Daily Murli for Sunday 29 November 2020

29-11-20 praatahmurli om shanti ''avyakt-baapdaada'' revise 23-01-87 madhuban

saphalta ke sitaare ki visheshtaayen

aaj gyaan-soorya, gyaan-chandrama apne chamakte hue taaraamandal ko dekh rahe hain। woh aakaash ke sitaare hain aur yeh dharti ke sitaare hain। woh prakriti ki satta hai, yeh parmaatma-sitaare hain, roohaani sitaare hain। woh sitaare bhi raat ko hi pragat hote hain, yeh roohaani sitaare, gyaan-sitaare, chamakte hue sitaare bhi brahma ki raat mein hi pragat hote hain। woh sitaare raat ko din nahin banaate, sirf soorya raat ko din banaata hai। lekin aap sitaare gyaan-soorya, gyaan chandrama ke saath saathi ban raat ko din banaate ho। jaise prakriti ke taaraamandal mein anek prakaar ke sitaare chamakte hue dikhaai dete hain, vaise parmaatma-taaraamandal mein bhi bhinna-bhinna prakaar ke sitaare chamakte hue dikhaai de rahe hain। koi sameep ke sitaare hain aur koi door ke sitaare bhi hain। koi saphalta ke sitaare hain to koi ummeendavaar sitaare hain। koi ek sthiti vaale hain aur koi sthiti badalne vaale hain। woh sthaan badalte, yahaan sthiti badalte। jaise prakriti ke taaraamandal mein puchchhaltaare bhi hain arthaat har baat mein, har kaarya mein “yeh kyon'', “yeh kya''-yeh poochhne ki poonchh vaale arthaat question mark karne vaale puchchhaltaare hain। jaise prakriti ke puchchhaltaare ka prabhaav prithvi par bhaari maana jaata hai, aise baar-baar poochhne vaale is brahman parivaar mein vaayumandal bhaari kar dete hain। sabhi anubhvi ho। jab svayan ke prati bhi sankalp mein “kya'' aur “kyon'' ka poonchh lag jaata hai to man aur buddhi ki sthiti svayan prati bhaari ban jaati hai। saath-saath agar kisi bhi sangathan ke beech va seva ke kaarya prati kyon, kya, aisa, kaisa,… - yeh question mark ki queue ka poonchh lag jaata hai to sangathan ka vaataavran va seva kshetra ka vaata-varan phauran bhaari ban jaata hai। to svayan prati, sangathan va seva prati prabhaav pad jaata hai na। saath-saath kai prakriti ke sitaare oopar se neeche girte bhi hain, to kya ban jaate hain? patthar। parmaatma-sitaaron mein bhi jab nishchay, sambandh va sva-dhaarna ki oonchi sthiti se neeche aa jaate hain to patthar buddhi ban jaate hain। kaise pattharbuddhi ban jaate? jaise patthar ko kitna bhi paani daalo lekin patthar pighlega nahin, roop badal jaata hai lekin pighlega nahin। patthar ko kuchh bhi dhaaran nahin hota hai। aise hi jab pattharbuddhi ban jaate to us samay kitna bhi, koi bhi achhi baat mahsoos karaao to mahsoos nahin karte। kitna bhi gyaan ka paani daalo lekin badlenge nahin। baaten badalte rahenge lekin svayan nahin badlenge। isko kehte hain pattharbuddhi ban jaate hain। to apne aap se poochho-is parmaatma-taaraamandal ke sitaaron beech main kaunsa sitaara hoon?

sabse shreshtha sitaara hai saphalta ka sitaara। saphalta ka sitaara arthaat jo sada svayan ki pragti mein saphalta ko anubhav karta rahe arthaat apne purooshaartha ki vidhi mein sadaiv sahaj saphalta anubhav karta rahe। saphalta ke sitaare sankalp mein bhi svayan ke purooshaartha prati bhi kabhi “pata nahin yeh hoga ya nahin hoga'', “kar sakenge ya nahin kar sakenge'' - yeh asphalta ka anshamaatra bhi nahin hoga। jaise slogan hai - saphalta janma-siddha adhikaar hai, aise woh svayan prati sada saphalta adhikaar ke roop mein anubhav karenge। adhikaar ki paribhaasha hi hai bina mehnat, bina maangane ke praapta ho। sahaj aur svatah praapta ho - isko kehte hain adhikaar। aise hi ek - svayan prati saphalta, doosra - apne sambandh-samparka mein aate hue, chaahe brahman aatmaon ke, chaahe laukik parivaar va laukik kaarya ke sambandh mein, sarva sambandh-samparka mein, sambandh mein aate, samparka mein aate kitni bhi mushkil baat ko saphalta ke adhikaar ke aadhaar se sahaj anubhav karenge arthaat saphalta ki pragti mein aage badhte jaayenge। haan, samay lag sakta hai lekin saphalta ka adhikaar praapta hokar hi rahega। aise, sthool kaarya va alaukik seva ka kaarya arthaat donon kshetra ke karma mein saphalta ke nishchaybuddhi vijayi rahenge। kahaan-kahaan paristhiti ka saamna bhi karna padega, vyaktiyon dvaara sahan bhi karna padega lekin woh sahan karna unnati ka raasta ban jaayega। paristhiti ko saamna karte, paristhiti svasthiti ke udti kala ka saadhan ban jaayegi arthaat har baat mein saphalta svatah sahaj aur avashya praapta hogi।

saphalta ka sitaara, uski vishesh nishaani hai - kabhi bhi sva ki saphalta ka abhimaan nahin hoga, varnan nahin karega, apne geet nahin gaayega lekin jitni saphalta utna namrachit, nirmaan, nirmal svabhaav hoga। aur (doosre) uske geet gaayenge lekin woh svayan sada baap ke gun gaayega। saphalta ka sitaara kabhi bhi question mark nahin karega। sada bindi roop mein sthit rah har kaarya mein auron ko bhi ‘drama ki bindi' smriti mein dilaae, vighna-vinaashak banaae, samartha banaae saphalta ki manzil ke sameep laata rahega। saphalta ka sitaara kabhi bhi had ki saphalta ke praapti ko dekh praapti ki sthiti mein bahut khushi aur paristhiti aai va praapti kuchh kam hui to khushi bhi kam ho jaaye - aisi sthiti parivartan karne vaale nahin honge। sada behad ke saphaltaamoorta honge। ekras, ek shreshtha sthiti par sthit honge। chaahe baahar ki paristhiti va kaarya mein baahar ke roop se auron ko asphalta anubhav ho lekin saphalta ka sitaara asphalta ki sthiti ke prabhaav mein na aakar, saphalta ke svasthiti se asphalta ko bhi parivartan kar lega। yeh hai saphalta ke sitaare ki visheshtaayen। abhi apne se poochho - main kaun hoon? sirf ummeedvaar hoon va saphalta-swaroop hoon? ummeendavaar banna bhi achha hai, lekin sirf ummeendavaar ban chalna, pratyaksha saphalta ka anubhav na karna, ismen kabhi shaktishaali, kabhi dilshikasta... yeh neeche-oopar hone ka jyaada anubhav karte hain। jaise koi bhi baat mein agar jyaada neeche-oopar hota rahe to thakaavat ho jaati hai na। to ismen bhi chalte-chalte thakaavat ka anubhav dilshikasta bana deta hai। to naaumeedvaar se ummeedvaar achha hai, lekin saphalta-swaroop ka anubhav karne vaala sada shreshtha hai। achha। suna - taaraamandal ki kahaani? sirf madhuban ka haal taaraamandal nahin hai, behad brahman sansaar taaraamandal hai। achha।

sabhi aane vaale naye bachche, naye bhi hain aur puraane bhi bahut hain kyonki anek kalpa ke ho, to ati puraane bhi ho। to naye bachchon ka naya umang-utsaah milan manaane ka drama ki noondh pramaan poora hua। bahut umang raha na। jaayen-jaayen... itna umang raha jo direction bhi nahin suna। milan ki masti mein masta the na। kitna kaha - kam aao, kam aao, to koi ne suna? baapdaada drama ke har drishya ko dekh harshit hote hain ki itne sab bachchon ko aana hi tha, isliye aa gaye hain। sab sahaj mil raha hai na? mushkil to nahin hai na? yeh bhi drama anusaar, samay pramaan rehearsal ho rahi hai। sabhi khush ho na? mushkil ko sahaj banaane vaale ho na? har kaarya mein sahayog dena, jo direction milte hain usmein sahayogi banna arthaat sahaj banaana। agar sahayogi bante hain to 5000 bhi sama jaate hain aur sahayogi nahin bante arthaat vidhipoorvak nahin chalte to 500 bhi samaana mushkil hai, isliye daadiyon ko aisa apna record dikhaakar jaana jo sabke dil se yahi nikle ki 5000, paanch sau ke baraabar samaae hue the। isko kehte hain mushkil ko sahaj karna। to sabne apna record badhiya bhara hai na? certificate (pramaan-patra) achha mil raha hai। aise hi sada khush rehna aur khush karna, to sada hi taaliyaan bajaate rahenge। achha record hai, isliye dekho, drama anusaar do baar milna hua hai! yeh nayon ki khaatiri drama anusaar ho gai hai। achha।

sada roohaani saphalta ke shreshtha sitaaron ko, sada ekras sthiti dvaara vishwa ko roshan karne vaale, gyaan-soorya, gyaan-chandrama ke sada saath rahne vaale, sada adhikaar ke nishchay se nashe aur namrachit sthiti mein rahne vaale, aise parmaatma-taaraamandal ke sarva chamakte hue sitaaron ko gyaan-soorya, gyaan-chandrama baapdaada ki roohaani sneh sampanna yaadapyaar aur namaste।

party se mulaakaal

(1) apne ko sada nirvighna, vijayi ratna samajhte ho? vighna aana, yeh to achhi baat hai lekin vighna haar na khilaaye। vighnon ka aana arthaat sada ke liye majboot banaana। vighna ko bhi ek manoranjan ka khel samajh paar karna - isko kehte hain nirvighna vijayi। to vighnon se ghabraate to nahin? jab baap ka saath hai to ghabraane ki koi baat hi nahin। akela koi hota hai to ghabraata hai। lekin agar koi saath hota hai to ghabraate nahin, bahaadur ban jaate hain। to jahaan baap ka saath hai, vahaan vighna ghabraayega ya aap ghabraayenge? sarvashaktivaan ke aage vighna kya hai? kuchh bhi nahin isliye vighna khel lagta, mushkil nahin lagta। vighna anubhvi aur shaktishaali bana deta hai। jo sada baap ki yaad aur seva mein lage hue hain, busy hain, woh nirvighna rehte hain। agar buddhi busy nahin rehti to vighna va maaya aati hai। agar busy rahe to maaya bhi kinaara kar legi। aayegi nahin, chali jaayegi। maaya bhi jaanti hai ki yeh mera saathi nahin hai, abhi paramatma ka saathi hai। to kinaara kar legi। anginat baar vijayi bane ho, isliye vijay praapta karna badi baat nahin hai। jo kaam anek baar kiya hua hota hai, woh sahaj lagta hai। to anek baar ke vijayi। sada raazi rahne vaale ho na? maataayen sada khush rehti ho? kabhi roti to nahin? kabhi koi paristhiti aisi aa jaaye to royengi? bahaadur ho। paandav man mein to nahin rote? yeh “kyon hua'',“ kya hua'' - aisa rona to nahin rote? baap ka bankar bhi agar sada khush nahin rahenge to kab rahenge? baap ka banna maana sada khushi mein rehna। na duhkh hai, na duhkh mein royenge। sab duhkh door ho gaye। to apne is vardaan ko sada yaad rakhna। achha।

(2) apne ko is roohaani bageeche ke roohaani roohe-gulaab samajhte ho? jaise sabhi phoolon mein gulaab ka pushpa khushbu ke kaaran pyaara lagta hai। to woh hai gulaab aur aap sabhi hain roohe gulaab। roohe gulaab arthaat jismen sada roohaani khushbu ho। roohaani khushbu vaale jahaan bhi dekho, jisko bhi dekho to rooh ko dekho, shareer ko nahin dekho। svayan bhi sada roohaani sthiti mein rahenge aur doosron ki bhi rooh ko dekhenge। isko kehte hain roohaani gulaab। yeh baap ka bageecha hai। jaise baap oonche te ooncha hai, aise bageecha bhi oonche te ooncha hai jis bageeche ka vishesh shrringaar roohe gulaab - aap sabhi ho aur yeh roohaani khushbu anek aatmaon ka kalyaan karne vaali hai।

aaj vishwa mein jo bhi mushkilaaten hain, uska kaaran hi hai ki ek do ko rooh nahin dekhte। deh-abhimaan ke kaaran sab samasyaayen hain। dehi-abhimaani ban jaayen to sab samasyaayen samaapta ho jaayen। to aap roohaani gulaab vishwa par roohaani khushbu phailaane ke nimitta ho, aise sada nasha rehta hai? kabhi ek, kabhi doosra nahin। sada ekras sthiti mein shakti hoti hai। sthiti badalne se shakti kam ho jaati hau। sada baap ki yaad mein rah jahaan bhi seva ka saadhan hai, chaans lekar aage badhte jaao। parmaatma-bageeche ke roohaani gulaab samajh roohaani khushbu phailaate raho। kitni meethi roohaani khushbu hai jis khushbu ko sab chaahte hain! yeh roohaani khushbu anek aatmaon ke saath-saath apna bhi kalyaan kar leti hai। baapdaada dekhte hain ki kitni roohaani khushbu kahaan-kahaan tak phailaate rehte hain? jara bhi kahaan deh-abhimaan mix hua to roohaani khushbu original nahin hogi। sada is roohaani khushbu se auron ko bhi khushboodaar banaate chalo। sada achal ho? koi bhi halchal hilaati to nahin? kuchh bhi hota hai, sunte, dekhte thoda bhi halchal mein to nahin aa jaate? jab nothing-new hai to halchal mein kyon aayen? koi nai baat ho to halchal ho। yeh “kya'',“kyon'' anek kalpa hui hai, isko kehte hain drama ke oopar nishchaybuddhi। sarvashaktivaan ke saathi hain, isliye beparvaah baadshaah hain। sab phikar baap ko de diye to svayan sada bephikar baadshaah। sada roohaani khushbu phailaate raho to sab vighna khatma ho jaayenge।

vardaan:- pratyakshata ke samay ko sameep laane vaale sada shubh chintak aur sva chintak bhav

seva mein saphalta ka aadhaar hai shubhchintak vritti kyonki aapki yeh vritti aatmaon ki grahan shakti va jigyaasa ko badhaati hai, isse vaani ki seva sahaj saphal ho jaati hai। aur sva ke prati sva chintan karne vaali svachintak aatma sada maaya proof, kisi ki bhi kamjoriyon ko grahan karne se, vyakti va vaibhav ki aakarshan se proof ho jaati hai। to jab yeh donon vardaan practical jeevan mein laao tab pratyakshata ka samay sameep aaye।

slogan:- apne sankalpon ko bhi arpan kar do to sarva kamjoriyaan svatahdoor ho jaayengi।