📅 Hindi Lesson – Murli of 29 September 2026

📅 Murli sentence of 29 September 2026

📜 Hindi

पुरुषार्थ करना भी जरूर है। ड्रामा पर बैठ नहीं जाना है।

🔤 Transliteration

Puruṣārth karnā bhī zarūr hai. Ḍrāmā par baiṭh nahī̃ jānā hai.

💬 Translation

It is absolutely necessary to make spiritual effort.

One should not remain passive by simply relying on the drama.

More literally:

Making puruṣārth is also essential.

One should not simply sit back depending on the drama.

📚 Vocabulary

⚙️ ️Grammar

1. पुरुषार्थ करना भी जरूर है

Puruṣārth karnā bhī zarūr hai.

The structure is:

पुरुषार्थ करना

puruṣārth karnā

→ “to make puruṣārth / to make spiritual effort”

भी

bhī

→ “also / too / even”

जरूर है

zarūr hai

→ “is absolutely necessary”

The word भी — bhī is especially important in the context. The previous sentence says:

हम जो पुरुषार्थ करते हैं — वह ड्रामा में नूँध है।

Ham jo puruṣārth karte haĩ — vah ḍrāmā mẽ nū̃dh hai.

→ “The puruṣārth that we make is recorded in the drama.”

So the meaning is:

Even though puruṣārth itself is part of the drama, making effort is still absolutely necessary.

2. ड्रामा पर बैठ नहीं जाना है

Ḍrāmā par baiṭh nahī̃ jānā hai.

Literally:

ड्रामा पर — ḍrāmā par

→ “on the drama”

बैठ जाना — baiṭh jānā

→ “to sit down and remain there”

But the expression is figurative.

ड्रामा पर बैठ जाना — ḍrāmā par baiṭh jānā

means:

to rely on the idea of the drama to such an extent that one stops making effort.

It could be paraphrased as:

“One should not think: ‘Everything is fixed in the drama, so I do not need to do anything.’”

3. The nuance of बैठ जाना — baiṭh jānā

बैठना — baiṭhnā simply means “to sit.”

With जाना — jānā, the compound verb बैठ जाना — baiṭh jānā often suggests entering into a resulting state:

→ “to sit down”

→ “to settle into sitting”

→ figuratively here, “to settle into inactivity.”

This makes the sentence more expressive than simply using बैठना.

🌟 Meaning in the BK context

The passage places two ideas side by side:

ड्रामा — ḍrāmā: everything is recorded in the drama.

पुरुषार्थ — puruṣārth: one must nevertheless make personal spiritual effort.

There is no contradiction, because the puruṣārth that the soul makes is itself part of the drama.

That is why the passage continues:

हर बात में पुरुषार्थ जरूर करना ही है।

Har bāt mẽ puruṣārth zarūr karnā hī hai.

→ “In every matter, it is absolutely necessary to make puruṣārth.”

The central idea can therefore be summarized as:

“The drama is not an excuse for passivity: making puruṣārth is itself part of the drama.”

(content generated with the help of ChatGPT, copied and validated by me)

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Definitions

बैठना baiṭhnā (hindi)

To sit, to squat, to occupy a seat, to settle, to board, to mount.

भी bhī (hindi)

Inclusive emphatic particle: too, also, even.

drama (anglais)

Drama.
(Bābā) Film (which repeats itself identically unlike a play).
(Bābā) The Great Drama of life lasting 5000 years which revolves eternally. Human beings are the actors: souls occupying a costume or body. The sun, moon and stars are the lighting of the stage. The part of each person is inscribed in the soul and cannot be modified, which makes the Drama predestined.

होना hōnā (hindi)

To be.
To happen, to occur.
To exist.
To be born.

जाना jānā (hindi)

To go, to depart, to lose, to flow.

ज़रूर ضرور zarūr (arabe)

Certainly, undoubtedly, positively, without fail.

करना karnā (hindi)

To do.
Also used after a transitive English verb to conjugate.

नहीं nahī̃ (hindi)

No.
Not.

पर par (hindi)

पर denotes :

पुरुषार्थ puruṣhārth (sanskrit)

Human effort or exertion; valour; industry.
An object of human pursuit.
(Hinduism) The four basic aims of human existence (viz. dharm discharge of duty; arth acquirement of wealth; kām gratification of desire; mokṣha final emancipation).
(Bābā) The effort made by the soul to attain perfection.
(Bābā) Spiritual effort. The effort made for the sake (arth) of development of the soul (puruṣh). This effort includes the steps we take for attaining the perfect state of our original and eternal self.

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