Avyakt murli du lundi 28 février 1972

Cette vue propose une écriture courante du hindi en caractères latins, sans signes diacritiques, générée automatiquement depuis le texte hindi.

Comment est produit le Hinglish ?

Le site utilise généralement aa, ee et oo pour les voyelles longues (a, i et u en fin de mot), ch et chh, sh et ri. Les mots anglais reconnus par le dictionnaire conservent leur orthographe anglaise. Des règles de suppression de certaines voyelles implicites et une liste de mots fréquents donnent des graphies familières comme aatma, shanti, main et hoon.

Il n’existe pas une seule orthographe informelle : ces conventions donnent une version cohérente, mais certaines graphies peuvent différer de celles que vous connaissez. La vue « Hindi translittéré » conserve les distinctions de l’ISO 15919 adaptée.

Exemples d’écriture courante
HindiHinglish
आत्माaatma
शान्तिshanti
मैंmain
हूँhoon

> 28-02-72om shanti avyakt baapdaadaamdhuban

avyakt baapdaada ke saath bachchon ki mulaaqaat

jaisepreeksha ka samay najdeek aata ja raha hai to apne sampoorn sthiti ka bhi pratyaksha saakshaatkaar va anubhav pratyaksha roop mein hota jaata hai? jaise number one aatma apne sampoorn stage ka chalte-phirte practical roop mein anubhav karte the, vaise aap logon ko apni sampoorn stage bilkul sameep aur spashta anubhav hoti hai? jaise purushaarthi brahma aur sampoorn brahma - donon hi stage spashta thi na। vaise aap logon ko apni sampoorn stage itni spashta aur sameep anubhav hoti hai? abhi-abhi yeh stage hai, phir abhi-abhi woh hongi - yeh anubhav hota hai? jaise saakaar mein bhavishya ka bhi abhi-abhi anubhav hota tha na। bhale kitna bhi kaarya mein tatpar rehte hain lekin apne saamne sadaiv sampoorn stage honi chaahiye ki us stage par bas pahunche ki pahunche। jab aap sampoorn stage ko sameep laavenge to vaise hi samay bhi sameep aavega। samay aapko sameep laayega va aap samay ko sameep laayengi, kya hona hai? us taraph se samay sameep aayega, is taraph se aap sameep honge। donon ka mel hoga। samay kab bhi aaye lekin svayan ko sadaiv sampoorn stage ke sameep laane ke purooshaartha mein aisa taiyaar rakhna chaahiye jo samay ki intajaar aapko na karni pade। purushaartheeko sadaiv ever ready rehna hai। kisko intajaar na karna pade। apna poora intajaam hona chaahiye। ham samay ko sameep laayenge, na ki samay hamko sameep laayega - nasha yeh hon chaahiye। jitna apne saamne sampoorn stage sameep hoti jaavegi utni vishvaki aatmaon ke aage aapki antim karmaateet stage ka saakshaatkaar spashta hota jayega। isse judge kar sakte ho ki saakshaatkaarmoorta ban vishwa ke aage saakshaatkaar karaane ka samay najdeek hai va nahin। samay to bahut jaldi-jaldeedaudalga raha hai। 10 varsha kehte-kehte 24 varsha tak pahunch gaye hain। samay keeraftaaraanubhav se tej to anubhav hoti hai na। is hisaab se apni sampoorn stage bhi spashta aur sameep honi chaahiye। jaise school mein bhi stage hoti hai to saamne dekhte hi samajhte hain ki is par pahunchna hai। isi pramaan sampoorn stage bhi aise sahaj anubhav honi chaahiye। ismen kya chaar varsha lagenge va 4 second? hai to second ki baat। ab second mein sameep laane ki scheme banaao va plan banaao। plan banaane mein bhi time lag jaavega lekin us stage par upasthit ho jaayen to samay nahin lagega। pratyakshata sameep aa rahi hai, yeh to samajhte ho। vaayumandal aur vrittiyaan parivartan mein aa rahi hain। isse bhi samajhna chaahiye ki pratyakshata ka samay kitna jaldi-jaldi aage aa raha hai। mushkil baat saral hoti ja rahi hai। sankalp to siddha hote ja rahe hain। nirbhayta aur sankalp mein dridhta - yeh hai sampoorn stage ke sameep ki nishaani। yeh donon hi dikhaai de rahe hain। sankalp ke saath-saath aapki result bhi spashta dikhaai de। iske saath-saath phal ki praapti bhi spashta dikhaai de। yeh sankalp hai yeh iski result। yeh karma hai yeh inka phal। aisa anubhav hota hai। isko hi pratyakshaphal kaha jaata hai। achha!

jaise baap ke teen roop prasiddha hain, vaise apne teenon roopon ka saakshaatkaar hota rehta hai? jaise baap ko apne teenon roopon ki smriti rehti hai, aise hi chalte-phirte apne teenon roopon ki smriti rahe ki ham master trimoorti hain। teenon karttavyaikatthesaath-saath chalne chaahiye। aise nahin-sthaapna ka karttavya karne ka samay alag hai, vinaash ka karttavya ka samay alag hai, phir aur aana hai। nahin। nai rachna rachte jaate hain aur puraani ka vinaash। aasuri sanskaar va jo bhi kamjoriyaan hain unka vinaash bhi saath-saath karte jaana hai। naye sanskaar la rahe hain, puraane sanskaar khatma kar rahe hain। to sampoorn aur shakti roop, vinaashkaari roop na hone kaaran safaltaan ho paati hai। donon hi saath hone se safaltaaho jaati hai। yeh do roop yaad rahne se devta roop aapehi aavega। donon roop ke smriti ko hi final purooshaartha ki stage kahenge। abhi-abhi brahman roop abhi- abhi shakti roop। jis samay jis roop ki aavashyakta hai us samay vaisa hi roop dhaaran kar karttavya mein lag jaayen - aisi practice chaahiye। woh practice tab ho sakegi jab ek second mein dehi-abhimaani banne ka abhyaas hoga। apni buddhi ko jahaan chaahen vahaan laga saken - yeh practice bahut zaroori hai। aise abhyaasi sabhi kaarya mein saphal hote hain। jismen apne ko mould karne ki shakti hai vahi samjho real gold hai। jaise sthool karmendriyon ko jahaan chaahe mod sakte ho na। agar nahin mudti to isko beemaari samajhti ho। buddhi ko bhi aise easy mod saken। aise nahin ki buddhi hamko mod le jaaye। aise sampoorn stage ka yaadgaar bhi gaaya hua hai। din-prati-din apne mein parivartan ka anubhav to hota hai na। sanskaar va svabhaav va kami ko dekhte hain tab neeche aa jaate। to ab din-prati-din yeh parivartan laana hai। koi ka bhi svabhaav- sanskaar dekhte hue, jaante hue us taraph buddhiyog na jaaye। aur hi us aatma ke prati shubh bhaavna ho। ek taraph se suna, doosre taraph se khatma।