp santuṣhṭ ātmā .

²³In putting this into your practical life, the line of the forehead means your thoughts, the line of the eyes means spiritual drishti, the lines of the smile on your face means to be a constantly contented soul and an embodiment of all attainments.

²⁷Santuṣhṭatā hī muskarāhaṭ kī|key rēkhā hai .

²⁴Contentment itself is the line of the smile.

²⁸Hāthō̃ kī|key rēkhā arthāt śhrēṣhṭh karma kī|key rēkhā .

²⁵The lines of the hands mean the lines of elevated actions.

²⁹Pāṅw kī|key rēkhā arthāt her|har kadam śhrīmat pramāṇ chalnē kī|key śhakti .

²⁶The lines of the feet mean the power of taking every step according to shrimat.

³⁰Isī prakār takdīr kī|key taṣhwīr banānē mē̃ kiskā kis mē̃ , kiskā kis mē̃ antar paṛ jātā hai .

²⁷In this way, in drawing the portrait of your fortune, there is a difference. ²⁸In some one thing is missing and in others something else is missing.

³¹Jaisē sthūl taṣhwīr bhī banātē haĩ tō kōī kō nain nahī̃ banānē ātē , kōī kō ṭāṅg nahī̃ banānē ātī .

²⁹When painting a physical painting, some don't know how to paint eyes, some don't know how to paint legs.

³²Kōī muskarāhaṭ nahī̃ banā saktē . ³³Tō phark paṛ jātā hai nā .

³⁰Some don't know how to paint the smile and so this makes a difference.

³⁴Jitnā sampann chitra utnā mūlyavān hōtā hai .

³¹To the extent that a portrait is perfect, to that extent it is valuable.

³⁵Vō hī ēk kā chitra lākhō̃ kā mūlya kamātā aur kōī 100 bhī kamātā .

³²The pictures of some bring them hundreds of thousands of rupees, whereas the pictures of others scarcely bring them a hundred rupees.

³⁶Tō antar kis bāt kā huā  ?

³³Therefore, what was it that made the difference?

³⁷Sampannatā kā .

³⁴Perfection.

³⁸Aisē hī brāhmaṇ ātmāyē̃ bhī sarv rēkhāō̃ mē̃ sampann na hōnē kāraṇ kisī ēk rēkhā , dō rēkhā kī|key sampūrṇtā na hōnē kāraṇ number-vār hō jātē haĩ .

³⁵In the same way, because Brahmin souls are not perfect in all lines, because of not having perfection in one or two lines, you become numberwise.

³⁹Tō āj takdīrvān bachchō̃ kī|key taṣhwīr dēkh rahē thē .

³⁶Therefore, today, Baba was looking at the portrait of the fortunate children.

⁴⁰Jaisē sthūl takdīr mē̃ bhī bhinn-bhinn takdīr hōtī hai . ⁴¹Vaisē yahā̃ takdīr kī|key bhinn-bhinn tasvīrē̃ dēkhī .

³⁷Just as in a physical fortune, there are different types of fortune, in the same way here too, Baba saw many types of portraits of fortune.

⁴²Her|har taṣhwīr mē̃ mukhya mastak aur nayan taṣhwīr kī|key value baṛhātē haĩ .

³⁸In every picture, the main features, the eyes and the forehead increase the value of the portrait.

⁴³Vaisē yahā̃ bhī mansā vr̥itti kī|key śhakti aur nayan kē|K rūhānī dr̥iṣhṭi kī|key śhakti , iskā hī mahatva hōtā .

³⁹Similarly, here, the power of the attitude of the mind, and the power of spiritual drishti of the eyes, also has a lot of importance.

⁴⁴Yahī taṣhwīr kā foundation haĩ .

⁴⁰These are the foundation of the picture.

⁴⁵Sabhī apnī taṣhwīr kō dēkhō ki hamārī taṣhwīr kitnī sampann banī hai .

⁴¹Do all of you look at your own picture? ⁴²To what extent has your picture been completed?

⁴⁶Aisī taṣhwīr banī hai jō taṣhwīr mē̃ takdīr banānē vālā dikhāī dē .

⁴³Have you painted such a portrait that the One who creates your fortune is visible in that portrait?

⁴⁷Har ēk rēkhā kō check karō .

⁴⁴Check every line.

⁴⁸Isī kāraṇ number hō jātā hai .

⁴⁵It becomes numberwise because of this.

⁴⁹Samjhā .

⁴⁶Do you understand?

⁵⁰Dātā ēk hai , dētā bhī ēk jaisā hai . ⁵¹Lēkin banānē vālē banānē mē̃ number-vār hō jātē .

⁴⁷The Bestower is One, and He gives everyone the same, yet those who are creating become numberwise in creating it.

⁵²Kōī aṣhṭ aur īṣhṭ dēv ban jātē .

⁴⁸Some become one of the special eight and a special beloved deity.

⁵³Kōī dēv ban jātē .

⁴⁹Some become deities.

⁵⁴Kōī dēvō̃ kō dēkh-dēkh harṣhit hōnē vālē hō jātē .

⁵⁰Some become those who are happy simply to observe other deities.

⁵⁵Apnā chitra dēkh liyā nā  !

⁵¹You have seen your own picture, have you not?

⁵⁶Achchhā -

⁵²Achcha.

⁵⁷Sākār rūp mē̃ milnē mē̃ tō samay aur saṅkhyā kō dēkhnā paṛtā . ⁵⁸Aur avyakt milan mē̃ samay aur saṅkhyā kī|key bāt nahī̃ hai .

⁵³In the corporeal form of meeting, the time and the number of people have to be considered, whereas in the avyakt meeting, there is no question of the time or the number of people.

⁵⁹Avyakt milan kē|K anubhavī ban jāyēṅgē tō avyakt milan kē|K vichitr anubhav sadā kartē rahē̃gē .

⁵⁴If you become experienced in the avyakt meeting, you will constantly continue to have to unique experiences of the avyakt meeting.

⁶⁰Bāpdādā bachchō̃ kē|K sadā āgyākārī haĩ .

⁵⁵BapDada is constantly obedient to all the children.

⁶¹Isliē avyakt hōtē bhī vyakt mē̃ ānā paṛtā hai .

⁵⁶This is why although He is avyakt He has to come into the corporeal (vyat) form.

⁶²Lēkin bannā kyā hai  ?

⁵⁷However, what do you have to become?

⁶³Avyakt bannā hai nā yā vyakt mē̃ ānā hai  ?

⁵⁸You have to become avyakt, do you not? ⁵⁹Or, do you want to come into the corporeal form?

⁶⁴Avyakt banō .

⁶⁰Become avyakt.

⁶⁵Avyakt bannē sē bāp kē sāth nirākār ban ghar mē̃ chalē̃gē .

⁶¹By becoming avyakt, you will become incorporeal and go home with the Father.

⁶⁶Abhī via kī|key stage tak nahī̃ pahũchē hō .

⁶²You have not yet reached the stage of going via.

⁶⁷Phariśhtā svarūp sē nirākār ban ghar jā sakē̃gē .

⁶³Through the angelic form, you will be able to become incorporeal and go back home.

⁶⁸Tō abhī phariśhtā svarūp banē hō  !

⁶⁴So, have you become the angelic form now?

⁶⁹Takdīr kī|key taṣhwīr sampann kī hai  ?

⁶⁵Have you completed the portrait of your fortune?

⁷⁰Sampann taṣhwīr hī phariśhtā hai .

⁶⁶Only a completed portrait is an angel.

⁷¹Achchhā -

⁶⁷Achcha.

⁷²Sabhī āyē huē bhinn-bhinn zone kē|K bachchō̃ kō har ēk zone kī|key viśhēṣhtā sahit bāpdādā dēkh-dēkh harṣhit hō rahē haĩ .

⁶⁸To all you children who have come from all the different zones, BapDada is pleased to see each one of you with the speciality of each zone.

⁷³Kōī bhāṣhā bhalē nahī̃ jāntē lēkin prēm aur bhāvnā kī|key bhāṣhā jānnē mē̃ hōśhiyār haĩ .

⁶⁹Some of you may not know the language, but you are clever in knowing the language of love and devotion.

⁷⁴Aur kuchh nahī̃ jāntē lēkin murlī kī|key bhāṣhā jāntē haĩ .

⁷⁰You don't know anything else, but you do know the language of the murli.

⁷⁵Prēm aur bhāvnā sē na samajhnē vālē bhī samajh jātē haĩ .

⁷¹With love and devotion, even those who are unable to understand anything become able to understand.

⁷⁶Baṅgār bihār tō sadā bahārī mausam mē̃ rahtē .

⁷²Those from Bengal and Bihar constantly live in the weather of Spring (Bahar).

⁷⁷Sadā bahār hai .

⁷³They have constant Spring.

⁷⁸Pañjāb hai hī sadā sabhī kō harā bharā karnē vālā .

⁷⁴Punjab is such that it always makes everything fresh and green (makes everyone full).

⁷⁹Pañjāb mē̃ khētī achchhī hōtī hai .

⁷⁵There is good harvest in Punjab.

⁸⁰Hariyāṇā tō hai hī harā bharā .

⁷⁶Hariyana is always full and green (hara bhara).

⁸¹Pañjāb hariyāṇā sadā hariyālī sē harā bharā hai .

⁷⁷Punjab and Hariyana are always full and green.

⁸²Jahā̃ hariyālī hōtī hai us sthān kō sadā kuśhal , śhrēṣhṭh sthān kahā jātā hai .

⁷⁸Where there is greenery, that place is always said to be happy and content and an elevated place.

⁸³Pañjāb hariyāṇā sadā khuśhī mē̃ harā bharā hai .

⁷⁹Punjab and Hariyana are always full of happiness.

⁸⁴Isliē bāpdādā bhī dēkh-dēkh harṣhit hōtē haĩ .

⁸⁰This is why BapDada is pleased to see all of you.

⁸⁵Rājasthān kī|key kyā viśhēṣhtā hai  ?

⁸¹What is the speciality of Rajasthan?

⁸⁶Rājasthān chitra rēkhā mē̃ prasiddh hai .

⁸²Rajasthan is very well known for its art.

⁸⁷Rājasthān kī|key tasvīrē̃ bahut mūlyavān hōtī haĩ . ⁸⁸Kyōṅki rājē bahut huē haĩ nā .

⁸³The pictures of Rajasthan are very valuable because there have been many kings there.

⁸⁹Tō rājasthān takdīr kī|key tasvīrē̃ sabsē jyādā mūlyavān banānē vālē haĩ .

⁸⁴Therefore, those from Rajasthan are the ones who will make the most valuable portraits of fortune.

⁹⁰Chitrō̃ kī|key rēkhā mē̃ sadā śhrēṣhṭh haĩ .

⁸⁵In the line of art, you are always elevated.

⁹¹Gujarāt kī|key kyā viśhēṣhtā hai  ?

⁸⁶What is the speciality of Gujarat?

⁹²Vahā̃ āinō̃ kā śhrr̥iṅgār jyādā hōtā hai .

⁸⁷There is a lot of decoration of mirror­glass there.

⁹³Tō gujarāt darpaṇ hai .

⁸⁸So, Gujarat is a mirror.

⁹⁴Darpaṇ kahō , āinā kahō . ⁹⁵Jismē̃ bāp kī|key mūrt dēkhī jāē .

⁸⁹It is a mirror in which the Father's image can be seen.

⁹⁶Āinē mē̃ śhakla dēkhtē haĩ nā .

⁹⁰You look at your face in the mirror, don’t you?

⁹⁷Tō gujarāt kē|K darpaṇ dvārā bāp kī|key taṣhwīr phariśhtā svarūp kī|key taṣhwīr sabhī kō dikhānē kī|key viśhēṣhtā hai .

⁹¹So, the mirror of Gujarat has the speciality of showing everyone the image of the Father and the image of an angel.

⁹⁸Tō gujarāt kī|key viśhēṣhtā hai bāp kō pratyakṣha karnē vālē darpaṇ .

⁹²The speciality of Gujarat is the mirror that will reveal the Father.

⁹⁹Bākī chhōṭā-sā tāmilnāḍu rah gayā .

⁹³Finally little Tamil Nadu is still left.

¹⁰⁰Chhōṭā hī kamāl kartā hai .

⁹⁴Smaller ones work wonders.

¹⁰¹Baṛā kārya karkē dikhātā hai .

⁹⁵They carry out huge tasks.

¹⁰²Tāmilnāḍu kyā karē̃gē  ?

⁹⁶What will those from Tamil Nadu do?

¹⁰³Vahā̃ mandir bahut haĩ .

⁹⁷There are many temples there.

¹⁰⁴Mandirō̃ mē̃ nād bajītē haĩ .

⁹⁸They play music in temples.

¹⁰⁵Tāmilnāḍu kī|key viśhēṣhtā hai - nagāṛā bajāē bāp kī|key pratyakṣhatā kā āvāz buland karnā .

⁹⁹The speciality of Tamil Nadu is to beat the drums and make a very loud sound of the Father's revelation.

¹⁰⁶Achchhī viśhēṣhtā hai .

¹⁰⁰You have a good speciality.

¹⁰⁷Chhōṭē-pan mē̃ bhī nād bajātē haĩ .

¹⁰¹Some play music even in their childhood.

¹⁰⁸Bhakta lōg bhī baṛē pyār sē nād bajātē haĩ .

¹⁰²Even devotees play music with a lot of love.

¹⁰⁹Aur bachchē bhī pyār sē bajātē haĩ .

¹⁰³Children also play it with love.

¹¹⁰Ab harēk sthān apnī viśhēṣhtā kō pratyakṣha svarūp mē̃ lāō .

¹⁰⁴Now, each of your places has to put your own speciality into a practical form.

¹¹¹Sabhī zone vālō̃ sē mil liyā nā  !

¹⁰⁵Baba has now met those from all zones, has He not?

¹¹²Ākhir tō aisā hī milnā hōgā .

¹⁰⁶Eventually, this is how the meetings will take place.

¹¹³Purānē bachchē kahtē haĩ hamkō kyō̃ nahī̃ bulātē .

¹⁰⁷The older children say: Why don't you invite us?

¹¹⁴Prajā bhī banātē , baṛhātē bhī rahtē . ¹¹⁵Tō purānō̃ kō nayē-nayē̃ kō chance dēnā paṛē tab tō saṅkhyā baṛhē .

¹⁰⁸You create subjects and you also increase the number of subjects, and so the older ones have to give a chance to the newer ones. ¹⁰⁹It is only then that the number can increase.

¹¹⁶Purānē̃ bhī purānī chāl sē chaltē rahē̃ tō nayō̃ kā kyā hōgā  !

¹¹⁰If the older ones continue to move along in the same old way, what would happen to the newer ones?

¹¹⁷Purānē haĩ dātā , dēnē vālē aur nayē haĩ lēnē vālē .

¹¹¹The older ones are bestowers who give and the newer ones are those who receive.

¹¹⁸Tō chance dēnā haĩ ismē̃ dātā bannā paṛē .

¹¹²Therefore, you have to give a chance to others. ¹¹³You have to become a bestower in this.

¹¹⁹Sākār milan mē̃ sab had ā jātī haĩ .

¹¹⁴There are many limitations in the meeting through the corporeal form.

¹²⁰Avyakt milan mē̃ kōī had nahī̃ .

¹¹⁵In the avyakt meeting, there are no limitations.

¹²¹Kaī kahtē haĩ saṅkhyā baṛhēgī phir kyā hōgā  !

¹¹⁶Some ask: What will happen when the number increases?

¹²²Sākār milan kī|key vidhi bhī tō badalēgī .

¹¹⁷The method of the corporeal meeting will also change.

¹²³Jab saṅkhyā baṛhtī haĩ tō kuchh dān-puṇya bhī karnā hōtā hai .

¹¹⁸When the number increases, you also have to donate something and perform some charity.

¹²⁴Achchhā -

¹¹⁹Achcha.

¹²⁵Sabhī dēśh vidēśh kē|K chārō̃ ōr kē|K snēhī bachchō̃ kē|K snēh kē|K dil kē|K āvāz , khuśhī kē|K gīt aur dil kē|K samāchār kē|K patrō̃ kē|K respond mē̃ bāpdādā sabhī bachchō̃ kō padamguṇā yādpyār kē sāth respond dē rahē haĩ ki sadā yād sē amar bhav kē|K vardānī ban baṛhtē chalō aur baṛhātē chalō .

¹²⁰To all the children from this land and abroad, in response to the sound of their loving hearts, songs of happiness and letters of news of their hearts, together with giving multimillion­fold love and remembrance to all the children, BapDada is also giving a response to their letters. ¹²¹Through constant remembrance be one who has received the blessing of immortality and continue to move forward and also make others move forward. ¹²²To all the children who maintain their zeal and enthusiasm, BapDada congratulates you for your own progress and for the progress of service.

¹²⁶Sabhī umaṅg utsāh mē̃ rahnē vālē bachchō̃ kō bāpdādā sva unnati aur sēvā kī|key unnati kē liē mubārak dē rahē haĩ .

¹²³Congratulations! ¹²⁴You are always with the Father. ¹²⁵You are always complete and perfect. ¹²⁶To the children who have received all such blessings, BapDada is once again giving you love and remembrance.

¹²⁷Mubārak hō .

¹²⁷Love, remembrance and namaste.

¹²⁸Sadā sāth hō .

¹²⁸BapDada meeting groups:

¹²⁹Sadā sampann aur sampūrṇ hō , aisē sarv vardānī bachchō̃ kō bāpdādā phir sē yādpyār dē rahē haĩ .

¹²⁹Do you always consider yourselves to be souls who are complete, equal to the Father? ¹³⁰Those who are complete will always continue to move forward. ¹³¹If there isn't completion, you won't be able to move forward. ¹³²Therefore, as is the Father, so are the children.

¹³⁰Yādpyār aur namastē . ¹³¹’ ’

¹³³The Father is the Ocean and the children are master oceans.

¹³²Party sē

¹³⁴Check every virtue.

¹³³Sadā svayã kō bāp samān sampann ātmā samajhtē hō  !

¹³⁵Just as the Father is the Ocean of Knowledge, so you are master oceans of knowledge.

¹³⁴Jō sampann hai vah sadā āgē baṛhtē rahē̃gē .

¹³⁶The Father is the Ocean of Love and so you are master oceans of love. ¹³⁷Check your similarity in this way.

¹³⁵Sampannatā nahī̃ tō āgē nahī̃ baṛh saktē .

¹³⁸Only then will you always be equal and complete like the Father and continue to move forward.

¹³⁶Tō jaisē bāp vaisē bachchē .

¹³⁹Do you understand? ¹⁴⁰Constantly continue to check yourself in this way.

¹³⁷Bāp sāgar hai baccō master sāgar haĩ .

¹⁴¹Always maintain the happiness that the One whom the world is searching for has made you belong to Him.

¹³⁸Her|har guṇ kō check karō - jaisē bāp gyān kā sāgar hai tō ham master gyān sāgar haĩ .

¹⁴²Achcha. ¹⁴³Blessing: May you be trikaldarshi and one who experiments and gains success through the power of determination. ¹⁴⁴BapDada's blessing is: Where there is determination there is success.

¹³⁹Bāp prēm kā sāgar hai tō ham master prēm kē|K sāgar haĩ .

¹⁴⁵Therefore, with determination, make a programme to experiment with any virtue or power.

¹⁴⁰Aisē samāntā kō check karō tab bāp samān sampann ban sadā āgē baṛhtē jāyēṅgē .

¹⁴⁶First of all, experience contentment within yourself. ¹⁴⁷Let there be the determined thought: I have to do this.

¹⁴¹Samjhā - sadā aisī checking kartē chalō .

¹⁴⁸You should not be influenced by the carelessness of others. ¹⁴⁹Sit in the stage of being on the trikaldarshi seat. ¹⁵⁰Then, as is the time, so is the method, and so with the right method, first of all become an embodiment of success. ¹⁵¹Only then will the powerful gathering of souls who experiment become ready, and the rays of that gathering will perform many tasks.

¹⁴²Sadā isī khuśhī mē̃ rahō ki jiskō viśhva ḍhūṇḍhatā hai , usnē hamkō apnā banāyā hai .

¹⁵²Slogan: One who attains blessings from everyone is a jewel of contentment. ¹⁵³* * * O M S H A N T I* * *