Avyakt murli for Friday 5 September 1975

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0> > 30/10/95 Om Shanti Avyakt BapDada Madhuban 05/09/75

1The stage of an angel

2Do you constantly remain stable in the angelic stage?

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3Within the light of the angelic stage, other souls are also able tosee the light. 4When the performance of limited actors is seen, then because of the lighting, they appear to be verybeautiful. 5What would it look like if those same actors played their parts in their ordinary lives under ordinary light?There would be the difference of day and night. 6The focus of the lighting completely transforms their features.

105-09-75 ओम शान्ति अव्यक्त बापदादामधुबन05-09-75 ōm śhānti avyakt bāpadādāmadhuban05-09-75 ōm śhānti avyakt[adj.] x05-09-75 Om peace avyakt x

7In thesame way, by performing every act whilst within the light of the avyakt stage, what would all of you heroes andheroines of this unlimited drama look like? 8Alokik angels. 9Instead of corporeal beings, you would be seen asresidents of the subtle region. 10Even whilst being corporeal, you would be experienced as angelic beings.

2फरिश्ता स्वरूप में स्थितिphariśhtā svarūp mē̃ sthitiphariśhtā[n.m.ā=>ā;sg.d.] svarūp[n.m.;sg.,d.] mē̃[postp.] sthiti[n.f.;sg.]angel form in stage

11Each actwould automatically attract others. 12Nowadays, the main attraction for iron­aged people is the limited cinema or drama, and, even though they wish tostop this and not watch the film, the acting of those limited actors pulls them. 13The basis of that is light. 14In the sameway, at the end, after the extreme attraction of Maya, when the finale is reached, the unlimited hero actors who areconstantly stable in the zero­stage and performing their part with the Zero­Father, those who have a divine form oflight, those whose stage is light and whose every act is performed on the stage in the light, that is, those who aredouble­light angels; such souls will naturally attract other souls towards themselves.

3फर्शवासी मनुष्य से अर्शवासी फरिश्ता बनाने वाले , सदा लाइट रूप , प्रमुख हीरो पार्टधारी , जीरो शिव बाबा ने फरिश्ता बनने के पुरुषार्थी बच्चों के सम्मुख यह मधुर महावाक्य उच्चारे -pharśavāsī manuṣhya sē arśavāsī phariśhtā banānē vālē , sadā light rūp , pramukh hero part-dhārī , zero śhiv bābā nē phariśhtā bannē K|kē puruṣhārthī bachchō̃ K|kē sammukh yah madhur mahāvākya uchchārē -x manuṣhya[n.m.;sg.,d.] sē[postp.] x phariśhtā[n.m.ā=>ā;sg.d.] banānā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] , sadā light rūp[n.m.;sg.,d.] , x hero part-dhārī[x] , zero śhiv bābā nē[postp.] phariśhtā[n.m.ā=>ā;sg.d.] bannā[inf.m.pl.,o.] K|kā[postp.ā=>ē;m.o.,m.pl.] purūṣhārthī[adj.] bachchā[n.m.ā=>ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] sammukh yah[pn.sg.d.] madhur[adj.] mahāvākya[n.m.;sg.,d.] uchchārnā[past-part.m.pl.,o.]|uchchārnā[opt.sg.23] -x human being from x angel create[inf.m.pl.,o.] those who , constantly light Rup , x hero actor , zero Shiva Baba ∅ angel become[inf.m.pl.,o.] (K|of) effort-maker child (K|of) in front of you this sweet elevated version (x[past-part.m.pl.,o.]|x[opt.sg.23]) -

15In today's world, apart fromdramas, what else attracts people in the same way as the eyes of angels? 16T.V. 17Many are attracted to watch thevarious scenes of the world on T.V., that is, they come into the stage of descent through it. 18In the same way, the eyesof angels will work like a divine T.V.

4फरिश्ते स्वरूप की स्थिति में सदा स्थित रहते हो  ? phariśhtē svarūp key|kī sthiti mē̃ sadā sthit rahtē hō  ? phariśhtā[n.m.ā=>ē;sg.o.,m.pl.d.] svarūp[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] sthiti[n.f.;sg.] mē̃[postp.] sadā sthit[adj.] rahnā[pres.pl.m.2]  ? angel form (key|do[past-part.f.]|of) stage in constantly stabilised remain[pres.pl.m.2]  ?

19Similarly, the sparkling jewel on the forehead of angels will give other souls avision of their form of a lighthouse and might­house and clearly show them the path to their elevated destination. 20Inthe same way, the yuktiyukt words of angels, that is, the invaluable words of angels will fill the aprons of everybeggar soul with jewels. 21There is the memorial that even the deities were so content with the devotees that theyshowered flowers on them. 22Just like that shower of flowers, you elevated souls will shower all the powers, all thevirtues and all blessings on all souls of the world.

5फरिश्ते स्वरूप की लाइट में अन्य आत्माओं को भी लाइट ही दिखाई देगी . phariśhtē svarūp key|kī light mē̃ anya ātmāō̃ kō bhī light hī dikhāī dēgī . phariśhtā[n.m.ā=>ē;sg.o.,m.pl.d.] svarūp[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] light mē̃[postp.] anya[adj.] ātmā[n.f.+ō̃;pl.o.] kō[postp.] bhī[p.] light hī[p.] dikhāī dēnā[fut.f.sg.23] . angel form (key|do[past-part.f.]|of) light in other soul to too light only be visible .

23Only through this will everyone consider you to be the deities, thebestowers whom the devotees have been worshipping and praising from the copper age onwards. 24At the end, allsouls, but especially the residents of Bharat, whose number grows by the end of the deity religion, souls who do nottake sustenance from your deity form in the golden age, but later, from the time when this religion expands till theend, will experience your deity form, your form of a bestower and your form of a bestower of blessings. 25The sanskarsof attainment and the awareness of your final form of deities, bestowers, remain within all souls. 26Because of this,even though they do not actually go into the golden­aged world, as soon as they come onto the world stage in thecopper age, the awareness of the attainment they received from the deity form reveals itself, and so they continue toworship and praise those deities.

6हद के एक्टर्स जब हद के अन्दर अपने एक्ट करते दिखाई देते हैं , तो लाइट के कारण अति सुन्दर स्वरूप दिखाई देते हैं . had K|kē actors jab had K|kē andar apnē act kartē dikhāī dētē haĩ , tō light K|kē kāraṇ ati sundar svarūp dikhāī dētē haĩ . had[n.f.;sg.] K|kā[postp.ā=>ē;m.o.,m.pl.] actor jab had[n.f.;sg.] K|kā[postp.ā=>ē;m.o.,m.pl.] andar apnā[pn.ā=>ē;m.o.,m.pl.] act karnā[pres-part.m.pl.,o.] dikhāī dēnā[pres.pl.m.12hon3] , tō light K|kā[postp.ā=>ē;m.o.,m.pl.] kāraṇ[n.m.;sg.,d.] ati sundar[adj.] svarūp[n.m.;sg.,d.] dikhāī dēnā[pres.pl.m.12hon3] . x (K|of) actor when x (K|of) inside one’s own act do[pres-part.m.pl.,o.] be visible , then light (K|of) because x x form be visible .

27Do you now understand your final angelic form? 28Would such unlimited actors not automatically attract others towards themselves? 29This double­light stage will revealall of you and the Father. 30Both Zero and heroes will be revealed.

7वही एक्टर , साधारण जीवन में , साधारण लाइट के अन्दर पार्ट बजाते हुए कैसे दिखाई देते हैं  ? vahī actor , sādhāraṇ jīvan mē̃ , sādhāraṇ light K|kē andar part bajātē huē kaisē dikhāī dētē haĩ  ? vahī actor , sādhāraṇ[adj.] jīvan[n.m.;sg.,d.] mē̃[postp.] , sādhāraṇ[adj.] light K|kā[postp.ā=>ē;m.o.,m.pl.] andar part[n.m.;sg.,d.] bajānā[pres-part.m.pl.,o.] hōnā[past-part.m.pl.,o.] kaisā[adj.ā=>ē;m.o.,m.pl.] dikhāī dēnā[pres.pl.m.12hon3]  ? this actor , ordinary life in , ordinary light (K|of) inside part play[pres-part.m.pl.,o.] be[past-part.m.pl.,o.] how be visible  ?

31Do you understand? 32(The lights went out as Babawas speaking.) 33Just see, even now, so much happens through electricity. 34Even now, the foundation of that whichattracts all of you the most is light.

35Achcha.

8रात-दिन का अन्तर दिखाई देता है ना  ? rāt-din kā antar dikhāī dētā hai nā  ? rāt-din kā[postp.ā=>ā;m.sg.d.] antar[n.m.;sg.,d.] dikhāī dēnā[pres.sg.m.23] nā  ? day and night of difference be visible ∅  ?

36To such souls who constantly play the hero part with the Zero; to those who constantly have the deity form of abestower; to those who reveal themselves and the Father to the world; to those who fulfil the desires of all souls of theworld; to such angels, love, remembrance and namaste from BapDada who live in the world of angels and beyond theworld of angels. 37* * * * * 38Personal Group Meeting with BapDada. 39Do all of you carry out your tasks whilst stabilised in a yogyukt and yuktiyukt stage?

9लाइट का फोकस उनके फीचर्स को ही परिवर्तित कर देता है . light kā focus unkē features kō hī parivartit kar dētā hai . light kā[postp.ā=>ā;m.sg.d.] focus vah[pn.pl.kē] feature kō[postp.] hī[p.] parivartit karnā[pres.sg.m.23.root+dēnā] . light of focus that[.kē] feature to only transform .

40Because, according to thepresent time, your thoughts, words and deeds, all three, should be very yuktiyukt. 41Only then will you be able tobecome complete and perfect. 42The atmosphere all around should be very yogyukt and yuktiyukt. 43When soldiers on abattlefield are standing in front of their enemy, they pay so much attention to themselves and their weapons, that is, totheir powers.

10ऐसे ही बेहद ड्रामा के आप हीरो हीरोइन एक्टर्स , अव्यक्त स्थिति की लाइट के अन्दर हर एक्ट करने से क्या दिखाई देंगे  ? aisē hī bēhad drama K|kē āp hero heroine actors , avyakt sthiti key|kī light K|kē andar har|her act karnē sē kyā dikhāī dēgē  ? aisā[adj.ā=>ē;m.o.,m.pl.] hī[p.] bēhad[adj.] drama K|kā[postp.ā=>ē;m.o.,m.pl.] āp[pn.pl.] hero heroine actor , avyakt[adj.] sthiti[n.f.;sg.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] light K|kā[postp.ā=>ē;m.o.,m.pl.] andar harnā[root]|har|her act karnā[inf.m.pl.,o.] sē[postp.] kyā dikhāī dēnā[fut.m.pl.12hon3]  ? such only unlimited drama (K|of) you hero heroine actor , avyakt stage (key|do[past-part.f.]|of) light (K|of) inside (x[root]|x) act do[inf.m.pl.,o.] from what be visible  ?

44Now the time is coming close, and so consider this to be the time to come onto the battlefield. 45At sucha time, you need to pay attention to yourself to have all the powers within you at all times.

11अलौकिक-फरिश्ते  ! alaukik-phariśtē  ! x  ! x  !

46If there is even a little lessattention, then, just as tension is increasing according to the time, in the same way, there will also be an influence ofthe atmosphere of tension on the spiritual Pandav army engaged in battle. 47Day by day, as the time for perfectioncomes closer, the tension in the world will increase even more; it will not decrease. 48One will experience life as beingpulled in all directions. 49On one side, there will be the damage and tension of the calamities of nature; on the secondside, there will be tension of the strict laws of the Government; on the third side, there will be tension of somethinglacking in relationships and on the fourth side, the feeling of happiness because of love and freedom you have withlokik relatives will also finish and there will be tension because of experiencing fear.

12साकारी की बजाय सूक्ष्म वतनवासी नजर आयेंगे . sākārī key|kī bajāy sūkṣhma vatanvāsī najar āyēṅgē . sākār, sākārī[adj.ā=>ā;m.sg.d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] bajāē sūkṣhma[adj.] vatanvāsī[n.m.;sg.,d.] nazar[n.f.;sg.] ānā[fut.m.pl.12hon3] . sakar (key|do[past-part.f.]|of) x subtle resident of the region glance come[fut.m.pl.12hon3] .

50All four types of tension willincrease in people. 51Souls will cry out and be very desperate with all types of tension. 52There will be tension whereverthey go.

13साकारी होते हुए भी आकारी अनुभव होंगे . sākārī hōtē huē bhī ākārī anubhav hōṅgē . sākār, sākārī[adj.ā=>ā;m.sg.d.] hōnā[pres-part.m.pl.,o.] hōnā[past-part.m.pl.,o.] bhī[p.] ākārī, ākār[x] anubhav[n.m.;sg.,d.] hōnā[fut.m.pl.12hon3] . sakar be[pres-part.m.pl.,o.] be[past-part.m.pl.,o.] too subtle experience be[fut.m.pl.12hon3] .

53In the physical body also, when any muscle is pulled, it causes so much distress that the head feels pulledand under pressure. 54In the same way, this atmosphere will also increase. 55Because of no destination being visible, thefeeling will be of not knowing what to do. 56If they say yes, there is a pull and if they say no, there is still a pull.

14हर एक्ट हरेक को स्वतःही आकर्षित करने वाला होगा . har|her act harēk kō svataḥhī ākarṣhit karnē vālā hōgā . harnā[root]|har|her act har ēk kō[postp.] x ākarṣhit[adj.] karnā[inf.m.pl.,o.] vālā[adj.ā=>ā;m.sg.d.] hōnā[fut.m.sg.23] . (x[root]|x) act each one to x attracted do[inf.m.pl.,o.] those who be[fut.m.sg.23] .

57Therewill be difficulties when they are earning and difficulties when are not earning; difficulties if they accumulate anddifficulties if they don't. 58Such an atmosphere will be created. 59At such a time, there should not be the slightestinfluence of this tension on the spiritual Pandav Army. 60There shouldn't even be any problems of the self being underany type of tension.

15जैसे आज हद का सिनेमा व ड्रामा कलियुगी मनुष्यों के आकर्षण का मुख्य केन्द्र है-छोड़ना चाहते हुए और न देखना चाहते हुए भी हद के एक्टर्स की एक्ट अपनी ओर खींच लेती है , लेकिन उसका आधार लाईट है , ऐसे ही इस अन्तिम समय में माया के आकर्षण की अति के बाद अन्त होने पर , बेहद के हीरो एक्टर्स , जो सदा जीरो स्वरूप में स्थित होते हुए जीरो बाप के साथ हर पार्ट बजाने वाले हैं और दिव्य ज्योति स्वरूप वाले जिनकी स्थिति भी लाइट की है और स्टेज पर हर पार्ट भी लाइट में हैं - अर्थात् जो डबल लाइट वाले फरिश्ते हैं - वे हर आत्मा को स्वतःही अपनी तरफ आकर्षित करेंगे . jaisē āj had kā cinema va drama kaliyugī manuṣhyō̃ K|kē ākarṣhaṇ kā mukhya kēndra hai-chōṛanā chāhtē huē aur na dēkhnā chāhtē huē bhī had K|kē actors key|kī act apnī ōr khīñch lētī hai , lēkin uskā ādhār light hai , aisē hī is antim samay mē̃ māyā K|kē ākarṣhaṇ key|kī ati kē bād ant hōnē par , bēhad K|kē hero actors , jō sadā zero svarūp mē̃ sthit hōtē huē zero bāp kē sāth har|her part bajānē vālē haĩ aur divya jyōti svarūp vālē jinkī sthiti bhī light kī hai aur stage par har|her part bhī light mē̃ haĩ - arthāt jō double light vālē phariśhtē haĩ - vē|way har|her ātmā kō svataḥhī apnī taraph ākarṣhit karē̃gē . jaisā[adj.ā=>ē;m.o.,m.pl.] āj had[n.f.;sg.] kā[postp.ā=>ā;m.sg.d.] cinema va drama kaliyugī[adj.] manuṣhya[n.m.+ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] ākarṣhaṇ[x] kā[postp.ā=>ā;m.sg.d.] mukhya[adj.] kēndra[n.m.;sg.,d.] x chāhnā[pres-part.m.pl.,o.] hōnā[past-part.m.pl.,o.] aur na[neg] dēkhnā[inf.m.sg.d.] chāhnā[pres-part.m.pl.,o.] hōnā[past-part.m.pl.,o.] bhī[p.] had[n.f.;sg.] K|kā[postp.ā=>ē;m.o.,m.pl.] actor key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] act apnā[pn.ā=>ī;f.] ōr khīñchnā, khaiñchnā[pres.sg.f.23.root+lēnā] , lēkin vah[pn.sg.kā] ādhār[n.m.;sg.,d.] light hōnā[pres.sg.23] , aisā[adj.ā=>ē;m.o.,m.pl.] hī[p.] yah[pn.sg.o.] antim[adj.] samay[n.m.;sg.,d.] mē̃[postp.] māyā[n.f.;sg.] K|kā[postp.ā=>ē;m.o.,m.pl.] ākarṣhaṇ[x] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] ati kē bād[x] ant[n.m.;sg.,d.] hōnā[inf.m.pl.,o.] par[postp.]|par[adj.] , bēhad[adj.] K|kā[postp.ā=>ē;m.o.,m.pl.] hero actor , jō[pn.;d.] sadā zero svarūp[n.m.;sg.,d.] mē̃[postp.] sthit[adj.] hōnā[pres-part.m.pl.,o.] hōnā[past-part.m.pl.,o.] zero bāp[n.m.;sg.,d.] kē sāth[x] harnā[root]|har|her part[n.m.;sg.,d.] bajānā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] hōnā[pres.pl.12hon3] aur divya[adj.] jyōti[n.f.ī=>ī;sg.] svarūp[n.m.;sg.,d.] vālā[adj.ā=>ē;m.o.,m.pl.] jō[pn.pl.kī] sthiti[n.f.;sg.] bhī[p.] light karnā[pres-perf.sg.f.23] aur stage par[postp.]|par[adj.] harnā[root]|har|her part[n.m.;sg.,d.] bhī[p.] light mē̃[postp.] hōnā[pres.pl.12hon3] - arthāt jō[pn.;d.] double light[x] vālā[adj.ā=>ē;m.o.,m.pl.] phariśhtā[n.m.ā=>ē;sg.o.,m.pl.d.] hōnā[pres.pl.12hon3] - vah[pn.pl.d.]|way harnā[root]|har|her ātmā[n.f.;sg.] kō[postp.] x apnā[pn.ā=>ī;f.] taraph[n.m.;sg.,d.] ākarṣhit[adj.] karnā[fut.m.pl.12hon3] . like today x of cinema x drama iron-aged human being (K|of) attraction of main centre x x[pres-part.m.pl.,o.] be[past-part.m.pl.,o.] and not see[inf.m.sg.d.] x[pres-part.m.pl.,o.] be[past-part.m.pl.,o.] too x (K|of) actor (key|do[past-part.f.]|of) act one’s own direction pull[pres.sg.f.23.root+lēnā] , but that[.kā] basis light be[pres.sg.23] , such only this final time in Maya (K|of) attraction (key|do[past-part.f.]|of) x after end be[inf.m.pl.,o.] (at|other) , unlimited (K|of) hero actor , that constantly zero form in stabilised be[pres-part.m.pl.,o.] be[past-part.m.pl.,o.] zero father with (x[root]|x) part play[inf.m.pl.,o.] those who be[pres.pl.12hon3] and divine light form those who that[.kī] stage too light do[pres-perf.sg.f.23] and stage (at|other) (x[root]|x) part too light in be[pres.pl.12hon3] - that is that double-light those who angel be[pres.pl.12hon3] - (that|x) (x[root]|x) soul to x one’s own direction attracted do[fut.m.pl.12hon3] .

61However, the atmosphere can very quickly influence a weak soul. 62There shouldn't be theinfluence of thoughts of fear: What will happen? 63How will it happen? 64For this, from time to time, a special,programme for staying on the pilgrimage of remembrance should officially be sent from Madhuban through whichthe fortress of souls will remain very strong.

16आजकल की दुनिया में ड्रामा के अतिरिक्त और कौनसी वस्तु है जो ऐसे फरिश्तों के नयनों जैसी आकर्षण करने वाली हैं  ? ājkal kī duniyā mē̃ drama K|kē atirikta aur kaunsī vastu hai jō aisē phariśhtō̃ K|kē nayanō̃ jaisī ākarṣhaṇ karnē vālī haĩ  ? ājkal karnā[past-part.f.] duniyā[n.f.;sg.] mē̃[postp.] drama K|kā[postp.ā=>ē;m.o.,m.pl.] x aur kaun sā[adj.ā=>ī;f.] vastu[n.f.;sg.] hōnā[pres.sg.23] jō[pn.;d.] aisā[adj.ā=>ē;m.o.,m.pl.] phariśhtā[n.m.ā=>ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] nayan, nain[n.m.+ō̃;pl.o.] jaisā[adj.ā=>ī;f.] ākarṣhaṇ[x] karnā[inf.m.pl.,o.] vālā[adj.ā=>ī;f.] hōnā[pres.pl.12hon3]  ? x[past-part.f.] world in drama (K|of) x and which thing be[pres.sg.23] that such angel (K|of) eye like attraction do[inf.m.pl.,o.] those who be[pres.pl.12hon3]  ?

65Nowadays, service is to increase a great deal. 66However, together with this expansion, you also need to be yuktiyukt.Not everyone nowadays comes to become a gyani soul. 67One quality is of souls who will become the same as theFather and become masters.

17टी . वी . . T . V|we . . T . V|we . . x . (x) . .

68So the first quality is to become like the Father, the second quality is of those who have arelationship with the Father, and the third quality are those who stay in contact with the Father and His service.Nowadays, there are more souls who simply come into connection and relationship, and very few who actuallybecome the embodiment. 69Not everyone who comes will be the same. 70Day by day, the number that increases will beof weak souls, that is, of souls who are to be subjects. 71They would only like one aspect, not two.

18जैसे टी . वी . द्वारा इस संसार की कैसीकैसी सीन-सीनरियाँ देखते हुए कई आकर्षित होते , अर्थात् गिरती कला में जाते हैं - ऐसे ही फरिश्तों के नयन दिव्य दूर-दर्शन का काम करेंगे . jaisē T . V|we . dvārā is saṅsār key|kī kaisīkaisī scene-sīnariyā̃ dēkhtē huē kaī ākarṣhit hōtē , arthāt girtī kalā mē̃ jātē haĩ - aisē hī phariśhtō̃ K|kē nayan divya dūr-darśhan kā kām karē̃gē . jaisā[adj.ā=>ē;m.o.,m.pl.] T . V|we . dvārā yah[pn.sg.o.] saṅsār[x] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] x scene[n.f.ī=>iyā̃;pl.d.] dēkhnā[pres-part.m.pl.,o.] hōnā[past-part.m.pl.,o.] kaī ākarṣhit[adj.] hōnā[pres-part.m.pl.,o.] , arthāt girtī kalā[x] mē̃[postp.] jānā[pres.pl.m.12hon3] - aisā[adj.ā=>ē;m.o.,m.pl.] hī[p.] phariśhtā[n.m.ā=>ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] nayan, nain[n.m.;sg.,d.] divya[adj.] dūr-darśhan[n.m.;sg.,d.] kā[postp.ā=>ā;m.sg.d.] kām[n.m.;sg.,d.]|kām[n.m.;sg.,d.] karnā[fut.m.pl.12hon3] . like x . (x) . through this world (key|do[past-part.f.]|of) x scene see[pres-part.m.pl.,o.] be[past-part.m.pl.,o.] some attracted be[pres-part.m.pl.,o.] , that is x in go[pres.pl.m.12hon3] - such only angel (K|of) eye divine x of (task|lust) do[fut.m.pl.12hon3] .

72They would nothave faith in every aspect. 73So you have to keep a connection with those in contact according to their needs. 74As thetimes become more and more delicate, then according to the problems, they will find it very difficult to be regularstudents. 75However, many, many souls will come into contact because this is the final time.

19हर एक के नयनों द्वारा सिर्फ इस संसार के ही नहीं लेकिन तीनों लोकों के दर्शन करेंगे . har ēk K|kē nayanō̃ dvārā sirph is saṅsār K|kē hī nahī̃ lēkin tīnō̃ lōkō̃ K|kē darśhan karē̃gē . har ēk[x] K|kā[postp.ā=>ē;m.o.,m.pl.] nayan, nain[n.m.+ō̃;pl.o.] dvārā sirph[adj.] yah[pn.sg.o.] saṅsār[x] K|kā[postp.ā=>ē;m.o.,m.pl.] hī[p.] nahī̃[neg] lēkin tīnō̃[adj.] lōk[n.m.+ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] darśhan[n.m.;sg.,d.] karnā[fut.m.pl.12hon3] . each one (K|of) eye through only this world (K|of) only not but all three x (K|of) vision do[fut.m.pl.12hon3] .

76So what will the finalposition be? 77Initially, there was a lot of zeal and enthusiasm; hardly any of them will have that. 78The majority will beof those who are in connection and contact. 79So you need to pay attention.

20ऐसे फरिश्तों के मस्तक में चमकती हुई मणि आत्माओं को सर्च-लाइट व लाइट हाऊस के समान स्वयं का स्वरूप , स्व-मार्ग और श्रेष्ठ मंज़िल का स्पष्ट साक्षात्कार करायेंगी . aisē phariśhtō̃ K|kē mastak mē̃ chamaktī huī maṇi ātmāō̃ kō search-light va light hāūs K|kē samān svayã kā svarūp , sv-mārga aur śhrēṣhṭh mañzil kā spaṣhṭ sākṣhātkār karāyēṅgī . aisā[adj.ā=>ē;m.o.,m.pl.] phariśhtā[n.m.ā=>ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] mastak[n.m.;sg.,d.] mē̃[postp.] chamaknā[pres-part.f.] hōnā[past-part.f.] maṇi[n.f.ī=>ī;sg.] ātmā[n.f.+ō̃;pl.o.] kō[postp.] searchlight va light x K|kā[postp.ā=>ē;m.o.,m.pl.] samān[adj.] svayã kā[postp.ā=>ā;m.sg.d.] svarūp[n.m.;sg.,d.] , x aur śhrēṣhṭha[adj.] mañzil[n.f.;sg.] kā[postp.ā=>ā;m.sg.d.] spaṣhṭ[adj.] sākṣhātkār[n.m.;sg.,d.] karānā[fut.f.pl.12hon3] . such angel (K|of) forehead in x[pres-part.f.] be[past-part.f.] jewel soul to searchlight x light x (K|of) equal x of form , x and elevated destination of clearly vision make commit[fut.f.pl.12hon3] .

80It should not be that you are unable torecognise the souls in contact and thereby deprive them of even that contact. 81No one should return empty­handed.Even if they are unable to follow the disciplines, they wish to have that loving contact; so you definitely have to payattention to those souls also. 82You should be able to understand that they are a group of third quality souls and should be handled accordingly. 83So,according to the time, you need to make the atmosphere very powerful.

21ऐसे फरिश्तों के युक्ति-युक्त बोल अर्थात् अमूल्य बोल , हर भिखारी आत्मा की रत्नों से झोली भरपूर करेंगे . aisē phariśhtō̃ K|kē yukti-yukt bōl arthāt amūlya bōl , har|her bhikhārī ātmā key|kī ratnō̃ sē jhōlī bharpūr karē̃gē . aisā[adj.ā=>ē;m.o.,m.pl.] phariśhtā[n.m.ā=>ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] yuktiyukt[adj.] bōlnā[root]|bōl[n.m.;sg.,d.] arthāt amūlya[adj.] bōlnā[root]|bōl[n.m.;sg.,d.] , harnā[root]|har|her bhikhārī[n.m.;sg.,d.] ātmā[n.f.;sg.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] ratna[n.m.+ō̃;pl.o.] sē[postp.] jhōlī[n.f.ī=>ī;sg.] bharpūr[adj.] karnā[fut.m.pl.12hon3] . such angel (K|of) tactful (speak[root]|x) that is invaluable (speak[root]|x) , (x[root]|x) beggar soul (key|do[past-part.f.]|of) jewel from apron full do[fut.m.pl.12hon3] .

84According to the time today, for Brahmin children, the day should not just be passed in an ordinary way, otherwisethat influence would increase. 85Therefore, all the children's attention should be drawn especially to making theatmosphere powerful through the pilgrimage of remembrance. 86How will you be able to save yourself from theatmosphere of that world?

22जो गायन है देवताएं भी भक्तों पर प्रसन्न हो फूलों की वर्षा करते हैं - ऐसे आप श्रेष्ठ आत्माओं द्वारा विश्व की आत्माओं के प्रति सर्व-शक्तियों , सर्वगुणों तथा सर्व वरदानों की पुष्प-वर्षा सर्व के प्रति होगी . jō gāyan hai dēvtāē̃ bhī bhaktō̃ par prasann hō phūlō̃ key|kī varṣhā kartē haĩ - aisē āp śhrēṣhṭh ātmāō̃ dvārā viśhva key|kī ātmāō̃ kē prati sarv-śaktiyō̃ , sarvguṇō̃ tathā sarv vardānō̃ key|kī puṣp-varṣā sarv kē prati hōgī . jō[pn.;d.] gāyan[n.m.;sg.,d.] hōnā[pres.sg.23] dēvtā[n.f.+ē̃;pl.d.] bhī[p.] bhakt[n.m.+ō̃;pl.o.] par[postp.]|par[adj.] prasann[adj.] hōnā[root]|hōnā[pres.pl.2] phūl[n.m.+ō̃;pl.o.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] varṣhā[n.f.;sg.] karnā[pres.pl.m.12hon3] - aisā[adj.ā=>ē;m.o.,m.pl.] āp[pn.pl.] śhrēṣhṭha[adj.] ātmā[n.f.+ō̃;pl.o.] dvārā viśhva[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] ātmā[n.f.+ō̃;pl.o.] kē prati[x] x , sarvguṇ[n.m.+ō̃;pl.o.] tathā sarv[adj.] vardān[n.m.+ō̃;pl.o.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] x sarv[adj.] kē prati[x] hōnā[fut.f.sg.23] . that x be[pres.sg.23] deity too devotee (at|other) x (be[root]|be[pres.pl.2]) flower (key|do[past-part.f.]|of) x do[pres.pl.m.12hon3] - such you elevated soul through world (key|do[past-part.f.]|of) soul for x , all virtues and all blessing (key|do[past-part.f.]|of) x all for be[fut.f.sg.23] .

87What stage would you need? 88What stage would you call it when you are a yogi as well asa karma yogi? 89Special attention must now be paid to such points. 90Greater attention now has to be paid to the subjectof the pilgrimage of remembrance.

23तब ही आप सब को देवता अर्थात् देने वाला समझ कर भक्त-गण द्वापर युग से देवताओं का गायन और पूजन करते आ रहे हैं , क्योंकि अन्त समय सर्व आत्माएँ , विशेषकर वे भारतवासी आत्माएँ देवता धर्म की अन्त तक वृद्धि पाने वाली आत्मायें जो सतयुग में आपके देवताई रूप की पालना तो नहीं लेंगी बल्कि बाद में इस धर्म की वृद्धि होने के समय से लेकर अन्त तक के समय में आपका देवता रूप , दाता रूप अथवा वरदाता रूप अनुभव करेंगी . tab hī āp sab kō dēvtā arthāt dēnē vālā samajh kar bhakt-gaṇ dvāpar yug sē dēvtāō̃ kā gāyan aur pūjan kartē ā rahē haĩ , kyōṅki ant samay sarv ātmāē̃ , viśēṣakar vē|way bhāratvāsī ātmāē̃ dēvtā dharm key|kī ant tak vr̥iddhi pānē vālī ātmāyē̃ jō satyug mē̃ āpkē dēvtāī rūp key|kī pālnā tō nahī̃ lē̃gī balki bād mē̃ is dharm key|kī vr̥iddhi hōnē K|kē samay sē lēkar ant tak K|kē samay mē̃ āpkā dēvtā rūp , dātā rūp athavā vardātā rūp anubhav karē̃gī . tab hī[p.] āp[pn.pl.] sab[adj.] kō[postp.] dēvtā[n.f.;sg.] arthāt dēnā[inf.m.pl.,o.] vālā[adj.ā=>ā;m.sg.d.] samajhnā[root]|samajh[n.f.;sg.] karnā[root] x dvāpar yug[x] sē[postp.] dēvtā[n.f.+ō̃;pl.o.] kā[postp.ā=>ā;m.sg.d.] gāyan[n.m.;sg.,d.] aur pūjan[n.m.;sg.,d.] karnā[pres-part.m.pl.,o.] ānā[pres.pl.m.prog.12hon3] , kyōṅki ant[n.m.;sg.,d.] samay[n.m.;sg.,d.] sarv[adj.] ātmā[n.f.+ē̃;pl.d.] , x vah[pn.pl.d.]|way bhāratvāsī[adj.] ātmā[n.f.+ē̃;pl.d.] dēvtā[n.f.;sg.] dharm[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] ant[n.m.;sg.,d.] tak vr̥iddhi[n.f.;sg.] pānā[inf.m.pl.,o.] vālā[adj.ā=>ī;f.] ātmā[n.f.+ē̃;pl.d.] jō[pn.;d.] satyug[n.m.;sg.,d.] mē̃[postp.] āp[pn.pl.kē] dēvtāī[adj.] rūp[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] pālnā[n.m.ā=>ā;sg.d.]|pālnā[inf.m.sg.d.] tō nahī̃[neg] lēnā[fut.f.pl.12hon3] balki bād mē̃[x] yah[pn.sg.o.] dharm[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] vr̥iddhi[n.f.;sg.] hōnā[inf.m.pl.,o.] K|kā[postp.ā=>ē;m.o.,m.pl.] samay[n.m.;sg.,d.] sē[postp.] lēnā[abs.] ant[n.m.;sg.,d.] tak K|kā[postp.ā=>ē;m.o.,m.pl.] samay[n.m.;sg.,d.] mē̃[postp.] āp[pn.pl.kā] dēvtā[n.f.;sg.] rūp[n.m.;sg.,d.] , dātā[n.m.;sg.,d.] rūp[n.m.;sg.,d.] athavā vardātā[n.m.;sg.,d.] rūp[n.m.;sg.,d.] anubhav[n.m.;sg.,d.] karnā[fut.f.pl.12hon3] . for only then only you all to deity that is give[inf.m.pl.,o.] those who (understand[root]|understanding) do[root] x copper age age from deity of x and worship do[pres-part.m.pl.,o.] come[pres.pl.m.prog.12hon3] , because end time all soul , x (that|x) people of Bharat soul deity religion (key|do[past-part.f.]|of) end until growth x[inf.m.pl.,o.] those who soul that golden age in you[.kē] x Rup (key|do[past-part.f.]|of) (x|sustenance[inf.m.sg.d.]) then not take[fut.f.pl.12hon3] x later this religion (key|do[past-part.f.]|of) growth be[inf.m.pl.,o.] (K|of) time from take[abs.] end until (K|of) time in you[.kā] deity Rup , bestower Rup that is x Rup experience do[fut.f.pl.12hon3] .

91At every centre, there should be one or another programme so that those whocome are able to fill themselves with power. 92At such times, they should also remain detached and face the problemsas detached observers. 93For this, the power of remembrance is needed. 94Create a programme of sharing points orclasses for each one's safety and for making the Brahmins clever and cautious through which everyone can feel thatthey are receiving special light from the lighthouse of Madhuban.

24आपके अन्तिम देवता रूप की अनेक प्राप्तियों के संस्कार व स्मृतियाँ सर्व आत्माओं में मर्ज रहती हैं अर्थात् समाई हुई रहती हैं . āpkē antim dēvtā rūp key|kī anēk prāptiyō̃ K|kē saṅskār va smr̥itiyā̃ sarv ātmāō̃ mē̃ merge rahtī haĩ arthāt samāī huī rahtī haĩ . āp[pn.pl.kē] antim[adj.] dēvtā[n.f.;sg.] rūp[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] anēk[adj.] prāpti[n.f.+ō̃;pl.o.] K|kā[postp.ā=>ē;m.o.,m.pl.] saṅskār[x] va smr̥iti[n.f.ī=>iyā̃;pl.d.] sarv[adj.] ātmā[n.f.+ō̃;pl.o.] mē̃[postp.] merge rahnā[pres.pl.f.12hon3] arthāt samānā[past-part.f.] hōnā[pres.pl.f.12hon3.past-part+rahnā] . you[.kē] final deity Rup (key|do[past-part.f.]|of) many attainment (K|of) sanskar x awareness all soul in merge remain[pres.pl.f.12hon3] that is merge[past-part.f.] be[pres.pl.f.12hon3.past-part+rahnā] .

95Achcha. 96According to the drama, all activities are being carried out very well anyway. 97From the activities of the present time,the sanskars of ruling a kingdom are increasing, are they not? 98That is the royal throne and this is the royal seat.

25इस कारण प्रैक्टिकल रूप में सतयुगी सृष्टि में न आते हुए भी द्वापर में सृष्टि-मंच पर आते ही देवता स्वरूप की प्राप्ति की स्मृति इमर्ज हो जाती है और गायन-पूजन करते रहते हैं . is kāraṇ practical rūp mē̃ satyugī sr̥iṣhṭi mē̃ na ātē huē bhī dvāpar mē̃ sr̥ṣṭi-mañc par ātē hī dēvtā svarūp key|kī prāpti key|kī smr̥iti emerge hō jātī hai aur gāyan-pūjan kartē rahtē haĩ . yah[pn.sg.o.] kāraṇ[n.m.;sg.,d.] practical rūp[n.m.;sg.,d.] mē̃[postp.] satyugī[adj.] sr̥iṣhṭi[n.f.;sg.] mē̃[postp.] na[neg] ānā[pres-part.m.pl.,o.] hōnā[past-part.m.pl.,o.] bhī[p.] dvāpar mē̃[postp.] x par[postp.]|par[adj.] ānā[pres-part.m.pl.,o.] hī[p.] dēvtā[n.f.;sg.] svarūp[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] prāpti[n.f.;sg.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] smr̥iti[n.f.;sg.] emerge hōnā[pres.sg.f.23.root+jānā] aur x karnā[pres.pl.m.12hon3.pres-part+rahnā] . this because practical Rup in golden-aged world in not come[pres-part.m.pl.,o.] be[past-part.m.pl.,o.] too copper age in x (at|other) come[pres-part.m.pl.,o.] only deity form (key|do[past-part.f.]|of) attainment (key|do[past-part.f.]|of) awareness emerge be[pres.sg.f.23.root+jānā] and x do[pres.pl.m.12hon3.pres-part+rahnā] .

99Youwill then sit on that throne as the ones who will rule. 100To be one who rules means to be one who has claimed allrights. 101You should not be subservient to any attraction or any suffering of karma or any physical organ. 102But youhave to become one who has all rights.

26समझा , अपने अन्तिम फरिश्ते स्वरूप को  ? samjhā , apnē antim phariśhtē svarūp kō  ? samjhānā[root]|samajhnā[past-part.m.sg.d.] , apnā[pn.ā=>ē;m.o.,m.pl.] antim[adj.] phariśhtā[n.m.ā=>ē;sg.o.,m.pl.d.] svarūp[n.m.;sg.,d.] kō[postp.]  ? (explain[root]|understand[past-part.m.sg.d.]) , one’s own final angel form to  ?

103At present, you have the royal seat. 104For yoga, you have a seat on which youstabilise yourself. 105A seat is for sitting on and for stabilising yourself.

27ऐसे बेहद के एक्टर्स स्वतः अपनी तरफ आकर्षित नहीं करेंगे  ? aisē bēhad K|kē actors svataḥ apnī taraph ākarṣhit nahī̃ karē̃gē  ? aisā[adj.ā=>ē;m.o.,m.pl.] bēhad[adj.] K|kā[postp.ā=>ē;m.o.,m.pl.] actor svataḥ apnā[pn.ā=>ī;f.] taraph[n.m.;sg.,d.] ākarṣhit[adj.] nahī̃[neg] karnā[fut.m.pl.12hon3]  ? such unlimited (K|of) actor automatically one’s own direction attracted not do[fut.m.pl.12hon3]  ?

106To stabilise yourself in a stage means to sit onyour seat. 107The more practice you have of sitting on the seat, the more practice you will have of being seated on theroyal throne.

28यह ही डबल लाइट स्थिति और स्टेज आप सबको और बाप को प्रत्यक्ष करेगी . yah hī double light sthiti aur stage āp sabkō aur bāp kō pratyakṣha karēgī . yah[pn.sg.d.] hī[p.] double light[x] sthiti[n.f.;sg.] aur stage āp[pn.pl.] sabkō aur bāp[n.m.;sg.,d.] kō[postp.] pratyakṣh[adj.] karnā[fut.f.sg.23] . this only double-light stage and stage you everything and father to visible do[fut.f.sg.23] .

108You are getting that practice now, are you not? 109It is becoming more and more natural. 110You don't haveto do anything, but it just happens. 111Your nature has become like that.

29जीरो और हीरो दोनों प्रत्यक्ष होंगे . zero aur hero dōnō̃ pratyakṣha hōṅgē . zero aur hero dōnō̃ pratyakṣh[adj.] hōnā[fut.m.pl.12hon3] . zero and hero x visible be[fut.m.pl.12hon3] .

112Just as when something has become yournature, it becomes natural to carry out that task, in the same way, this too should become your nature; the nature to beone who has all rights. 113The moment you have a thought to have yoga, you should be able to experience that instantly. 114As soon as you say Baba, you should experience the stage of yoga. 115This is the stage of closeness.

30समझा ( लाइट चली गई ) फिर बाबा बोले - अभी भी देखो , लाइट से कितना काम होता है . samjhā ( light chalī gaī ) phir bābā bōlē - abhī bhī dēkhō , light sē kitnā kām hōtā hai . samjhānā[root]|samajhnā[past-part.m.sg.d.] ( light chalnā[past-part.f..past-part+jānā]|chalnā[past-part.f..passive] ) phir[adv.]|phirnā[root] bābā bōlnā[past-part.m.pl.,o.]|bōlnā[opt.sg.23] - ab[adv.hī] bhī[p.] dēkhnā[opt.pl.2,imp.pl.2] , light sē[postp.] kitnā[adj.ā=>ā;m.sg.d.] kām[n.m.;sg.,d.]|kām[n.m.;sg.,d.] hōnā[pres.sg.m.23] . (explain[root]|understand[past-part.m.sg.d.]) ( light (continue[past-part.f..past-part+jānā]|continue[past-part.f..passive]) ) (then|turn[root]) Baba (speak[past-part.m.pl.,o.]|speak[opt.sg.23]) - now too see[opt.pl.2,imp.pl.2] , light from so (task|lust) be[pres.sg.m.23] .

116In fact, you arealways seated on the seat. 117Just as someone sitting on a throne cannot forget that he is a king, in the same way, onewho is stabilised in this stage can never forget that he has all rights. 118Are all of you accurate and yuktiyukt?

31अभी भी आप सबके आकर्षण करने की वस्तु लाइट के आधार पर है . abhī bhī āp sabkē ākarṣhaṇ karnē key|kī vastu light K|kē ādhār par hai . ab[adv.hī] bhī[p.] āp[pn.pl.] sabkā[adj.ā=>ē;m.o.,m.pl.] ākarṣhaṇ[x] karnā[inf.m.pl.,o.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] vastu[n.f.;sg.] light K|kā[postp.ā=>ē;m.o.,m.pl.] ādhār[n.m.;sg.,d.] par[postp.]|par[adj.] hōnā[pres.sg.23] . now too you everyone's attraction do[inf.m.pl.,o.] (key|do[past-part.f.]|of) thing light (K|of) basis (at|other) be[pres.sg.23] .

119Sometimes, some things happen, and they have to happen. 120How else wouldyour final paper come? 121These are also practical papers. 122These papers enable you to accumulate marks.

32अच्छा . achchhā . achchhā[adj.ā=>ā;m.sg.d.] . achcha .

123Whilstaccumulating marks, you come into the list of those who pass with honour. 124Whatever happens is to enable you toaccumulate marks. 125You have to accumulate them in all aspects, not just in the subject of the pilgrimage ofremembrance; you have to accumulate marks in all four subjects. 126Only then will you pass with honour.

33ऐसे सदा जीरो के साथ हीरो पार्ट बजाने वाले , सदा देने वाले देवता स्वरूप , विश्व में स्वयं को और बाप को प्रख्यात करने वाले , विश्व की सर्व आत्माओं की सर्व-मनोकामनायें सम्पन्न करने वाले , ऐसे फरिश्तों को फरिश्तों की दुनिया में रहने वाले और फरिश्तों की दुनिया से पार रहने वाले बापदादा का याद-प्यार और नमस्ते  ! aisē sadā zero kē sāth hero part bajānē vālē , sadā dēnē vālē dēvtā svarūp , viśhva mē̃ svayã kō aur bāp kō prakhyāt karnē vālē , viśhva key|kī sarv ātmāō̃ key|kī sarv-manōkāmanāyē̃ sampann karnē vālē , aisē phariśhtō̃ kō phariśhtō̃ key|kī duniyā mē̃ rahnē vālē aur phariśhtō̃ key|kī duniyā sē pār rahnē vālē bāpdādā kā yād-pyār aur namastē  ! aisā[adj.ā=>ē;m.o.,m.pl.] sadā zero kē sāth[x] hero part[n.m.;sg.,d.] bajānā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] , sadā dēnā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] dēvtā[n.f.;sg.] svarūp[n.m.;sg.,d.] , viśhva[n.m.;sg.,d.] mē̃[postp.] svayã kō[postp.] aur bāp[n.m.;sg.,d.] kō[postp.] prakhyāt[adj.] karnā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] , viśhva[n.m.;sg.,d.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] sarv[adj.] ātmā[n.f.+ō̃;pl.o.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] x sampann[adj.] karnā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] , aisā[adj.ā=>ē;m.o.,m.pl.] phariśhtā[n.m.ā=>ō̃;pl.o.] kō[postp.] phariśhtā[n.m.ā=>ō̃;pl.o.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] duniyā[n.f.;sg.] mē̃[postp.] rahnā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] aur phariśhtā[n.m.ā=>ō̃;pl.o.] key|karnā[past-part.f.]|kā[postp.ā=>ī;f.] duniyā[n.f.;sg.] sē[postp.] pār[n.m.;sg.,d.] rahnā[inf.m.pl.,o.] vālā[adj.ā=>ē;m.o.,m.pl.] bāpdādā kā[postp.ā=>ā;m.sg.d.] yād-pyār[n.m.;sg.,d.] aur namastē  ! such constantly zero with hero part play[inf.m.pl.,o.] those who , constantly give[inf.m.pl.,o.] those who deity form , world in x to and father to x do[inf.m.pl.,o.] those who , world (key|do[past-part.f.]|of) all soul (key|do[past-part.f.]|of) x full do[inf.m.pl.,o.] those who , such angel to angel (key|do[past-part.f.]|of) world in remain[inf.m.pl.,o.] those who and angel (key|do[past-part.f.]|of) world from across remain[inf.m.pl.,o.] those who BapDada of love, remembrance and x  !

127Success in every task is already guaranteed in advance; whether it is behind the curtains or in front of the curtains. 128Insome cases, the success is behind the curtain and in other cases, the success is visible. 129However, in both instances,there is success and revelation. 130For some time, there will be that which is incognito.

131It takes time for that which ishidden to become visible.

132Achcha.

133* * * O M S H A N T I * * *

Abbreviations used