Avyakt murli for Wednesday 11 December 1991

⁰> ¹11-12-91 ōm śhānti avyakt bāpadādāmadhuban

⁰> > 11-12-91 Om Shanti Avyakt Bapdada Madhuban

²Satyatā kī|key sabhyatā hī real royalty hai

¹Manners of reality (truth) are real royalty.

³Avyakt bāpdādā apnē real aur royal bachchō̃ prati bōlē ḥ

²Today, BapDada is seeing His elevated family, that is, He is seeing His royal family.

⁴Āj bāpdādā apnē śhrēṣhṭh parivār arthāt apnē royal family kō dēkh rahē haĩ . ⁵Sārē kalp mē̃ sabsē royal āp śhrēṣhṭh ātmāē̃ hī hō . ⁶Anādi ātmik svarūp mē̃ bhī sabsē śhrēṣhṭh royal ātmāyē̃ hō aur ādi svarūp dēv ātmāō̃ kē|K rūp mē̃ bhī royal rājya adhikārī royal family hō . ⁷Pūjya rūp mē̃ bhī āp dēv ātmāō̃ kī|key kitnī royalty sē pūjā hōtī rahtī hai aur kisī bhī anya dharm ātmā vā rājanītik ātmāō̃ kī|key aisī royal pūjā nahī̃ hōtī .

³Throughout the entire cycle, you elevated souls are the most royal souls.

⁸Tō tīnō̃ rūpō̃ mē̃ - anādi , ādi aur pūjya svarūp aisē royal aur kōī bhī nahī̃ haĩ . ⁹Kyōṅki āp ātmāō̃ kī|key purity kī|key hī royalty hai . ¹⁰Aisē sampūrṇ pavitra aur kōī bhī ātmā sārē kalp mē̃ na hī banī hai , na banēgī . ¹¹Yah purity kī|key hī viśhēṣhtā hai .

⁴In your eternal form of the soul, you are the most elevated royal souls, and in your original form, in the form of the deity souls, you are also royal; the royal family who have a right to the royal kingdom.

¹²Isliē sirph dēv ātmāō̃ kē āgē hī yah mahimā gātē haĩ ki āp sampūrṇ nirvikārī hō , aur kisī bhī dharm ātmāō̃ kī|key mahimā mē̃ aisī mahimā nahī̃ gāī jātī hai . ¹³Sirph dēv ātmāō̃ kē|K śhrēṣhṭh kīrti arthāt śhrēṣhṭh pavitratā kī|key hī kīrtan hōtā hai . ¹⁴Aur kōī bhī dharm mē̃ kīrtan nahī̃ hōtā hai . ¹⁵Sājō̃ aur bājō̃ sē kīrtan kā rivāj dēv ātmāō̃ mē̃ hī hai vā saṅgamyug kē|K śhakti svarūp mē̃ hai .

⁵In your worship­worthy form, you deity souls are worshipped with so much royalty.

¹⁶Yah sampūrṇ pavitratā kē|K vidhi kī|key siddhi hai .

⁶None of the souls of other religions or political leaders are worshipped in such a royal way.

¹⁷Isliē āp jaisī rūhānī royalty aaur kisī ātmā kī|key nahī̃ hai . ¹⁸Tō check karō - aisē purity kī|key royalty kahā̃ tak āī hai  ?

⁷In all three forms the eternal, the original and the worship­worthy form – no one is as royal as you because you souls have the royalty of purity.

¹⁹Rūhānī royalty kī|key sabsē śhrēṣhṭh niśhānī hai - royalty arthāt reality arthāt satyatā .

⁸Neither has there been nor will there be such a completely pure soul in the entire cycle.

²⁰Jaisē ātmā kā anādi svarūp sat hai .

⁹This is the speciality of purity.

²¹Sat arthāt avināśhī aur satya hai . ²²Jaisē bāp kī|key mahimā viśhēṣh yahī gātē rahtē haĩ - satyam śhivam sundaram .

¹⁰This is why people only sing this praise in front of the deity souls: You are completely viceless.

²³Satya hī śhiv hai vā god is truth ( G o d i s t r u t h ) kahā jātā hai .

¹¹They do not sing this praise for the righteous souls of any other religion.

²⁴Tō bāp kī|key mahimā satya arthāt satyatā kī hai . ²⁵Aisē royalty arthāt reality - satyatā jarā bhī banāvṭī yā milā-vaṭī na hō .

¹²People just sing praise of the elevated actions (kirti) of the deity souls, that is, they only praise their elevated purity.

²⁶Chāhē bōl mē̃ , chāhē karma mē̃ , chāhē sambandh-sampark mē̃ milāvaṭ yā banāvaṭ nahī̃ hō .

¹³There is no singing of praise (kirtan – singing devotional songs) in any other religion.

²⁷Jiskō sādhāraṇ bhāṣhā mē̃ bāpdādā kahtē haĩ - sachchāī . ²⁸Royal ātmāō̃ kī|key vr̥itti , dr̥iṣhṭi bōl aur chalan sab ēk satya hōgī .

¹⁴The system of the singing with the sound of music and instruments is just for the deity souls and the shaktis of the confluence age.

²⁹Aisē nahī̃ ki vr̥itti mē̃ ēk bāt hō aur bōl mē̃ dūsrā banāvṭī bhāv hō .

¹⁵This is the attainment of the method of complete purity.

³⁰Iskō royalty vā reality nahī̃ kahā jātā hai .

¹⁶This is why no other soul has such spiritual royalty as yours.

³¹Ājkal bāpdādā bachchō̃ kī|key līlā dēkhtē bhī haĩ aur suntē bhī haĩ .

¹⁷Check to what extent you have imbibed such royalty of purity.

³²Kaī bachchē bāt kō milānē aur banānē mē̃ bahut hōśhiyār haĩ . ³³Kyōṅki dvāpar sē milāvaṭ aur banāvaṭ kī|key kathāyē̃ bahut sunī haĩ .

¹⁸The most elevated sign of spiritual royalty, that is, reality, is truth, just as the original form of the soul is truth.

³⁴Tō is brāhmaṇ jīvan mē̃ bhī vah saṅskār emerge kar lētē haĩ .

¹⁹Truth means imperishable as well as truth.

³⁵Aisī achchhē rūp sē bāt banā lētē haĩ jō jhūṭh kō bilkul sampūrṇ satya banā dētē haĩ aur satya kō jhūṭh siddh kar dētē haĩ .

²⁰You especially sing the praise of the Father as the Truth, the Benefactor and the Most Beautiful One.

³⁶Iskō kahā jātā hai - andar ēk , bāhar dūsrā .

²¹It is said: Shiva is the Truth, God is Truth.

³⁷Tō kyā yah reality hai  ? ³⁸Royalty hai  ? ³⁹Nahī̃ hai nā .

²²So the praise of the Father is the Truth, that of the truth.

⁴⁰Tō aisē pavitratā kī|key royalty arthāt reality .

²³In the same way, royalty means reality.

⁴¹Yah royalty kī|key niśhānī hai .

²⁴Truth is never made up or mixed up with anything.

⁴²Agar yah niśhānī nahī̃ hai tō samjhō purity kī|key royalty nahī̃ āī hai vā percentage mē̃ āī hai , sampūrṇ nahī̃ hai .

²⁵Whether in words, actions or relationships and connections, there is nothing made up or mixed.

⁴³Reality kī|key dūsrī niśhānī bāpdādā sadā sunātē rahtē haĩ - sach tō biṭhō nach . ⁴⁴Sachchī ātmāyē̃ sadā khuśhī mē̃ nāchtī rahē̃gī .

²⁶In ordinary language, BapDada calls this honesty. ‘Royal souls’ means that their attitude, vision, words and activities will be true.

⁴⁵Kabhī khuśhī kam|cum , kabhī khuśhī jyādā , aisā nahī̃ hōgā . ⁴⁶Din pratidin , her|har samay aur khuśhī baṛhtī rahēgī .

²⁷It isn't that they would have one thing in their attitude and some other intention in their words.

⁴⁷Reality kī|key niśhānī hai - sadā khuśhī mē̃ nāchnā .

²⁸That is not called the reality of royalty.

⁴⁸Nain chain kahtē hō nā , rāyalṭī kā arth|earth bhī hai chit sē bhī aur nain chain sē bhī sadā harṣhit .

²⁹BapDada sees and hears the wonderful activities of the children nowadays.

⁴⁹Sirph bāhar sē harṣhitmukh nahī̃ , lēkin chitt mē̃ bhī harṣhit . ⁵⁰Harṣhit chitt harṣhit mukh , dōnō̃ harṣhit hō̃ .

³⁰Many children are very clever in making up stories and mixing things.

⁵¹Kaī bār aisē bhī hōtā hai ki andar chitt mē̃ khuśhī nahī̃ hōtī lēkin bāharamukh mē̃ samay pramāṇ khuśhnumā ban karkē dikhātē haĩ . ⁵²Iskō alp kāl kā harṣhitmukh kahē̃gē , lēkin harṣhit chitt , harṣhit mukh avināśhī hō . ⁵³Tō pavitratā kī|key reality royalty arthāt avināśhī chitt aur mukh harṣhit hō̃ . ⁵⁴Check karō - dūsrē kō check karnē nahī̃ lag jānā , apnē kō check karnā hai .

³¹Why?

⁵⁵Aisī royal ātmā bāpdādā kō aur sarv brāhmaṇ parivār kō ati pyārī hōtī hai . ⁵⁶Real pyārī ātmā kī|key viśhēṣhtā kyā hōtī hai  ?

³²Because they have heard many stories that have been made up and mixed up since the copper age.

⁵⁷Kyōṅki ājkal kē|K rīti-rasam pramāṇ jō bahut pyārā lagtā hai tō pyārē kē|K taraph na chāhtē huē bhī ākārṣit hō jātē haĩ . ⁵⁸Jiskō āp lōg apnī bhāṣhā mē̃ attachment kahtē hō . ⁵⁹Kyōṅki pyārā hai tō attachment tō hōgī nā . ⁶⁰Lēkin real aur royal pyār kī|key niśhānī hai - vō jitnā hī pyārā hōgā utnā hī nyārā bhī hōgā .

³³So they allow that sanskar to emerge even in their Brahmin life.

⁶¹Isliē vah na svayã extra attachment mē̃ āyēgā , na dūsrā uskī attachment mē̃ āyēgā . ⁶²Iskō kahā jātā hai real pyār , sampūrṇ pyār .

³⁴They make up a story with such a beautiful form that they make something false completely true and they prove the truth to be false.

⁶³Vah harṣhit rahēgā , ākārṣit bhī hōgā parantu had kī|key ākarṣhaṇ karnē vālā nahī̃ . ⁶⁴Tō real aur royal kī|key niśhānī kyā huī  ?

³⁵This is called being one thing internally and something else externally.

⁶⁵Ati pyārā aur ati nyārā .

³⁶So, would you call this royalty?

⁶⁶Royalty kī|key aur viśhēṣhtā hai us ātmā mē̃ kabhī kisī bhī prakār kē|K , chāhē sthūl , chāhē sūkṣhma , māṅgnē kē|K saṅskār nahī̃ hōṅgē . ⁶⁷Kyōṅki royal ātmā sadā sampann bharpūr rahtī hai . ⁶⁸Ēk bharpūrtā bāhar kī|key hōtī hai sthūl vastuō̃ sē , sthūl sādhanō̃ sē bharpūrtā . ⁶⁹Aur dūsrī hōtī hai man kī|key bharpūrtā .

³⁷Is this reality?

⁷⁰Jō man sē bharpūr rahtā hai uskē pās|pass sthūl vastu yā sādhan nahī̃ bhī hō phir bhī man bharpūr hōnē kē|K kāraṇ vō kabhī apnē mē̃ kamī mahsūs nahī̃ karēgā . ⁷¹Nā mē̃ bhī hā̃ kā anubhav karēgā . ⁷²Aur jiskā man bharpūr nahī̃ hōtā vah ātmā bāhar sē kitnī bhī vastu aur sādhan sē bharpūr hōtē bhī vah kabhī bhī apnē kō bharpūr nahī̃ samajhēgā . ⁷³Aisī ātmā sadā ichchhā kē|K kāraṇ ‘ chāhiē chāhiē ’ kā gīt gātī rahēgī .

³⁸Is this royalty?

⁷⁴Her|har bāt mē̃ yē hōnā chāhiē , yē karnā chāhiē , yē milnā chāhiē , yē badalnā chāhiē … her|har samay yahī gīt gātē rahēgē̃ . ⁷⁵Aur man sē bharpūr ātmā sadā yahī gīt gātī rahēgī sab pā liyā , prāpt hō gayā , yē hōnā chāhiē , yē karnā chāhiē , yē chāhiē chāhiē bhī royal māṅgnē kē|K saṅskār haĩ . ⁷⁶Bēhad kī|key sēvā-prati sōchnā ki yē hōnā chāhiē , yē karnā chāhiē , vah alag bāt hai lēkin sva kī|key had kē|K prāpti arth|earth chāhiē chāhiē yē royal māṅgnā hai . ⁷⁷Nām chāhiē , mān chāhiē , śhān chāhiē , pyār chāhiē , pūchhnā chāhiē - yē sab had kī|key bātē̃ haĩ .

³⁹It is not.

⁷⁸Royal ātmā mē̃ māṅgnē kā aṅśh mātra bhī saṅskār nahī̃ hōtā hai .

⁴⁰The royalty of such purity is reality.

⁷⁹Samjhā - royalty kyā hōtī hai  ?

⁴¹This is the sign of royalty.

⁸⁰Tapasyā kē|K chart mē̃ yah sab check karnā , aisē nahī̃ , mainnē kisī kō gālī nahī̃ the|dī , krōdh nahī̃ kiyā , nahī̃ , yah sab bātē̃ check karnā . ⁸¹Phir prize lēnā .

⁴²If you do not have this sign, then understand that you do not have the royalty of purity yet, or that you only have it to a certain percentage, not fully.

⁸²Tapasyā kā arth|earth hī hai - sampūrṇ pavitra bannā . ⁸³Tō pavitratā kī|key personality , pavitratā kī|key royalty kahô tak praikṭi-kal mē̃ rahī hai yah check karnā hai .

⁴³The second sign of reality that BapDada constantly tells you about is that when there is truth, the soul continues to dance.

⁸⁴Iskō kahē̃gē tapasvīrāj . ⁸⁵Samjhā - royalty kyā hai  ?

⁴⁴True souls will constantly continue to dance in happiness.

⁸⁶Royal ātmā kā chēhrā aur chalan dōnō̃ hī satyatā kī|key sabhyatā anubhav karāyēṅgē .

⁴⁵Their happiness will not be less at some times and greater at other times.

⁸⁷Vaisē bhī royal ātmāō̃ kō sabhyatā kī|key dēvī kahā jātā hai .

⁴⁶Day by day, at every moment, their happiness continues to increase.

⁸⁸Unkā bōlnā , dēkhnā , chalnā , khān-pīnā , uṭhnā-baiṭhnā , her|har karma mē̃ sabhyatā satyatā svataḥ hī dikhāī dēgī . ⁸⁹Aisē nahī̃ ki maĩ tō satya kō siddh kar rahā hū̃ aur sabhyatā hō hī nahī̃ . ⁹⁰Kaī bachchē kahtē haĩ vaisē krōdh nahī̃ ātā hai , lēkin kōī jhūṭh bōltā hai tō krōdh ā jātā hai . ⁹¹Usnē jhūṭh bōlā , āpnē krōdh sē bōlā tō dōnō̃ mē̃ right kaun  ?

⁴⁷The sign of reality is to constantly dance in happiness.

⁹²Satyatā kō siddha karnē vālā sadā sabhyatā vālā hōgā . ⁹³Kaī chaturāī kartē haĩ , kahē̃gē ham krōdh nahī̃ kartē haĩ , hamārā āvāj hī baṛā hai , āvāj hī aisā tēj hai . ⁹⁴Science kē|K sādhanō̃ sē āvāj kō kam|cum aur jyādā kar saktē haĩ nā tō kyā silence kē|K power sē apnē āvāj kī|key gati kō dhīmī yā tēj nahī̃ kar saktē hō  ? ⁹⁵Issē tō yē tape record aur yē mike achchhā hai jō āvāj kam|cum jyādā tō kar saktē hō .

⁴⁸You speak of the eyes and the features.

⁹⁶Tō yē check karō ki satyatā kē sāth sabhyatā bhī hai  ? ⁹⁷Agar sabhyatā nahī̃ tō satyatā nahī̃ . ⁹⁸Tō purity kī|key royalty sadā pratyakṣha rūp mē̃ dikhāī dē . ⁹⁹Aisē nahī̃ , andar mē̃ tō royalty hai , bāhar dēkhnē mē̃ nahī̃ ātī .

⁴⁹So, then, the meaning of royalty is that you will be constantly cheerful in your heart and also in your features ­ not just external cheerfulness, but cheerfulness even in your heart.

¹⁰⁰Agar andar hai tō bāhar mē̃ jarūr dikhāī dēgī .

⁵⁰A cheerful heart and a cheerful face ­ both should be cheerful.

¹⁰¹Satyatā kī|key royalty kō kōī chhipā nahī̃ saktā . ¹⁰²Ismē̃ gupta nahī̃ rahnā hai . ¹⁰³Kaī kahtē haĩ gupta puruṣhārthī haĩ isīliē gupta rahtē haĩ .

⁵¹It often happens that your heart is not cheerful, but at the time of having to be extroverted, you show a smiling face.

¹⁰⁴Lēkin jaisē sūrya kō kōī chhipā nahī̃ saktā , satyatā kē|K sūrya kō kōī chhipā nahī̃ saktā . ¹⁰⁵Na kōī kāraṇ chhipā saktā hai , na kōī vyakti .

⁵²This is called being cheerful temporarily, but you should have a permanently cheerful heart and a cheerful face.

¹⁰⁶Satya sadā hī satya hai . ¹⁰⁷Satyatā kī|key śhakti sabsē mahān hai . ¹⁰⁸Satyatā siddha karnē sē siddha nahī̃ hōtī .

⁵³The royalty and reality of purity means that the heart and face should both be cheerful eternally.

¹⁰⁹Satyatā kī|key śhakti kō svataḥhī siddha hōnē kī|key siddhi prāpt hōtī hai .

⁵⁴Check yourself; do not begin to check others, but check yourself.

¹¹⁰Satyatā kō agar kōī siddha karnē chāhtā hai tō vah siddha jidda hō jātā hai . ¹¹¹Isliē satyatā svayã hī siddha hōtī hī hai .

⁵⁵Such royal souls are much loved by BapDada and the entire Brahmin family.

¹¹²Uskō siddha karnē kī|key āvaśhyaktā nahī̃ hai .

⁵⁶What is the speciality of a really loved soul?

¹¹³Samjhā . ¹¹⁴Tapasyā varṣh mē̃ kyā dikhānā hai  ? ¹¹⁵Purity kī|key personality aur royalty . ¹¹⁶Achchhā  !

⁵⁷According to the systems of today, you become attracted towards someone for whom you have a lot of love.

¹¹⁷Dēśh-vidēśh kē|K taraph sē sabhī bachchō̃ kē|K patra , yādpyār purūṣhārth kē|K , sēvā kē|K samāchār aur dil kī|key rūhrihān sab bāpdādā kē pās pahũch rahī hai , pahũch gaī hai . ¹¹⁸Bāpdādā sabhī bachchō̃ kō nām sahit yād pyār dē rahē haĩ . ¹¹⁹Har ēk samajhē pahlē hamārī yād . ¹²⁰Kyōṅki bāp-dādā yādpyār kā respond avyakt rūp sē tō usī ghaṛī dē hī dētē haĩ .

⁵⁸In your language you call this attachment.

¹²¹Lēkin phir bhī sākār vidhi sē svayã bhī sākār mē̃ patra likhtē haĩ yā yādpyār bhējtē tō bāpdādā bhī sākār vidhi pramāṇ sākār rūp mē̃ bhī return yādpyār dē rahē haĩ . ¹²²Bāpdādā jāntē haĩ ki chārō̃ ōr umaṅg-utsāh tapasyā kā aur mansā vibration dvārā sēvā kā , achchhā hai aur rahēgā . ¹²³Abhī aur bhī āgē guṇ-rāzayukta

¹²⁴Bātō̃ kō sāmnē rakh purūṣhārth kō , sēvā kō mahīn aur mahān banātē chalō . ¹²⁵Sabhī bachchō̃ kō , jō sammukh baiṭhē haĩ vā ākār svarūp sē bāp kē|K sammukh haĩ , aisē sarv sammukh arthāt sadā sāth rahnē vālē nayanō̃ mē̃ , mukh mē̃ , man mē̃ sadā bachchō̃ kē|K bāp haĩ aur bāp kē|K bachchē haĩ . ¹²⁶Aisē sadā yād mē̃ samāyē huē śhrēṣhṭh ātmāyē̃ , sadā purity kē|K reality aur royalty mē̃ rahnē vālī ātmāē̃ , sadā man sē sampann bhar-pūr rahnē vālī ātmāō̃ kō bāpdādā kā yādpyār aur namastē .

¹²⁷Party sē mulākāt ¹²⁸Group -1 ḥ padmāpadma bhāgyavān ātmāyē̃ anubhav kartē hō  !

⁵⁹Because you have love for that one there will be attachment, will there not?

¹²⁹Itnā śhrēṣhṭh bhāgya sārē kalp mē̃ kisī bhī ātmā kā nahī̃ hai . ¹³⁰Chāhē kitnē bhī nāmīgrāmī ātmāyē̃ hō̃ , lēkin āpkē bhāgya kē āgē unhō̃ kā bhāgya kyā hai  ?

⁶⁰However, if someone is truly loved, the sign of such real and royal love is that the more love you have, the more detached you will be.

¹³¹Vah hai alpkāl kā bhāgya aur brāhmaṇ ātmāō̃ kā hai - avināśhī bhāgya . ¹³²Sirph is ēk janm kā nahī̃ hai , janm-janm kā hai .

⁶¹Therefore, that one himself doesn't develop extra attachment and nor do others develop attachment for that one.

¹³³Bāp kā bannā arthāt bhāgya kā varsā adhikār mē̃ milnā .

⁶²This is known as real love, perfect love.

¹³⁴Tō adhikār tō mil gayā nā . ¹³⁵Bachchā arthāt adhikār , varsā . ¹³⁶Adhikār kā naśhā hai ki utartā chaṛhtā hai  ? ¹³⁷Ādhākalp tō nīchē hī utarē , abhī kyā karnā hai  ?

⁶³That soul will be cheerful and will also attract others, but will not attract others in a limited way.

¹³⁸Chalnā hai , chaṛhnā hai yā uṛnā hai  ? ¹³⁹Uṛnē vālī chīj bīch mē̃ kabhī rūktī nahī̃ .

⁶⁴So, what is the sign of one who is real and royal?

¹⁴⁰Rūkēṅgē tō nīchē āyēṅgē .

⁶⁵Deep love and great detachment.

¹⁴¹Thōṛē sē samay mē̃ bhī rūkēṅgē phir uṛē̃gē tō mañjil par kaisē pahũchēṅgē  ? ¹⁴²Isliē uṛtē rahō . ¹⁴³Lēkin sadā uṛēgā kaun  ? ¹⁴⁴Jō halkā hōgā .

⁶⁶Another specialty of royalty is that that soul will not have the sanskar of asking for anything, whether physical or subtle.

¹⁴⁵Tō halkē hō nā  ?

⁶⁷Why is that?

¹⁴⁶Yā tan kā , man kā , sambandh kā bōjh hai  ?

⁶⁸A royal soul is always complete, full.

¹⁴⁷Agar bōjh nahī̃ hai tō rūktē kyō̃ haĩ  ? ¹⁴⁸Jō bōjh vālī chīj hai vō nīchē ātī hai aur jō halkī hōtī hai vah sadā ūpar rahtī hai . ¹⁴⁹Āp sab tō double light hō nā  ?

⁶⁹One is to be full externally, full with physical things, full with physical facilities, and the other is to be full in the mind.

¹⁵⁰Tō sadā apnē bhāgya kō smr̥iti mē̃ rakhnē sē bhāgya vidhātā bāp svataḥ hī yād āyēgā . ¹⁵¹Bhāgya vidhātā kō yād karnā arthāt bhāgya kō yād karnā aur bhāgya kō yād karnā arthāt bhāgya vidhātā kō yād karnā . ¹⁵²Dōnō̃ kā sambandh hai .

⁷⁰One who is full in the mind will never feel himself to be lacking anything, even if he is not full with physical things and facilities, because the mind is full.

¹⁵³Kōī bhī ēk kō yād karō tō dōnō̃ yād ā jātē haĩ . ¹⁵⁴Tō chaltē - phirtē vāh mērā śhrēṣhṭh bhāgya  !

⁷¹Even if something is not there, he will experience it to be there.

¹⁵⁵Jō saṅkalp mē̃ bhī na thā lēkin sākār svarūp mē̃ prāpt kar rahē haĩ . ¹⁵⁶Itnā sahaj bhāgya aur prāpt kitnā sahaj hō gayā  ! ¹⁵⁷Kisī bhī mahān ātmā kē pās jātē haĩ tō had kī|key prāpti kē liē - chāhē bachchā chāhiē , chāhē dhan chāhiē , chāhē tan kī|key tandarūstī chāhiē , tō ēk prāpti kē liē bhī kitnī mēhnat karātē haĩ aur āpkō kyā karnā paṛā  ?

¹⁵⁸Mēhnat karnī paṛī  ? ¹⁵⁹Yā āṅkh khulī , tīsrā nētra khulā aur dēkhā bhāgya kā nazārā . ¹⁶⁰Ghar baiṭhē parichay mil gayā . ¹⁶¹Āp lōgō̃ kō ḍhūṇḍhnā nahī̃ paṛā .

⁷²But no matter how full a soul may be with physical things and facilities, if his mind is not full he will never consider himself to be full.

¹⁶²Kōī had kē|K khān sē bhī had kā khazānā lēnā hō tō kitnī bhāgdauṛ karnī paṛtī hai .

⁷³Even though the soul has everything, he never considers himself to be full.

¹⁶³Yē tō sahaj hī āpkō ghar baiṭhē hāth mē̃ mil gayā . ¹⁶⁴Ēk bāp ēk parivār .

⁷⁴Such a soul constantly sings the song, “I want, I want”, because of desires.

¹⁶⁵Anēktā khatm hō gaī aur sabhī ēk hō gayē . ¹⁶⁶Apnā bāp , apnā parivār . ¹⁶⁷Apnā lagtā hai nā . ¹⁶⁸Chāhē kitnā bhī dūr hō lēkin snēh samīp lē ātā hai .

⁷⁵At all times, that soul sings the song, “This should happen, that should be done, that should be received, this should change.”

¹⁶⁹Snēh nahī̃ tō sāth rahtē bhī dūr lagtā hai . ¹⁷⁰Tō īśhvarīy snēh vālē parivār mē̃ ā gayē . ¹⁷¹Isliē sadā yād rakhō - ōhō mērā śhrēṣhṭh bhāgya  !

⁷⁶That soul constantly sings these songs, whereas a soul who is full in the mind constantly sings the song, “I have found; I have attained.”

¹⁷²Bhāgya vidhātā dvārā śhrēṣhṭh bhāgya pā liyā . ¹⁷³Jab bāp nē apnā banā liyā tō aur kyā chāhiē  ?

⁷⁷To say, “this should happen”, “this should be done”, are the sanskars of royal asking.

¹⁷⁴Achchhā ban gayē nā tō ichchhā khatm hō gaī . ¹⁷⁵Achchhā nahī̃ bantē tō ichchhā rahtī .

⁷⁸One is to think for the sake of unlimited service, where

¹⁷⁶Ichchhāyē̃ sab sampann hō gaī . ¹⁷⁷Bāp milā sab kuchh milā .

⁷⁹you think, "This should happen”, “this should be done".

¹⁷⁸Tō tr̥ipt ātmā sadā rūhānī naśhē mē̃ rahtī hai . ¹⁷⁹Jō bharpūr ātmā hōtī hai tō uskē naśhē kō dēkhō - kahē , nahī̃ kahē , lēkin uskā naśhā svataḥ dikhāī paṛtā hai . ¹⁸⁰Tō āpkā rūhānī naśhā kitnā baṛā hai  ! ¹⁸¹Tō āp kyā yād rakhē̃gē  !

⁸⁰To think about wanting something for the unlimited, for the sake of service is a different matter, but to have the thought of wanting for a limited attainment of the self is royal asking.

¹⁸²Vāh mērā śhrēṣhṭh bhāgya . ¹⁸³Yah yād rahēgā ki bāmbē jāyēṅgē tō bhūl jāyēgā  ? ¹⁸⁴Bāmbē mē̃ jitnā māyā kā force hai utnā āpmē̃ rūhānī force hai .

⁸¹The desire for name, the desire for respect, the desire for honour, the desire for love, to want to be consulted; all these are limited matters.

¹⁸⁵Kahtē haĩ nā bāmbē māyā nagarī hai . ¹⁸⁶Āp kyā kahē̃gē  ?

⁸²A royal soul does not even have a trace of the sanskar of asking.

¹⁸⁷Hamārē liē bāp kī|key nagarī hai . ¹⁸⁸Achchhā .

⁸³Do you understand what royalty is?

¹⁸⁹Group -2 ḥ apnē kō brāhmaṇ saṅsār kā samajhtē hō .

⁸⁴In your chart of tapasya, check all of this.

¹⁹⁰Brāhmaṇ saṅsār hī hamārā saṅsār hai , bāp hī hamārā saṅsār hai - aisē anubhav kartē hō ki aur bhī kōī saṅsār hai . ¹⁹¹Bāp aur chhōṭā sā parivār yahī saṅsār hai .

⁸⁵Don't just check, “I did not insult anyone, I did not get angry”, but check all these things, and then claim the prize.

¹⁹²Jab aisā anubhav karē̃gē tab nyārē aur pyārē banē̃gē .

⁸⁶The meaning of tapasya is to become completely pure.

¹⁹³Apnā saṅsār hī nyārā hai . ¹⁹⁴Apnī dr̥iṣhṭi - vr̥itti sab nyārī hai . ¹⁹⁵Brāhmaṇō̃ kī|key vr̥itti mē̃ kyā rahtā hai  ?

⁸⁷Check to what extent your personality of purity and the royalty of purity is practical.

¹⁹⁶Kisī kō bhī dēkhtē hō tō ātmik vr̥itti sē , ātmik dr̥iṣhṭi sē miltē hō .

⁸⁸Such souls are known as tapaswi­raj (royal tapaswis).

¹⁹⁷Jaisī dr̥iṣhṭi , vaisī sr̥iṣhṭi .

⁸⁹Do you understand what royalty is?

¹⁹⁸Agar vr̥itti aur dr̥iṣhṭi mē̃ ātmik dr̥iṣhṭi hai tō sr̥iṣhṭi kaisī lagēgī  ? ¹⁹⁹Ātmāō̃ kī|key sr̥iṣhṭi kitnī baṛhiyā hōgī  ?

⁹⁰Both the face and the activity of a royal soul will give the experience of the manners of truth.

²⁰⁰Śharīr kō dēkhtē bhī ātmā kō dēkhē̃gē . ²⁰¹Śharīr tō sādhan hai .

⁹¹In any case, royal souls are known as the goddesses of manners.

²⁰²Lēkin is sādhan mē̃ viśhēṣhtā ātmā kī hai nā . ²⁰³Ātmā nikal jātī hai tō śharīr kē|K sādhan kī|key kyā value hai  ! ²⁰⁴Ātmā nahī̃ hai tō dēkhnē sē bhī ḍar lagtā hai . ²⁰⁵Tō viśhēṣhtā tō ātmā kī hai .

⁹²Their speaking, their walking, their eating and drinking, sitting and standing, their every action will automatically reveal the manners (sabhyata) and the truth (satyata).

²⁰⁶Pyārī bhī ātmā lagtī hai . ²⁰⁷Tō brāhmaṇō̃ kē|K saṅsār mē̃ svataḥ chaltē phirtē ātmik dr̥iṣhṭi , ātmik vr̥itti hai isliē kōī duḥkh kā nām - niśhān nahī̃ . ²⁰⁸Kyōṅki duḥkh hōtā hai śharīr bhān sē .

⁹³It should not be that you prove the truth, and yet you do not have any manners. ⁹⁴Many children say, “I don't normally get angry, but when someone tells lies, I get angry.”

²⁰⁹Agar śharīr bhān kō bhūlkar ātmik svarūp mē̃ rahtē haĩ tō sadā sukh hī sukh hai .

⁹⁵Someone tells lies and you speak with anger; who is right out of the two?

²¹⁰Sukhdāyī - sukhmay jīvan . ²¹¹Kyōṅki bāp kō kahtē hī haĩ - sukhdātā .

⁹⁶Those who prove the truth will always have manners.

²¹²Tō sukhdātā dvārā sarv sukhō̃ kā varsā mil gayā . ²¹³Mā̃ bāp kahā aur varsā milā . ²¹⁴Tō sukh kī|key śhaiyā par sōnē vālē .

⁹⁷Some are very clever and say: “I don't get angry, but my voice is loud, my voice is sharp.”

²¹⁵Chāhē sthūl mē̃ bistar par sōtē hō , lēkin man kis par sōtā hai  ? ²¹⁶Chaltē-phirtē kyā lagtā hai  ?

⁹⁸With the instruments of science, one can reduce or increase the sound.

²¹⁷Sukh hī sukh hai . ²¹⁸Saṅsār hī sukhmay hai sukh hī sukh dikhāī dēgā nā .

⁹⁹So can you not, with the power of silence, reduce or raise your sound?

²¹⁹Duḥkhdhām kō chhōṛ diyā . ²²⁰Abhī bhī duḥkhdhām mē̃ rahtē hō yā kabhī-kabhī chakkar lagānē jātē hō  ? ²²¹Duḥkhdhām sē kinārā kar diyā .

¹⁰⁰Your tape recorder and mike are better than you in that their sound can be reduced or increased.

²²²Saṅgam par ā gayē hai nā .

¹⁰¹So check this.

²²³Abhī saṅgamyugī hō yā kaliyugī hō  ?

¹⁰²Together with the truth, are there manners?

²²⁴Svapn mē̃ bhī duḥkhdhām mē̃ nahī̃ jā saktē .

¹⁰³If there aren't any manners, there is no truth.

²²⁵Nayā jīvan hai nā . ²²⁶Yug bhī badal gayā , jīvan bhī badal gayā .

¹⁰⁴The royalty of purity should be constantly visible externally.

²²⁷Abhī saṅgamyugī śhrēṣhṭh brāhmaṇ ātmāyē̃ haĩ - isī naśhē mē̃ sadā rahō .

¹⁰⁵It will not be that inside you have royalty and externally but it is not visible.

²²⁸Sukhmay saṅsār mē̃ rahnē vālē sukh svarūp ātmāyē̃ .

¹⁰⁶If it is inside, it would definitely be visible outside.

²²⁹Duḥkh tō 63 janm dēkh liyā .

¹⁰⁷No one can hide the royalty of truth.

²³⁰Abhī saṅgam par atīndriya sukh kē|K jhūlē mē̃ jhūlnē vālē haĩ .

¹⁰⁸Do not remain incognito in this.

²³¹Yah bāhar kā sukh nahī̃ hai , atīndriya sukh hai . ²³²Vināśhī sukh tō kaliyugī ātmāō̃ kō bhī hai .

¹⁰⁹Some say that they remain incognito because they are incognito effort­makers.

²³³Lēkin āpkō atīndriya sukh hai . ²³⁴Agar indriyō̃ kā sukh hai tō indriyā̃ tō khud hī vināśhī haĩ tō sukh bhī vināśhī hōgā nā  ?

¹¹⁰However, just as no one can hide the sun, so no one can hide the sun of truth, nor can any reason or individual hide it.

²³⁵Kabhī bhī yē saṅkalp mē̃ nahī̃ ā saktā ki phalānē nē mujhē bahut duḥkh dē diyā .

¹¹¹The truth is always the truth.

²³⁶Phalānā bahut duḥkhī kartā hai yē saṅkalp bhī nahī̃ kar saktē .

¹¹²The power of truth is the greatest power of all.

²³⁷Agar kisī nē duḥkh diyā tō āpnē liyā kyō̃  ?

¹¹³Truth cannot be proved by trying to prove it.

²³⁸Dēnē vālē nē diyā , aur āpnē nahī̃ liyā , tō kiskē pās|pass rahā  ?

¹¹⁴The power of truth automatically has the attainment of being proved.

²³⁹Āpkō tō nahī̃ milā nā , tō lētē kyō̃ hō  ? ²⁴⁰Jō kahtē hō mērē kō bahut duḥkhī kiyā .

¹¹⁵If anyone tries to prove truth, then that proof becomes stubbornness.

²⁴¹Yē bahut duḥkh dēnē vālā hai - brāhmaṇō̃ kē|K yē bōl nahī̃ .

¹¹⁶Therefore, truth is self­evident; there is no need to prove it.

²⁴²Aisē bōl kabhī bōltē hō  ?

¹¹⁷Do you understand?

²⁴³Mātāyē̃ kabhī bōltī hō - bahu nē bahut duḥkh diyā , taṅg kiyā .

¹¹⁸What do you have to show in the Year of Tapasya?

²⁴⁴Bahu kahē - sāsu nē bahut duḥkh diyā , nanad nē bahut duḥkh diyā .

¹¹⁹The personality and the royalty of purity.

²⁴⁵Aisē tō nahī̃ kahtī hō , bhāṣhā parivartan hō gaī hai . ²⁴⁶Lēnē vālē lē̃gē nahī̃ tō kahā̃ sē āpkē pās|pass āyā  ? ²⁴⁷Bāpdādā nē kyā pakkā karāyā thā - na duḥkh dō , na duḥkh lō . ²⁴⁸Ham tō kiskō duḥkh dētē nahī̃ , yah adhūrā huā .

¹²⁰Achcha. ¹²¹The letters, the love and remembrance of effort, the service news and the spiritual conversations of the heart of all the children from this land and abroad have reached and are reaching BapDada.

²⁴⁹Duḥkh lētē bhī nahī̃ . ²⁵⁰Tō jab na dēgē , na lē̃gē , tab atīndriya sukh mē̃ rahē̃gē .

¹²²BapDada gives love and remembrance to all the children personally by name.

²⁵¹Dēnē vālā kōī kichṛā dēvē tō lē lēgē̃  ? ²⁵²Duḥkh achchhā hai yā burā  ? ²⁵³Jab burī chīj hai tō lētē kyō̃ hō  ? ²⁵⁴Vō dē dētā hai majbūrī sē isīliē lē lētē hō  ?

¹²³Each of you should think that you have been remembered first, because BapDada gives the response of love and remembrance in the avyakt form at that same moment.

²⁵⁵Agar kōī kichṛā phēṅk kar bhī jāyē tō āp kyā karē̃gē  ? ²⁵⁶Phēṅk dēgē yā rakh dēgē , jamā karkē  ?

¹²⁴However, with the corporeal method, you yourself write a letter in the corporeal, that is, you send love and remembrance.

²⁵⁷Agar jabardastī kōī dē bhī dētā hai tō khatm kar dō , rakhtē kyō̃ hō , dhāraṇ kyō̃ kartē hō  ? ²⁵⁸Brāhmaṇ arthāt sadā sukhī  ?

¹²⁵This is why BapDada gives love and remembrance in return through the corporeal method.

²⁵⁹Sadā sukh dēnē vālē . ²⁶⁰Brāhmaṇō̃ kā kām hai - sukh dēnā aur sukh lēnā . ²⁶¹Tō sadā sukh kē|K jhūlē mē̃ jhūltē rahō . ²⁶²Bāp kahtē haĩ - sadā bāp kē sāth jhulē mē̃ jhūltē rahō .

¹²⁶BapDada knows that there is and there will be very good zeal and enthusiasm everywhere for tapasya and service through vibrations of the mind.

²⁶³Yahī bhakti kā phal hai . ²⁶⁴Sadā royal family vālē hō nā . ²⁶⁵Royal family vālē sadā galīchō̃ mē̃ chaltē , miṭṭī mē̃ nahī̃ . ²⁶⁶Tō jhūlē mē̃ jhūlō .

¹²⁷Now, keep even deeper aspects filled with significance in front of you, and continue to make your efforts and service deeper and greater.

²⁶⁷Nīchē ānā arthāt miṭṭī mē̃ ānā . ²⁶⁸Yah dēh bhī miṭṭī hai nā . ²⁶⁹Tō dēh bhān mē̃ nīchē ānā arthāt miṭṭī mē̃ pāṅw rakhnā . ²⁷⁰Tō jab galatī|galtī sē bhī miṭṭī mē̃ pāṅw rakhtē hō us samay apnē sē pūchhō ki ham royal bāp kē|K bachchē aur miṭṭī mē̃ pāṅw kaisē rakhā  ?

¹²⁸All the children who are personally sitting in front of Baba now, or who are in front of the Father in the subtle form, all such children who are always in front of BapDada, that is, who are constantly with the Father, remain in His eyes, on His lips and in His mind, and the Father remains in their eyes, on their lips and in their mind.

²⁷¹Mā̃ bāp kē|K jō lāḍlē bachchē hōtē haĩ tō kōśhiśh kartē haĩ sadā gōdī mē̃ khēltā rahē . ²⁷²Nīchē nahī̃ rakhē̃gē . ²⁷³Tō āp bhī lāḍlē hō . ²⁷⁴Jab bāp nē itnā sikīladhā lāḍlā banā diyā tō lāḍlē hōkar chalō nā , sādhāraṇ nahī̃ banō .

¹²⁹To such elevated souls who are merged in remembrance, to the souls who constantly remain in the reality and royalty of purity, to the souls who always remain full and complete in their mind, BapDada's love, remembrance and namaste.

²⁷⁵Achchhā .

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